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<title>Music Videos by Zombie Nation on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.14095&amp;rws=%2Fzombie-nation%2Fmusic-videos.rss</link><description>Zombie Nation enjoys the rare position of being famous even to millions of people who have no idea of his existence. That's thanks to his song "Kernkraft 400," a minimalist electro track from 1999 that inexplicably went on to become a sports-event anthem. But there's a lot more to Zombie Nation's Florian Senfter than &lt;I&gt;Jock Jams&lt;/I&gt;. Drawing from both classic electro's clean, machine-set cadences and the murkier sonics of experimental techno, Senfter has carved out an idiosyncratic body of work. Having established his electro credentials with 1999's &lt;I&gt;Leichenschmaus&lt;/I&gt; and its runaway hit, he returned in 2002 with "Unload," an Italo-disco vamp featuring Berlin minimal-house diva Cassy Britton. In 2006, sophomore album &lt;I&gt;Black Toys&lt;/I&gt; offered a richer vision, with fluid arrangements and somber tones offsetting brittle rhythms and overdriven synths. The album sounds like a missing link between Kompakt's brand of electro-pop and Britain's cheekier breakbeat enthusiasts. In 2009, Zombie Nation returned with &lt;I&gt;Zombielicious&lt;/I&gt;, a brash collection of galloping jams with its zombie eye clearly focused on fans of LCD Soundsystem and Justice.
- Philip Sherburne</description><category>U.K./Euro Techno</category><language>en</language><ttl>720</ttl><pubDate>Thu, 24 Dec 2009 13:10:01 -0800</pubDate><image>
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<description>Zombie Nation enjoys the rare position of being famous even to millions of people who have no idea of his existence. That's thanks to his song "Kernkraft 400," a minimalist electro track from 1999 that inexplicably went on to become a sports-event anthem. But there's a lot more to Zombie Nation's Florian Senfter than &lt;I&gt;Jock Jams&lt;/I&gt;. Drawing from both classic electro's clean, machine-set cadences and the murkier sonics of experimental techno, Senfter has carved out an idiosyncratic body of work. Having established his electro credentials with 1999's &lt;I&gt;Leichenschmaus&lt;/I&gt; and its runaway hit, he returned in 2002 with "Unload," an Italo-disco vamp featuring Berlin minimal-house diva Cassy Britton. In 2006, sophomore album &lt;I&gt;Black Toys&lt;/I&gt; offered a richer vision, with fluid arrangements and somber tones offsetting brittle rhythms and overdriven synths. The album sounds like a missing link between Kompakt's brand of electro-pop and Britain's cheekier breakbeat enthusiasts. In 2009, Zombie Nation returned with &lt;I&gt;Zombielicious&lt;/I&gt;, a brash collection of galloping jams with its zombie eye clearly focused on fans of LCD Soundsystem and Justice.
- Philip Sherburne</description>
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<title>"Gizmode" by Zombie Nation</title>
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<pubDate>Thu, 13 Dec 2007 12:31:05 -0800</pubDate>
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