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<title>Top Vocal Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link><description>Top Vocal Artists on Rhapsody Online</description><category>Vocal</category><language>en</language><ttl>720</ttl><pubDate>Sat, 26 Dec 2009 20:20:36 -0800</pubDate><image>
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<title>Top Vocal Artists on Rhapsody Online</title>
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<title>Frank Sinatra</title>
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<category>Pop Standards</category>
<pubDate>Sat, 26 Dec 2009 10:03:50 -0800</pubDate>
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<description><![CDATA[Frank Sinatra transformed popular music. Often cited as the single finest interpreter of American standards, he influenced generations of vocalists such as Nat King Cole and Carmen McRae by focusing on phrasing and matching narrative nuance and emotional naturalism with amazing breathing control. In the 1930s, Sinatra starting bringing back "old" songs by such masters as Cole Porter while he was still a Big Band singer. He became a national institution in the '40s, and even though Ray Charles has praised the flawless technique of this Columbia period, Sinatra kept evolving. Starting in the '50s he concentrated on groundbreaking concept albums and a fresh Big Band sound with master arranger Nelson Riddle. Sinatra explored every nuance of emotion on these Capitol and Reprise albums and influenced the work of Ella Fitzgerald and Peggy Lee. Beginning in the '70s, when rock ruled, his voice and output became erratic but some brilliant work remains. Though Sinatra always viewed himself as a popular singer, jazz musicians hold his work in the highest esteem. Miles Davis and Lester Young often interpreted standards through his versions and avant-gardist John Zorn has said that in his own way, Frank Sinatra was as much a jazz improviser as Charlie Parker.
- Nick Dedina]]></description>
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<title>Elvis Presley</title>
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<category>'50s Rock 'n' Roll</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
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<description><![CDATA[Elvis Presley is rock 'n' roll. He sang like a dream, he was sexy enough to send girls swooning, and he exuded enough cool not to have the boys resent him. Adults worried about his rebellious nature, but they were eventually comforted by his polite, courteous manner. Yet as perfect as Presley's 1950s rock recordings are, he excelled at so much: down-home country crooning, raucous R&B belting, enraptured Gospel singing, and classic pop balladeering. Elvis wasn't a vocal chameleon: these styles seeped out of him naturally, allowing his own personality to shine through. Despite his high level of talent and achievement in his craft, it was Elvis who made rock 'n' roll the international language of pop and inspired countless kids around the world to pick up a guitar or step up to a microphone. That said, Elvis didn't have a faultless career: he starred in plenty of bad movies, sang dozens of lame songs, got fat, and wore a kitschy white suit. But so what? He forever changed pop music, recording acres of perfect material over two short decades. Elvis (deservedly) remains the King.
- Nick Dedina]]></description>
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<title>Michael Buble</title>
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<category>Pop Standards</category>
<pubDate>Sat, 26 Dec 2009 10:04:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Michael Buble, the Canadian retro crooner, grew up listening to such influences as Stevie Wonder, Frank Sinatra, Bobby Darin and Ella Fitzgerald. Egged on by his grandfather, Buble became a showbiz kid who loved performing and at age 17 he won the top prize in the Canadian Youth Talent Search. After releasing a number of independent albums, Buble went stateside and joined the touring company of the much-praised Broadway show <I>Swing</I>. After being featured as a nightclub singer in the movie <I>Totally Blonde</I> (2001), Buble signed to Reprise Records -- the label started by Sinatra - and released his self-titled disc in 2003. Touring and TV appearances spotlighted Buble's stage presence and his "I don't need studio trickery" talent and resulted in the album hitting the charts a number of different times. Buble's skills as a live performer were highlighted on the strong seller <I>Come Fly With Me</I>, which was followed by <I>It's Time</I> (2005), which shot to No. 1 in Canada and topped the U.S. jazz charts.
- Nick Dedina]]></description>
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<title>Celine Dion</title>
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<category>Adult Contemporary</category>
<pubDate>Tue, 22 Dec 2009 10:24:27 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[On the off chance you've been living in a self-dug hole since before the new millennium due to Armageddon-related jitters, Celine Dion is not just a diva -- she seems to have emerged as a Titan among divas. Since releasing her first English language recording in 1990, she's managed to give Whitney and Mariah a good scare with her remarkable vocal capabilities, while making everyone all wistful and nostalgic for a ship that sunk eons ago and becoming the first (and only) "New Streisand" to do a duet with the "Old, Original Streisand." With so many achievements under her belt in so little time, it seems likely that when the day is done, Dion may very well emerge atop the diva heap.
- Kali Holloway]]></description>
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<title>Neil Diamond</title>
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<category>Adult Contemporary</category>
<pubDate>Fri, 18 Dec 2009 12:08:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[OK, Neil Diamond is an easy target for parody -- voice straight outta Brooklyn, bespangled shirt straight outta Vegas. But this ex-Brill Building tunesmith crafted a batch of excellent songs during the 1960s (hits such as "Solitary Man" for himself and "I'm a Believer" for the Monkees) before emerging as a stadium superstar. His bombastic, ubermelodramatic work from the 1970s has earned him an enormous, if aging, female following who feel that Diamond tells them what their tight-lipped, big-bellied husbands never will. Today, a new generation of ironic hipster fans have swelled their ranks. Both these groups know that underneath the florid orchestrations and over-the-top emotion lies the truth. Who doesn't feel that love can go on the rocks? Who hasn't experienced a great September morning? Be it a longtime fan in too-snug polyester trousers or a smug 25-year-old in his dad's leisure suit -- both pump their fists in unison during "America." Neil Diamond, an undeserving nation thanks you for trying to put some feeling (however unsubtle) into our bored, numbed lives.
- Nick Dedina]]></description>
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<title>Ray Charles</title>
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<category>Classic R&amp;B</category>
<pubDate>Fri, 25 Dec 2009 11:17:37 -0800</pubDate>
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<description><![CDATA[Heaven and earth battle it out in the music of Ray Charles, who combined gospel with the best of secular music and helped give birth to soul, rock, and hard bop. His early work showed the silky influences of the Nat "King" Cole trio and the piano blues great Charles Brown. Charles combined their sophisticated styles with R&B and gritty gospel to create his signature sound: hard, snappy piano combined with exquisite vocals that fall somewhere between a preacher gone bad and a yearning romantic balladeer. Charles absorbed styles like a sponge: big band jazz, country and pop were all added to his musical arsenal, and he built up a musical empire that kept him in the public eye for decades up until his untimely death, at the age of 73, in June 2004. Just prior to his passing, Charles cut his first duets record with such fans as Norah Jones, Willie Nelson, and Elton John, which illustrates a multi-generational sampling of the artists who list him as a prime influence. An American institution, Ray Charles' rendition of "Georgia on My Mind" has even become that state's anthem. If only the other 49 states could be as fortunate.
- Nick Dedina]]></description>
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<title>Dean Martin</title>
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<category>Pop Standards</category>
<pubDate>Thu, 24 Dec 2009 13:15:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[The famously laid-back and unruffled Dean Martin was one of the greatest stars of the 20th century. He loomed large on stage, radio and screen (big and small), and had a parallel career in music. Martin, whose real name was Dino Crocetti, was a journeyman romantic crooner until, out of desperation, he created an anarchic nightclub show with bizarro spaz Jerry Lewis. Audiences had never before seen anything like the duo's wild performances, and they immediately became worldwide sensations. Martin was always a brilliant straight man and comic, but his singing and acting abilities improved greatly during his years with Lewis, and by the time their partnership was over, he was a major recording and movie star. Most of Martin's best music and movies come from the 1950s and early '60s (an era he's forever associated with), but, surprisingly, such classics as "Volare," "Just In Time," and the relentless Rat Pack theme, "Ain't That A Kick In The Head," didn't perform that well in the charts.(In fact, "Ain't That A Kick In The Head" was banned in the U.S. because it mentioned a king-size bed.) Martin's career was at its peak during the swinging '60s and early '70s, when his weekly variety show was a ratings sensation and he became the first musician to knock the Beatles off the top of the pop charts with "Everybody Loves Somebody." As a vocalist, Martin excelled at Italian ballads, uptempo swing, straight pop and even country music. Elvis Presley always stated that Dean Martin was a major influence on his singing style (a quick listen to Dino's "Memories Are Made of This" illustrates this perfectly), and the driven, brooding Frank Sinatra always wished he possessed his pal's famous nonchalance. That quality explains a major part of Martin's enduring appeal.He was an intelligent performer with a beautiful voice and a knowing twinkle in his eye, a glint that told his audiences that it was all a joke and he didn't take himself, them or anything else too seriously. Ain't that the definition of "cool"?
- Nick Dedina]]></description>
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<title>Barbra Streisand</title>
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<category>Vocal-Pop</category>
<pubDate>Wed, 23 Dec 2009 13:30:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Want to start a heated debate at any party? Just mention the name Barbra Streisand. An amazingly gifted vocalist who doesn't always know when to quit, "Babs" is one of the few classic pop singers to come of age in the post-Elvis era. Already a great singer, Broadway propelled her to stardom and a highly successful recording career. Alas, the girl who dazzled the nation with her heartbreakingly sad take on "Happy Days Are Here Again" (from her 1963 debut) grew up to be the hurricane that spawned such bombastic storms as Celine Dion and Mariah Carey. Meanwhile, the streetwise Brooklynite who flirtatiously ate a carrot like Bugs Bunny in <I>What's Up Doc</I> aged into the auteur who gave a supporting role to her fingernails in <I>The Prince of Tides</I>. If the cool mod chick with the purest pipes since Ella Fitzgerald evolved into an "artiste" with a questionable perm, at least Babs has always followed her own path. She remains an American institution who has won Oscars, Grammies, and countless Emmys and has also become a subcultural icon. Streisand was championed in the 1960s as the first female sex symbol with a shnozola and is now feted by the gay community.
- Nick Dedina]]></description>
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<title>Nat King Cole</title>
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<category>Pop Standards</category>
<pubDate>Thu, 24 Dec 2009 13:15:23 -0800</pubDate>
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<description><![CDATA[Nat King Cole's great piano work with his jazz trio got overshadowed by his massive vocal success in the 1950s yet each phase of his career offers up so many riches that it proves that the lines between jazz and popular music just don't matter. Cole's easygoing vocals during the '40s matched his piano style charm for charm and his "lock-handed" approach and supple arrangements influenced everyone from Oscar Peterson to Diana Krall. But by the early 1950s, Cole weaned himself from the trio when his orchestrated and Big Band records sold in the millions. Thankfully, Cole's dreamy vocals just kept getting better and better when he didn't have the keyboard to preoccupy him and his concept albums for Capitol rank up there with Frank Sinatra's and Peggy Lee's in complete perfection. "Perfection" may just be the only word that can describe the true King's music.
- Nick Dedina]]></description>
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<title>Barry Manilow</title>
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<category>Easy Pop</category>
<pubDate>Sat, 12 Dec 2009 11:17:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Barry Manilow's recordings no longer top the charts the way they did throughout the 1970s but he still commands a large, loyal following. A low-key, honestly humble man who can transform into a dynamic performer, Manilow's ability to marry classic pop and Swing with Soft Rock while respecting each form is commendable. Manilow's fall in the pop charts made him take more artistic chances, and while he doesn't always succeed, his choices are never expected. Manilow started out as a behind-the-scenes jingle writer and one of his best moves was to pen a number of melodies to newly discovered Johnny Mercer songs. A true gentleman, he had jazz singer Nancy Wilson record them and the tune "When October Comes" (which Barry crooned on his album <i>2:00 AM Paradise Cafe</I>) in 1984.
- Nick Dedina]]></description>
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<title>Josh Groban</title>
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<category>Vocal-Pop</category>
<pubDate>Thu, 24 Dec 2009 13:15:47 -0800</pubDate>
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<description><![CDATA[Already an international star, the young Josh Groban brings operatic passion and classical themes to the masses. Doe-eyed, with curling ringlets, Groban is cute and cuddly compared to the swarthy Andrea Bocelli, yet he definitely possesses a true vocal gift to back up his clean-cut marketing appeal. Along with Bocelli, Charlotte Church (and the much artsier Audra McDonald and Mandy Patinkin), Groban is helping to reintroduce operatic, pre-pop singing to the public by adding modern arrangements and instrumentation. Whether Groban sings a cappella, or backed by a traditional orchestra, he always delivers.
- Nick Dedina]]></description>
</item><item>
<title>Billie Holiday</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62135&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 24 Dec 2009 13:15:48 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62135&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Long since gone, Lady Day still casts a spell. Like her musical alter ego, Frank Sinatra, interest in her personal life threatens to overshadow her importance to jazz and pop. Forget the tragedy, listen to the music. Holiday's attention to phrasing has influenced generations of singers and players. With her trademark gardenia in her hair, she advanced the art of singing by adding personal nuance and detail to each number. She practiced a subtle craft, telling a story with each lyric...her story. But even if all you speak is Esperanto, she has enough musicianship to duet with the likes of Lester Young and Ben Webster. Like them, her music dazzles with emotion, not empty gymnastics.
- Nick Dedina]]></description>
</item><item>
<title>Ella Fitzgerald</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5199&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5199&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Thought by many to be the greatest female jazz singer ever, Ella Fitzgerald enjoyed unparalleled success via such standards as "Lady be Good" and "I Get a Kick Out of You." At home fronting both large orchestras and intimate string sections, Fitzgerald's greatest strength was her stirring ability to use her voice as a virtual musical instrument in much the same way Benny Goodman controlled his clarinet or Charlie Parker played his saxophone -- notes were hit so quickly and elegantly that their accuracy boggled mind and ear alike. In a career that spanned seven decades, Ella Fitzgerald was the portrait of vocal mastery and jazz improvisation.
- Charles Hodgkins]]></description>
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<title>Diana Ross</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4195&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Thanks in part to a voice that could compete with Dionne Warwick on the level of pop appeal -- and let's not forget Berry Gordy's loving adoration for her -- Diana Ross not only became the lead singer of the Supremes, she became the quintessential image of the band in the public eye. What might have been had she remained part of the Supremes' backing vocal section will never be known, but the end result of Ross' being placed center stage was a later ascent to uber-diva as a solo artist. Within a year of taking leave of the Supremes in 1969, Ross already had a No. 1 song; within two years, she'd starred in a movie (<i>Lady Sings The Blues</i>) and secured an Academy Award nomination. Not bad for an acting novice and singer on her own for the first time. Over the years, Diana Ross has continued to earn film roles, chart placements, and the undying respect and admiration of drag queens the world over.
- Kali Holloway]]></description>
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<title>The Carpenters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1433&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Easy Pop</category>
<pubDate>Sat, 26 Dec 2009 10:03:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[A popular brother-and-sister team, the Carpenters sold millions of hit records in the early '70s. Richard started taking piano lessons at age 12 and studied classical piano at Yale before the family relocated to Downey, California, in 1963. Richard studied at USC and Cal State at Long Beach. He formed his first group in 1965, a jazz-pop instrumental trio that included younger sister Karen on drums and their friend Wes Jacobs (who later abandoned pop for a seat in the Detroit Symphony) on bass and tuba. The group won a battle of the bands at the Hollywood Bowl and subsequently signed with RCA. Four sides were recorded, but after label executives deemed them not commercially viable, they were never released. In late 1966 the trio broke up. Richard and Karen recruited four Cal State students into the vocal harmony-oriented band Spectrum. They played various Southern California venues to less than ecstatic response and disbanded.<br><br>
The Carpenter siblings' densely layered, pop-oriented demo tapes eventually caught the attention of Herb Alpert, who signed them to A&M in 1969. They released their first album that November. Originally titled <i>Offering</i>, it was ignored until it was repackaged as <i>Ticket to Ride</i>, on the strength of the moderate success of their Beatles-cover single. <i>Close to You</i>'s title track, a Burt Bacharach tune, sold more than a million copies and went to Number One in the U.S. and several other countries. Their hits continued: "We've Only Just Begun" (Number Two, 1970), "For All We Know" (Number Three, 1971; it won an Oscar for Best Song in 1970), "Rainy Days and Mondays" (Number Two, 1971), "Superstar" (Number Two, 1971; written by Leon Russell), "It's Going to Take Some Time" (Number 12, 1972), "Hurting Each Other" (Number Two, 1972), "Goodbye to Love" (Number Seven, 1972), "Sing" (Number Three, 1973), "Yesterday Once More" (Number Two, 1973), "Top of the World" (Number One, 1973), "Won't Last a Day Without You" (Number 11, 1974), "Please Mr. Postman" (Number One, 1975), and "Only Yesterday" (Number Four, 1975).<br><br>
The 1973 LP <i>The Singles 1969–1973</i> was a bestseller, and the Carpenters were three-time Grammy winners. They hosted a short-lived variety series, <i>Make Your Own Kind of Music</i>, on NBC in 1971. At the request of President Nixon, they performed at a White House state dinner honoring West German Chancellor Willy Brandt on May 1, 1973. They toured internationally through the mid-'70s. Their 1976 tour of Japan was, at the time, the biggest-grossing concert ever in that country. From 1976 to 1980 the pair hosted five ABC television specials. Through the late '70s the Carpenters were noticeably absent from the charts, but returned to the Top 20 in 1981 with "Touch Me When We're Dancing."<br><br>
On February 4, 1983, Karen Carpenter died in her parents' home of cardiac arrest, resulting from her long struggle with anorexia nervosa. Her story was presented in the highly rated made-for-television movie <i>The Karen Carpenter Story</i> in 1988. The posthumous LP <i>Lovelines</i> drew critical notice for its inclusion of four tracks Karen had recorded for an unreleased 1980 solo album. Richard's solo effort, <I>Time</i>, featured duets with Dionne Warwick and Dusty Springfield yet failed to chart. The followup merely features easy-listening, instrumental revisions of various Carpenters songs.<br><br>
With time, the duo's saccharine image has receded somewhat, and Karen Carpenter is acknowledged by women rock musicians, including Chrissie Hynde and Madonna, as a pioneer. Sonic Youth, Sheryl Crow, Matthew Sweet, Cracker, and the Cranberries were among the fourteen acts who contributed to the 1994 Carpenters tribute album <i>If I Were a Carpenter</i>. Around the same time that fall, the Karen and Richard Carpenter Performing Arts Center at Cal State University opened in Long Beach, California. Karen Carpenter's eponymous solo debut, recorded in 1979 and 1980 but unreleased until 1996, continued to keep her memory alive. The somewhat mature &#8212; but hardly edgy &#8212; album found her experimenting with disco and mildly suggestive lyrics.<br><br> <i>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</i>
]]></description>
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<title>Tony Bennett</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3922&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Sat, 26 Dec 2009 10:03:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[The resurgence of Tony Bennett to the top of the charts was one of the most gratifying surprises of the 1990s. Bennett was a (very big) cog in the <I>Columbia</I> hit machine of the '50s and '60s and he had to fight Mitch Miller tooth and nail to do the jazz albums and classy material he loved. He toured extensively with Duke Ellington and become the first white star to record with Count Basie. The cream of this era is collected on the exceptional <I>Jazz</I>, a compilation which also features Art Blakey, Stan Getz, and Bennett's main ivory tinkler, Ralph Sharon. A few years after "I Left My Heart in San Francisco," Bennett got knocked down during the acid rock wave of the late '60s but he answered back with his own label, <I>Improv</I> and cut two great albums with Bill Evans. Always a warm and good-humored singer, age and experience took the brassy edge off Bennett's voice and he decided to stick with jazz accompaniment. In the late '80s he recorded with Dexter Gordon, Dizzy Gillespie and George Benson, and slowly rebuilt his base. The '90s MTV generation took to Bennett's music and his unruffled cool personality in a very big way. His music is timeless.
- Nick Dedina]]></description>
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<title>Nina Simone</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4516&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 26 Dec 2009 10:03:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Singer Nina Simone's music has gone from gospel to jazz to pop to R&B and blues to a raging black protest that moved her off the supper-club circuit and into political rallies and soul concerts. Known since the late '50s as the "High Priestess of Soul," she enjoyed a renaissance in her sixth decade with the publication of her autobiography and the exposure given her music in a popular American film. Taking her stage name from French actress Simone Signoret, she epitomizes the soul diva.
<br><br>
Simone began singing in church and taught herself piano and organ by the time she was seven. She took classical keyboard lessons and attended New York's Juilliard School of Music, then began playing East Coast clubs and concerts. Her first hit was a 1959 gold record of Gershwin's "I Loves You, Porgy."
<br><br>
In the '60s she moved toward R&B, recording Screamin' Jay Hawkins' "I Put a Spell on You" and "Don't Let Me Be Misunderstood" (a subsequent hit for the Animals). This led to sizable popularity in England, where she had hits with "Ain't Got No/I Got Life" (from <i>Hair</i>) in 1968 and the Bee Gees' "To Love Somebody" in 1969.
<br><br>
By then she had become a black-power activist (her first protest song, "Mississippi Goddam," mourned the death of slain civil rights leader Medgar Evers), and politically oriented tracks like "Four Women" (on an out-of-print Philips album) alienated her white audience. She became even more intense and unpredictable in concert, and despite continuing critical acclaim, she gradually lost her commercial standing. Financially, she fell upon hard times, and she divorced her manager/husband (her first marriage had also failed). In 1974 Simone quit the music business.
Leaving the States, Simone took up residence in Switzerland, Liberia, Barbados, France, and the U.K. in the mid-'70s. By 1978, however, she had returned to music, releasing <i>Baltimore</i> and touring the U.S. again. While the early '80s were a fallow period, Simone experienced a comeback in 1987 when a television commercial for Chanel No. 5 perfume used her early recording "My Baby Just Cares for Me." Her candid 1991 autobiography, <i>I Put a Spell on You</i>, and an appearance on Pete Townshend's <i>Iron Man</i> boosted her revival. In 1993, with her music featured in the film <i>Point of No Return</i> and with a new studio album, <i>A Single Woman</i>, Simone gained a new audience for her fiercely elegant fare. In 1995 Simone was ordered to pay a $4,600 fine for shooting at two teenaged boys whom she maintained were disturbing her peace while she was gardening; that year also, she was fined $5,000 for leaving the scene of a car accident that had occurred in 1993. The '90s concluded, however, on a happier note, as her music was presented again in a number of well-crafted anthologies. In 2003, Simone died at age 70 after a lengthy battle with breast cancer.]]></description>
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<title>Louis Armstrong</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62012&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Traditional Jazz/Dixieland</category>
<pubDate>Thu, 24 Dec 2009 13:15:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62012&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62012&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA["The Reverend Satchelmouth is the beginning and the end of music in America." So said Bing Crosby and how right he was because Armstrong is the single most important figure in twentieth century popular music. If there's an artist who wasn't directly influenced by his astounding improvisations, and most importantly, his phrasing, then he was influenced by those who were. Armstrong did more with time, nuance, and personality than whole armies of musicians. But forget about influencing others -- if his music doesn't fill you with tingles of joy and delight then you just may be dead. And don't fret if you are six feet under; Pops will be serenading you in heaven. For how can there be a heaven without Louis?
- Nick Dedina]]></description>
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<title>Frankie Valli &amp; The Four Seasons</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7515017&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Tue, 15 Dec 2009 10:31:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7515017&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In 1965, when Frankie Valli left the Four Seasons to embark upon a solo career, he took the most recognizable aspect of the group with him -- his unmistakable falsetto voice. Though the Four Seasons had a number of hits throughout the 1960s, they never earned the respect other bands from the era have garnered. This trend continued with Valli's solo career. Shortly after releasing his debut solo album in 1967, Valli rejoined the Four Seasons until the early '70s, when he again broke off on his own. Though he had minor hits throughout the decade, his career more or less leveled off. Valli's '70s songs survive as prime AM radio fodder -- slow-paced, easily digestible numbers ideal for those moments in the dentist's chair while you're waiting for the Novocain to kick in.
- Mark Murrmann]]></description>
</item><item>
<title>Sarah Brightman</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2090&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Wed, 2 Dec 2009 11:06:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2090&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2090&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Andrew Lloyd Webber penned smash musicals such as <i>The Phantom of the Opera</i> in order to spotlight the talents of his (now ex) wife Sarah Brightman, who went on to record a series of very successful vocal albums. Brightman dresses like a Goth rocker and she puts a dark spin on lush material that usually falls somewhere between Barbra Streisand and Celine Dion.
- Nick Dedina]]></description>
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<title>Anita Baker</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3503&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sat, 26 Dec 2009 10:03:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3503&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3503&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Anita Baker was one of the defining talents of the '80s, a singer who stepped outside the current of the pop mainstream and rose to the top of the charts with a combination of good songwriting, lovely production, and a highly distinctive vocal style. A Detroit legal secretary-cum-chanteuse, Baker layered her seductive, rich voice over highly relaxed accompaniment, creating songs that defined the best of mid-'80s Quiet Storm. Baker's voice is enough to keep you awake, though, and songs such as "Rapture" and "Sweet Love" offer plenty to this day.
- Sarah Bardeen]]></description>
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<title>Harry Connick, Jr.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65269&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Tue, 22 Dec 2009 10:24:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Harry Connick, Jr.</rhap:artist>
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<description><![CDATA[A gifted singer, pianist and actor, Harry Connick Jr. was poised to become one of the biggest stars of the 1990s. While that didn't quite happen, Connick <I>is</I> big -- both as an performer and actor. A native of New Orleans, he was a child prodigy who fell in love with jazz piano, and the rich musical legacy of his hometown has always informed his work. After moving to New York City, the handsome and charismatic Connick took a friend's advice and threw on some retro duds, he quickly landed a major recording contract. Connick's first two albums were jazz piano affairs, but when his pseudo-soundtrack for <I>When Harry Met Sally</I> (done in Frank Sinatra's patented 1950s <I>Swingin' Lovers</I> style) became a surprise smash hit that stayed atop the jazz charts for years, Connick kept the Sinatra thing going for a while. Then came an ill-advised but heartfelt New Orleans R&B detour. His old school R&B wasn't embarrassing, but since he'd always incorporated the feel of the city into much of his work, it did feel a bit redundant. When Connick returned to jazz-based pop music with 1997's <I>To See You</I>, one could hear his renewed enthusiasm - in fact, his recordings from this point on are often better and more exciting than some of his earlier, better-selling releases. Many critics have failed to see (or hear) how much Connick's singing, songwriting and piano playing have matured over the years. His single greatest development may be in the unheralded field of arrangements; his imaginative band charts on albums such as <I>Come By Me</I> and <I>Songs I Heard</I> show an originality and spark that would earn him acclaim in the jazz world if he weren't a pop star. At the same time, Connick take pains to strip all the other instruments away and show off his uncompromising jazz piano playing, often on Branford Marsalis' label. In 2007, he returned to New Orleans for <i>Oh, My Nola</i>, an album that contains all the verve and fire that his earlier efforts in the style sometimes lacked.
- Nick Dedina]]></description>
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<title>Dionne Warwick</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3952&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Fri, 25 Dec 2009 11:17:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dionne Warwick</rhap:artist>
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<description><![CDATA[The Burt Bacharach resurgence proves that what the world needs now is Dionne Warwick. She was one of the links between classic pop, rock and R&B in the '60s, with hits like "Walk on By," "I Say a Little Prayer," and "Do You Know the Way to San Jose." Warwick was the singer who could handle Bacharach's deceptively complex material and make it seem simple. The rock, disco, and rap generations knew her as the host to <i>Solid Gold</i>, as Whitney Houston's aunt, and then as the mouthpiece for the Psychic Friends Network. Now these people are rediscovering her roots as a great vocalist.
- Nick Dedina]]></description>
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<title>Bobby Darin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56835&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Brill Building Pop</category>
<pubDate>Fri, 25 Dec 2009 11:17:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bobby Darin</rhap:artist>
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<description><![CDATA[Beginning as a '50s teen idol, Bobby Darin kept his musical life afloat through the '60s and '70s by swinging from pop, rock and folk, while hitting the Las Vegas lounge circuit along the way. Darin helped immortalize rock 'n' roll's earliest years with songs such as "Splish Splash" and "Dream Lover." By the end of the '50s, Darin marked his style change with an album of pop standards. Among the songs on this 1959 album was the most enduring version of Brecht-Weill's "Mack the Knife." The '60s saw Darin trapse through the Vegas circuit then morphing into a politically active, Dylan-influence folk singer with a number of Rolling Stones covers rounding out his set. As the '70s rolled around, Darring again donned his tuxeudo and returned to the world of the Vegas nightclubs and even briefly hosted a television show. In 1973, at the age of 37, Darrin died during open-heart surgery, leaving behind a wonderfully eclectic collection of music. In 1990 Darrin was inducted into the Rock 'n' Roll Hall of Fame.
- Jaan Uhelszki]]></description>
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<title>Julio Iglesias</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2182&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Latin Pop</category>
<pubDate>Fri, 30 Oct 2009 12:04:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Julio Iglesias</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2182&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2182&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[You might think of Julio Iglesias as a love-ballad crooner for the old folks
- and indeed, you wouldn't be far off. But this crooner has one of music's
most interesting life stories. Beginning his professional life as a goalie
for Spanish soccer team Real Madrid, Iglesias became a lawyer after a car
accident left him unable to play soccer. This might have been the end of the
story, but Iglesias - who'd always played guitar and written songs - won a
music contest and was signed by Columbia Records. From there, it was just a
matter of time before Iglesias seduced Europe. He recorded hits in Spanish
and French before finally conquering North America. We all know the result:
his duet on "To All the Girls I've Loved Before" with Willie Nelson, and
hundreds of other gentle classics. Iglesias has recently teamed up with
Latin Pop hitmakers including Alejandro Sanz in an effort to return to that
market.
- Sarah Bardeen]]></description>
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<title>Tom Jones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.559&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Sun, 13 Dec 2009 10:14:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tom Jones</rhap:artist>
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<description><![CDATA[Emerging from a small Welsh town like a black-haired tornado, Jones won the hearts and panties of scores of women on both sides of the Atlantic with his roguish good looks, bodybuilder's physique, impressive vocal range, impassioned and wonderfully melodramatic delivery, and those oh-so-tight pants which left nothing to the imagination. Emerging during the British Invasion of the mid-1960s, Jones had quite a bit in common with pop singers who flexed their vocal muscle over heavily orchestrated arrangements. But his classic numbers -- "It's Not Unusual," "Delilah," "She's a Lady" -- reveal a raw sexuality and primal urgency that link him more to Vegas-era Elvis than popular crooners such as Sinatra. What Jones really does best is bring his unmistakable charisma and over-the-top vocal stylings to any and all musical settings -- country, electronica, R&B and rock 'n' roll. A great example of this is his cover of Prince's "Kiss," where the Welshman sexily growls and prowls like an over-sexed uber male while Art of Noise puts the music in a quirky dance pop setting.
- Will Lerner]]></description>
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<title>Dusty Springfield</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62041&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Blue-Eyed Soul</category>
<pubDate>Wed, 23 Dec 2009 13:32:48 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dusty Springfield</rhap:artist>
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<description><![CDATA[During the British pop invasion on Yank shores, Dusty Springfield kept Swinging London alive with the sounds of American Soul and Vocal Pop. Like a tea-sipping combination of Peggy Lee and Dionne Warwick, she brought some much needed class to the pimply pop masses. Her voice, a husky but subdued instrument, purred rather than roared -- her love of R&B filtered through her British reserve like light going through a diamond. This approach worked perfectly on material written by her favorite teen drama tunesmith teams, Goffin/King and Bacharach/David. Going stateside, she recorded the sublime <i>Dusty in Memphis</i> with Aretha Franklin's production team. Instead of being a down-home gritfest, it contains her most glistening, uptown material. The perfect summation of a career.
- Nick Dedina]]></description>
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<title>Johnny Mathis</title>
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<category>Vocal-Pop</category>
<pubDate>Sat, 26 Dec 2009 10:03:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Johnny Mathis</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61240&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[During the dawn of the rock 'n' roll era, greasy-haired youth of every ilk chose Johnny Mathis as the backdrop for their initial romantic conquests. While their older siblings preferred the darker, more jazz-orientated worlds of Sinatra and Nat King Cole, the kids took to the sunnier and glossier Mathis style. This Bay Area native was the last classic Columbia Records crooner to dominate the pop charts by singing standards in a Technicolor tenor that put a rosy, fireside glow to complex emotions. Mathis had a string of hit albums throughout the '60s and, thanks to his younger fan base, survived the soft rock '70s better than artists such as Sarah Vaughan. Today, Mathis remains a big concert draw and alternates Adult Contemporary albums with the same upscale collections of standards that got all that blood boiling back in the '50s.
- Nick Dedina]]></description>
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<title>Bing Crosby</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62120&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bing Crosby</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62120&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bing Crosby was a revolutionary figure in music -- he adopted singing to the microphone, brought jazz into white pop, and was our first multimedia star (radio, records, movies, TV). He crooned it all -- from Hawaiian to Country --but was at his best on easygoing, improv heavy rhythm tunes. Crosby always paid his respects to Louis Armstrong (and loved working with him) but much of his best jazz recordings are currently out of print. This is a shame because to paraphrase Tony Bennett, Crosby was the first cool white man in American music.
- Nick Dedina]]></description>
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<title>The Platters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1060&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Doo-Wop</category>
<pubDate>Thu, 24 Dec 2009 13:14:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Platters</rhap:artist>
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<description><![CDATA[After producer and songwriter Buck Ram got a hold of a group, he performed a certain magic. It worked with the Penguins and it worked with the Platters. Ram transformed the Platters from a run-of-the-mill Doo-Wop group to one of the best-known and most-loved Oldies groups around. Aside from recording some of the most classic, spine-tingling makeout music ever, the Platters earned the distinction of being the first black group to have a No. 1 hit on the (usually all-white) pop charts. Many disc jockeys, club owners, and listeners thought the Platters were white, as the group provided the soundtrack for generations of awkward teens' first sweaty-palmed, clumsy slow dance. Although "Great Pretender" and "Only You" are the most instantly recognizable Platters hits, the velvet throat of Tony Williams led the Platters to a number of Top-40 hits through the early part of the '60s.
- Mark Murrmann]]></description>
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<title>Julie London</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9491&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Sat, 19 Dec 2009 10:51:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Julie London</rhap:artist>
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<description />
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<title>Peggy Lee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61239&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Thu, 24 Dec 2009 13:15:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Peggy Lee</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61239&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61239&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Peggy Lee gives everybody "Fever." She brought a certain sizzle to her Big Band canary days with Benny Goodman, and attained star status while on Decca and Capitol Records in the '50s. Lee continued as the reigning cult goddess of vocal jazz and pop until her death in 2002.
- Nick Dedina]]></description>
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<title>Il Divo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7235835&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal</category>
<pubDate>Sun, 13 Dec 2009 10:14:09 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Il Divo</rhap:artist>
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<description><![CDATA[Il Divo is a preternaturally handsome five-man multinational team of operatic male pop vocalists. The idea for this outfit was born when snappy "American Idol" celebrity Simon Cowell heard a recording of Andrea Bocelli and Sarah Brightman singing "Con Te Partiro" in 2001. Realizing he liked operatic vocal style but not the repertoire, Cowell set about to create a classically trained vocal group that would sing the types of pop songs and love ballads commonly played at weddings. To further class up these pop songs, they would be translated into Italian, Portuguese or Spanish. In December 2003, American tenor David Miller became the completing member of the ensemble, which includes Spanish baritone Carlos Marin, French pop singer Sebastien Izambard and Swiss tenor Urs Buhler. Their multiplatinum self-titled debut album was No. 1 in 13 countries. Their <I>Christmas Collection</I> was an America-only release and their second worldwide charting album, <I>Ancora, </I>was released in November 2005, featuring a duet with Celine Dion.
- Daphne Carr]]></description>
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<title>Sarah Vaughan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2106&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 24 Dec 2009 13:15:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sarah Vaughan</rhap:artist>
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<description><![CDATA[Sarah Vaughan first amazed Bop musicians and the public when she was a teenager singing with Billie Eckstine's big band. She earned the nickname "Sassy" for her salty tongue, but Vaughan quickly became known as the "Divine One" for her awe-inspiring vocal abilities. Vaughan had a multi-octave range that she could employ with (seemingly) wild abandon or with surgical precision to get at the core of a song and during the 1950s and '60s she cut a remarkable mix of trio, Big Band and orchestral albums for the Mercury label. Whether Vaughan reconfigured the melody of a standard, sang a show tune straight, or slowed a ballad down to a crawl, the song became her own. She had the same struggles as other star vocalists when jazz was bumped from the pop scene in the mid-1960s but she rebounded nicely in the '70s with a great string of recordings on the Pablo label. While Sarah Vaughan remains one of the most influential singers in jazz and pop history -- Anita Baker, Dianne Reeves and others still carry her torch -- no one has ever topped her at her own game.
- Nick Dedina]]></description>
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<title>Rosemary Clooney</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61145&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Sat, 26 Dec 2009 10:03:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rosemary Clooney</rhap:artist>
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<description><![CDATA[Rosemary Clooney carries on the interpretive jazz singing tradition of Billie Holiday and Frank Sinatra. Clooney may have been forced to record plenty of Mitch Miller-produced corn during the 1950s, but she also released acres of great material during this period. Besides being the first major vocal star to do an album with Duke Ellington (and <i>Blue Rose</i> is amazing), Clooney also recorded with such heavyweights as Benny Goodman, Harry James and (her secret love) Nelson Riddle. After a complete breakdown, Clooney resurfaced to great critical acclaim in the mid-'70s on the Concorde jazz label -- accent on the jazz. Now Clooney is free to concentrate on great standards instead of silly tunes and crossover material. While her once pure, perfect voice has aged, Clooney's sense of swing, nuance, and emotion has only grown richer over the years.
- Nick Dedina]]></description>
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<title>Bette Midler</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59158&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Fri, 18 Dec 2009 12:07:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bette Midler</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59158&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Proving that with enough talent and tenacity you can do it all, Bette Midler has conquered the pop charts, the literary world, Hollywood <I>and</I> Broadway. The Divine Miss M has also conquered an amazing range of styles throughout the decades; from 1940's standards ("Boogie Woogie Bugle Boy") to the hard-rocking Janis Joplin-esque style she displayed in <I>The Rose</I> to lush, romantic ballads ("Wind Beneath My Wings"), Midler proves she the talent to turn out hits regardless of format.
- Linda Ryan]]></description>
</item><item>
<title>Perry Como</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4856&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Good Old Days</category>
<pubDate>Sat, 26 Dec 2009 10:03:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Perry Como</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4856&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the most popular singers of the post-World War II years, Perry Como's vocal style and personal demeanor were always relaxed, unruffled and seemingly untroubled. Como studied the "crooner" style of Bing Crosby and fellow Italian-American Russ Columbo, mellowing it out even further and becoming a beloved presence on radio, record, and television well into the 1960s. Sadly, it's hard to think of another American singer who was as big as Como was, for as long as he was, yet whose recorded legacy has almost completely disappeared from the public consciousness. Though he deserves better, two things have probably kept Como's vast catalogue of songs from seeming relevant decades after they were recorded (the way that Frank Sinatra, Tony Bennett, and Dean Martin's catalogues have). First, Como never fought against the tidal wave of goofy novelty numbers labels and publishers passed his way, so digging out the gems requires some patience. Second, his serene "sailing above the clouds" style lacks the attention to lyrics and the jazz foundation that even Bing Crosby, the king of the lackadaisical crooners, displayed. This is a shame because Como was a very good singer, and much of his material, especially his swing era work, is a whole lot of fun. If all you've heard is "Magic Moments," you may want to check out the fun, Crosby-on-Quaaludes side of the cardiganed crooner, which can be found on such CD reissues as <I>Perry Como With the Fontaine Sisters</I> and the first couple discs in the box set <I>Yesterday & Today: A Celebration in Song</I>.
- Nick Dedina]]></description>
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<title>Nancy Wilson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69335&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 24 Dec 2009 13:14:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nancy Wilson</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69335&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan. Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s. She released a couple of very respectable LPs with star arranger Billy May but actually crossed over to radio and the pop charts with two small group jazz platters with her bestselling label mates (one with George Shearing (<I>The Swinging's Mutual</I>) and the other with Cannonball Adderley). Catapulted to the pop stratosphere, Wilson was the bestselling artist on Capitol Records' roster (beating out everyone from Nat King Cole to the Beach Boys) until the Beatles crossed the pond and eclipsed everything and everybody in their culture-changing wake. Other fine albums from this '60s period include <I>Yesterday's Love Songs, Today's Blues</I> and <I>But Beautiful</I>, a jazz ballad set led by pianist Hank Jones. In the '70s and '80s, Nancy Wilson slowly made the transition from pop star to adult contemporary soul singer. From the 1990s to the present day, Wilson returned to alternating jazz standards, quiet storm and adult contemporary ballads, while putting on a sensational jazz show in concert. The longevity of Wilson's career and the continuing strength of her voice are almost unheard of in modern pop music, though her career -- and her affinity with jazz, blues and soul -- shares many parallels with one-time Capitol labelmate Lou Rawls.
- Nick Dedina]]></description>
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<title>Dinah Washington</title>
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<category>Pop Standards</category>
<pubDate>Thu, 24 Dec 2009 13:15:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dinah Washington</rhap:artist>
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<description><![CDATA[A great jazz and pop vocalist who excelled at the blues, Dinah Washington had a sharp, powerful voice that she wielded with knife-like precision. Washington's open and direct (yet smartly controlled) style was extremely popular throughout the 1950s with black audiences, and by the late-'50s she had crossed over to the white pop market with big hits such as "What A Diff'rence A Day Makes," which combined a jazz and blues feel with Nashville-style arrangements. Washington loved after hour jam sessions, and also released a stellar series of jazz albums on Mercury (now Verve Records) that included many of the greatest musicians of the day. Known for her full figure, strong personality, hard-living lifestyle, and multiple marriages, Washington was something of an Elisabeth Taylor/Marilyn Monroe for the African-American community: always in the news, she was almost as famous for newspaper headlines, funny quips, and her fun fashion sense as she was for her music. She died of an accidental overdose while going on a crash diet in December 1963. Washington rightly remains extremely popular in jazz and vocal circles, and she's a major influence on R&B in general and artists such as Ray Charles, Etta James and Aretha Franklin in particular.
- Nick Dedina]]></description>
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<title>Robbie Williams</title>
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<category>Pop</category>
<pubDate>Tue, 15 Dec 2009 10:30:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Robbie Williams</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42891&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A success story of purely British proportions, Robbie Williams went from being a teen pinup in the U.K's version of New Kids on the Block (Take That) to being a teen pinup for the post-Brit Pop generation. After the demise of Take That, Robbie "The Tough One" Williams took to hardening his image by surrounding himself with drugs, solo records, and Oasis. His singles have been the perfect blend of teen-pop all dressed up in lad-rock clothing. His smirking confidence, roguish good looks and genuine stage presence have seen him do surprisingly well with the American market.
- Jon Pruett]]></description>
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<title>Judy Collins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2146&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Folk Revival</category>
<pubDate>Fri, 25 Dec 2009 11:17:49 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Judy Collins</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2146&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Judy Collins' sweet soprano is as much a part of the '60s as the Beatles or Motown. Dorm rooms reverberated with her interpretations of Bob Dylan, Leonard Cohen, and Joni Mitchell songs. She knew how to ferret out good tunes and many artists got their initial exposure through her versions -- Mitchell in particular. Collins changed her strategy in the 1970s. She started writing much of her own material and covered songs from country to rock to Broadway. During this period, she walked a high wire act between revolutionary statements, art songs, and what the public really wanted to hear. Collins has played it safe since then -- the classics fit her soaring vocal better than hymns to Che Guevara would.
- Eric Shea]]></description>
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<title>Jane Monheit</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.34686&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sun, 25 Oct 2009 10:21:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jane Monheit</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.34686&amp;variant=data&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jane Monheit was one of many young jazz and classic pop based vocalists to benefit from the rise of Diana Krall in the 1990s. An old world beauty raised on Long Island, the 20 year-old Monheit first came to the public's attention at a prestigious jazz competition that was attended by a bevy of musical legends. Monheit possesses a beautiful, crystal clear tone that sets her apart from most modern singers, in or out of the jazz world. Her chops are more powerful than those of musician/singers such as Diana Krall or Peter Cincotti and she is more approachable in her use of jazz improvisation. Monheit signed with the indie label N-coded and released her debut, <I>Never Never Land</I>, in 2000, kicking off the set with the self-deprecating "Please Be Kind." Monheit needn't have worried, since the CD was a big hit, shooting up to the No. 2 spot in the jazz charts and reaching No. 3 in the then-new Internet sales chart. Her 2001 follow-up did even better, going to the top spot in the jazz charts and featuring a cover of Joni Mitchell's "A Case of You" that shows that Monheit could've easily entered the Sarah McLachlan pop realm if she had wished to. <I>In the Sun</I>, released in 2002, grafted lush string arrangements onto a small-group jazz palette, while the next year's <I>Live at the Rainbow</I> surprisingly had more of an old-fashioned, Streisand-in-the-1960s vocal feel to it than her studio albums. Monheit signed to Sony in 2004 and released <I>Taking a Chance On Love</I>, a run-through of the standards originally written for MGM films. Another mix of small-group and orchestral numbers, the album returned Monheit to No. 1 in the jazz charts and showcased her strengths as both a jazz and classic pop vocalist.
- Nick Dedina]]></description>
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<title>Edith Piaf</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3374&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Europe</category>
<pubDate>Mon, 30 Nov 2009 10:01:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Edith Piaf</rhap:artist>
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<description><![CDATA[Edith Piaf still looms large as France's biggest singer. She was known as "the waif sparrow" -- an apt description for someone who projected a seemingly contradictory air of fragile toughness. Like Billie Holiday, she overcame grim, Dickensian beginnings, only to wallow in dark torch songs that somehow projected strength instead of self-pity. Besides romance, she sang about sex, death and drug addiction in a straightforward fashion that still seems shocking even in these desensitized times. Her taboo subject matter ensured that many of her songs would be banned from the radio, but even that failed to tarnish her star through out the 1930s, '40s and '50s. She cultivated songwriters and helped jump-start the careers of such fellow wounded icons as Yves Montand and Charles Aznavour.
- Nick Dedina]]></description>
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<title>Mel Torme</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55039&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mel Torme</rhap:artist>
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<description><![CDATA[The bobby socks generation knows him as the Velvet Fog for his light, smoky voice. The children of television recognize him from appearances on <I>Night Court</I> and <I>Sienfeld</I>. Jazz fans know Mel Torme as the singer who best exemplified the Cool West Coast sound. A child prodigy, Torme entered show biz at the age of three. A short stint as a big band drummer left him with a firm grasp of complex rhythms and he enjoyed a brief period as a crooning teen idol in the 1940s (film roles included). During the 1950s, Torme began a collaboration with arranger/pianist Marty Paich, and together they brought the Miles Davis/Gerry Mulligan "Birth of the Cool" sound to popular music on a series of classic albums. These remain his finest recordings, but Torme was popular during the '80s, where sold-out concert crowds were dazzled by his high-flying scat abilities and razor wit. Torme also wrote many songs, including the standard "Stranger in Town," penned when he was fifteen years old, as well as "The Christmas Song" ("...chestnuts roasting on an open fire").
- Nick Dedina]]></description>
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<title>Lou Rawls</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2663&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 24 Dec 2009 13:15:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lou Rawls</rhap:artist>
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<description><![CDATA[It's good to have a mega hit but Lou Rawls has been too firmly associated with "You'll Never Find Another Love Like Mine" over the years. Yes, it's a great Philly Soul number, but Chicago's own Lou Rawls has done much in a long, illustrious career. He excelled at gospel with Sam Cooke, at jazz with Les McCann and Benny Carter, and with the blues-drenched jazz 'n' soul on his own R&B hits. It took a serious car accident and a short coma to get Rawls to throw caution to the wind and try for a solo career and he immediately caught the attention of musicians in the early 1960s. His earliest Capitol recordings rank among his best but Rawls didn't catch on with the public until 1966's incendairy <I>Live!</I>, which contained his famed pre-song "raps" which helped set the stage for Isaac Hayes, Gil Scott-Heron and Barry White. Rawls classics at the time included "Black and Blue" and "Dead End Street" which helped define the civil rights movement but as Rawls got increasingly popular he helped light up dance floors and bedrooms with some of the tastiest Philly Soul of the 1970s. In 1989 Rawls returned to recording top shelf blues and jazz material, first with Blue Note, then with his own label. While his albums can contain uneven material, Rawls is justly famous for his searing live show and his older material is newly popular with British youth. Rawls passed away from cancer in 2006.
- Nick Dedina]]></description>
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<title>Doris Day</title>
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<category>Pop Standards</category>
<pubDate>Sun, 20 Dec 2009 09:42:37 -0800</pubDate>
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<description><![CDATA[Forever associated with her perky, Hollywood created "girl next door" image, Doris Day was one of the biggest singers and movie stars of the 1940s, '50s and '60s. A much finer (and jazzier) vocalist than people care to remember, Doris Day started singing professionally with the Bob Crosby and Les Brown big bands while she was still in her teens. Day's pure, unaffected voice (think of a non-scatting Ella Fitzgerald) swung, even on ballads, and she became a star before her fresh-faced beauty helped her land a movie contract. Day's bright appeal developed in Tinsel Town but her movie roles and recordings slowly started to turn into chirpy, upbeat vehicles. Even then, Day still cut good albums it's just that her sugary fluff for Columbia Records sold so well and was so popular with the public that it came to dominate her recording time. Day's vocal purity and her love of swing-era jazz would've found a better home at Capitol Records (home of Peggy Lee, Frank Sinatra and Nat Cole) than Columbia but she was usually just happy to sing anything between movie roles. Every once in a while Day put her foot down and instead of cutting novelty numbers and goofball tunes, she would record fine band sides with Paul Weston and small group jazz sessions with Andre Previn, Harry James and others.
- Nick Dedina]]></description>
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<title>Blossom Dearie</title>
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<category>Cabaret</category>
<pubDate>Sun, 13 Dec 2009 10:14:03 -0800</pubDate>
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<title>Andy Williams</title>
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<category>Vocal-Pop</category>
<pubDate>Sat, 26 Dec 2009 10:03:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=17&amp;rws=%2Fvocal-easy-listening%2Fvocal%2Fartist-chart.rss">Top Vocal Artists on Rhapsody Online</source>
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<description><![CDATA[Andy Williams carried on the crooning cardigan tradition of Perry Como deep into the rock 'n' roll years. A good singer with seamless technique, Williams had a bright TV personality and a string of hit singles ("I Can't Get Used to Losing You," and "Moon River" are the two that still get plenty of spins on AM radio) throughout the late 1950s, '60s and '70s. In a surprise twist, Williams became every vengeful woman's fantasy when he stood by ex-wife Claudine Longet after she shot and killed skiing legend/paramour Spider Sabich in 1976. Since those heady days, Williams' recording career has slowly wound down, but he continues to be a big concert draw and has his own theatre in Branson, Missouri.
- Nick Dedina]]></description>
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<title>Judy Garland</title>
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<category>Cabaret</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
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<description><![CDATA[Judy Garland survived childhood stardom and continued in film, cabaret and TV. Her singing style was often over the top, but she could be a subtle vocalist as well, and often had a dancer's sense of swing that Ethel Merman could only dream about.
- Nick Dedina]]></description>
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<title>Steve Tyrell</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 18 Dec 2009 12:08:57 -0800</pubDate>
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