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<title>Playlists Featuring Those Darlins on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.24048246&amp;variant=artist-playlists&amp;rws=%2Fthose-darlins%2Fplaylists.rss</link><description>South Carolina bassist Kelley and Kentucky guitarist Jessi got together in the mid-'00s at the Southern Girls Rock &amp; Roll Camp, founded by Kelley in Murfreesboro , Tennessee . Not long after, they were joined by Virginia-raised baritone ukulele plucker Nikki. At that point, they were a cowpunk power trio, all sharing the fake surname Darlin. In 2006, they commenced performing inebriated live gigs during which crowd members noted their raucous hick energy, three-way harmonies, less-then-reverent wit, ability to trade instruments, shapely gams and snazzy cowboy boots. By 2008, the Darlins were showcasing their hot-mama hybrid of old-timey white blues, rockabilly and pub-rock on disc: A three-song teaser EP was highlighted by numbers about living snaggle-toothed in a middle-of-nowhere shack and about coming home after too many drinks and devouring an entire chicken found in the fridge. A four-song live and "field recording" CD-R added renditions of "Tom Dooley" and Ernest Tubb's "Nails in My Coffin." Their uproarious debut album, produced with chamber-pop additives by Jeff Curtin, but sounding nothing like his more famous studio understudies Vampire Weekend, followed in 2009.
- Chuck Eddy</description><category>Cowpunk</category><language>en</language><ttl>720</ttl><pubDate>Mon, 23 Nov 2009 14:16:02 -0800</pubDate><image>
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<description>South Carolina bassist Kelley and Kentucky guitarist Jessi got together in the mid-'00s at the Southern Girls Rock &amp; Roll Camp, founded by Kelley in Murfreesboro , Tennessee . Not long after, they were joined by Virginia-raised baritone ukulele plucker Nikki. At that point, they were a cowpunk power trio, all sharing the fake surname Darlin. In 2006, they commenced performing inebriated live gigs during which crowd members noted their raucous hick energy, three-way harmonies, less-then-reverent wit, ability to trade instruments, shapely gams and snazzy cowboy boots. By 2008, the Darlins were showcasing their hot-mama hybrid of old-timey white blues, rockabilly and pub-rock on disc: A three-song teaser EP was highlighted by numbers about living snaggle-toothed in a middle-of-nowhere shack and about coming home after too many drinks and devouring an entire chicken found in the fridge. A four-song live and "field recording" CD-R added renditions of "Tom Dooley" and Ernest Tubb's "Nails in My Coffin." Their uproarious debut album, produced with chamber-pop additives by Jeff Curtin, but sounding nothing like his more famous studio understudies Vampire Weekend, followed in 2009.
- Chuck Eddy</description>
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