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<title>Thrones Discography on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.13992&amp;rws=%2Fthethrones%2Fdiscography.rss</link><description>Joe Preston first came to the attention of music fans as a member of the Melvins, playing bass on &lt;i&gt;Lysol&lt;/i&gt; and the Kiss-themed &lt;i&gt;Joe Preston&lt;/i&gt;, both released in 1992. After leaving the Melvins, the Seattle native launched Thrones, his one-man double-necked bass band. Mixing in samples, tape loops and atmospheric noises, Preston puts both the bass and his voice through a wall of effects and plays trudgingly-paced doom metal along to a drum machine. Affecting his voice to sound at times like a chorus of angels and at others like a depressed grizzly bear, Preston makes music that, while structured fairly traditionally, is beyond weird. The heavy use of delay makes funeral marches and crushing stoner metal passages take on a psychedelic trance quality. In other songs, majestic explosions of heavenly robots shake off the murk in a sunburst marriage of noise-metal power and, um, opera (no, really! See "Obolus" on &lt;i&gt;Sperm Whale&lt;/i&gt;). Thrones have released a pair of full-lengths (&lt;i&gt;Alraune&lt;/i&gt; in 1996 and &lt;i&gt;Sperm Whale&lt;/i&gt; in 2000), several seven-inches and EPs, and have appeared on a bunch of Kill Rock Stars comps.
- Mike McGuirk</description><category>Doom Metal</category><language>en</language><ttl>720</ttl><pubDate>Sun, 20 Dec 2009 18:30:32 -0800</pubDate><image>
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<description>Joe Preston first came to the attention of music fans as a member of the Melvins, playing bass on &lt;i&gt;Lysol&lt;/i&gt; and the Kiss-themed &lt;i&gt;Joe Preston&lt;/i&gt;, both released in 1992. After leaving the Melvins, the Seattle native launched Thrones, his one-man double-necked bass band. Mixing in samples, tape loops and atmospheric noises, Preston puts both the bass and his voice through a wall of effects and plays trudgingly-paced doom metal along to a drum machine. Affecting his voice to sound at times like a chorus of angels and at others like a depressed grizzly bear, Preston makes music that, while structured fairly traditionally, is beyond weird. The heavy use of delay makes funeral marches and crushing stoner metal passages take on a psychedelic trance quality. In other songs, majestic explosions of heavenly robots shake off the murk in a sunburst marriage of noise-metal power and, um, opera (no, really! See "Obolus" on &lt;i&gt;Sperm Whale&lt;/i&gt;). Thrones have released a pair of full-lengths (&lt;i&gt;Alraune&lt;/i&gt; in 1996 and &lt;i&gt;Sperm Whale&lt;/i&gt; in 2000), several seven-inches and EPs, and have appeared on a bunch of Kill Rock Stars comps.
- Mike McGuirk</description>
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<pubDate>Fri, 14 Jun 1996 00:00:00 -0700</pubDate>
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