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&lt;br&gt;&lt;br&gt;
Formed in Brooklyn, New York, the band is composed of Ohio friends Matt Berninger, whose brooding baritone is reminiscent of musical precursors like the late Joy Division singer Ian Curtis; guitarist Scott Devendorf and his drummer brother Bryan; bassist Aaron Dessner and his guitarist brother Bryce. The band has recruited a number of horn, strings and keyboard players for its albums including regular keyboardist and strings arranger Padma Newsome.
&lt;br&gt;&lt;br&gt;
The National’s 2001 self-titled debut, self-released on Brassland Records, was heralded for its mix of melodic alt-country and bleak, introspective lyrics, but the band members had not yet quit their day jobs in the dot-com industry. After releasing a second Brassland album two years later &amp;#8212; the similarly somber &lt;I&gt;Sad Songs for Dirty Lovers&lt;/I&gt; &amp;#8212; the band attracted the attention of established indie label Beggars Banquet. The National became a full-time band with its 2005 Beggars Banquet debut &lt;I&gt;Alligator&lt;/I&lt;, on which Berninger continued his cockeyed, fatalistic meditations on dysfunctional relationships, insanity and the dark underbelly of New York nightlife. &lt;I&gt;Boxer&lt;/I&gt;, released in May 2007, was hailed across the board as the band’s richest, most mature work to date.
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&lt;br&gt;&lt;br&gt;
Formed in Brooklyn, New York, the band is composed of Ohio friends Matt Berninger, whose brooding baritone is reminiscent of musical precursors like the late Joy Division singer Ian Curtis; guitarist Scott Devendorf and his drummer brother Bryan; bassist Aaron Dessner and his guitarist brother Bryce. The band has recruited a number of horn, strings and keyboard players for its albums including regular keyboardist and strings arranger Padma Newsome.
&lt;br&gt;&lt;br&gt;
The National’s 2001 self-titled debut, self-released on Brassland Records, was heralded for its mix of melodic alt-country and bleak, introspective lyrics, but the band members had not yet quit their day jobs in the dot-com industry. After releasing a second Brassland album two years later &amp;#8212; the similarly somber &lt;I&gt;Sad Songs for Dirty Lovers&lt;/I&gt; &amp;#8212; the band attracted the attention of established indie label Beggars Banquet. The National became a full-time band with its 2005 Beggars Banquet debut &lt;I&gt;Alligator&lt;/I&lt;, on which Berninger continued his cockeyed, fatalistic meditations on dysfunctional relationships, insanity and the dark underbelly of New York nightlife. &lt;I&gt;Boxer&lt;/I&gt;, released in May 2007, was hailed across the board as the band’s richest, most mature work to date.
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