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<title>Music Videos by The Faint on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.47219&amp;rws=%2Fthe-faint%2Fmusic-videos.rss</link><description>It's hard to imagine a band like the Faint coming out of Omaha, but if crops can be turned into automotive fuel, there's no reason this corn-fed quintet can't distill its own electronics-fueled version of high-octane indie rock. After an early start with the name Norman Bailer, whose lineup briefly included Bright Eyes' Conor Oberst -- the Faint built a local following before breaking out with 2001's &lt;I&gt;Danse Macabre&lt;/I&gt;, which darkened indie songwriting with goth mascara (then spangled it with electro's shiny circuits). &lt;I&gt;Danse Macabre Remixes&lt;/I&gt; brought them all the way over to the club, with help from remixers like Paul Oakenfold and Tommie Sunshine; subsequent albums &lt;I&gt;Wet From Birth&lt;/I&gt; and &lt;I&gt;Fasciinatiion&lt;/I&gt; have continued to burrow wormholes from the present day back to the '80s new-wave glory days.
- Philip Sherburne</description><category>Electropop</category><language>en</language><ttl>720</ttl><pubDate>Mon, 28 Dec 2009 09:03:24 -0800</pubDate><image>
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<description>It's hard to imagine a band like the Faint coming out of Omaha, but if crops can be turned into automotive fuel, there's no reason this corn-fed quintet can't distill its own electronics-fueled version of high-octane indie rock. After an early start with the name Norman Bailer, whose lineup briefly included Bright Eyes' Conor Oberst -- the Faint built a local following before breaking out with 2001's &lt;I&gt;Danse Macabre&lt;/I&gt;, which darkened indie songwriting with goth mascara (then spangled it with electro's shiny circuits). &lt;I&gt;Danse Macabre Remixes&lt;/I&gt; brought them all the way over to the club, with help from remixers like Paul Oakenfold and Tommie Sunshine; subsequent albums &lt;I&gt;Wet From Birth&lt;/I&gt; and &lt;I&gt;Fasciinatiion&lt;/I&gt; have continued to burrow wormholes from the present day back to the '80s new-wave glory days.
- Philip Sherburne</description>
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