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<title>Top Soundtracks/Musicals Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link><description>Top Soundtracks/Musicals Artists on Rhapsody Online</description><category>Soundtracks/Musicals</category><language>en</language><ttl>720</ttl><pubDate>Thu, 3 Dec 2009 22:20:24 -0800</pubDate><image>
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<title>Top Soundtracks/Musicals Artists on Rhapsody Online</title>
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<title>Demi Lovato</title>
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<category>Teen Beat</category>
<pubDate>Sat, 31 Oct 2009 11:42:58 -0700</pubDate>
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<description><![CDATA[So you've seen <I>Camp Rock</I>, right? No? OK, then you've at least watched <I>Barney</I> once or twice. You haven't? What are you, some kind of grown-up? Well, then, chances are you've yet to come in contact with young Ms. Demi Lovato, who got her start showing her gums on the purple dino's cute-fest at age six and her big break as a star of Disney's 2008 rock-camp-themed movie-musical. But you're going to be seeing a lot more of her: The Dallas, Tex., native stars in the Disney Channel series <I>Sonny with a Chance</I> and makes headlines for her BFF-ship with fellow Disney starlet Selena Gomez. And her buddies the Jonas Brothers (who also star in <i>Camp Rock</I>) worked with Lovato, a longtime singer-songwriter, to put together her debut album in 2008. For album two, 2009's <I>Here I Go Again</I>, she enlisted John Mayer as inspiration and collaborator.
- Rachel Devitt]]></description>
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<title>John Williams</title>
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<category>Orchestral Scores</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
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<description><![CDATA[Unquestionably one of the major film composers of our time, and a talented conductor for the prestigious Boston Pops as well. Although he's written dozens of blockbuster film scores, his closest association is probably with Steven Spielberg. Williams has written the music to nearly all of Spielberg's films, composing and conducting his scores to sync with the action down to the millisecond. Williams has mastered many aspects of classical composition, from the Stravinsky-like scurrying of the Jawas in <I>Star Wars</I> to Wagnerian attachment of themes to specific events and characters. Who can forget the dread evoked by the two note motive from <I>Jaws</I>, or Darth Vader's theme music? A multiple Academy Award winner, Williams has been nominated for the top prize over forty times so far -- and he has proven his ability to enhance the emotion of a scene with broad or subtle orchestral sweeps.
- Jessy Terry]]></description>
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<title>Disney</title>
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<category>Children's TV/Movies</category>
<pubDate>Fri, 23 Oct 2009 11:55:38 -0700</pubDate>
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<description><![CDATA[It's hard to imagine childhood (and even adulthood) without a spoonful of Disney to help make life's discoveries, curiosities, struggles and fears go down just a little more smoothly. No one dreams bigger than the magic men and women behind the Walt Disney brand, which has made a world of fantasy a blockbuster reality. Since its founding in 1923, the company has grown into a global empire with Mickey Mouse eclipsing any head of state in popularity. Mickey, Bambi, Mary Poppins, Tigger, Nemo, Ariel, Pocahontas, Simba, Aladdin, Belle and a seemingly infinite gang of yapping animals and magical princesses populate the Disney landscape, with flesh-and-blood Homo sapiens like Hans Zimmer (<i>Pirates of the Caribbean</i>), Elton John (<i>The Lion King</i>), Celine Dion (<i>Beauty and the Beast</i>), Vanessa Williams (<i>Pocahontas</i>), Julie Andrews (<i>Mary Poppins</i>) and Randy Newman (<i>Toy Story</i>) providing the fantastical soundtracks to these characters' timeless tales.
- Stephanie Benson]]></description>
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<title>Barbra Streisand</title>
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<category>Vocal-Pop</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<description><![CDATA[Want to start a heated debate at any party? Just mention the name Barbra Streisand. An amazingly gifted vocalist who doesn't always know when to quit, "Babs" is one of the few classic pop singers to come of age in the post-Elvis era. Already a great singer, Broadway propelled her to stardom and a highly successful recording career. Alas, the girl who dazzled the nation with her heartbreakingly sad take on "Happy Days Are Here Again" (from her 1963 debut) grew up to be the hurricane that spawned such bombastic storms as Celine Dion and Mariah Carey. Meanwhile, the streetwise Brooklynite who flirtatiously ate a carrot like Bugs Bunny in <I>What's Up Doc</I> aged into the auteur who gave a supporting role to her fingernails in <I>The Prince of Tides</I>. If the cool mod chick with the purest pipes since Ella Fitzgerald evolved into an "artiste" with a questionable perm, at least Babs has always followed her own path. She remains an American institution who has won Oscars, Grammies, and countless Emmys and has also become a subcultural icon. Streisand was championed in the 1960s as the first female sex symbol with a shnozola and is now feted by the gay community.
- Nick Dedina]]></description>
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<title>Hans Zimmer</title>
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<category>Soundtracks</category>
<pubDate>Wed, 2 Dec 2009 11:07:18 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<description><![CDATA[Besides his extensive work in film and television, Hans Zimmer has played with and produced a variety of pop acts, including Joe Strummer, the Damned and Whitney Houston.(The space between punk pioneers the Damned and former pop princess Whitney Houston underscores the breadth of Zimmer's talents.) The German transplant has earned Academy Award nominations for his scores to such pictures as <I>Rain Man</I>, <I>As Good As It Gets</I>, <I>Gladiator</I>, <I>The Prince of Egypt</I> and <I>The Thin Red Line</I>; he won for the score to <I>The Lion King</I>.
- Nick Dedina]]></description>
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<title>Steve Jablonsky</title>
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<category>Orchestral Scores</category>
<pubDate>Fri, 13 Nov 2009 12:38:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<title>Andrew Lloyd Webber</title>
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<category>Musicals</category>
<pubDate>Fri, 20 Nov 2009 12:51:32 -0800</pubDate>
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<description><![CDATA[Andrew Lloyd Webber helped usher in the age of the Broadway Blockbuster, creating a whole new global audience for musical theater in the process. The composer, who has had a long collaboration with lyricist Tim Rice, had his first major success in 1971 with <I>Jesus Christ Superstar</I>. The duo originally couldn't raise enough financing to mount a show, so they released a <I>J.C. Superstar</I> soundtrack album first and saw it instantly take off, and they were able to turn it into a stage musical. After that breakthrough success, Webber and Rice didn't have any problems finding money to put their shows together, and experienced even greater triumphs with <I>Evita</I> (which stands up as their greatest work) and <I>Cats</I> (which became one of the longest running shows in theater history). After these successes, it didn't seem as if Webber could get any bigger. But then he composed a light rock adaptation of <I>The Phantom of the Opera</I> using his then-wife Sarah Brightman as his muse. <i>Phantom</i> turned an even bigger number of young people raised on TV and the movies into theatergoers, and Webber has kept going from there.
- Nick Dedina]]></description>
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<title>John Barry</title>
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<category>Film Scores</category>
<pubDate>Fri, 13 Nov 2009 12:38:15 -0800</pubDate>
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<description><![CDATA[Not only is John Barry one of the greatest film composers to emerge from the 1960s (when he was also a pop star), he may be the first composer to achieve fame on the level of a Hollywood star. Forever linked to James Bond films and the swinging London of the '60s, Barry continues to be an excellent and diverse artist who excels at brooding melancholia and atmospheric jazz beyond the <I>Austin Powers</I>-style grooviness he's so often associated with. Besides winning numerous Academy Awards for scores to such movies as <I>The Lion In Winter</I>, <I>Born Free</I> and <I>Dances With Wolves</I>, he's developed a cult of female fans enraptured with his richly romantic scores to <I>Out of Africa</I> and, in particular, <I>Somewhere in Time</I>. Interestingly, Barry has said that he prefers these brooding pieces to the sweeping theme of <I>Born Free</I>, his most popular recording outside of the Bond theme (which was originally credited to another composer). Barry still makes modern classical and jazz music when he's not working on film scores.
- Nick Dedina]]></description>
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<title>Stephen Schwartz</title>
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<category>Musicals</category>
<pubDate>Fri, 13 Nov 2009 12:37:27 -0800</pubDate>
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<description><![CDATA[Next to Broadway big shots like Andrew Lloyd Webber and Richard Rodgers, there's a rightful place for composer and lyricist Stephen Schwartz. His early career includes the scores to community-theater chestnut <i>Pippen</i> and the film <i>Godspell</i>, and a run with Disney that yielded music for a number of animated hits, including the Academy Award-winning score to <i>Pocahontas</i> (remember "Have you ever seen the wolf cry to the blue horned moon"? -- yeah, that was him). He had already earned most major awards in his field when he struck gold in 2003 with the score to the massively popular Broadway musical <i>Wicked</i>. Schwartz continues to write for stage and screen, and enjoyed another big success with the 2007 Disney film <i>Enchanted</i>.
- Nate Cavalieri]]></description>
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<title>Mark Knopfler</title>
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<category>Film Scores</category>
<pubDate>Tue, 1 Dec 2009 09:47:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<description><![CDATA[Mark Knopfler, with his gruff tenor and boogie-rock guitar licks, made Dire Straits one of the top-selling rock bands of all time -- but that's only half the story. Shortly after the band's most successful record, 1985's <i>Brothers in Arms</i>, the group went on a leave from which they never fully re-emerged. Knopfler had already scored music for two films, 1983's <i>Local Hero</i> and 1984's <i>Cal</i>, and he threw himself into soundtrack and production work, most notably Tina Turner's <i>Break Every Rule</i> and <i>The Princess Bride</i> soundtrack. Around this time he formed country project the Notting Hillbillies with friend and collaborator Steve Phillips. In 1990 he collaborated with Chet Atkins on <i>Neck and Neck</i>, and a year later Dire Straits released their final studio album. Knopfler's solo career began in earnest with 1996's <i>Golden Heart</i> and has been sporadic since. He has collaborated with some of the biggest names in music: Bob Dylan, Eric Clapton, Van Morrison and perhaps most successfully with Emmylou Harris. Their <i>All the Roadrunning</i> (2006) was nominated for a Grammy and led to a world tour and live album, <i>Real Live Roadrunning</i>. Knopfler put out his seventh solo album, <i>Kill to Get Crimson</i>, in 2007.
- Nate Baker]]></description>
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<title>Nicholas Hooper</title>
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<category>Soundtracks</category>
<pubDate>Wed, 4 Nov 2009 12:14:30 -0800</pubDate>
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<title>Jonathan Larson</title>
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<category>Musicals</category>
<pubDate>Fri, 13 Nov 2009 12:37:27 -0800</pubDate>
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<description><![CDATA[Jonathan Larson rewrote the rules for musical theater in the late 20th century, crafting the first musical in decades that truly spoke to younger audiences. <I>Rent</i>, with its glorious mash-up of musical styles and heartfelt lyricism, absolutely exploded on Broadway when it opened in 1996, earning a Pulitzer Prize, four Tonys and assorted other awards. Larson, who grew up in White Plains, NY, played tuba in high school and cherished aspirations of acting, but his mentor and hero Steven Sondheim convinced him to pursue composing instead. His early work includes "Tick, Tick...BOOM!" and "Suburbia," but <i>Rent</i> represents the fullest flowering of his talent. Larson first conceived of <I>Rent</i> when he and a friend decided to remake Puccini's <I>La Boheme</i> with modern characters set in New York. Larson ended up taking over the project, basing much of it on his own experiences as a poor, struggling artist living in downtown Manhattan. He transposed Puccini's characters into more modern types -- a punk, a videographer, an HIV positive woman -- and drew on rock, soul, salsa and pop to create the music. The night before <I>Rent</i> previews were set to open, Larson collapsed and died unexpectedly of an aortic aneurysm. His family gave the production their blessing to go on as scheduled, and the rest is history. The play was made into a film in 2005.
- Sarah Bardeen]]></description>
</item><item>
<title>Philip Glass</title>
<link>http://www.rhapsody.com/goto?rcid=art.7114&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Minimalism</category>
<pubDate>Fri, 20 Nov 2009 12:50:56 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Philip Glass</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7114&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7114&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although he's one of the most influential figures in twentieth century music, Philip Glass has nevertheless earned the ire of some of his fellow Avant-Gardists for both his enormous success and his coinage of minimalist theory. A Julliard-trained classical musician whose ideas were greatly transformed when he was hired to transcribe Ravi Shankar's work, Glass embraced rhythm and repetition over the standard classical rules -- rules which had previously applied even to Avant-Garde classical. He was met with massive success during the '70s and '80s, working in concert halls, theatre, opera, film and even on pop recordings. Though often accused of overt repetition, it must be noted that Glass' music has become increasingly rich over the years, while still managing to maintain a certain accessibility on a basic, emotional level. His advances have trickled down into both the popular music we hear (David Bowie, Aphex Twin) and the alternate musical avenues that post-Glass artists are free to explore.
- Nick Dedina]]></description>
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<title>Henry Mancini</title>
<link>http://www.rhapsody.com/goto?rcid=art.1082&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Henry Mancini</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1082&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1082&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mancini did it all -- TV's <i>Peter Gunn</i> and film's <i>The Pink Panther</i> soundtracks, Big Band jazz and easy listening albums, and standards such as "Moon River" and "Days of Wine and Roses."]]></description>
</item><item>
<title>Randy Newman</title>
<link>http://www.rhapsody.com/goto?rcid=art.76&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sat, 28 Nov 2009 09:38:32 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Randy Newman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.76</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.76&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.76&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Randy Newman is a hard one to pigeonhole. He set the stage for such songwriters as Tom Waits and Lyle Lovett with his odd-mannered vocals and witty, yet bleak, narrative songs. A fine craftsman, Newman couples his talent for lyrics with catchy pop melodies -- the kind that grandma has the sheet music to and plays on hot, summer nights. He's like an unholy alliance between Elvis Costello and Elton John -- which means he's either too hip or just not square enough for much of the public. That said, Newman has been releasing strong albums since 1968, and he's even had hit songs, like "Short People" and "I Love L.A." -- with most missing the ironic content. Since <I>Ragtime</I> in 1981, Hollywood has paid his bills, and Newman has written a string of film scores, from <I>The Natural</I> to <I>Toy Story</I>. Song or musical suite, Newman's music offers snapshots of America -- some fawning, others unflattering.
- Nick Dedina]]></description>
</item><item>
<title>Howard Shore</title>
<link>http://www.rhapsody.com/goto?rcid=art.4752&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Orchestral Scores</category>
<pubDate>Thu, 26 Nov 2009 11:28:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Howard Shore</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4752&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4752&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Howard Shore was already starting to build his reputation as a film composer when he stepped out of his role as <I>Saturday Night Live</I>'s first musical director in 1980 (his theme song is still used to this day). Shore was highly respected for his work in horror, suspense and black comedy, making him a natural fit for extended collaborations with such maverick, free-thinking directors as David Cronenberg, Martin Scorsese, Jonathan Demme and David Fincher. He has amassed a large, intriguing body of work over the decades and retained the regard of his Hollywood peers while gaining the admiration of hobbits, elves and wizards after he scored all the movies in the <I>Lord of the Rings</I> trilogy.
- Nick Dedina]]></description>
</item><item>
<title>Vangelis</title>
<link>http://www.rhapsody.com/goto?rcid=art.38044&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>New Age Electronic</category>
<pubDate>Tue, 1 Dec 2009 09:48:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Vangelis</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38044&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38044&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born in 1943, Greek composer Evangelos Odysseas Papathanassiou (Vangelis for short) is celebrated for his memorable cinematic scores, the most famous of which are for the 1981 film <i>Chariots of Fire</i> and 1982's <i>Blade Runner</i>. His numerous solo and studio albums date back to 1972's <i>Fais que Ton Reve Soit Plus Long que la Nuit</i>.
- Nate Cavalieri]]></description>
</item><item>
<title>Cast - High School Musical</title>
<link>http://www.rhapsody.com/goto?rcid=art.9939866&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks/Musicals</category>
<pubDate>Wed, 4 Nov 2009 12:14:32 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9939866&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If you don't know who the cast of <I>High School Musical</I> is, we're gonna go out on a limb and assume you don't know any children. And yes, you could turn to the nearest tween for the answer and get an earful of names rattled off: Zac Efron, Vanessa Hudgens, Ashley Tisdale; Troy, Gabriella, Sharpay. But what it really comes down to is that the cast of the Disney Channel's original-movie-turned-runaway-licensing-phenomenon are just a bunch of regular kids who came together over an afternoon spent in detention (and yes, there is a prom queen, a jock, and a brain -- but no freak or delinquent; come on, it's a Disney musical). After overcoming a few obstacles, they not only win the scholastic decathlon <I>and</I> the big game, they also discover a shared love (and talent) for, well, high school musicals and go on to stage two more of them in <I>HSMs</I> 2 and 3 (so far).
- Rachel Devitt]]></description>
</item><item>
<title>Sound Effects</title>
<link>http://www.rhapsody.com/goto?rcid=art.52038&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks/Musicals</category>
<pubDate>Wed, 2 Dec 2009 11:07:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.52038&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.52038&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Tom Jones</title>
<link>http://www.rhapsody.com/goto?rcid=art.559&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Tue, 10 Nov 2009 10:13:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tom Jones</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.559&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.559&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Emerging from a small Welsh town like a black-haired tornado, Jones won the hearts and panties of scores of women on both sides of the Atlantic with his roguish good looks, bodybuilder's physique, impressive vocal range, impassioned and wonderfully melodramatic delivery, and those oh-so-tight pants which left nothing to the imagination. Emerging during the British Invasion of the mid-1960s, Jones had quite a bit in common with pop singers who flexed their vocal muscle over heavily orchestrated arrangements. But his classic numbers -- "It's Not Unusual," "Delilah," "She's a Lady" -- reveal a raw sexuality and primal urgency that link him more to Vegas-era Elvis than popular crooners such as Sinatra. What Jones really does best is bring his unmistakable charisma and over-the-top vocal stylings to any and all musical settings -- country, electronica, R&B and rock 'n' roll. A great example of this is his cover of Prince's "Kiss," where the Welshman sexily growls and prowls like an over-sexed uber male while Art of Noise puts the music in a quirky dance pop setting.
- Will Lerner]]></description>
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<title>Richard Rodgers and Oscar Hammerstein</title>
<link>http://www.rhapsody.com/goto?rcid=art.5466&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Sun, 29 Nov 2009 09:28:11 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Richard Rodgers and Oscar Hammerstein</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5466&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Richard Rodgers wrote great songs for Broadway shows with his first lyricist Lorenz Hart; but with his second partner Oscar Hammerstein, he wrote great musicals. Their first outing <i>Oklahoma</i> (1943) was more than a huge success, it was a joyous celebration of Americana. If you are unsettled by singing ranch hands, check out their next work, the darkly beautiful <i>Carousel</i>. <i>South Pacific</i> dealt with racial intolerance, while the effervescent <i>The King and I</i> made a star out of Yul Brynner, who also ruled the screen version with his masculine "I can kick your jock butt" singing and dancing. Another smash hit, <i>The Sound of Music</i> had their weakest score, but at least contained the ever-comforting "My Favorite Things." Rodgers and Hammerstein's strengths in crafting complex, whole works didn't leave them with a large numbers of songs that worked outside of a show's context. Regardless, they set the gold standard for the American musical.
- Nick Dedina]]></description>
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<title>Paul Oakenfold</title>
<link>http://www.rhapsody.com/goto?rcid=art.3935&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Trance</category>
<pubDate>Fri, 30 Oct 2009 12:04:56 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paul Oakenfold</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3935&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3935&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[House heavyweight Paul Oakenfold leads the growing community of globe-trotting DJs with his constantly evolving, trendsetting dance style. A genre pioneer, a shrewd businessman, and an undefeated club king, Oakenfold's influence over the dance music industry can be felt worldwide.
- Melissa Piazza]]></description>
</item><item>
<title>Judy Garland</title>
<link>http://www.rhapsody.com/goto?rcid=art.61241&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Cabaret</category>
<pubDate>Mon, 30 Nov 2009 10:00:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Judy Garland</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61241</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61241&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61241&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Judy Garland survived childhood stardom and continued in film, cabaret and TV. Her singing style was often over the top, but she could be a subtle vocalist as well, and often had a dancer's sense of swing that Ethel Merman could only dream about.
- Nick Dedina]]></description>
</item><item>
<title>Danny Elfman</title>
<link>http://www.rhapsody.com/goto?rcid=art.17730&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Film Scores</category>
<pubDate>Thu, 26 Nov 2009 11:27:14 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Danny Elfman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.17730</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.17730&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.17730&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Danny Elfman and Tim Burton go together like Milk Duds and popcorn. But before Elfman was scoring movies for a grown up goth kid with his own production company, he was the leader of Oingo Boingo. What most of his fans don't know is that even Oingo Boingo was originally created for the sole purpose of a film soundtrack. Back in 1980, his brother Richard Elfman had made a film entitled <I>The Forbidden Zone</I> and had asked Danny to provide a soundtrack. He formed a band called the Mystic Knights of Oingo Boingo just for that purpose. The band engendered a cult following of new wave kids and cranked out some successful albums before Tim Burton hired Elfman to score his 1985 film, <I>Pee-Wee's Big Adventure.</I> Elfman went on to work with Burton as well as with various other soundtrack projects including the theme song for <I>The Simpsons</I>.
- Eric Shea]]></description>
</item><item>
<title>Ennio Morricone</title>
<link>http://www.rhapsody.com/goto?rcid=art.3304&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Film Scores</category>
<pubDate>Fri, 20 Nov 2009 12:51:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ennio Morricone</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3304</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3304&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3304&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Undoubtedly one of the most skilled, prolific and imitated film composers in history. His spaghetti western themes from the 1960s have become so ingrained in popular culture that one need only strike an outlaw pose before someone in the room starts whistling the theme from <i>The Good, the Bad and the Ugly</i>. Though most often identified for the grand, heroic gestures of this period, he certainly did not limit himself to this style. From the eerie electronics of <i>The Thing</i> to the cross-cultural orchestration of <i>The Mission</i>, Morricone has shown himself capable of an absolutely remarkable breadth of expression. His forays outside of film music, including trumpet work in seminal improvisation ensemble Nuova Consonanza as well as numerous Avant-Garde and experimental compositions, further entrench his place among this century's most fascinating and important composers.
- Doug Russell]]></description>
</item><item>
<title>Dethklok</title>
<link>http://www.rhapsody.com/goto?rcid=art.16371913&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Metal</category>
<pubDate>Thu, 12 Nov 2009 09:55:27 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16371913&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Fictional, animated metal gods Dethklok are the "heaviest and most popular metal band" in the world. Consisting of lyrical visionary and frontman Nathan Explosion, fastest guitarist in the world Swisgaar Swigelf, second fastest guitarist in the world Toki Wartooth, most full of hate bassist anywhere William Murderface, and Pickles, the world's most celebrated drummer, this part-American/part-Scandinavian group stars in the Adult Swim cartoon, <I>Metalocalypse</I>. Created by Brendon Small and Tommy Blacha as a sardonic homage to metalheads and metal's longstanding cliches, the show follows the exploits of the band and the committee that wants to destroy them. Featuring the catchy death metal songs that soundtracked each episode of season 1, 2007's <I>Dethalbum</I> was revered by real metal heads everywhere.
- Jen Guyre]]></description>
</item><item>
<title>Stephen Sondheim</title>
<link>http://www.rhapsody.com/goto?rcid=art.61211&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Fri, 20 Nov 2009 12:51:16 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61211&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Stephen Sondheim is the most artistically important Broadway composer of the past 50 years, even if he isn't the most commercially successful. To his credit, Sondheim has constantly challenged theater audiences with practically every one of his choices, from scathing lyrics to experimental music to the topics and themes of his musicals, which have included everything from middle class/middle age ennui to political assassinations to imperialism to ecological destruction. Sondheim doesn't stop there. The song structures he employs are often influenced by 20th Century classical music and feature tense, circular melodies instead of immediately catchy pop tunes.
As a young man, Stephen Sondheim started off as a lyricist for composers, penning the words to such revolutionary blockbuster shows as <I>West Side Story</I> (music by Leonard Bernstein), <I>Gypsy</I> (music by Jules Stein) and <I>Do I Hear a Waltz</I> (music by Richard Rodgers, the old working partner of Sondheim's theatre mentor, Oscar Hammerstein). While Sondheim would have entered the history books for his work on <I>West Side Story</I> alone, he started writing the music as well as words for musicals with the 1962 hit <I>A Funny Thing Happened On the Way to the Forum</I>. An old fashioned romp, <I>Forum</I> would be the last time that Sondheim would put out a crowd pleaser with broad audience appeal.
His next success, <I>Company</I> (1970), was an impressionistic look at an isolated bachelor looking in on his married friends, all of whom were in various states of domestic distress. After this, <I>Follies</I> and <I>A Little Night Music</I> (which contained his biggest hit, "Send in the Clowns") continued to broaden the Broadway spectrum and win him widespread critical praise. In 1979, Sondheim released <I>Sweeney Todd</I>, one of his darkest works. Unrelentingly bleak, yet bitingly funny, <i>Sweeney Todd</i> is based on the classic tale of cannibalism for fun and profit. <I>Todd</I>'s combination of bloody <I>grand guignol</I>, mordant comedy and tragic romance even came with an underlying metaphor about how even justifiable revenge can lead to madness and loss instead of closure and vindication. This perfect mix of horror, heart, tension, doomed love and comedy became Sondheim's biggest solo hit.
Instead of repeating himself, Sondheim followed <I>Todd</I> with the twin triumphs of <I>Sunday in the Park With George</I> (1984) and <I>Into the Woods</I> (1987), both of which balanced unique theatrical experiences and personal insight with experimental structures that still managed to enrapture audiences. These two musicals would be the last of Sondheim first-run shows to be commercially successful, as Broadway turned more and more towards the kind of big, escapist entertainments that could pay back their Hollywood-sized investments. In this modern climate, Sondheim has refused to compromise, releasing pungent works such as <I>Assassins</I> (1991), a musical spotlighting the deluded, often insane souls who have killed (or pathetically, failed to kill) U.S. presidents. The fact that Sondheim marries such dark material to a theme about America's obsession with "being somebody" doesn't sit well with mainstream audiences who expect costumed cats or Abba songs when they go to a Broadway show. In these more modern times, Stephen Sondheim finds it increasingly difficult to get the funding to stage new works, but contradictorily, his old musicals (many of which were originally rejected by audiences) have been revived to ecstatic reviews and solid box office receipts. It seems that while Stephen Sondheim is often ahead of his audience, they always come around eventually.
- Nick Dedina]]></description>
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<title>Ry Cooder</title>
<link>http://www.rhapsody.com/goto?rcid=art.68454&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Wed, 25 Nov 2009 11:50:51 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68454&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ry Cooder has had a long and varied career as virtuoso session musician, recording artist, record producer, film scorer, musicologist and champion of indigenous music throughout the world. He started out as a guitarist of uncommon skill in Los Angeles folk music circles. He was briefly in a band with Taj Mahal called Rising Sons, and was also a part of Captain Beefheart's Magic Band. His slide guitar playing and his ability with just about any stringed instrument soon set him apart. As well as playing numerous sessions in the '60s, he worked with the Rolling Stones and is probably responsible for pointing Keith Richards in the direction of the open-tuned guitar sound that has become his trademark. Cooder's solo albums feature dramatic reworkings of some old and sometimes obscure material. He has worked extensively writing and playing movie soundtracks, such as the eerie, atmospheric <i>Paris, Texas</i> and <i>The Long Riders</I>. Cooder has most recently been active with world music, recording a very popular album with African guitarist Ali Farka Toure. His latest and most prominent role is that of producer for an ad hoc group of Cuban musicians on a recording called <i>The Buena Vista Social Club</i>, which has revived the careers of a number of musicians, as well as being massively popular critically and commercially.
- Tom Heyman]]></description>
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<title>James Horner</title>
<link>http://www.rhapsody.com/goto?rcid=art.4192&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Orchestral Scores</category>
<pubDate>Wed, 2 Dec 2009 11:07:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">James Horner</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4192&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Academy Award-winning film composer began his career scoring Roger Corman's productions in the 1970s. While <I>Humanoids From the Deep</I> and <I>Battle Beyond the Stars</I> are fun and all, Horner soon went on to much bigger things -- the '80s found the composer to be a very hot commodity indeed. His scores to <I>Star Trek II: the Wrath of Khan</I> and <I>Aliens</I> were huge successes, showcasing his bombastic dramatic sense and epic, sweeping style. Recent years have brought <I>Braveheart</I> as well as his most well-known score to date, <I>Titanic</I>. Critics often bash him for his notorious tendency to borrow from past works, something he does more than even, perhaps, John Williams. Originality aside, however, Horner's music has a knack for keeping the audience teetering on the edge of their seats, and that's something no one can complain about.
- Doug Russell]]></description>
</item><item>
<title>James Newton Howard</title>
<link>http://www.rhapsody.com/goto?rcid=art.2886&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Film Soundtracks</category>
<pubDate>Wed, 2 Dec 2009 11:07:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">James Newton Howard</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2886&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2886&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As a film and television composer, Howard has written music for <i>ER</i> and the film <i>The Prince of Tides</i>, but he also writes progressive rock for friends like the band Toto, who bring fiery intensity to his synthesizer-driven experiments.
- Jessy Terry]]></description>
</item><item>
<title>The New Musical Cast</title>
<link>http://www.rhapsody.com/goto?rcid=art.20394850&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Fri, 20 Nov 2009 12:51:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The New Musical Cast</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.20394850&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Thomas Newman</title>
<link>http://www.rhapsody.com/goto?rcid=art.41939&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Orchestral Scores</category>
<pubDate>Thu, 26 Nov 2009 11:28:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thomas Newman</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.41939&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Randy "short people got no reason to live" Newman is a household name. No doubt about it. But did you know that darn near every member of his family has achieved a considerable amount of success in show biz? In fact, over the last 10 to 15 years film score composer Thomas Montgomery Newman has probably worked on more A-list blockbusters than Cousin Randy. A graduate of Yale University, Newman headed for Hollywood in the early '80s. His first scores, including those for <i>Less Than Zero</i> and <i>The Lost Boys</i>, were primarily electronic. He started employing more standard orchestration in the '90s, and with the change came a long string of mega-hits, including but in no way limited to <i>The Shawshank Redemption</i>, <i>American Beauty</i>, <i>Scent of a Woman</i>, <i>Erin Brockovich</i>, <i>Finding Nemo</i>, <i>The Good German</i> and <i>WALL-E</i>. Newman has also plied his trade to television, most notably <i>Six Feet Under</i> and <i>Angels in America</i>. Much of his work post-<i>Shawshank</i> sees the composer filtering traditional orchestral music through the unconventional: world music-inspired percussion, ambient minimalism and so on. To date, Newman has won both Emmys and Grammys, but no Oscars, although he's been nominated eight times.
- Justin Farrar]]></description>
</item><item>
<title>Alain Boublil</title>
<link>http://www.rhapsody.com/goto?rcid=art.39609&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Tue, 22 Sep 2009 10:31:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.39609&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Alain Boublil and Claude-Michel ShÃÂÃÂ¶nberg are the men behind at least two of the 20th century's most powerful musical juggernauts: <I>Les Miserables</I> and <I>Miss Saigon.</I> <I>Les Mis</I> debuted in Paris in the late 1970s and found its way to London by 1985, but it was only when it hit Broadway that Americans really took notice. Two Tony awards and one Grammy later, and <I>Les Mis</I> is ubiquitous. Drawn from the novel of the same name by Victor Hugo, the tale of unjust imprisonment and class stratification is as relevant now as it was in 19th century France. <I>Miss Saigon</I> similarly takes on a weighty topic, transforming the "Madame Butterfly" tale by placing it in Vietnam during the final days of the Vietnam war. Boublil and ShÃÂÃÂ¶nberg are known for their wit and rock-influenced compositional style, no doubt a huge reason for their mainstream success.
- Sarah Bardeen]]></description>
</item><item>
<title>Harry Gregson-Williams</title>
<link>http://www.rhapsody.com/goto?rcid=art.41168&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Film Scores</category>
<pubDate>Fri, 13 Nov 2009 12:38:09 -0800</pubDate>
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<description />
</item><item>
<title>Jean-Yves Thibaudet</title>
<link>http://www.rhapsody.com/goto?rcid=art.8683559&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks/Musicals</category>
<pubDate>Fri, 25 Sep 2009 10:14:16 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8683559&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
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<description><![CDATA[Jean-Yves Thibaudet is a French/German piano prodigy who has written soundtrack scores for films like "Pride and Prejudice." Thibaudet learned to play piano and violin at five, had his first recital at seven and his first concerto appearance at nine. At 15, Jean-Yves Thibaudet won the Prix du Conservatoire before winning the Viotti, Casadesus, and Busoni competitions. Thibaudet studied at the Paris Conservatoire with Aldo Ciccolini.
- Eric Shea]]></description>
</item><item>
<title>Vince Guaraldi</title>
<link>http://www.rhapsody.com/goto?rcid=art.6123&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Vince Guaraldi</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6123&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6123&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[You love Vince Guaraldi's piano jazz whether you know it or not. Guaraldi wrote and performed the delightful scores for the <I>Peanuts</I> cartoons. This San Francisco native added his hard hitting yet sensitive piano skills to Cal Tjader's Latin Jazz band after a stint with the great Woody Herman. Guaraldi's keyboard style mixed the beauty of Bill Evans' melodic explorations with Horace Silver or Ramsey Lewis' crowd pleasing funkiness. He formed his own trio and had a Top-40 hit with "Cast Your Fate to the Wind" in 1963. His sublime work on the <I>Peanuts</I> television specials got no finer than on <I>A Charlie Brown Christmas</I>, which brings a touch of bittersweet tenderness to holiday cheer. Though he died young at the age of forty-seven in 1976, Guaraldi had already made his musical mark.
- Nick Dedina]]></description>
</item><item>
<title>Amanda Seyfried</title>
<link>http://www.rhapsody.com/goto?rcid=art.21655263&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks/Musicals</category>
<pubDate>Tue, 8 Sep 2009 08:37:51 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Amanda Seyfried</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21655263&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Cheetah Girls</title>
<link>http://www.rhapsody.com/goto?rcid=art.67284&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Teen Beat</category>
<pubDate>Mon, 21 Sep 2009 09:29:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Cheetah Girls</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.67284</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.67284&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.67284&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Disney's <I>other</I> phenomenally successful movie-musical/cross-marketing cash cow, the Cheetah Girls have evolved from their humble -- OK, totally auspicious -- beginnings as the protagonists of a best-selling series of young-adult books about an all-girl pop band. In 2003, the Disney Channel made the very wise decision to turn the stories of Galleria, Chanel, Aquanetta and Dorinda into a made-for-TV movie starring tween princesses Raven-Symone, Adrienne Bailon, Kiely Williams and Sabrina Bryan. Two more films (with a fourth promised in 2010), their incredibly lucrative soundtracks and a Christmas album followed. In 2006, the Cheetah Girls (sans Raven-Symone) went live, for real this time, becoming an actual touring act (opening for Vanessa Hudgens). In 2007, the trio released <I>TCG</I>, their first non-soundtrack, non-holiday studio album.
- Rachel Devitt]]></description>
</item><item>
<title>Joe Hisaishi</title>
<link>http://www.rhapsody.com/goto?rcid=art.6658212&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Film Scores</category>
<pubDate>Sat, 17 Oct 2009 12:39:48 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6658212</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Joe Hisaishi</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6658212</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6658212&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6658212&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mark Isham</title>
<link>http://www.rhapsody.com/goto?rcid=art.6742&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Non-Orchestral</category>
<pubDate>Tue, 17 Nov 2009 09:07:27 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mark Isham</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6742</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6742&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6742&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mark Isham's versatility has earned him a place as one of Hollywood's finest film composers, as well as keeper of the Cool Jazz flame. He plays trumpet in the muted, introspective style of '50s-era Miles Davis, he's been an innovator in the use of electronics in jazz, and he's handled arrangements for cult stars Scott Walker and David Sylvian. His straight jazz, Chamber Music, or electronica-based soundtracks are excellent, and he has forged working relationships with such iconoclastic directors as Alan Rudolph, Robert Redford, Carroll Ballard, and Robert Altman. For jazz buffs, Isham is a top improviser <I>and</I> a first rate tunesmith (a rare combination -- refer to Gerry Mulligan and Horace Silver). During live performances, his tunes often depart wildly from their recorded versions, yet he never loses his West Coast cool.
- Nick Dedina]]></description>
</item><item>
<title>Alan Menken</title>
<link>http://www.rhapsody.com/goto?rcid=art.10192&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Tue, 22 Sep 2009 10:31:12 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Alan Menken</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10192</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10192&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10192&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Partridge Family</title>
<link>http://www.rhapsody.com/goto?rcid=art.1190&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Teen Idols</category>
<pubDate>Sun, 21 Jun 2009 09:16:19 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Partridge Family</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1190</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1190&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1190&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Partridge Family were derided as manufactured stars during their early-1970s heyday, but today they are loved for that very fact. After the Monkees, they put the "fab" in prefab. David Cassidy, the object of every nymphet's budding desires, may have led the TV group, but the Family was really the product of a crack team of cigar-chomping businessmen, Brill Building songwriters like Goffin/King, and top LA session players. The very professionalism of this behind-the-scenes team ensured some of the best, saccharine-rich bubblegum pop to come out of pre-Watergate America. Such hits as "I Think I Love You," still sound great oozing out of a pink plastic transistor radio, but who can remember any of today's teen hits two months after the fact? Any rock group backed by Shirley Jones has to be worth its weight in Danny Bonaduce's non-prescription pharmaceuticals. "Come On Get Happy?" Love to.
- Nick Dedina]]></description>
</item><item>
<title>Soundtrack &amp; Theme Orchestra</title>
<link>http://www.rhapsody.com/goto?rcid=art.20108112&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks/Musicals</category>
<pubDate>Tue, 18 Aug 2009 18:09:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Soundtrack &amp; Theme Orchestra</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.20108112</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.20108112&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.20108112&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Amon Tobin</title>
<link>http://www.rhapsody.com/goto?rcid=art.5277&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Leftfield/IDM</category>
<pubDate>Fri, 9 Oct 2009 10:32:54 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Amon Tobin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5277</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5277&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5277&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the attention-getting style of Ninja Tune labelmates Funki Porcini and the Herbaliser, Amon Tobin mixes chunky beats in bass-driven atmospheres thickened with melodic elements of Ambient, Funk and Dub. Injecting gelatinous doses of blues and jazz effects into gloomy, hip-hop-oriented Drum 'n' Bass and Trip-Hop concoctions, this Brazil native, based in Brighton, brings a clouded world traveler's vision to your speakers. Encasing bitter grooves in Hitchcock-style cinematic synths, Tobin's textured atmospheres buff out gritty breakbeats like fog over rusted remains of a shipwreck. Hearty head-bobbing grooves brewed steadily for late night socializing.
- Melissa Piazza]]></description>
</item><item>
<title>Jon McLaughlin</title>
<link>http://www.rhapsody.com/goto?rcid=art.13412515&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Thu, 5 Nov 2009 12:41:16 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jon McLaughlin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13412515</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13412515&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13412515&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born in 1982, Jon McLaughlin received musical training at Anderson University (in his hometown of Anderson, Ind.) and inked a major-label deal in 2006, but it was the placement of a song in the NBC hospital comedy <i>Scrubs</i> that broke open a career for the piano-playing songwriter. McLaughlin's work as a soundtrack artist continued to define him with subsequent placements in a string of films in the late 2000s, including "So Close," which was in Disney's live-action family movie <i>Enchanted</i> and got an Oscar nomination. His first major-label LP, <i>OK Now</i>, followed in 2008, a set of streamlined, piano-driven, soul-inflected pop.
- Nate Cavalieri]]></description>
</item><item>
<title>John Kander and Fred Ebb</title>
<link>http://www.rhapsody.com/goto?rcid=art.9562&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Sat, 26 Sep 2009 10:10:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Kander and Fred Ebb</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9562</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9562&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9562&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Kander and Ebb are one of the few modern Broadway tunesmith teams whose work can rank with the past masters of the golden age. They incorporated jazz and dark, biting wit into their groundbreaking work for Bob Fosse on <I>Cabaret</i> and <i>Chicago</i>. For Martin Scorsese, they penned "New York, New York," which has become the official theme song
- Nick Dedina]]></description>
</item><item>
<title>Soggy Bottom Boys</title>
<link>http://www.rhapsody.com/goto?rcid=art.37403&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Wed, 4 Nov 2009 12:14:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Soggy Bottom Boys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.37403</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37403&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A fictional group assembled for the soundtrack to the Coen Brothers' <i>O Brother Where Art Thou?</i>. Includes a bevy of Bluegrass talent, including singer Dan Tyminski, fiddler Stuart Duncan and Dobro player Jerry Douglas.
- Eric Shea]]></description>
</item><item>
<title>Bruno Coulais</title>
<link>http://www.rhapsody.com/goto?rcid=art.9326234&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks</category>
<pubDate>Thu, 26 Nov 2009 11:28:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bruno Coulais</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9326234</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9326234&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9326234&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Charles Strouse</title>
<link>http://www.rhapsody.com/goto?rcid=art.3246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Musicals</category>
<pubDate>Tue, 11 Aug 2009 08:08:23 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charles Strouse</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3246</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3246&amp;variant=play&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3246&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charles Strouse is one of the more decorated songwriters of his generation. He's the man behind relentless songs like "Tomorrow" and "It's a Hard-Knock Life" (give thanks, Jay-Z) from the <I>Annie</I> soundtrack, which is one of a only handful of musical soundtracks to go gold. He's won Tony awards for the music in <I>Annie</I>, <I>Bye Bye Birdie</I> and <I>Applause</I>, and left an indelible mark on American popular culture. He also co-wrote the theme song "Those Were the Days" for the '70s sitcom <I>All in the Family.</I>
- Sarah Bardeen]]></description>
</item><item>
<title>Klaus Badelt</title>
<link>http://www.rhapsody.com/goto?rcid=art.67181&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</link>
<category>Soundtracks</category>
<pubDate>Fri, 13 Nov 2009 12:38:10 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=246&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss">Top Soundtracks/Musicals Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Klaus Badelt</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.67181</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.67181&amp;variant=data&amp;rws=%2Fsoundtracks-musicals%2Fartist-chart.rss</rhap:data-href>
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