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<title>Top Quiet Storm Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link><description>Top Quiet Storm Artists on Rhapsody Online</description><category>Quiet Storm</category><language>en</language><ttl>720</ttl><pubDate>Mon, 30 Nov 2009 18:18:01 -0800</pubDate><image>
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<title>Top Quiet Storm Artists on Rhapsody Online</title>
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<title>Earth, Wind &amp; Fire</title>
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<category>Funk</category>
<pubDate>Sat, 28 Nov 2009 09:38:31 -0800</pubDate>
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<description><![CDATA[One of the premier soul groups of the 1970s, Earth Wind & Fire fused a deep knowledge of the African-American musical tradition with an uplifting, spiritual idealism. To sum up the breadth of their sound is impossible, simply because the group's versatility was awe-inspiring. They played powerhouse Funk anthems, Latin-inflected R&B grooves, shimmering Pop-Soul, and ballads that tugged the heartstrings while sending the spirit soaring across the sky. Their impeccable horn harmonies rivaled the JB's (James Brown's backing band) while Johnny Graham's sweet R&B stylings conveyed worlds of emotion. Bandleader, drummer, and premier songwriter Maurice White infused the music with African rhythm, often featuring the kalimba, or thumb-piano, while the band brought jazz and Latin polyrhythms to the heart of deep funk territory. And their three distinctive vocalists inspired near-religious adoration: Philip Bailey's soaring falsetto, Maurice White's soulful growl, and Jessica Cleaves' natural, unadorned alto. This is music for the mind, the body, and the soul.
- Jessy Terry]]></description>
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<title>Marvin Gaye</title>
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<category>Soul</category>
<pubDate>Mon, 30 Nov 2009 10:00:45 -0800</pubDate>
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<description><![CDATA[With a career that exemplified the maturation of romantic black pop into a sophisticated form spanning social and sexual politics, Marvin Gaye was one of the most consistent and enigmatic of the Motown hitmakers. Certainly among the most gifted composers and singers, with a mellifluous tenor and a three-octave vocal range, Marvin Gaye was also moody &#8212; avoiding TV, rarely performing live, and sometimes not showing up for the few concerts he did schedule. From "How Sweet It Is (To Be Loved by You)" to "Heard It Through the Grapevine," from "What's Going On" to "Sexual Healing," Gaye sang some of the most memorable black pop of the '60s, '70s, and '80s. He was nominated for eight Grammys before winning one in 1983. His life ended tragically one year later &#8212; and one day before his 45th birthday &#8212; when he was shot to death by his father, an Apostolic preacher, after a violent argument. In many respects, Gaye was, as his friend, the cowriter of "Sexual Healing," and author David Ritz titled his biography of him, a divided soul.<br><br>
Gaye started singing at age three in church and was soon playing the organ as well. After a stint in the Air Force, he returned to DC and started singing in streetcorner doo-wop groups, including a top local group, the Rainbows. He formed his own group, the Marquees, in 1957. Under the auspices of supporter Bo Diddley, they cut "Wyatt Earp" for the Okeh label. In 1958 Harvey Fuqua heard the group and enlisted it to become the latest version of his ever-changing backing ensemble, the Moonglows [see entry]. As such, Gaye was heard on "Mama Loocie" and other songs for the Chess label in 1959.<br><br>
By 1961, the group was touring widely. Detroit impresario Berry Gordy Jr. heard the group and quickly signed Gaye to his fledgling Motown organization later that year. Soon after, Gaye married Gordy's sister Anna. Gaye's first duties with the label were as a session drummer (he played on all the early hits by Smokey Robinson and the Miracles).<br><br>
Gaye got his first hit with his fourth release, "Stubborn Kind of Fellow," in 1962. Over the next 10 years, working with nearly every producer at Motown (including the team of Holland-Dozier-Holland, Smokey Robinson, and Norman Whitfield), he enjoyed over 20 big hits. Although he specialized in midtempo ballads, he also had dance hits: "Hitch Hike" (Number 30, 1963), the 12-bar blues "Can I Get a Witness" (Number 22, 1963), which became a virtual anthem among the British mods), and "Baby Don't You Do It" (Number 27, 1964). But by and large he favored romantic, sometimes sensual ballads. He felt that his desire to move into a more mainstream, sophisticated style was hindered by Motown's emphasis on hits. For a performer as unenthusiastic about some of his material as Gaye later claimed to be, he gave almost every song he ever recorded an inspired reading. His Top 10 hits included "Pride and Joy" (Number 10, 1963), "I'll Be Doggone" (Number Eight, 1965), "Ain't That Peculiar" (Number Eight, 1965), and "How Sweet It Is to Be Loved by You" (Number Six, 1965). Among his 39 Top 40 singles of the period were also such unlikely hits as "Try It Baby" (Number 15, 1964, with background vocals by the Temptations), "You're a Wonderful One" (Number 15, 1964, with backing vocals by the Supremes), "One More Heartache" (Number 29, 1966), "Chained" (Number 32, 1968), and "You" (Number 34, 1968).<br><br>
Beginning in 1964 Gaye was teamed with Mary Wells [see entry] for a couple of hits, "Once Upon a Time" (Number 19, 1964) and "What's the Matter With You" (Number 17, 1964), and with Kim Weston for "It Takes Two" (Number 17, 1967). But his greatest duets were with Tammi Terrell: "Ain't No Mountain High Enough" (Number 19, 1967), "Your Precious Love" (Number Five, 1967), "Ain't Nothing Like the Real Thing" (Number Eight, 1968), and "You're All I Need to Get By" (Number Seven, 1968), all penned and produced by Nicholas Ashford and Valerie Simpson. In a 1967 concert Terrell collapsed into Gaye's arms onstage, the first sign of the brain tumor that killed her three years later. Although, contrary to popular belief, Gaye and Terrell were not romantically involved (she was involved with Temptation David Ruffin), he was deeply affected by her illness and death. Shortly thereafter Gaye had his biggest solo hit of the '60s with a dejected, paranoid reading of Norman Whitfield and Barrett Strong's "I Heard It Through the Grapevine" (Number One, 1968), a song that had already been given a fiery treatment by another Motown act, Gladys Knight and the Pips.<br><br>
The second, quite distinct phase of Gaye's career &#8212; and black popular music &#8212; began in 1971 with <i>What's Going On</i>. Along with Stevie Wonder, Gaye was one of the first Motown artists to gain complete artistic control of his records. <i>What's Going On</I> was a self-composed and produced song cycle that could rightfully be called a concept album. Berry Gordy Jr., who still maintains that he didn't understand the record, was reluctant to release it. Gaye was vindicated when the album hit Number 6 and spun off three Top 10 singles: "What's Going On" (Number Two, 1971), "Inner City Blues (Make Me Wanna Holler)" (Number Nine, 1971), and "Mercy Mercy Me (the Ecology)" (Number Four, 1971) were impassioned, timeless statements on Vietnam, civil rights, and the state of the world. "What's Going On" has been covered many times in the ensuing years, including a Top 20 version by Cyndi Lauper in 1986.<br><br>
In 1972 Gaye scored the 20th Century–Fox film <i>Trouble Man</i>, and the dark, minimalist title track gave him yet another Top 10 hit (Number Seven, 1973). By 1973, he had shifted his attention to pure eroticism with <i>Let's Get It On</i>, the title track of which went to Number 1. His late-1973 album with Diana Ross, <i>Diana and Marvin</i>, produced three fairly successful singles: "You're a Special Part of Me" (Number 12, 1973), "Don't Knock My Love" (Number 46, 1974), and "My Mistake (Was to Love You)" (Number 19, 1974), but this project was one of many things Gaye did with Motown that he felt were forced upon him.<br><br>
Gaye's rocky marriage of 14 years to Anna Gordy Gaye was the subject of <i>Here, My Dear</i> as the '70s closed, with Gaye still reeling from the divorce settlement. He filed for bankruptcy, and his ex-wife later considered suing him for invasion of privacy over the content of <i>Here, My Dear</i>. (The album had been precipitated by court hearings in 1976, when a judge instructed Gaye to make good on overdue alimony payments by recording an album and giving his wife $600,000 in royalties.) With Gordy he fathered a son, Marvin Gaye III. He married his second wife, Janice, in 1977 and that year had a Number 1 hit, "Got to Give It Up, Pt. 1." They had two children: Nona, who has since become a recording artist in her own right, and Frankie. Janice was Gaye's muse, but he was also obsessed with her, and the relationship was tumultuous.<br><br>
Under pressure from the Internal Revenue Service, Gaye moved to Europe to record his 1981 release, <i>In Our Lifetime</i>, which concentrated on his philosophies of love, art, and death. The next year, he left Motown for Columbia. His first album for the label, <i>Midnight Love</i>, sold 2 million copies and included the hit "Sexual Healing," which won a Grammy for Best Male R&B Vocal Performance. He sang live on the Grammy broadcast and, in 1983, in concert at Radio City Music Hall. During his Sexual Healing Tour, Gaye closed the show singing his hit in a silk robe, often stripping down to bikini underwear. Fan reaction was mixed. Also in 1983 he appeared in one of the more memorable segments of Motown's 25th-anniversary television special, obviously somewhat disoriented but riveting nonetheless. His a cappella version of "The Star-Spangled Banner," performed before the 1983 NBA All-Star game that year, became an instant bootlegged classic and is included on <i>The Marvin Gaye Collection</i>.<br><br>
Gaye's comeback was one for the record books. But even with the recognition he longed for, Gaye was depressed, and his cocaine abuse was escalating, despite several attempts to clean up. He returned to the U.S. and moved into his parents' home &#8212; where he often quarreled with his father, with whom he'd been at odds since his teenage years. As Gaye later confessed to David Ritz, his internal life was marked by what Gaye viewed as an irreconcilable conflict between good (as represented by his strict religious upbringing) and evil (sex, drugs). In early 1984 Gaye reportedly threatened suicide several times and had become paranoid and irrational. Following a Sunday morning shouting match in his parents' home, Gaye's father shot him to death at point-blank range, he later claimed, in self-defense. Gaye's father was charged with and convicted of involuntary manslaughter. He was found to have a brain tumor, and was given a six-year suspended prison sentence. <br><br>
After his death Motown and Columbia collaborated to produce <i>Dream of a Lifetime</i> and <i>Romantically Yours</i>, both based on unfinished recordings from the <i>Sexual Healing</i> sessions; among the tracks on the first album were the ribald, "Savage in the Sack" and "Masochistic Beauty," and some questioned whether Gaye had intended to release them at all. Since then, Gaye's work has been repackaged in a steady stream of new compilations. In addition, his work has been the subject of several tribute projects. In 1987 Gaye was inducted into the Rock and Roll Hall of Fame.<br><br>
<i>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</i>
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<title>Sade</title>
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<category>Quiet Storm</category>
<pubDate>Sat, 28 Nov 2009 09:38:24 -0800</pubDate>
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<description><![CDATA[Sade hit the Day-Glo mid-1980s like a cool, monochromatic breeze. The singer updated the classic continental style of Audrey Hepburn and married it with a vocal approach that was more whisper than growl. It's always worked, though, since Sade's icy vocal style brings out the stoic yet emotionally scarred nature of her well-crafted torch songs. Much of the credit goes to her ever-tight, streamlined band, who have a knack for seamlessly mixing smooth jazz and soul styles. After a fine debut and the excellent <I>Promise</I> (1985), her approach shifted as she began to mix overly repetitive light funk workouts with darker mood pieces; so while <I>Stronger Than Pride</I> and <I>Love Deluxe</I> each contain a bit of filler, strong tracks abound. <I>Lover's Rock</I> (2000) is her best since <I>Promise</I>, and it proves that Sade doesn't have to compete with changing fashion or styles. She is a genre of one.
- Nick Dedina]]></description>
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<title>Lionel Richie</title>
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<category>Adult Contemporary</category>
<pubDate>Fri, 27 Nov 2009 10:24:59 -0800</pubDate>
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<description><![CDATA[Whether singing solo or with the Commodores, Lionel Richie has a warm and instantly recognizable voice that's known mostly for romantic ballads along the lines of "Truly," "Endless Love" and "Hello." His consecutive string of hits (nine years straight authoring at least one No. 1 single) remains a pop phenomenon challenged only by songwriter Irving Berlin and singer Mariah Carey. After releasing several hugely successful solo albums in the 1980s, Richie kept a low profile for most of the '90s before attempting a comeback of sorts with the '98 album <I>Time</I>, and again with <I>Renaissance</i> in '01, though neither album ignited much interest from the public.
- Linda Ryan]]></description>
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<title>Luther Vandross</title>
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<category>Quiet Storm</category>
<pubDate>Mon, 30 Nov 2009 10:00:48 -0800</pubDate>
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<description><![CDATA[The 1980s were a period of unchecked greed and decadence, when the world donned rose-colored glasses that filtered out the homeless and made the hole in the ozone layer seem patched. All those good feelings and denial of social woes meant that romance was
back in style, and while the glasses clinked and millionaires' bankrolls flourished, so too did music to love by. Luther Vandross was the primary voice who provided the soundtrack for romantic rendezvous in the Reagan era, and by the mid-1980s, merely mentioning his name conjured up images of happy couples sipping Merlot in dimly lit rooms and chuckling at inside jokes -- and, alternately, jilted lovers consoling themselves. Blessed with a voice that was warm and soulful, Vandross' songs dripped with
romance, promised love on the horizon, or turned a teary eye towards duos fading into solitude. When things came crashing in and bleak reality reared its ugly head in the mid-1990s, florid R&B gave way to less sentimental music . Even so, Vandross could always be counted on as the perfect complement to a night spent with a "friend" or the first few nights spent sleeping alone. He passed away on July 2, 2005, at the age of 54.]]></description>
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<title>The Isley Brothers</title>
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<category>Funk</category>
<pubDate>Sat, 28 Nov 2009 09:38:28 -0800</pubDate>
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<description><![CDATA[The Isleys have had success in many genres since their beginnings in the 1950s, arguably hitting their peak and writing some of their tightest music in the '70s. From "Who's That Lady" to "It's Your Thing," they've produced numerous hits that are still blaring on radios (and commercials) across the land. Centered for most of their career on the vocal talents of Ronald, Rudolph and Vernon, in their <i>3 + 3</i> era the Isleys benefited from the addition of a couple more brothers to the backing band: bassist
Marvin and fiery guitar player Ernie (plus a brother-in-law on keyboards). Some of their best work can be found on the album <i>Brother, Brother, Brother</i>, but the seminal "Footsteps in the Dark" is not to be missed either. Among other accomplishments, they toured with a young guitarist named Jimmy James (later known as Jimi Hendrix -- his work can be heard on the single "Testify"). From Doo-Wop songs to Soul tracks, Funk grooves to Disco beats, the Isley Brothers have always remembered how to inject a memorable melody into every number they record.
- Jessy Terry]]></description>
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<title>Toni Braxton</title>
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<category>Quiet Storm</category>
<pubDate>Mon, 30 Nov 2009 10:00:44 -0800</pubDate>
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<description><![CDATA[Few artists start off on such a good foot as Toni Braxton, whose eponymous first album stealthily climbed the charts after it was released in 1993, KO'ing more established acts along the way and reaching the uppermost rungs. Unlike those she left lying on the mat, Braxton's success couldn't be attributed to a catchy hook or groovy beat. Instead, her songs rely on her husky vocals, which take jazz's heated inflections and map them over sauntering RnB rhythms. With a voice that so convincingly conveys sadness, remorse and occasionally joy, Braxton became the soundtrack for couples rediscovering love and lonely listeners nursing broken hearts alike. Her vocal abilities led to top 10 hits (such as "Another Sad Love Song" and "Unbreak My Heart"), Grammies, a starring role in Broadway's <I>Beauty and the Beast</I> and a headlining gig in Vegas. At times, Braxton's career seems to have been fraught with almost as much struggle as success (she's battled with labels twice and has filed for bankruptcy). But this veteran performer (she got her start in 1989 with the Braxtons, a group she formed with her four sisters) has continuously prevailed over setbacks, thanks at least in part to her unique, evocative voice.
- Rachel Devitt]]></description>
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<title>Barry White</title>
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<category>Disco</category>
<pubDate>Wed, 25 Nov 2009 11:49:45 -0800</pubDate>
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<description><![CDATA[An icon of the disco era, Barry White turned a behind the scenes career in the music idustry into a highly succesful career as a performer and hitmaker. Strip away the lush strings and you'll see that White followed in the footsteps of such creamy R&B baritones as Lou Rawls, Isaac Hayes, and even the politically charged Gil Scott Heron. Not really a singer, White used his voice well, employing pillow talk interludes like an amorous Orson Welles doused in Brut 33. Barry White used a heady brew of disco sheen and his bedroom voice to score hit after hit in the '70s. His "Love's Theme" in 1974 pretty much sums up White's mojo, but the hits kept coming until 1979 (perhaps corresponding to the moral backlash against the sexual revolution?). But even chaste monks can't help but be tickled by Barry White, who passed away on July 4, 2003
- Nick Dedina]]></description>
</item><item>
<title>Smokey Robinson</title>
<link>http://www.rhapsody.com/goto?rcid=art.1524&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Smokey Robinson</rhap:artist>
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<description><![CDATA[Soon after his debut with the Miracles, Smokey Robinson became known as one of the premier songwriter/singers in pop music. Bob Dylan called him "America's greatest living poet," and in 1987 ABC's Martin Fry sang that "Everything's good in the world tonight/When Smokey sings," and few would disagree with either. As a writer of love songs, Smokey Robinson is peerless: From the straightforward, timeless "My Girl" to the elaborately constructed, metaphor-driven "The Hunter Gets Captured by the Game," "Let Me Be the Time (on the Clock of Your Heart)," and "The Way You Do the Things You Do," he explored every aspect of romantic love. Whether making an elegant declaration of passion ("More Love"), pleading forgiveness ("Ooh Baby Baby"), or musing at love's paradoxical nature ("Ain't That Peculiar," "Choosey Beggar"), Robinson's best songs showed a rare mastery of the pop form. His delicate yet emotionally powerful falsetto is among the most romantic in pop.<br><br>
In addition, Smokey Robinson made major contributions to the success of Motown, a fact acknowledged by label founder Berry Gordy Jr., when he surprised the singer with a corporate–vice president title in 1961. In addition to providing the label with 27 Top 40 hits with the Miracles, he also wrote, cowrote, or produced some of Motown's biggest hits (the Temptations' "My Girl," Mary Wells' hits) as well as some of its lesser known but more adventurous releases (like the Four Tops' "Still Water [Love]," the Supremes' "Floy Joy").<br><br>
Robinson founded the Miracles &#8212; all Detroit-born &#8212; while attending that city's Northern High School. As the Matadors, they played locally, usually performing Robinson originals. In 1957 they met Berry Gordy Jr. while they were auditioning for Jackie Wilson's manager. Gordy, who had written songs for Wilson, was impressed not only by their presentation but by Smokey's prodigious songwriting. "Got a Job," an answer to the Number One hit "Get a Job" by the Silhouettes, attracted local attention in 1958. In 1959 "Bad Girl" was distributed locally by Motown and nationally by Chicago's Chess Records. It hit Number 93 on the pop chart and convinced Berry Gordy Jr. to expand his fledgling record company into one that would produce and distribute its own product rather than creating records to lease out to others. In 1960 "Shop Around" established both the group and the company when it went to Number One R&B, Number Two pop. Its B side was the oft-covered soul ballad "Who's Lovin' You." This marked the beginning of Smokey and Gordy's relationship. According to one Motown history, when Gordy met Smokey, the young songwriter had hundreds of finished and unfinished song lyrics in notebooks, and it was Gordy who trained him to distinguish which were the best among them.<br><br>
Throughout the '60s, Robinson wrote songs for and produced many other Motown acts, including the Marvelettes ("Don't Mess with Bill," "The Hunter Gets Captured by the Game," and "My Baby Must Be a Magician"); Marvin Gaye ("I'll Be Doggone," with Warren Moore and Marvin Tarplin; "Ain't That Peculiar," with Moore); Mary Wells ("My Guy," "The One Who Really Loves You," and "You Beat Me to the Punch," with Ronald White); and the Temptations ("Get Ready," "Don't Look Back," and "My Girl," with White; "The Way You Do the Things You Do," with Bobby Rogers; "It's Growing," with Moore).<br><br>
Though the Miracles made numerous uptempo singles such as "Mickey's Monkey" (Number Eight pop, Number Three R&B) in 1963 and "Going to a Go-Go" (Number 11 pop, Number Two R&B) in 1966, they are best known for their ballads, including "You've Really Got a Hold on Me" (Number Eight pop, Number One R&B, 1963), "Ooo Baby Baby" (Number 16 pop, Number Four R&B, 1965), "The Tracks of My Tears" (Number 16 pop, Number Two R&B, 1965), "More Love" (Number 23 pop, Number Five R&B, 1967 &#8212; by which time they had become Smokey Robinson and the Miracles), "I Second That Emotion" (Number Four pop, Number One R&B, 1967), and "Baby, Baby Don't Cry" (Number Eight pop, Number Three R&B, 1969). Their last big hit together was the uptempo "The Tears of a Clown," a Number One hit on both the R&B and pop charts, and in England, in 1970. A great deal of their work in these years featured Marv Tarplin on guitar; he even appeared on a few album covers as if he were a Miracle.<br><br>
In 1972 Robinson left the group to record on his own and to spend more time with his wife, Claudette (Bobby Rogers' sister, and a Miracle until 1964, though she continued to sing on the group's records). Claudette had toured with the group until a series of miscarriages forced her off the road in the mid-'60s. Robinson wrote "More Love" for Claudette after one of their babies was lost. Their first child, Berry William (named after Gordy), was born in 1968; their daughter Tamla (named for the label) followed. The couple divorced in 1985.<br><br>
Robinson continued in his duties as a Motown vice president. He also worked frequently with Tarplin, who, after a few years with the Miracles, rejoined Robinson. <i>A Quiet Storm</i> (1975) is regarded as his best early solo album. (Its title was eventually used to name a smooth subgenre of modern R&B that developed in the 1990s.) While Smokey has always been a popular concert attraction, his record sales during the '70s fluctuated. It wasn't until 1979's "Cruisin'" (Number Four pop, Number Four R&B) that Robinson again enjoyed mass success. His Number One R&B single "Being With You" (Number Two pop) in 1981 continued his performing comeback, but in the ensuing years, he has placed just two more singles in the pop Top 10 (1987's "Just to See Her" and "One Heartbeat") and one LP in the Top 40 (<i>One Heartbeat</i>, which is gold). Despite rampant defections from the label through the '70s and '80s, Robinson did not leave Motown until 1990 (he had resigned his vice presidency there in 1988). He returned to the label in the late '90s and released <i>Intimate</i> (Number 134 pop, Number 28 R&B, 1999). In his 1989 autobiography, <i>Smokey: Inside My Life</i> (cowritten with David Ritz), Robinson openly discussed his marital infidelities and a mid-'80s addiction to cocaine.<br><br>
Among the artists who have covered Robinson's songs are the Beatles ("You've Really Got a Hold on Me"), the Rolling Stones ("Going to a Go-Go"), Terence Trent D'Arby ("Who's Lovin' You"), Johnny Rivers ("The Tracks of My Tears"), Blondie ("The Hunter Gets Captured by the Game"), Linda Ronstadt ("Ooo Baby Baby," "The Tracks of My Tears"), Kim Carnes ("More Love"), Rare Earth ("Get Ready"), the English Beat ("The Tears of a Clown"), Rita Coolidge ("The Way You Do the Things You Do"), and Luther Vandross ("Since I Lost My Baby"). He has received the Grammys' Living Legend Award and was inducted into the Rock and Roll Hall of Fame with the Miracles in 1987. In 1999 he received a Grammy Lifetime Achievement Award. The following year he became the host of <i>Intimate With Smokey Robinson</i>, a two-hour program of love songs and call-ins on the L.A. oldies station Mega 92.3.<br><br>
After Robinson made his final concert appearance with the group in July 1972, the Miracles continued with lead vocalist Billy Griffin. While they kept charting through 1978, only three singles had significant chart status: "Do It Baby" (Number 13 pop, Number 14 R&B) and "Don't Cha Love It" (Number Four R&B) in 1974, and their early-1976 Number One pop hit "Love Machine (Part 1)" (Number Five R&B). Billy Griffin was replaced by his brother Donald, but the Miracles disbanded in the late '70s. They have reappeared in concert and on records, sometimes including Claudette Robinson. White died of leukemia in 1995.<br><br>
<i>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)</i>
]]></description>
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<title>The Commodores</title>
<link>http://www.rhapsody.com/goto?rcid=art.2959&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Thu, 26 Nov 2009 11:27:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Commodores</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2959&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2959&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Led by Lionel Richie, the Commodores continued Motown's hold on popular music in the late '70s. With their mix of Funk ("Brick House") and ballad ("Three Times a Lady") hits, they were as much a part of that decade as pet rocks and guest spots on <i>Three's Company</i>.
- Rosemary Pepper]]></description>
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<title>Anita Baker</title>
<link>http://www.rhapsody.com/goto?rcid=art.3503&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sun, 22 Nov 2009 10:09:51 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Anita Baker</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3503&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3503&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Anita Baker was one of the defining talents of the '80s, a singer who stepped outside the current of the pop mainstream and rose to the top of the charts with a combination of good songwriting, lovely production, and a highly distinctive vocal style. A Detroit legal secretary-cum-chanteuse, Baker layered her seductive, rich voice over highly relaxed accompaniment, creating songs that defined the best of mid-'80s Quiet Storm. Baker's voice is enough to keep you awake, though, and songs such as "Rapture" and "Sweet Love" offer plenty to this day.
- Sarah Bardeen]]></description>
</item><item>
<title>Brian McKnight</title>
<link>http://www.rhapsody.com/goto?rcid=art.3865&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Mon, 30 Nov 2009 10:00:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Brian McKnight</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3865&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3865&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Got a date tonight? Need that special sound to get him/her in the mood/sack? Brian McKnight's smooth love-man Soul will loosen up even the most frigidly unresponsive partner. Densely produced hip-hop backing walks the line between P.M. Dawn-style rap and quivering Quiet Storm. Couple that with McKnight's calmly passionate delivery and you've got crossover-prone Neo-Soul that inhabits the same space on the dial as Puff Daddy's blockbuster records but relies less on Classic Rock piracy and gangsta posing. McKnight is personally involved in the creation of his music, from the writing and performance to the nuts and bolts of its production. The result is uncommon, painstakingly crafted Contemporary R&B that's more than just make-out music -- it's creative, innovative artistic expression.
- Mike McGuirk]]></description>
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<title>The O'Jays</title>
<link>http://www.rhapsody.com/goto?rcid=art.62153&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Mon, 30 Nov 2009 10:00:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The O'Jays</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62153&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62153&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A vocal group with a history in Doo-Wop, the Cleveland-based O'Jays actually embodied the Philly sound in the ÃÂ70s. Characterized by a metronomic groove, lavish strings and slick production courtesy of songwriting / producing team Gamble & Huff, The O'Jays and other artists on the Philly International label invented the ÃÂslow jam.ÃÂ Hits like ÃÂLove TrainÃÂ showed their gift for three-part harmonies and lightweight social messages.
- Jon Pruett]]></description>
</item><item>
<title>Keith Sweat</title>
<link>http://www.rhapsody.com/goto?rcid=art.1779&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Thu, 26 Nov 2009 11:27:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Keith Sweat</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1779&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1779&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Keith Sweat's rise to fame as a soulful balladeer and patron saint of club anthems is curious if not altogether unexpected. Unlike those who preceded him, such as Marvin Gaye and Luther Vandross, Sweat's vocals aren't woven from silky smooth notes and satiny flourishes, instead possessing a distinct whine and an adenoidal tone that pulls you in as much as it makes you notice its uniqueness. A standout for his vocal savvy and way with a ballad, Sweat knows how to take listeners from the dancefloor to the bedroom and back, all within the space of a single album.
- Kali Holloway]]></description>
</item><item>
<title>Chaka Khan</title>
<link>http://www.rhapsody.com/goto?rcid=art.38207&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Sat, 28 Nov 2009 09:38:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chaka Khan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38207&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38207&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[First exercising her considerable vocal talents with Funk outfit Rufus, Chaka Khan has gone on to reinvent herself numerous times, most notably in the mid-1980s with the pop hit "I Feel for You" and again with her smash dance hit "I'm Every Woman," which Whitney Houston re-recorded in the '90s. Perhaps even more revered for such slow, funky numbers as "Tell Me Something Good," Chaka Khan's voice possesses remarkable depth and range, making her one of the reigning queens of Soul.
- Sarah Bardeen]]></description>
</item><item>
<title>The Spinners</title>
<link>http://www.rhapsody.com/goto?rcid=art.6344&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sun, 29 Nov 2009 09:28:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Spinners</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6344&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6344&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Rivaled only by the O'Jays, the Spinners held a monopoly on easy, sophisticated soul during the 1970s. After being dropped by Motown for lackluster sales (despite the perennially popular "It's a Shame"), they signed to Atlantic where they had the last laugh, spawning hit after hit: "Could It Be I'm Fallin' in Love," "I'll Be Around," "Mighty Love," "Ghetto Child," "Games People Play," "Then Came You," and "The Rubberband Man." Phillipe Wynne's graceful multifaceted falsetto naturally leant itself to their bedroom-eyed Philly Soul. The Spinners carried the torch for crisp, classy Soul music thought to have faded with the 1960s.
- Robert Leaver]]></description>
</item><item>
<title>Will Downing</title>
<link>http://www.rhapsody.com/goto?rcid=art.21841&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 12 Nov 2009 19:09:52 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Will Downing</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21841&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.21841&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A fine soul singer in the classic mold, Will Downing combines old school talent with a rare integrity to keep making the music he wants to, rather than bow down to the latest trends and fads. This same musical integrity has had a mixed effect on Downing's career; he has a sizable following and moves enough product to keep the major labels happy but will probably never become a household name. Bucking the system, he has completely side-stepped the prevalent hip-hop culture, preferring silky backings that recall the sophisticated sounds of Anita Baker, Luther Vandross or Teddy Pendergrass rather than allowing his sessions to be overpowered with beats and rap breaks from performers of dubious worth. This means that a white America completely obsessed with modern black culture has ignored Downing, though his largely African-American fan base keeps his albums on the top of the adult contemporary and smooth jazz charts. Contrarily, British audiences have a long appreciation for soul singers and a sizeable U.K. female fan base has shown much torrid enthusiasm for Downing.
- Nick Dedina]]></description>
</item><item>
<title>Teddy Pendergrass</title>
<link>http://www.rhapsody.com/goto?rcid=art.62876&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 26 Nov 2009 11:27:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Teddy Pendergrass</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62876</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62876&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62876&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If you are in the mood for romance, just lay a Teddy Pendergrass platter on the turntable and stand back while the lights dim, the champagne uncorks and the couch unfolds. Pendergrass' silky Philly Soul vocal style helped land a multitude of 1970s hits, such as "If You Don't Know Me By Now," for Harold Melvin and the Blue Notes before he took off for a successful solo career in 1978. He rode the top of the charts until a car accident left him wheelchair-bound in 1982. Undaunted, he quickly rebounded, and while he wasn't as big on the pop scene, he remains a giant in the world of R&B. His songs were used to capture the elusive nature of love in Alan Rudolph's 1984 cult film <I>Choose Me</I>.
- Nick Dedina]]></description>
</item><item>
<title>Al Jarreau</title>
<link>http://www.rhapsody.com/goto?rcid=art.3846&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 28 Nov 2009 09:38:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3846</guid>
<rhap:rcid xmlns:rhap="rhap">art.3846</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Al Jarreau</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3846</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3846&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3846&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Al Jarreau's career mirrors George Benson's -- both are complex jazz artists who draw from a plethora of influences and both have found so much success in the R&B field that it has taken them away from the jazz idioms they have mastered. If Jarreau had started his career earlier he would probably be a respected -- and broke -- jazz singer. But he has learned to slip in a few masterful improvisatory pieces in with his Adult Contemporary and R&B bread and butter. Thankfully, his commercial material is very good, but hip-hop has somewhat impacted the popularity of many solid Soul singers and Jarreau has concentrated on doing more jazz material during the last few years. 1994's <i>Tenderness</i> is a breathtaking mainstream document of an artist at the top of his game. Jarreau continues to spellbind audiences at jazz festivals around the world.
- Nick Dedina]]></description>
</item><item>
<title>Teena Marie</title>
<link>http://www.rhapsody.com/goto?rcid=art.6713&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6713</guid>
<rhap:rcid xmlns:rhap="rhap">art.6713</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Teena Marie</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6713</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6713&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6713&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As soon as Rick James' main squeeze proved herself a great singer there was no looking back. Never to be confused with a ditzy bimbo, she quickly started writing and producing her own work. Marie weathered R&B barbarians at the gate during the 1980s but she fell victim to the diva onslaught of the '90s. This is a shame because Marie remains one of the best Soul singers around and could teach the current crop of young upstarts about getting funky with feeling.
- Nick Dedina]]></description>
</item><item>
<title>Natalie Cole</title>
<link>http://www.rhapsody.com/goto?rcid=art.4875&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4875</guid>
<rhap:rcid xmlns:rhap="rhap">art.4875</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Natalie Cole</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4875</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4875&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4875&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Natalie Cole started out as a R&B chart topper, got bogged down in Hollywood excess, and then pulled herself out by the bootstraps by visiting the same classic Jazz Pop vein as her legendary father, Nat "King" Cole. Lately, she's returned to the adult Soul fold infused with style and grace. Think Sade after an espresso or two.
- Nick Dedina]]></description>
</item><item>
<title>Mint Condition</title>
<link>http://www.rhapsody.com/goto?rcid=art.1683&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>New Jack</category>
<pubDate>Sat, 28 Nov 2009 09:38:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1683</guid>
<rhap:rcid xmlns:rhap="rhap">art.1683</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mint Condition</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1683</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1683&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1683&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hot, ecstatically slow Soul and R&B from seasoned crooners Mint Condition. The grooves flow as slowly as molasses, while the lead singer bends his voice around well-articulated come-ons and tempting pleas. Fun for the whole -- well, fun for the adults of the family.
- Sarah Bardeen]]></description>
</item><item>
<title>Charlie Wilson</title>
<link>http://www.rhapsody.com/goto?rcid=art.53106&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Tue, 10 Nov 2009 10:13:27 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.53106</guid>
<rhap:rcid xmlns:rhap="rhap">art.53106</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Charlie Wilson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.53106</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.53106&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.53106&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Gerald Levert</title>
<link>http://www.rhapsody.com/goto?rcid=art.2504&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Fri, 13 Nov 2009 12:39:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2504</guid>
<rhap:rcid xmlns:rhap="rhap">art.2504</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gerald Levert</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2504</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2504&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2504&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gerald Levert has been making a name for himself ever since his first hit single "Private Line" in 1991. And, as the son of O'Jay Gerald Levert Sr., he has some sizable shoes to fill. Fortunately, the younger Levert can convey a remarkable range of emotion in his voice, slipping from a soft and sensual croon to a near-ecstatic roar in a matter of seconds. He's the kind of singer who can hold an audience in the palm of his hand; all the band has to do is stay with him as he raises and lowers the level of energy like a skilled technician. Levert died at his home on November 10, 2006 at the age of 40.
- Sarah Bardeen]]></description>
</item><item>
<title>Roberta Flack</title>
<link>http://www.rhapsody.com/goto?rcid=art.62151&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62151</guid>
<rhap:rcid xmlns:rhap="rhap">art.62151</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Roberta Flack</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62151</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62151&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62151&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Roberta Flack has been killing people softly with her song for three decades now. This sultry soultress paved the way for R&B performers to move into the new Adult Contemporary style in the '70s. Flack has also had a long singing partnership with the smooth Peabo Bryson and has recorded an album of jazz standards.
- Nick Dedina]]></description>
</item><item>
<title>Patti LaBelle</title>
<link>http://www.rhapsody.com/goto?rcid=art.69237&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69237</guid>
<rhap:rcid xmlns:rhap="rhap">art.69237</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Patti LaBelle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69237</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69237&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69237&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Over her forty-year-plus career, Patti LaBelle has recorded everything from Brill Building Pop to wild Funk to Quiet Storm. She made the case for the importance of bilingualism with a Disco hit that dared to ask "Voulez-Vous Couchez Avec Moi Ce Soir?" The secret to LaBelle's longevity is that she brings buckets of sassy class and a fiery Soul foundation to everything she does. You may enjoy her '60s recordings with the Bluebelles the most, but LaBelle stormed the Me Decade with a crazy mix of souped-up Funk, Glam Rock, and R&B that defined the decadent '70s. She continued to chart in the '80s with Synth Pop productions and emotional Adult Contemporary recordings. LaBelle is now a Quiet Storm diva, but some wish that she would throw caution to the wind and record the album she was born to make -- a low-key, late night, torchy Soul affair that shines the spotlight on her glorious voice.
- Nick Dedina]]></description>
</item><item>
<title>Kem</title>
<link>http://www.rhapsody.com/goto?rcid=art.61031&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Tue, 17 Nov 2009 09:07:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.61031</guid>
<rhap:rcid xmlns:rhap="rhap">art.61031</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kem</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61031</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61031&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61031&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An undeniably smooth soul singer, Kem has a sound more akin to Al Jarreau or Grover Washington than Usher or R. Kelly. His music is also more subdued, with mellow, minimalist instrumentation that brings to mind Sade's backing band Sweetback. In addition to singing, Kem writes and produces all of his own music. His debut album <I>Kemistry</I> was released on Motown in 2003, <i>Kem II</i> followed in the Summer of 2005
- Brolin Winning]]></description>
</item><item>
<title>Heatwave</title>
<link>http://www.rhapsody.com/goto?rcid=art.3344&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 26 Nov 2009 11:27:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3344</guid>
<rhap:rcid xmlns:rhap="rhap">art.3344</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Heatwave</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3344</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3344&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3344&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A truly international affair, Heatwave came together in the mid-1970s, founded by American brothers Keith and Johnnie Wilder who were living in Germany. They split for the UK to team up with Rod Temperton, and soon drafted a Czech drummer, Spanish bassist and two more American guitarists. They played relentlessly all over England, perfecting a unique sound steeped in soul and funk, easily danceable, but not nearly as cheesy as most disco. Their debut LP <I>Too Hot To Handle</I> was produced by Bobby Blue and released in 1977, spawning three hits, including the hugely popular "Boogie Nights." The group's second album <I>Central Heating</I> came out the next year, and furthered their hit-maker status thanks to singles like "Mind Blowing Decisions" and "The Groove Line." Though their career was soaring, problems within the group threatened to tear them apart. Some members were leaving the band, Rod Temperton started writing hits for other artists (including Michael Jackson during his classic <I>Off The Wall</I> and <I>Thriller</I> period), and their bassist was nearly killed in a car wreck. With a few new faces, Heatwave regrouped for their third record <I>Hot Property</I>. Though still a great album, it failed to produce any major hits. After more line-up changes and another near fatal auto accident, they released <I>Candles</I> and <I>Current</I> in '81 and '82 respectively, but by now the group was a shell of its former self. An attempted comeback in 1989 also floundered. Regardless, Heatwave are fondly remembered for their first several LPs and their effortlessly soulful classic songs. They put out a live album in 1997 and remain extremely popular on classic funk and R&B radio.
- Brolin Winning]]></description>
</item><item>
<title>The Whispers</title>
<link>http://www.rhapsody.com/goto?rcid=art.44201&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:43 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44201</guid>
<rhap:rcid xmlns:rhap="rhap">art.44201</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Whispers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44201</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44201&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44201&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Younger audiences probably know the Whispers from their 1987 super hit "Rock Steady," but this R&B vocal group has been racking up hits since the mid-1960s. We prefer their older material, which is creamed on a furlong of compilation albums showcasing their twin lead vocalists. The Scott brothers may have left the band in the early '90s, but the Whispers have carried on with class. They aren't really Quiet Storm, but they brew slowly boiling numbers that are perfect for car trips up to Inspiration Point.
- Nick Dedina]]></description>
</item><item>
<title>Vanessa Williams</title>
<link>http://www.rhapsody.com/goto?rcid=art.70&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Fri, 30 Oct 2009 12:04:12 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.70</guid>
<rhap:rcid xmlns:rhap="rhap">art.70</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Vanessa Williams</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.70</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.70&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.70&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With her music and acting work, Vanessa Williams has proven that she has more talent than most former Miss Americas. Her pristine voice often overshadows her dance and Adult Contemporary material.
- Rosemary Pepper]]></description>
</item><item>
<title>Maze</title>
<link>http://www.rhapsody.com/goto?rcid=art.9059&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Philly Soul</category>
<pubDate>Sun, 25 Oct 2009 10:22:03 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.9059</guid>
<rhap:rcid xmlns:rhap="rhap">art.9059</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Maze</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9059</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9059&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9059&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Maze brought the Philly soul sound out to San Francisco in the mid-1970s and has never looked back. Their relaxed grooves and good moods have survived everything from disco to hip-hop without many stylistic changes. Their blueprint has always been Marvin Gaye's early- '70s recordings with that quiet intensity and sophisticated funk. Gaye himself was big booster and Maze's Frankie Beverly keeps his spirit alive.
- Nick Dedina]]></description>
</item><item>
<title>Donell Jones</title>
<link>http://www.rhapsody.com/goto?rcid=art.17646&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.17646</guid>
<rhap:rcid xmlns:rhap="rhap">art.17646</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Donell Jones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.17646</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.17646&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.17646&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Streamlined R&B couldn't be any slicker if you rubbed it down with a bottle of baby oil. Donell Jones started as a producer for a number of notable acts (Usher, Silk, Brownstone) before realizing that his own vocal talents were going unheard. With equally cool moves as his proteges -- who probably learned all they know from their mentor -- Jones tackles matters of the heart with aplomb.
- Kali Holloway]]></description>
</item><item>
<title>Freddie Jackson</title>
<link>http://www.rhapsody.com/goto?rcid=art.62873&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 26 Nov 2009 11:27:16 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62873</guid>
<rhap:rcid xmlns:rhap="rhap">art.62873</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Freddie Jackson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62873</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62873&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62873&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[During the 1980s, Luther Vandross was the Soul crooner you chose when your urban love affair was going wrong; you played Freddie Jackson to keep it going right. They were equally soulful vocalists, but Jackson's silky skills avoid sun-streamed tragedy for bulb-lit romance. A consistent R&B chart-topper during the Reagan years, Jackson's creamy style has had a hard time surviving the conquest of R&B by harder-edged hip-hop. That's our problem, not Jackson's: pop culture reaps what it sows, and if you want undies flying instead of Uzis, Jackson's your man.
- Nick Dedina]]></description>
</item><item>
<title>The Delfonics</title>
<link>http://www.rhapsody.com/goto?rcid=art.1398&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:43 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1398</guid>
<rhap:rcid xmlns:rhap="rhap">art.1398</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Delfonics</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1398</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1398&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1398&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA["La La Means I Love You" and "Didn't I (Blow Your Mind This Time)" may be their biggest hits, but just about anything the Delfonics have recorded is filled with the same smooth-edged sounds that bridged the gap between '60s Soul and '80s Quiet Storm and R&B. The Delfonics helped define what became the Philly sound, working hand in hand with producer Thom Bell. Bell (along with sometime cohorts Gamble & Huff) took the edge off their highly arranged Soul hits, packaging them for mass audiences eager to hear sweet, melodic tunes. But it wouldn't have worked if it weren't for the pristine voices of brothers William and Wilbert Hart, as well as that of Randy Cain (who was later replaced by Major Harris).
- Jessy Terry]]></description>
</item><item>
<title>The Dramatics</title>
<link>http://www.rhapsody.com/goto?rcid=art.1341&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Fri, 27 Nov 2009 10:25:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1341</guid>
<rhap:rcid xmlns:rhap="rhap">art.1341</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Dramatics</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1341</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1341&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1341&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Dramatics were <i>the</i> soul vocal group during the Watergate years. Stax Records used this uptown R&B act to stay in the music biz as the popularity of their trademark raw sound waned. Starting with "What You See is What You Get," the Dramatics rode the top of the charts until Reagan hit office. Their sound was as sophisticated as a Blue Nunn and Perrier on the rocks. They were too good for the cocaine-fueled '80s.
- Nick Dedina]]></description>
</item><item>
<title>Jeffrey Osborne</title>
<link>http://www.rhapsody.com/goto?rcid=art.2627&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sat, 10 Oct 2009 10:13:25 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2627</guid>
<rhap:rcid xmlns:rhap="rhap">art.2627</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jeffrey Osborne</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2627</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2627&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2627&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jeffrey Osborne so ruled 1980s pop radio that he didn't even have to title his hits -- even the generically named "Love Ballad" sailed up the charts. While the 1990s weren't quite as kind to him, Osborne enters the new century as a staple on the urban amour scene.
- Nick Dedina]]></description>
</item><item>
<title>Atlantic Starr</title>
<link>http://www.rhapsody.com/goto?rcid=art.62870&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 26 Nov 2009 11:27:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62870</guid>
<rhap:rcid xmlns:rhap="rhap">art.62870</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Atlantic Starr</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62870</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62870&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62870&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although they had a slew of hit songs during their early days as keyboard-hauling patrons of the dancefloor, Atlantic Starr hit pay dirt when they stopped trying to keep folks dancin' and turned their attention to romancin'. Ballads became their most popular output, giving the band major hits with "Always" and "If Your Heart Isn't In It." The music stopped in 1987 when lead singer Sharon Bryant took off for a (modestly successful) solo career. The unfortunate disbanding meant no new releases, although "Secret Lovers" continues to show up in the track list of most every slow jam compilation released to date.
- Kali Holloway]]></description>
</item><item>
<title>The Manhattans</title>
<link>http://www.rhapsody.com/goto?rcid=art.1193&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sun, 25 Oct 2009 10:22:04 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1193</guid>
<rhap:rcid xmlns:rhap="rhap">art.1193</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Manhattans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1193</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1193&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1193&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Yes, this is the group that took "Shining Star" to the top of the charts in 1980. But long before that, the Manhattans had proved themselves to be a stellar vocal Soul group. From the moment they scored their first hit in 1965, they always seemed to have bucketloads of R&B and crossover pop hits that reflected the changing times -- from sophisticated Soul to Disco and beyond. These days, the Manhattans still tour the world and show how it's done.
- Nick Dedina]]></description>
</item><item>
<title>Average White Band</title>
<link>http://www.rhapsody.com/goto?rcid=art.6115&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 8 Oct 2009 11:44:58 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6115</guid>
<rhap:rcid xmlns:rhap="rhap">art.6115</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Average White Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6115</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6115&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6115&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Arriving in the pre-Disco '70s, the Average White Band wrote the proverbial book on how to be a funky white boy. This Scottish six-piece focused on classic groove-oriented jams, succinctly capturing their pulsating soul on the K-Tel favorite "Pick Up the Pieces."
- Jon Pruett]]></description>
</item><item>
<title>The Chi-Lites</title>
<link>http://www.rhapsody.com/goto?rcid=art.1467&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:43 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1467</guid>
<rhap:rcid xmlns:rhap="rhap">art.1467</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Chi-Lites</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1467</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1467&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1467&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although they adopted the sounds of the sweet vocal soul popularized in Philadelphia, the Chi-Lites were actually from Chicago. Forgoing the blues roots of their hometown, the band created lush, harmony-packed Soul music equally lilting and stirring. Best known for their pure, melting vocals on perennial backseat favorites "Oh Girl" and "Have You Seen Her," the Chi-Lites were also able to dabble in social commentary with the demanding "(For God's Sake) Give More Power to the People." Frontman Eugene Record's vocals had the resonance of the street corner blended with the sentimentality and wistful yearning of a man in love. The Chi-Lites disbanded in the early 1970s, only to reform in the early '80s; minor success continued through the '90s on the oldies circuit.
- Jon Pruett]]></description>
</item><item>
<title>Billy Ocean</title>
<link>http://www.rhapsody.com/goto?rcid=art.59159&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Mon, 30 Nov 2009 10:00:44 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.59159</guid>
<rhap:rcid xmlns:rhap="rhap">art.59159</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Billy Ocean</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.59159</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.59159&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.59159&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born in Trinidad and raised in England, Billy Ocean began his career singing around London, and released his first single in 1974 under the alias Scorched Earth. The following year he recorded his debut LP and scored a hit with the single "Love Really Hurts Without You." Three more albums and a few singles later, he really blew up with 1984's <I>Suddenly</I>, a double-platinum smash that featured his signature song "Caribbean Queen." The perfect mix of accessible pop and smooth R&B -- with just a little exoticness thrown in -- was loved by both kids and adults. Embraced by radio and MTV, Ocean continued to crank out hits throughout the 1980s, with chart-topping jams like "Get Out of My Dreams, Get Into My Car" and "There'll Be Sad Songs (To Make You Cry)." However, like many '80s-era stars, his reign eventually faded, and subsequent albums in '93, '97 and '03 came and went, unnoticed by all but the most diehard fans.
- Brolin Winning]]></description>
</item><item>
<title>Peabo Bryson</title>
<link>http://www.rhapsody.com/goto?rcid=art.58312&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Fri, 27 Nov 2009 10:25:17 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.58312</guid>
<rhap:rcid xmlns:rhap="rhap">art.58312</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Peabo Bryson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.58312</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58312&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58312&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Peabo Bryson's silky, soulful vocals can mesh with Joshua Redman's jazz quartet, Disney cartoons or his own Quiet Storm recordings. He adds a dose of Sam Cooke style class to his often inferior material.
- Nick Dedina]]></description>
</item><item>
<title>Stephanie Mills</title>
<link>http://www.rhapsody.com/goto?rcid=art.1354&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1354</guid>
<rhap:rcid xmlns:rhap="rhap">art.1354</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stephanie Mills</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1354</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1354&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1354&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Ruben Studdard</title>
<link>http://www.rhapsody.com/goto?rcid=art.68327&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Tue, 24 Nov 2009 09:38:30 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68327</guid>
<rhap:rcid xmlns:rhap="rhap">art.68327</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ruben Studdard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68327</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68327&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68327&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[2003's <I>American Idol</I> contest winner, Ruben Studdard, won the country over with his silky vocals and teddy bear-like appearance. The Alabama native's deep, mature singing style was a pleasant addition to the otherwise homogeneous crooning of the other <Idol</I> contestants, and immediately set him apart from his peers. Throughout the show's season, Studdard's interpretations of such songs as "Superstar" (originally made famous by the Carpenters) and "Sweet Home Alabama" (an Allman Brothers staple) proved to be quite popular with both the judges and viewing audience -- and showed that Roooooooben, as his fans call him, had the talent to handle a variety of styles with ease.
- Linda Ryan]]></description>
</item><item>
<title>Con Funk Shun</title>
<link>http://www.rhapsody.com/goto?rcid=art.10768&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Con Funk Shun</rhap:artist>
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<description><![CDATA[These Bay Area wavers of the Funk flag began as the band behind Stax soul-balladeers the Soul Children in the early '70s. Their meeting with a Memphis producer proved to be analogous to their sound, which paired the music's West Coast sheen with grittier southern production. In '77 they scored a Funk classic with Ffun, which showed their ability to throw out laid-back, top-down party music. As the '80s train pulled into town, Con Funk Shun rode the winds of the Quiet Storm. They disbanded in the late 80s as lead falsetto Felton Pilate began to focus on producing M.C. Hammer. They have since re-formed.
- Jon Pruett]]></description>
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<title>Tavares</title>
<link>http://www.rhapsody.com/goto?rcid=art.1793&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Tue, 24 Nov 2009 09:38:12 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tavares</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1793&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although perhaps best known for their inclusion on the <I>Saturday Night Fever</I> soundtrack, Tavares consistently scored hits throughout the 1970s. The five Tavares brothers formed their group in 1964, signing to Capitol records almost a decade later. The quintet scored a number of R&B and pop hits in the early part of the '70s, including the first recorded version of "She's Gone," written by the then-unknown duo, Hall & Oates. The mid part of the 70s saw Tavares embrace the disco fad with hits such as "It Only Takes A Minute" and "Heaven Must Be Missing An Angel," culminating with the aforementioned "More Than A Woman," a song written especially for them by the Bee Gees.
- Linda Ryan]]></description>
</item><item>
<title>The Emotions</title>
<link>http://www.rhapsody.com/goto?rcid=art.11887&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sat, 10 Oct 2009 10:13:26 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Emotions</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11887&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Emotions were one of the finest female vocal groups of the 1970s and enjoyed a string of hits, including the No. 1 smash "Best of My Love." Their mid-to-late '70s sound was produced by Maurice White of Earth, Wind & Fire fame, but their edge goes back to their earlier, earthier Stax recordings, which kept the sophisticated Soul sound of the '60s alive. If all you know are their bigger hits, there's a whole mess of great music left for you to discover.
- Nick Dedina]]></description>
</item><item>
<title>Randy Crawford</title>
<link>http://www.rhapsody.com/goto?rcid=art.68558&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Randy Crawford</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68558&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Crawford is an Adult Contemporary and Smooth Jazz vocalist with a warm, elastic voice, and her elongated phrasing and sultry style are immediately recognizable. She started singing professionally in the late 1960s in the musical hotbed of Cincinnati, Ohio, where she occasionally played with legendary Cincinnati musician and Funkadelic bassist Bootsy Collins. Crawford worked with George Benson, then did a featured stint with the Crusaders before setting out on her own. She has had numerous hits at home and abroad.
- Tom Heyman]]></description>
</item><item>
<title>Regina Belle</title>
<link>http://www.rhapsody.com/goto?rcid=art.63597&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Regina Belle</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63597&amp;variant=play&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63597&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[R&B songstress Regina Belle started her recording career in 1987, a real juncture for a soul singer. At this time hip-hop was beginning to creep into urban pop and a new fleet of urban divas (led by Whitney Houston) were highlighting vocal pyrotechnics over nuance. Given that, it means something that Belle could build and maintain a strong career during this era. A gifted quiet storm balladeer who sprinkles pillow talk tenderness with classic gospel toughness, Regina Belle has had numerous urban hit singles throughout the years and her 1989 album, <I>Stay With Me</I>, went all the way to the No. 1 spot on <I>Billboard</I>'s R&B charts. In 2004, Belle released <I>Lazy Afternoon,</I> an album that uses jazz standards as a springboard for a superior set of bedroom soul vamps.
- Nick Dedina]]></description>
</item><item>
<title>Gerald Albright</title>
<link>http://www.rhapsody.com/goto?rcid=art.2503&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Wed, 16 Sep 2009 12:51:10 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=91&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss">Top Quiet Storm Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gerald Albright</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2503&amp;variant=data&amp;rws=%2Fsoul-r-b%2Fsoul%2Fquiet-storm%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[While <I>Live at Birdland West</I> (1991) proves that Albright can play straight-ahead jazz with verve and passion most of his releases stick to the Smooth Jazz format. Simplifying his R&B-rooted approach on alto and tenor saxophone, he's released a number of popular efforts in the Smooth Jazz/Quiet Storm realm. Lite Funk rhythms, slick production, cooing background vocalists and easy melodies are the key components of his candlelight-beckoning seduction soundtracks.
- Will York]]></description>
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