<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1354060131"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Top Funk Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link><description>Top Funk Artists on Rhapsody Online</description><category>Funk</category><language>en</language><ttl>720</ttl><pubDate>Sat, 28 Nov 2009 05:54:49 -0800</pubDate><image>
<url>http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Top Funk Artists on Rhapsody Online</title>
<link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<description>Top Funk Artists on Rhapsody Online</description>
</image><item>
<title>Stevie Wonder</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1967&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Fri, 27 Nov 2009 10:24:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1967</guid>
<rhap:rcid xmlns:rhap="rhap">art.1967</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stevie Wonder</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1967</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1967&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1967&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Groomed from an early age for Motown stardom, Stevie Wonder mastered that label's distinctive fusion of pop and soul and then went on to compose far more idiosyncratic music &Number 8212; an ambitious hybrid of sophisticated Tin Pan Alley chord changes and R&B energy, inflected with jazz, reggae, and African rhythms. A synthesizer and studio pioneer, Stevie Wonder is one of the few musicians to make records on which he plays virtually all the instruments, and does so with both convincing technique and abandon. A lifelong advocate of nonviolent political change patterned after Martin Luther King Jr. and Mahatma Gandhi, Wonder epitomizes '60s utopianism while remaining resolutely contemporary in his musical experiments.<br><br>
Stevie Morris' prodigious musical talents were recognized when Ronnie White of the Miracles heard the 10-year-old boy, blind from infancy, playing the harmonica for his children, and introduced him to Berry Gordy Jr. of the Hitsville U.S.A. &Number 8212; soon Motown &Number 8212; organization. Gordy named him Little Stevie Wonder. His third single, "Fingertips (Part 2)" was a Number 1 pop and R&B hit eight months later. Both on records and in live shows he was featured playing harmonica, drums, piano, and organ, as well as singing &Number 8212; sometimes all in one number.<br><br>
During his first three years in show business, Wonder was presented as an R&B screamer in the Ray Charles mold; much was made of the fact that both were blind. In 1964 he appeared on the screen in <i>Muscle Beach Party</i> and <i>Bikini Beach</i>. Uptight (Number Three, 1966) included "I Was Made to Love Her" (Number Two, 1967), "For Once in My Life" (Number Two, 1968), and "Shoo-Be-Doo-Be-Doo-Da-Day" (Number Nine, 1968). The Wonder style broadened to include Bob Dylan's "Blowin' in the Wind" (Number Nine, 1966), the optimistic "A Place in the Sun" (Number Nine, 1968), and an instrumental version of Burt Bacharach's "Alfie." In 1969 he hit the upper reaches of the charts with the ballads "My Cherie Amour" (Number 4) and "Yester-Me, Yester-You, Yesterday" (Number 7).<br><br>
As his adolescence came to an end, Wonder took charge of his career. By the time of <i>Signed Sealed & Delivered</i> (Number 25, 1970), he was virtually self-sufficient in the studio, serving as his own producer and arranger, playing most of the instruments himself, and writing material with his wife, Syreeta Wright. In this phase, he scored three more hit singles: "Signed, Sealed, Delivered I'm Yours" (Number Three, 1970), "Heaven Help Us All" (Number Nine, 1970), and "If You Really Love Me" (Number Eight, 1971).<br><br>
When he reached his 21st birthday in 1971, he negotiated a new contract with Motown that made him the label's first artist to win complete artistic control (also at 21 he was due the money he had made as a minor; despite earning over $30 million, he received only $1 million). While his singles upheld the company tradition of hook-happy radio fare, they distinguished themselves with such socially conscious subjects as ghetto hardship and political disenfranchisement, especially in evidence in "Living for the City" (Number Eight, 1973). His albums, beginning with <i>Music of My Mind</i> (Number 21, 1972), on which he played most of the instruments, were devoted to his more exotic musical ideas (which incorporated gospel, rock & roll, jazz, and African and Latin rhythms). To his panoply of instruments, he added synthesizers; played with rare invention and funk, they became the signature of his sound.<br><br>
Wonder's 1972 tour of the United States with the Rolling Stones helped make Number 1 hits of two singles released within the next year &Number 8212; "Superstition" (written for Jeff Beck) and "You Are the Sunshine of My Life" &Number 8212; from <i>Talking Book</i> (Number Three, 1972). The period was difficult personally for Wonder: In 1972 his marriage to Wright ended after only a year (later, with companion Yolanda Simmons, he had two children, as well as a third child by vocalist Melody McCulley). In 1973 he was in a serious car crash that left him in a coma for four days.<br><br>
In the four years and three albums following <i>Talking Book</i>, Wonder made three more Number 1 singles ("You Haven't Done Nothin'," "I Wish," and "Sir Duke"), sold millions of each, and received 15 Grammy Awards. <i>Innervisions</i> (Number Four, 1973) also included "Higher Ground" (Number Four, 1973), while <i>Fulfillingness' First Finale</i> (Number One, 1974) yielded "Boogie On Reggae Woman" (Number Three, 1974). His songs were covered widely, and he was an acknowledged influence on musicians from Jeff Beck to George Benson to Bob Marley. Working with B.B. King, the Jacksons, the Supremes, Minnie Ripperton, Rufus, and Syreeta Wright, he established himself as a major songwriter and producer. <i>Songs in the Key of Life</i> (Number One, 1976) (a double album released after he had signed a $13-million contract with Motown) was a tour de force and topped the charts for 14 weeks.<br><br>
<i>Journey Through the Secret Life of Plants</i> (Number Four, 1979) three years in the making, was ostensibly the soundtrack to an unreleased film of the same name. Predominantly instrumental, it failed to catch on in a big way at the time but can be seen as a precursor to New Age music. <i>Hotter Than July</i> (Number Three, 1980) returned to the street-dancing spirit of earlier periods (updated in contemporary idioms such as reggae and rap). It yielded "Master Blaster (Jammin')" (Number Five, 1980) and Wonder's plea for an international holiday in memory of Martin Luther King Jr., "Happy Birthday." In 1982 fans still waiting for an album of new material were placated with hit singles: "That Girl" (Number 4), "Do I Do" (Number 13), "Ebony and Ivory"(Number 1) &Number 8212; a duet with Paul McCartney &Number 8212; and the greatest-hits package <i>Musiquarium</i> (Number Four, 1982).<br><br>
The '80s saw Wonder drastically curtailing studio work but continuing to tour (by the end of the decade becoming Motown's first artist to play the Eastern bloc). In 1982, with Bob Dylan and Jackson Browne, he played the "Peace Sunday" antinuclear rally at the Rose Bowl. In 1984 Detroit gave him the key to the city (he later considered a run for mayor of Detroit), and he played harmonica on Elton John's "I Guess That's Why They Call It the Blues." Participating in the recording of USA for Africa's "We Are the World" in 1985, he won that year's Oscar for Best Song for "I Just Called to Say I Love You," (Number One, 1984) off <i>The Woman in Red</i> (Number Four, 1984) soundtrack. Dedicating the award to Nelson Mandela, he angered South African radio stations, which then banned all his music.<br><br>
"Part-Time Lover" (Number One, 1985) became the first single simultaneously to top the pop, R&B, Adult Contemporary, and dance/disco charts; its parent album, <i>In Square Circle</i>, reached Number 5 and won the Grammy for Best R&B Male Vocal Performance. Singing with Elton John and Gladys Knight on Dionne Warwick's "That's What Friends Are For" (Number One, 1986) gained Wonder another hit, but, deemed relatively lightweight, neither <i>Characters</i> (Number 17, 1987) nor the soundtrack for Spike Lee's <i>Jungle Fever</i> (Number 24, 1991) were greeted with the almost universal acclaim his '70s work had generated.<br><br>
In 1988 duets with Michael Jackson ("Get It") and Julio Iglesias ("My Love") kept Wonder's name before the public. And, inducted into the Rock and Roll Hall of Fame in 1989 and earning a Lifetime Achievement Grammy, Stevie Wonder continued to enjoy an ultimately unassailable critical reputation even while his recording output was slender. In 1995, four years after receiving the Nelson Mandela Courage Award, he released <i>Conversation Peace</i>, an intended epic he'd been working on since the late '80s. Critics greeted the 74-minute long work with mixed reviews but were heartened by his return to recording after an eight-year absence. In 1999 Wonder performed at the halftime show for Super Bowl XXXIII and was among the recipients of the Kennedy Center Honors. He also made a rare hour-long appearance on <i>Donny & Marie</i>, where he performed a number of his hits, mostly accompanying himself on keyboards.<br><br>
Wonder's extensive humanitarian work has concentrated on AIDS awareness; antiapartheid efforts; crusades against drunk driving and drug abuse; and fund-raising for blind and retarded children and the homeless.<br><br>
<i>from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster)</i>
]]></description>
</item><item>
<title>Prince</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44063&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 26 Nov 2009 11:28:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44063</guid>
<rhap:rcid xmlns:rhap="rhap">art.44063</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Prince</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44063</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44063&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44063&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In this age of musical genre ghetto-ization, Prince stands alone. The Artist can get funky, he can rock up a storm, he can croon a soulful ballad, he can spin out webs of jazz piano, he can hip and he can hop. He can do it all, often brilliantly. Prince takes chances and often fails -- especially on the (hopefully abandoned) film front -- but every one of his albums is chock full of gems. Prince hasn't sustained the massive popularity he earned in the <I>Purple Rain</I>-crazed '80s, but that seems due more to bad publicity surrounding his tabloid lifestyle than his musical output. He can't hide the fact that he is an odd, fuzzy little man, but genius doesn't come in perfect packages. While legions of Prince's contemporaries crash and burn, he sits in his Minneapolis tower and continues to expand the boundaries of popular music.
- Nick Dedina]]></description>
</item><item>
<title>Earth, Wind &amp; Fire</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4288&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 27 Nov 2009 10:25:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4288</guid>
<rhap:rcid xmlns:rhap="rhap">art.4288</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Earth, Wind &amp; Fire</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4288</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4288&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4288&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the premier soul groups of the 1970s, Earth Wind & Fire fused a deep knowledge of the African-American musical tradition with an uplifting, spiritual idealism. To sum up the breadth of their sound is impossible, simply because the group's versatility was awe-inspiring. They played powerhouse Funk anthems, Latin-inflected R&B grooves, shimmering Pop-Soul, and ballads that tugged the heartstrings while sending the spirit soaring across the sky. Their impeccable horn harmonies rivaled the JB's (James Brown's backing band) while Johnny Graham's sweet R&B stylings conveyed worlds of emotion. Bandleader, drummer, and premier songwriter Maurice White infused the music with African rhythm, often featuring the kalimba, or thumb-piano, while the band brought jazz and Latin polyrhythms to the heart of deep funk territory. And their three distinctive vocalists inspired near-religious adoration: Philip Bailey's soaring falsetto, Maurice White's soulful growl, and Jessica Cleaves' natural, unadorned alto. This is music for the mind, the body, and the soul.
- Jessy Terry]]></description>
</item><item>
<title>The Temptations</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.942&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Thu, 26 Nov 2009 11:27:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.942</guid>
<rhap:rcid xmlns:rhap="rhap">art.942</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Temptations</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.942</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.942&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.942&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Supremes may have moved more product, but it was the Temptations who showed that a Motown act could do anything they set their pitch-perfect pipes to. Who else but the Temptations could release the peerless teen love ballad "My Girl" and the cinematic, psychedelic funk of "Papa Was a Rolling Stone"? They could be soft and sensual, gruff and grounded, or raw and rocking -- and pull each off beautifully. The grim reaper and drugs have not been kind to the Temptations, and only one original member carries on in their name. Their last few recordings can't match the brilliance of their 1960s to mid-1970s releases, but the band's sound remains more soulful than any young, ultraslick vocal group out there.
- Nick Dedina]]></description>
</item><item>
<title>The Isley Brothers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4725&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 27 Nov 2009 10:24:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4725</guid>
<rhap:rcid xmlns:rhap="rhap">art.4725</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Isley Brothers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4725</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4725&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4725&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Isleys have had success in many genres since their beginnings in the 1950s, arguably hitting their peak and writing some of their tightest music in the '70s. From "Who's That Lady" to "It's Your Thing," they've produced numerous hits that are still blaring on radios (and commercials) across the land. Centered for most of their career on the vocal talents of Ronald, Rudolph and Vernon, in their <i>3 + 3</i> era the Isleys benefited from the addition of a couple more brothers to the backing band: bassist
Marvin and fiery guitar player Ernie (plus a brother-in-law on keyboards). Some of their best work can be found on the album <i>Brother, Brother, Brother</i>, but the seminal "Footsteps in the Dark" is not to be missed either. Among other accomplishments, they toured with a young guitarist named Jimmy James (later known as Jimi Hendrix -- his work can be heard on the single "Testify"). From Doo-Wop songs to Soul tracks, Funk grooves to Disco beats, the Isley Brothers have always remembered how to inject a memorable melody into every number they record.
- Jessy Terry]]></description>
</item><item>
<title>James Brown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38470&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 27 Nov 2009 10:24:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38470</guid>
<rhap:rcid xmlns:rhap="rhap">art.38470</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">James Brown</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38470</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38470&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38470&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The interlocking drum and bass brilliance of "Funky Drummer," the exactly synchronized horns of "Cold Sweat," and the socially conscious "I'm Black and I'm Proud" all have one thing in common: repetitive perfection. The Godfather of Soul may have let loose with raw squeals, doo-wop moans, plaintive wails and commanding grunts, but the bands he led never missed a note. Intense raw energy has never been compressed as succinctly as the vacuum-sealed package making up James Brown's band. Over the years, Brown has served as a university for many of the tightest performers around -- his musical graduates include Maceo Parker, Clyde Stubblefield, Bernard Purdie, Jimmy Nolen, Fred Wesley, Bobby Byrd, Pee Wee Ellis and Bootsy Collins. His songs have crucially influenced genres like jazz (Herbie Hancock, Miles Davis), reggae (Lee Perry, Sly and Robbie) and hip-hop (hasn't every DJ sampled James Brown at one point or another?). Music hasn't been the same since. James Brown died in Atlanta, GA on Dec. 25th, 2006, at the age of 73.
- Jessy Terry]]></description>
</item><item>
<title>The Commodores</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2959&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Thu, 26 Nov 2009 11:27:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2959</guid>
<rhap:rcid xmlns:rhap="rhap">art.2959</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Commodores</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2959</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2959&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2959&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Led by Lionel Richie, the Commodores continued Motown's hold on popular music in the late '70s. With their mix of Funk ("Brick House") and ballad ("Three Times a Lady") hits, they were as much a part of that decade as pet rocks and guest spots on <i>Three's Company</i>.
- Rosemary Pepper]]></description>
</item><item>
<title>Kool &amp; the Gang</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1593&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 27 Nov 2009 10:25:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1593</guid>
<rhap:rcid xmlns:rhap="rhap">art.1593</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kool &amp; the Gang</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1593</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1593&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1593&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the many groups that drew inspiration from Sly Stone's material of the late '60s, Kool and the Gang took Sly's Funk template and added a touch of deep James Brown soul into their mix throughout the '70s. A party band by any standard, their horn section could only be upped by the JB's in terms of locking into a groove. Songs like "Funky Stuff," the Tarantino-appropriated "Jungle Boogie," and the mellower "North, East, South and West" were all heavy with thick bass and squelching wah-wah pedals. With the addition of pop vocalist J.T. Taylor in 1979, the record-buying public finally gave them their due, as Kool and the Gang racked up a chart-burning run of hits through the first half of the '80s: "Ladies Night," "Too Hot," "Cherish," "Fresh," and most notably, "Celebration," which has unofficially become the official theme song for any event that happens anywhere at any given time.
- Jon Pruett]]></description>
</item><item>
<title>Curtis Mayfield</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4921&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 12 Nov 2009 19:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4921</guid>
<rhap:rcid xmlns:rhap="rhap">art.4921</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Curtis Mayfield</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4921</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4921&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4921&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Without question one of the most important and influential artists in modern music, Curtis Mayfield put out dozens of classic albums throughout the course of a career that ran more than four decades. He began recording professionally in the late 1950s as a member of the Impressions, (originally a Doo Wop group known as the Roosters), a Chicago soul group he fronted with Jerry Butler. They hit the charts with the single "For Your Precious Love" in 1958, and went on to release 13 albums (charting 14 hits) before Mayfield left to go solo in 1970 (though he continued to write and produce for the group, who were signed to his Curtdom label). Amongst the first artists to address the social topics of racial pride, equality, and crumbling inner cities, he came into his own in the early seventies, and found his biggest commercial success with the soundtrack to the Blaxploitation classic <I>Superfly</I>, released in 1972. Mayfield's funk-drenched production, wah-wah guitar excursions, and trademark falsetto vocals touched a chord with listeners from all backgrounds and along with Isaac Hayes' work on <I>Shaft</I>, became a quintessential release that remains popular to this day. Throughout the seventies, he continued cranking out hits for himself and others, as well as maintaining his label and touring around the world. The changing music tides of the 1980s were not kind to Mayfield, though many hip-hop artists began sampling songs from his vast catalog of work. An outdoor concert accident in 1990 left him paralyzed from the neck down, though he continued to work sporadically and recorded a number of albums for various labels. In December of 1999, Curtis Mayfield died at age 57, leaving behind a enduring legacy.
- Brolin Winning]]></description>
</item><item>
<title>The O'Jays</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62153&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62153</guid>
<rhap:rcid xmlns:rhap="rhap">art.62153</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The O'Jays</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62153</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62153&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62153&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A vocal group with a history in Doo-Wop, the Cleveland-based O'Jays actually embodied the Philly sound in the ÃÂ70s. Characterized by a metronomic groove, lavish strings and slick production courtesy of songwriting / producing team Gamble & Huff, The O'Jays and other artists on the Philly International label invented the ÃÂslow jam.ÃÂ Hits like ÃÂLove TrainÃÂ showed their gift for three-part harmonies and lightweight social messages.
- Jon Pruett]]></description>
</item><item>
<title>Sly &amp; the Family Stone</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1105&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 26 Nov 2009 11:27:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1105</guid>
<rhap:rcid xmlns:rhap="rhap">art.1105</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sly &amp; the Family Stone</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1105</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1105&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1105&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Along with James Brown and Parliament-Funkadelic, Sly & the Family Stone, virtually invented 1970s funk. Their fusion of R&B rhythms, infectious melodies, and psychedelia created a new pop/soul/rock hybrid the impact of which has proven lasting and widespread. Motown producer Norman Whitfield, for example, patterned the label's forays into harder-driving, socially relevant material (such as the Temptations' "Runaway Child" and "Ball of Confusion") based on their sound. The pioneering precedent of Sly Stone's racial, sexual, and stylistic mix, had a major influence in the 1980s on artists such as Prince and Rick James. Legions of artists from the 1990s forward &#8212; including Public Enemy, Fatboy Slim, Beck and many others &#8212; mined Sly’s seminal back catalog for hook-laden samples.
<br><br>
Sylvester Stewart's family moved from Texas to the San Francisco area in the 1950s. At age four, he began singing gospel music and at age 16 made a local hit, "Long Time Away." Stewart studied trumpet, music theory, and composition at Vallejo Junior College and while in school became active on the Bay Area music scene. With his brother, Fred, he formed several short-lived groups, like the Stewart Bros. He was a disc jockey at soul station KSOL, and at Autumn Records he produced records by the Beau Brummels, Bobby Freeman, the Mojo Men, and Grace Slick's first band, the Great Society. He later worked for KDIA.
<br><br>
In 1966 Sly formed a short-lived group called the Stoners, which included female trumpeter Cynthia Robinson. With her he started his next band, Sly and the Family Stone. Sly, Robinson, and Fred Stewart were joined by Larry Graham [see separate entry], Greg Errico, and Jerry Martini, all of whom had studied music and worked in numerous amateur groups. Rosie Stone joined the group soon after. Working around the Bay Area in 1967, this multiracial band made a strong impression. They recorded their debut single, "I Ain't Got Nobody" b/w "I Can't Turn You Loose," on the local Loadstone label.
<br><br>
The Family Stone's debut LP, <I>A Whole New Thing</I>, flopped. Its follow-up, <I>Dance to the Music</I>, included the hit title cut (Number Eight Pop, Number Nine R&B). <I>Life</I> sold fewer copies than their previous albums, but their next release, a double-sided single, "Everyday People" b/w "Sing a Simple Song," was Number One on both the R&B and Pop charts. 1969’s <I>Stand!</I> mixed hard-edged politics with the Family's ecstatic dance music. It rose to Number 13 on the Pop Chart and contained Sly standards like the title song, "Don't Call Me Nigger, Whitey," "Sex Machine," "Somebody's Watching You," and "I Want to Take You Higher" (Number Three Pop, Number 24 R&B). Fiery versions of "Dance to the Music" and "Higher," heard on <I>Woodstock</I> soundtrack (Cotillion), established the Family Stone as one of the finest live bands of the late 1960s.
<br><br>
Singles like "Hot Fun in the Summertime" (Number Two Pop, Number 3 R&B) and "Thank You Falettinme Be Mice Elf Agin" b/w "Everybody Is a Star" (Number One Pop and R&B), saw the band hit a commercial peak, and the success of <I>Greatest Hits</I> (Number Two Pop) reflected their immense popularity. The smooth post-doo-wop/pop/soul of "Hot Fun" and the eerie funk of "Thank You" demonstrated the band's considerable range. By this time, <I>Stand!</I> had been on the charts for more than 80 weeks, and most of the Family's Top Ten singles had gone gold, as had most of their post-<I>Dance to the Music</I> LPs. Jazz trumpeter Miles Davis, who'd been flummoxing critics with electrified "fusion" albums, did it again when he named Sly Stone and Jimi Hendrix as his favorite musicians.  
<br><br>
After 1970 Sly became notorious for arriving late for or missing concerts, and it was generally known that he was suffering from drug problems. The group's turning point came in 1971, when <I>There's a Riot Goin' On</I> went to Number One. Its darkly understated sound and pessimistic lyrics (the album’s first words are, “I’m gonna tell you something: Feels so good inside myself, don’t wanna move”) contrasted sharply with the optimism of earlier albums, and instead of the flamboyant group interplay that had been a Family Stone hallmark, most of the album featured Sly overdubbing multiple vocal and instrumental parts, exploring the possibilities of electronic rhythm (<I>Riot</I> is one of the first major albums to feature a drum machine), and utilizing the services of guitarist/arranger and R&B veteran Bobby Womack. The result was the most powerful depiction of the bitter aftermath of the hippie dream; "Family Affair," about dissolution and breakdown, went Number One Pop and R&B, Sly's last chart-topping hit.
<br><br>
By 1972, the Family Stone was growing restless. Key members Larry Graham and drummer Greg Errico, both well on their way out during <I>Riot</I>’s recording, left, to be replaced by Rusty Allen and Andy Newmark. From <I>Fresh</I> (Number Seven pop, 1973), "If You Want Me to Stay" (Number 12 pop, Number Three R&B) did fairly well, and a blues version of "Que Sera Sera" got some airplay, particularly when (untrue) rumors of a romance between Sly and Doris Day emerged. <I>Small Talk</I> fared moderately well. It took advertising of Sly's public wedding ceremony to Kathy Silva at Madison Square Garden in 1974 to sell it out. "I Get High on You" (Number Three R&B) did respectably, but subsequent albums failed.  
<br><br>
Meanwhile, disco had emerged, and in 1979 Epic issued <I>Ten Years Too Soon</I>, a compilation album on which the quirky original rhythm tracks were erased and a disco beat dubbed in. By the mid 1970s, stories of drug problems and arrests were part of the Sly Stone legacy. By 1979, he was with Warner Bros., attempting to make the comeback many observers felt would be as natural as James Brown's, given the current interest in and popularity of funk. In 1981, having been cited as a major influence by George Clinton, he appeared on Funkadelic's <I>Electric Spanking of War Babies</I>. He toured with Clinton's P-Funk All-Stars, on his own, and with Bobby Womack in the early 1980s. In 1983 Sly released <I>Ain’t But the One Way</I>, which was roundly ignored; that year he was arrested for cocaine possession and entered a rehabilitation program a year later.
<br><br>
In 1986 Stone guested on ex-Time guitarist Jesse Johnson's minor hit "Crazay," which led to a deal with A&M Records. That year a single, "Eek-a-Bo-Static," failed to chart; Stone also duetted with ex-Motel Martha Davis on "Love & Affection," for the soundtrack of the movie <I>Soul Man</I>, in 1986, but the A&M contract fell through. In 1989, Stone was arrested, serving his fourteen-month sentence in a rehab center. In 1993 Sly and the Family Stone was inducted into the Rock and Roll Hall of Fame; a subdued Stone appeared to accept the honor.
<br><br>
That would presumptively have been it, but in February 2006, for the 48th Annual Grammy Awards, rumors began that Stone would appear. And appear he did, wearing a silver lam&#233; atrench coat and sporting a giant blonde Mohawk &#8212; as outrageously dressed as he’d been in his heyday, but had somehow come back to life at the center of the pop world. An exceedingly rare interview with the notoriously reclusive Sly appeared in <I>Vanity Fair</I> in 2007 that portrayed the musician as both an eccentric and relatively lucid. In the interview he said he had been working on music for a couple of decades, waiting for the right moment to spring it on the world. A handful of live performance followed in Europe in 2007 and the U.S. in 2008 to mixed reviews.
]]></description>
</item><item>
<title>Chaka Khan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38207&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 27 Nov 2009 10:24:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38207</guid>
<rhap:rcid xmlns:rhap="rhap">art.38207</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chaka Khan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38207</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38207&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38207&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[First exercising her considerable vocal talents with Funk outfit Rufus, Chaka Khan has gone on to reinvent herself numerous times, most notably in the mid-1980s with the pop hit "I Feel for You" and again with her smash dance hit "I'm Every Woman," which Whitney Houston re-recorded in the '90s. Perhaps even more revered for such slow, funky numbers as "Tell Me Something Good," Chaka Khan's voice possesses remarkable depth and range, making her one of the reigning queens of Soul.
- Sarah Bardeen]]></description>
</item><item>
<title>War</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5943&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 26 Nov 2009 11:27:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5943</guid>
<rhap:rcid xmlns:rhap="rhap">art.5943</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">War</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5943</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5943&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5943&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Recruited by Eric Burdon, War first hit the charts with "Spill the Wine," an instantly recognizable soul/rock hit that opened the door for what was coming. After one record, Burdon left to focus on his personal fade from public view. This freed up War for more success with their hybrid of soul, rock, jazz and Latin rhythms. Distinctly Southern California, their multi-ethnic lineup served as a cross section of the Los Angeles area that they represented. The horn-spiked Chicano anthems "Low-Rider" and "The Cisco Kid" spoke to an audience poorly represented in popular music. Laced with a certain street logic, War predated Rodney King with their feelgood hit "Why Can't We Be Friends?" The barrier-breaking continued until the late 1970s, when they began taking themselves too seriously. Their loose grooves had the hip-hop community paying attention, which spurred a reunion in the mid-1990s.
- Jon Pruett]]></description>
</item><item>
<title>Rick James</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62148&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Sat, 31 Oct 2009 11:42:53 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62148</guid>
<rhap:rcid xmlns:rhap="rhap">art.62148</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rick James</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62148</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62148&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62148&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Among the most popular, successful, flamboyant and notorious funk pioneers, Rick James began his career in Toronto, playing in a group called Mynah Birds, which also included Neil Young and Goldy McJohn (Steppenwolf). James played bass with many different bands before landing a solo deal with Motown in the late 1970s. His reign on the charts started shortly thereafter, thanks to supremely funky singles like "Mary Jane" and "Give It To Me Baby." His biggest hit and signature track was the aptly titled "Super Freak," one of the most popular songs of 1981. Blessed with a unique sound that drew from disco, New Wave and R&B, he was at the top of his game as a solo artist and producer in the early '80s, putting together key albums with the Mary Jane Girls, Teena Marie and Eddie Murphy, among others. His own hits continued with singles like "17" and "Cold Blooded," though the rise of hip-hop and his growing drug dependency soon derailed his illustrious career. James was later convicted of felonies stemming from two coke-fueled assaults on women, and spent several years behind bars in the '90s. Upon his release, he cleaned up his act and went back into the studio, releasing his final LP, <I>Urban Rhapsody</I>, in 1997. Though the album spawned no new hits, he made millions off of rap artists sampling his vast catalog; most notably, MC Hammer liberally borrowed from "Super Freak" for his own mega-smash "U Can't Touch This." In 2004, James was back in the spotlight, thanks to a hilarious skit on the Dave Chappelle show, which coined the pervasive catchphrase "I'm Rick James, bitch!" After releasing 14 solo albums in less than 20 years, and producing many more, James firmly established himself as a funk icon on par with legends like James Brown, Sly Stone and George Clinton. He was working on an autobiography and film about his life when he died of natural causes in August 2004. He was 56 years old.
- Brolin Winning]]></description>
</item><item>
<title>Charlie Wilson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.53106&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Tue, 10 Nov 2009 10:13:27 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.53106</guid>
<rhap:rcid xmlns:rhap="rhap">art.53106</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Charlie Wilson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.53106</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.53106&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.53106&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>KC &amp; the Sunshine Band</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2074&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Fri, 27 Nov 2009 10:24:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2074</guid>
<rhap:rcid xmlns:rhap="rhap">art.2074</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">KC &amp; the Sunshine Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2074</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2074&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2074&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Back when your dad wore his shirt collars over the lapels of his leisure suit, KC and the boys wore silver sequined jumpsuits right in the midst of the Disco inferno. While it remains unclear whether or not their jumpsuits were made of asbestos, one thing that's for certain is that KC and co. knew how to crank out crossover hits that moved people to shake, shake, shake their groove things.
- Chad Driscoll]]></description>
</item><item>
<title>Cameo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6487&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6487</guid>
<rhap:rcid xmlns:rhap="rhap">art.6487</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cameo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6487</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6487&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6487&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The tale of "Word up!" begins with Cameo, a funk group that, in the mid-'70s, had an obsession with all things George Clinton. Their early records had the requisite sweat-soaked, bare-skinned record covers, while the inner sleeves showed a band with as many members as a small city and with more horns than a gridlocked Manhattan boulevard. As the '80s appeared, the Cameo sound grew to become more streamlined, focusing on slow jams and electro-based Funk. Finally, 1985 saw the release of the definitive Cameo track. An exercise in urban studio magic, "Word Up" became a massive hit and introduced a phrase into our vernacular that is still in use today...although its true meaning has never been fully explained. Word to your mother, indeed.
- Jon Pruett]]></description>
</item><item>
<title>Ohio Players</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62146&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 26 Nov 2009 11:27:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62146</guid>
<rhap:rcid xmlns:rhap="rhap">art.62146</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ohio Players</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62146</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62146&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62146&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Beginning in the late '60s as a funk group owing more to Memphis than Sly Stone, the Ohio Players found their hot and nasty niche in the early '70s. Their brand of deep funk, rich with horns and falsetto choruses, really blew up when they switched to Mercury in the mid-1970s. Quirky arrangements like "Funky Worm," "Skin Tight," and "Love Rollercoaster" were laced with blues and street-funk attitude. And those record covers! Get a glimpse of a honey-coated sister writhing on the floor. Sexist? Yes. But it was the Ohio Players who let us know that "freak" could be used as a verb.]]></description>
</item><item>
<title>Isaac Hayes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5853&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Fri, 27 Nov 2009 10:24:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5853</guid>
<rhap:rcid xmlns:rhap="rhap">art.5853</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Isaac Hayes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5853</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5853&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5853&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Long before becoming the voice of Chef on television's <i>South Park</i>, Isaac Hayes was once the self-appointed "Black Moses" of Soul. Beginning his career as a songwriting duo with David Porter, he penned such foot-stompers as "Hold On, I'm Comin'" and "Soul Man" for the immortal Stax label. It wasn't until the 1969 release of the much sampled and deservedly canonized <i>Hot Buttered Soul</i> that he became known as a solo performer. The record provided a cracking Funk backdrop (courtesy of the Bar-Kays) over symphonic arrangements. This formula worked to wider acclaim on the Oscar-winning <i>Shaft</i> soundtrack. His influential "bedroom funk" continued up until the late 1970s, when his work became more Disco-related. Still capable of releasing solid records (see the 1995 release <I>Raw and Refined</I>), Isaac Hayes took Soul to epic, theatrical proportions. This is a man who wore a gold chain-mail waistcoat onstage and could arguably out-love Barry White in a heartbeat.]]></description>
</item><item>
<title>Parliament</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67259&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 17 Nov 2009 09:07:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.67259</guid>
<rhap:rcid xmlns:rhap="rhap">art.67259</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Parliament</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.67259</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67259&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67259&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[George Clinton started doo-op group the Parliaments in 1955, rehearsing in the back room of the barbershop where he worked. The Parliaments released only two singles over the next 10 years but toured frequently between New York and Detroit. Eventually, the lure of Motown was too tempting, and Clinton moved to Detroit to fulfill his ambition to produce and write songs on a fulltime basis. In 1967, Parliament scored a hit with "(I Wanna) Testify," and with that success came troubles with their label, Revilot Records. Clinton refused to work with the label again, but instead of waiting for a legal resolution, he changed the band's name to Funkadelic. When Revilot folded a short time later, all of their contracts were sold to Atlantic Records. By 1970, Clinton regained the rights to the name Parliament and signed the entire Funkadelic discography to Invictus Records, scoring a hit on the R&B charts with "The Breakdown" in the process. Throughout the early '70s, Clinton recorded under both monikers, confusing friends and foes alike. In fact, by the mid-'70s, the collective began to be known as Parliament/Funkadelic, or P-Funk to simplify things. In 1976, Parliament, which by this time featured James Brown alumni Bootsy Collins, Maceo Parker and Fred Wesley, released the acclaimed album, <I>The Mothership Connection</I>, which was certified platinum on the strength of singles like "Tear the Roof Off the Sucker" and "Star Child." After nine albums (five of which went gold or better) and plenty of legal hassles, Clinton chucked both names in favor of a solo career, which he launched with the 1982 album, <I>Computer Games</I>. The band continued to work, both with Clinton and as the P-Funk All Stars, and toured throughout the '80s and early '90s. The popularity of funk rock bands such as the Red Hot Chili Peppers (whom Clinton produced) and Primus boosted the Parliament/Funkadelic profile, predominately among white college kids. At the same time, many aspiring rap and hip-hop acts were sampling Parliament's heavy grooves and distinctive beats, introducing the band to a new generation of young black fans. These new audiences refreshed an interest in and appreciation for the band, establishing Parliament as one of the biggest influences on contemporary music.
- Linda Ryan]]></description>
</item><item>
<title>Patti LaBelle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69237&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Sat, 21 Nov 2009 13:42:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69237</guid>
<rhap:rcid xmlns:rhap="rhap">art.69237</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Patti LaBelle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69237</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69237&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69237&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Over her forty-year-plus career, Patti LaBelle has recorded everything from Brill Building Pop to wild Funk to Quiet Storm. She made the case for the importance of bilingualism with a Disco hit that dared to ask "Voulez-Vous Couchez Avec Moi Ce Soir?" The secret to LaBelle's longevity is that she brings buckets of sassy class and a fiery Soul foundation to everything she does. You may enjoy her '60s recordings with the Bluebelles the most, but LaBelle stormed the Me Decade with a crazy mix of souped-up Funk, Glam Rock, and R&B that defined the decadent '70s. She continued to chart in the '80s with Synth Pop productions and emotional Adult Contemporary recordings. LaBelle is now a Quiet Storm diva, but some wish that she would throw caution to the wind and record the album she was born to make -- a low-key, late night, torchy Soul affair that shines the spotlight on her glorious voice.
- Nick Dedina]]></description>
</item><item>
<title>Tower of Power</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6035&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 26 Nov 2009 11:27:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6035</guid>
<rhap:rcid xmlns:rhap="rhap">art.6035</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tower of Power</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6035</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6035&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6035&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bay Area funksters who, after several well-received performances at San Francisco's Fillmore in the late 1960s, tore through the '70s with their intricate first-rate Funk. Their complex arrangements drew traces of Jazz, but the music was all Funk. Bottomed out by a baritone sax, horn soaked hits like "What is Hip" and "You're Still a Young Man" had many a rump shaking. So tight and talented was this collection of longhairs called a horn section, that they basically sustained their career by loaning it out to other artists from Public Image Ltd. to Sammy (the Red Rocker) Hagar. Now content to run the Country Fair and Resort circuit and hobnob with Paul Schaffer.
- Jon Pruett]]></description>
</item><item>
<title>Maze</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9059&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Philly Soul</category>
<pubDate>Sun, 25 Oct 2009 10:22:03 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.9059</guid>
<rhap:rcid xmlns:rhap="rhap">art.9059</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Maze</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9059</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9059&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9059&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Maze brought the Philly soul sound out to San Francisco in the mid-1970s and has never looked back. Their relaxed grooves and good moods have survived everything from disco to hip-hop without many stylistic changes. Their blueprint has always been Marvin Gaye's early- '70s recordings with that quiet intensity and sophisticated funk. Gaye himself was big booster and Maze's Frankie Beverly keeps his spirit alive.
- Nick Dedina]]></description>
</item><item>
<title>Rose Royce</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68442&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Thu, 26 Nov 2009 11:27:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68442</guid>
<rhap:rcid xmlns:rhap="rhap">art.68442</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rose Royce</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68442</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68442&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68442&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Yes, this is <i>that</i> Rose Royce. The Rose Royce who gave us such classics as the stirring Soul of "I'm Going Down" (which Mary J. Blige covered) and the Stylistics-reminiscent "I Wanna Get Next To You." And who could forget the "Holy-Crap!-Is-That-Rerun-Doing-The-Electric-Boogie?" of "Car Wash"? Disco queens and kings everywhere will rejoice that their computer speakers may now runneth over with sounds of the '70s.
- Kali Holloway]]></description>
</item><item>
<title>Amanda Blank</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10588763&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Thu, 6 Aug 2009 10:40:02 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10588763</guid>
<rhap:rcid xmlns:rhap="rhap">art.10588763</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Amanda Blank</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10588763</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10588763&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10588763&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The only thing "blank" about this Philly rapper is the name. No blank slate, Amanda Blank is an in-command presence with sass to spare. Blank came up alongside her hometown homies Spank Rock, dropping rhymes on their 2006 album <I>Yoyoyoyoyo</I>; the same year, she anchored Aaron LaCrate's <I>Blow</I> EP. She was soon appearing on all manner of tracks and mixtapes from the likes of Santigold and Diplo. She released her debut album, <I>I Love You</I>, in 2009. Produced by Diplo, TV on the Radio's Dave Sitek and Spank Rock's XXXChange, the album balances feverishly futuristic dance music -- itself a fusion of crunk, Baltimore club and internationalist beats that probably haven't even been named yet -- with touches of new wave, from flourishes of the B-52s in "Make It Take It" to the gutter electro of "Might Like You Better," which reprises the sultry come-on ("...if we slept together") of '80s pop aberration Romeo Void's "Never Say Never." Whatever her name suggests, coloring outside the lines comes easy to Amanda Blank.
- Philip Sherburne]]></description>
</item><item>
<title>Funkadelic</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2649&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Wed, 4 Nov 2009 12:14:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2649</guid>
<rhap:rcid xmlns:rhap="rhap">art.2649</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Funkadelic</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2649</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2649&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2649&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An immensely influential band that truly lived up to their name, Funkadelic was the brainchild of George Clinton, originally formed as a back-up group to support Clinton's early doo wop crew, the Parliaments (who eventually became Parliament). Blending expert musicianship, gut-bucket funk, and drug-fuelled experimentation, Funkadelic was introduced as a separate entity in 1970 (partially as a way to get around record contract constricts), when they released their self-titled debut LP. One of the group's key players (literally and figuratively) was keyboardist Bernie Worrell, whose psyched-out synth-scapes were a big part of their unique sound. Funkadelic's second album <I>Free Your Mind...And Your Ass Will Follow</I> dropped later that year and <I>Maggot Brain</I> soon followed, but it was their fourth full-length that really set the stage for major crossover success. The 1972 addition of legendary bassist Bootsy Collins, previously a member of James Brown's crack squad the J.B.s, was a huge pick-up and the core line-up of Bootsy, Bernie, and George shined incandescently on <I>America Eats Its Young</I>. The hit-or-miss album <I>Hardcore Jollies</I> appeared in 1975 (after the band signed with Warner Brothers) and included the only mildly successful single called "Undisco Kidd." All the while, Clinton and company were still performing, recording and releasing new records as Parliament. In 1978 things really exploded for both groups, Funkadelic released the undeniably classic LP <I>One Nation Under A Groove</I>, and hit number one with the title track. Almost simultaneously, Parliament also topped the charts with "Aqua Boogie" and "Flash Light." As the seventies came to a close, the group splintered with financial disagreements forcing several members out on their own. They put together a few more albums, but the initial magic seemed to be missing. Both Clinton and Bootsy began work on solo projects and ever-rotating members continued to tour for several decades as the P-Funk All Stars. Clinton's drug problems and legal woes continued through the years, but his music would play a crucial role in the development of hip-hop (especially on the West Coast), as various rap producers concocted new songs based on older Funkadelic tracks. In particular, Dr. Dre's landmark gangsta rap masterpiece <I>The Chronic</I> introduced a whole new generation to the wonders of P-Funk.
- Brolin Winning]]></description>
</item><item>
<title>Atlantic Starr</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62870&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Quiet Storm</category>
<pubDate>Thu, 26 Nov 2009 11:27:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62870</guid>
<rhap:rcid xmlns:rhap="rhap">art.62870</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Atlantic Starr</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62870</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62870&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62870&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although they had a slew of hit songs during their early days as keyboard-hauling patrons of the dancefloor, Atlantic Starr hit pay dirt when they stopped trying to keep folks dancin' and turned their attention to romancin'. Ballads became their most popular output, giving the band major hits with "Always" and "If Your Heart Isn't In It." The music stopped in 1987 when lead singer Sharon Bryant took off for a (modestly successful) solo career. The unfortunate disbanding meant no new releases, although "Secret Lovers" continues to show up in the track list of most every slow jam compilation released to date.
- Kali Holloway]]></description>
</item><item>
<title>The Gap Band</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1314&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 17 Nov 2009 09:07:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1314</guid>
<rhap:rcid xmlns:rhap="rhap">art.1314</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Gap Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1314</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1314&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1314&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The funkiest brother act in history, the Gap Band can drop electro-bombs on any party, anywhere, at any time. They are still going strong, with guest rappers joining in their dance floor soul-fests.
- Nick Dedina]]></description>
</item><item>
<title>Rufus</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1407&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 23 Oct 2009 11:55:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1407</guid>
<rhap:rcid xmlns:rhap="rhap">art.1407</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rufus</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1407</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1407&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1407&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Superstar funksters with a long run of hits in the 1970s and '80s, Rufus also launched the career of the inimitable songstress Chaka Khan. Founded in Chicago in 1970, Rufus went through several name and personnel changes before really hitting their stride. Their self-titled debut came and went with little fanfare in '73, but the group had caught the ear of Stevie Wonder, who wrote "Tell Me Something Good" specifically for them. That song became their first major hit, followed by "You Got The Love" (both off their second LP <I>Rags To Rufus</I>). With their rollicking funk instrumentation and Chaka's captivating vocals, they cranked out more great records and chart hits, now going by the name Rufus featuring Chaka Khan. She eventually went solo, and Rufus continued to release new material both with and without her, though the two sans-Chaka albums both flopped. Their last LP together, 1983's double disc <I>Stompin' At The Savoy</I> featured three sides of live recordings and a few brand-new studio tracks. One of the new jams, "Ain't Nobody" raced up the charts in the summer of '83, giving the group their fifth and final No. 1 single. The members of Rufus went their separate ways, and Chaka Khan continued her reign the following year with her smash hit "I Feel For You." She recorded solo throughout the next two decades, and was introduced to a new generation thanks to Kanye West sampling her for his 2003 jaw-wired-shut rap "Through The Wire."
- Brolin Winning]]></description>
</item><item>
<title>George Clinton</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59532&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Mon, 23 Nov 2009 10:12:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.59532</guid>
<rhap:rcid xmlns:rhap="rhap">art.59532</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">George Clinton</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.59532</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59532&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59532&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If George Clinton had a nickel for every hip-hop act that sampled "Atomic Dog," he could corner the market in piggy banks. A studio pioneer, Clinton mixed Screaming Jay Hawkins' outrageousness, Jimi Hendrix's psychedelic blues, James Brown's grooves, Sly Stone's Funk-Rock and Sun Ra's wacky genius into one big, throbbing mass of Electro-Funk. His Parliament/Funkadelic groups hit the 1970s with all the force of the oil embargo and Watergate combined. Clinton was a big name in black markets but his success didn't carry over to white audiences busy grooving to Seals and Crofts -- even solo, "Atomic Dog" only hit 101 on the pop charts! Today, his considerable back catalog is scooped up by legions of converts, eager to hear the man who makes Prince seem as funky as Perry Como.
- Nick Dedina]]></description>
</item><item>
<title>Shalamar</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43303&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Sun, 15 Nov 2009 11:04:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.43303</guid>
<rhap:rcid xmlns:rhap="rhap">art.43303</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Shalamar</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43303</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43303&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43303&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Nicholas Baker]]></description>
</item><item>
<title>The Meters</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61767&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 6 Oct 2009 09:54:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.61767</guid>
<rhap:rcid xmlns:rhap="rhap">art.61767</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Meters</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61767</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61767&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61767&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As a top studio band in the 1960s and '70s, the Meters recorded seminal New Orleans Funk on their own while also backing other artists, including Dr. John's classic album <I>In the Right Place</I>. Art Neville fronted the band, bringing his keyboard and occasional vocals to their mostly instrumental songs. On tracks such as "Sophisticated Cissy" and "Look-Ka Py Py," guitarist Leo Nocentelli and bassist George Porter provided raw unison lines and turned them into pristine models of Funk. Indeed, the Meters knew more about subtleties of rhythm and space than just about anyone. Driven by the slick grooves of drummer Zigaboo Modeliste, the Meters have been sampled by more hip-hop artists than anyone this side of James Brown. They can still be found touring together in different personnel arrangements, keeping crowds on their feet all night long.
- Jessy Terry]]></description>
</item><item>
<title>The Brothers Johnson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4954&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4954</guid>
<rhap:rcid xmlns:rhap="rhap">art.4954</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Brothers Johnson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4954</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4954&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4954&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Average White Band</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6115&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 8 Oct 2009 11:44:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6115</guid>
<rhap:rcid xmlns:rhap="rhap">art.6115</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Average White Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6115</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6115&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6115&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Arriving in the pre-Disco '70s, the Average White Band wrote the proverbial book on how to be a funky white boy. This Scottish six-piece focused on classic groove-oriented jams, succinctly capturing their pulsating soul on the K-Tel favorite "Pick Up the Pieces."
- Jon Pruett]]></description>
</item><item>
<title>Ray Parker Jr.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39955&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Thu, 8 Oct 2009 11:45:29 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.39955</guid>
<rhap:rcid xmlns:rhap="rhap">art.39955</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ray Parker Jr.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.39955</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39955&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39955&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though his name is practically synonymous with the phrase "I ain't afraid of no ghost," Ray Parker Jr.'s career is far deeper than his smash 1984 single "Ghostbusters." While still a teenager in the 1960s, Ray was an in-demand session guitarist, playing on records by 100 Proof, Aged In Soul and the Spinners, among others. In the early '70s he hooked up with Stevie Wonder, joining him for a tour (with the Rolling Stones) and playing on classic albums like <I>Innervisions</I> and <I>Talking Book</I>. Later in the decade, he headed the group Raydio, and released three quality LPs while racking up several top 10 hits, including "Jack and Jill" and "A Woman Needs Love (Just Like You Do)." He release solo albums in the early '80s, topping the R&B charts with <I>The Other Woman</I> in 1982. "Ghostbusters" hit the scene two years later, which became a gigantic crossover hit and made Ray Parker Jr. a household name. Unfortunately, the song was extremely similar to Huey Lewis' single "I Want A New Drug," which led to a lawsuit and out-of-court payoff. He continued to record throughout the '80s but the well of hits had dried up. His latest album <I>I Love You Like You Are</I> was released in 1991.
- Brolin Winning]]></description>
</item><item>
<title>Con Funk Shun</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10768&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10768</guid>
<rhap:rcid xmlns:rhap="rhap">art.10768</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Con Funk Shun</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10768</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10768&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10768&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[These Bay Area wavers of the Funk flag began as the band behind Stax soul-balladeers the Soul Children in the early '70s. Their meeting with a Memphis producer proved to be analogous to their sound, which paired the music's West Coast sheen with grittier southern production. In '77 they scored a Funk classic with Ffun, which showed their ability to throw out laid-back, top-down party music. As the '80s train pulled into town, Con Funk Shun rode the winds of the Quiet Storm. They disbanded in the late 80s as lead falsetto Felton Pilate began to focus on producing M.C. Hammer. They have since re-formed.
- Jon Pruett]]></description>
</item><item>
<title>Chromeo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5150501&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5150501</guid>
<rhap:rcid xmlns:rhap="rhap">art.5150501</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chromeo</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5150501</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5150501&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5150501&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Analog synth wizards Chromeo create '80s-inspired electro-funk that combines sleek, melodic rhythms with a dash of rock. Best friends since their childhood years, Montreal natives P-Thugg and Dave 1 write music that oozes with sex appeal. Their love for vintage synthesizers, mad guitar solos and skilled songwriting has gained them worldwide attention
- Jamie Sanchez]]></description>
</item><item>
<title>Zapp and Roger</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.531&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Wed, 7 Oct 2009 12:14:07 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.531</guid>
<rhap:rcid xmlns:rhap="rhap">art.531</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Zapp and Roger</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.531</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.531&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.531&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Zapp & Roger may not roll off the tongue before names such as George Clinton, Bootsy Collins and Parliament, but they've proven just as influential as their better-known peers. Zapp and Roger were actually two different entities - the former a band, the latter a solo project - featuring Roger Troutman. Each outfit released albums during the 1980s, and tracks from both have been assembled on various collections attributed to Zapp & Roger in the 1990s. Troutman and company engaged audiences with a funky, synth-driven sound that was both timely and timeless, hitting with classics such as "More Bounce to the Ounce" and "Computer Love." The funkateer's energetic style made heavy use of his signature Talk Box and electro-funk grooves -- many of which were later sampled by the likes of Tupac Shakur, the Beastie Boys, Dr. Dre and Snoop Dogg.
- Linda Ryan]]></description>
</item><item>
<title>Ready for the World</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6778&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Fri, 20 Nov 2009 12:51:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6778</guid>
<rhap:rcid xmlns:rhap="rhap">art.6778</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ready for the World</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6778</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6778&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6778&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Coming out of Flint, Michigan, in the early 1980s, Ready For The World were a six-man crew who fused a variety of musical styles: funk, rock, R&B and New Wave. Sounding similar to acts like Prince and Cameo, they had several huge crossover hits, including "Oh Sheila" and "Love You Down." Their popularity waned as the eighties progressed, but they kept at it, releasing several more albums throughout the '90s.
- Brolin Winning]]></description>
</item><item>
<title>Wild Cherry</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5084&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 22 Oct 2009 13:23:53 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5084</guid>
<rhap:rcid xmlns:rhap="rhap">art.5084</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Wild Cherry</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5084</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5084&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5084&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hailing from Pittsburgh, Wild Cherry were more of a rock/funk outfit, though they will always be synonymous with disco, thanks to their trademark party jam "Play That Funky Music." Released in 1976, the song hit No. 1 on both the pop and R&B charts, earning them a pair of platinum plaques, Billboard awards and Grammy nominations. Unfortunately, despite that song's enormous success, the group never had another hit. Four more albums followed, but nobody seemed to notice or care. Wild Cherry split up in 1979, though they live on through their lone smash, still a crowd favorite in clubs, weddings and parties to this day.
- Brolin Winning]]></description>
</item><item>
<title>Lisa Lisa and Cult Jam</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2828&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Tue, 10 Nov 2009 10:13:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2828</guid>
<rhap:rcid xmlns:rhap="rhap">art.2828</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lisa Lisa and Cult Jam</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2828</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2828&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2828&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An early Dance Pop powerhouse from the early 1980s, Lisa Lisa & the Cult Jam produced catchy cuts that made an indelible mark on the masses -- especially the teenage set. Responsible for such chart-hitting tracks as "I Wonder if I Take You Home," "All Cried Out," "Head to Toe" and "Can You Feel the Beat," Lisa Lisa & the Cult Jam were a trio that performed radio-ready songs written and produced by Brooklyn's six-person musical team, Full Force. Emphasizing an undeniably danceable, electro-influenced instrumental mix over cute lyrics that are neither memorable nor remarkable, Lisa Lisa & the Cult Jam's sing-along tunes are decidedly easy to imitate.
- Melissa Piazza]]></description>
</item><item>
<title>The Bar-Kays</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6171&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 13 Nov 2009 12:39:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6171</guid>
<rhap:rcid xmlns:rhap="rhap">art.6171</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Bar-Kays</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6171</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6171&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6171&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Beginning in the late 1960s as the Stax label's other house band, the Bar-Kays suffered a major setback when four of their members died in the same plane crash that killed Otis Redding. They returned stronger wearing Sly Stone influences on their sleeves and tearing up the R&B charts as Isaac Hayes' backing band. Eager to be recognized on their own, they finally hit funk pay dirt with "Shake Your Rump to the Funk" in '76. During a career that continues to this day, they've successfully incorporated P-Funk styles, disco, and soul ballads while never fakin' the funk. Even their contribution to the <I>Breakin'</I> soundtrack rocks the house.
- Jon Pruett]]></description>
</item><item>
<title>The Neville Brothers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.207&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>New Orleans R&amp;B</category>
<pubDate>Sat, 19 Sep 2009 12:58:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.207</guid>
<rhap:rcid xmlns:rhap="rhap">art.207</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Neville Brothers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.207</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.207&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.207&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the great modern musical dynasties, the Neville Brothers formed in 1977 but struggled in obscurity until <i>Yellow Moon</i> (1989) became a crossover hit. Each family member brings a separate strength to the band's sound, showing the richness of New Orleans culture. Their songs are full of Funk grooves, R&B guitar licks, jazz saxophones, and soulful vocals, and though Aaron's dynamic, quivering voice has made him the group's breakout star, each member gets his deserved moment in the spotlight. Lately they've dropped some of their Worldbeat flourishes and returned to a more traditional Big Easy sound, only to find that the public has deserted them. Since they still brew the tastiest music around, this is simply due to the public's negligence.
- Nick Dedina]]></description>
</item><item>
<title>Bootsy Collins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3933&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 25 Sep 2009 10:14:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3933</guid>
<rhap:rcid xmlns:rhap="rhap">art.3933</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bootsy Collins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3933</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3933&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3933&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The prodigiously gifted bassist Bootsy Collins was a professional player as a teen in the musical hotbed (seriously) that was Cincinnati in the mid to late 1960s. He took the slapping and popping bass style of his hero, Larry Graham (bassist for Sly & the Family Stone), and brought his own low-down outrageousness to it. By 1970 his band was James Brown's backing band, recording and playing with the Godfather of Soul. Collins then joined George Clinton's band Funkadelic and helped them define their over-the-top Acid Funk sound and look. He hit the top of the R&B charts with Bootsy's Rubber Band a number of times in the late '70s. Collins remains a huge international star and a big influence on hip-hop artists, who have sampled his basslines countless times.
- Tom Heyman]]></description>
</item><item>
<title>L.T.D.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.25555&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.25555</guid>
<rhap:rcid xmlns:rhap="rhap">art.25555</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">L.T.D.</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.25555</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25555&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25555&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Tavares</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1793&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Tue, 24 Nov 2009 09:38:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1793</guid>
<rhap:rcid xmlns:rhap="rhap">art.1793</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tavares</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1793</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1793&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1793&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although perhaps best known for their inclusion on the <I>Saturday Night Fever</I> soundtrack, Tavares consistently scored hits throughout the 1970s. The five Tavares brothers formed their group in 1964, signing to Capitol records almost a decade later. The quintet scored a number of R&B and pop hits in the early part of the '70s, including the first recorded version of "She's Gone," written by the then-unknown duo, Hall & Oates. The mid part of the 70s saw Tavares embrace the disco fad with hits such as "It Only Takes A Minute" and "Heaven Must Be Missing An Angel," culminating with the aforementioned "More Than A Woman," a song written especially for them by the Bee Gees.
- Linda Ryan]]></description>
</item><item>
<title>Rare Earth</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.29508&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk Rock</category>
<pubDate>Fri, 27 Nov 2009 10:24:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.29508</guid>
<rhap:rcid xmlns:rhap="rhap">art.29508</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rare Earth</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.29508</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29508&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29508&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Hot Chocolate</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4974&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Sun, 15 Nov 2009 11:04:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4974</guid>
<rhap:rcid xmlns:rhap="rhap">art.4974</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Hot Chocolate</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4974</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4974&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4974&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A funk quintet out of England, Hot Chocolate are best known for their signature crossover hit, "You Sexy Thing." Flirting with straight rock as well as disco, they released eight albums between 1974 and 1983, and developed a large following in their native UK, but had a hard time really catching on in the States. The group would have one more gold single, "Every 1's A Winner" in 1978, but they faded into obscurity as the '80s progressed.
- Brolin Winning]]></description>
</item><item>
<title>Slave</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4803&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 30 Oct 2009 12:04:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4803</guid>
<rhap:rcid xmlns:rhap="rhap">art.4803</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Slave</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4803</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4803&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4803&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An enormous Funk band, both in terms of success, and actual size (that's 11-- yes 11-- members) Slave gave the people what they wanted: tight, thick, deep basslines and three-minute songs that, when played live, turned into all-night parties.
- Kali Holloway]]></description>
</item><item>
<title>Ozomatli</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68642&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</link>
<category>Latin Rock</category>
<pubDate>Wed, 28 Oct 2009 10:44:29 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=36&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss">Top Funk Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68642</guid>
<rhap:rcid xmlns:rhap="rhap">art.68642</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ozomatli</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68642</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68642&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68642&amp;variant=data&amp;rws=%2Fsoul-r-b%2Ffunk%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Every single funky note floating around L.A. has somehow found its way into Ozomatli's heady brew of rap, Latin, funk and soul. The army of east L.A. musicians known as Ozomatli (whose name originates from that of the Aztec god of dance) have caused an immediate sensation with their incendiary live shows and hyperkinetic mix of styles that bridge the gap between African, Latin and American music. At their blazing best, Ozomatli take the finest of '70s funk and give it an energetically contemporary twist of the arm.]]></description>
</item></channel>
</rss>