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<title>Top Singer-Songwriter Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link><description>Top Singer-Songwriter Artists on Rhapsody Online</description><category>Singer-Songwriter</category><language>en</language><ttl>720</ttl><pubDate>Wed, 2 Dec 2009 19:32:08 -0800</pubDate><image>
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<title>Top Singer-Songwriter Artists on Rhapsody Online</title>
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<title>Jack Johnson</title>
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<category>Adult Alternative</category>
<pubDate>Tue, 1 Dec 2009 09:47:57 -0800</pubDate>
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<description><![CDATA[Like G. Love, Jack Johnson plays groovy acoustic funk. The difference is that where G. Love relies on hip-hop, Johnson's points of reference are a bit more eclectic, incorporating lite jazz and classic singer-songwriter motifs (including interesting vocal experiments a la Joni Mitchell and Tim Buckley). It's all held together by earthy rock backing and topped off with a voice that at times sounds enough like Mose Allison to convince listeners that Johnson really has the goods. Before embarking on a musical career, Johnson was a successful professional surfer. His popularity simmered with his first few albums, but with 2005's <I>In Between Dreams</I> Johnson's stock exploded, crossing over from the jam-rock crowd into the mainstream pop market. The record yielded hits in "Sitting, Waiting, Wishing" and "Better Together." Johnson's comfortable voice and sweet melodies translated naturally to children's songs with his 2006 release <I>Sing-a-Longs &amp; Lullabies for the Film Curious George</I>. In 2008 he released a new studio album, <I>Sleep Through the Static</I>, and in 2009 he confirmed his live reputation with <I>En Concert</I>.
- Mike McGuirk]]></description>
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<title>John Mayer</title>
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<category>Adult Alternative</category>
<pubDate>Tue, 1 Dec 2009 09:48:01 -0800</pubDate>
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<description><![CDATA[Initially viewed as a younger take on the music of Dave Matthews, John Mayer's earnest and earthy pop has grown in popularity and reputation since his 1999 debut. Mayer sings mellow pop songs in an expressive tenor voice, and is an assured, harmonically astute acoustic guitarist whose jazzy phrasing fills out his songs nicely. His 2001 sophomore album <i>Room For Squares</i> was a pleasant, non-abrasive pop album that launched him to major label success. While maintaining his commercial appeal, he's since expanded his musical styles, proving that he's a true crossover artist that effortlessly commands the blues guitar. Mayer has collaborated with such diverse talents as Common, Herbie Hancock, Kanye West and even comedian Dave Chappelle, and receiving nods from legends like B.B. King and Eric Clapton hasn't phased the star. His 2006 release <i>Continuum</i> reached platinum status and brought out Mayer's socially conscious side.
- Casey Lowdermilk]]></description>
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<title>Bob Dylan</title>
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<category>Singer-Songwriter</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
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<description><![CDATA[Bob Dylan is on the short list of the most influential artists of the 20th century. He coupled a love for all forms of American popular and folk music with a personal and poetic songwriting style instead of relying on professional craftsmen or standard tunes. Influenced by Woody Guthrie, Dylan proved that you didn't have to be a technically perfect singer or musician to make brilliant pop music. The songs on 1963's <I>The Freewheelin' Bob Dylan</I> catapulted the artist to stardom but he was already burning to get away from acoustic backing and match his unique vision to rock, country and blues. Dylan's music influenced a whole new generation of musicians -- such as the Beatles and Stevie Wonder -- to start crafting songs about what was important to them. While Dylan kick-started folk and country rock in his '60s studio work, the ragged home recordings he made with the Band showed that not even poorly placed microphones could stifle brilliance. Dylan still tours these days and records less often then he used to, but as albums such as 1997's <I>Time Out of Mind</I> and 2006's <I>Modern Times</I> prove, the man still has a lot to say and continues to do it in a way that no one else can.
- Nick Dedina]]></description>
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<title>Elton John</title>
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<category>Adult Contemporary</category>
<pubDate>Wed, 2 Dec 2009 11:07:12 -0800</pubDate>
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<description><![CDATA[Although he made an initial splash with his flamboyant stage getups, it's Elton John's effortless way with simple, yet memorable melodies that have won him his ongoing popularity. With lyricist Bernie Taupin, the British pianist crafted a string of hits in the 1970s:
zoologically-themed numbers such as "Crocodile Rock"
and "Honky Cat" showed off his rock 'n' roll side, while "Rocket Man" and "Bennie and the Jets" proved he could slow things down just as effectively. A range of personal and artistic problems began to take their toll around 1976, but he reclaimed a place on the charts in the 1980s with songs like "I'm Still Standing" and "Sad Songs (Say So Much)." His work during this era generally ranked a notch below the earlier glory days, but he continues to make his presence felt, filling concert halls, contributing to soundtracks and issuing a massively-selling rewrite of the perennial torch ballad "Candle in the Wind" on the occasion of Princess Diana's death in 1997. That same year, John was knighted Sir Elton John. In 1999, he collaborated on an adaptation of Verdi's opera <I>Aida</I>. With the coming of the 2000s, John became as much a humanitarian as a pop figure, raising millions for various charities and forming the Elton John AIDS Foundation. In 2005, he married longtime boyfriend David Furnish.
- Mike McGuirk]]></description>
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<title>Jimmy Buffett</title>
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<category>Singer-Songwriter</category>
<pubDate>Wed, 2 Dec 2009 11:07:02 -0800</pubDate>
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<description><![CDATA[Jimmy Buffett was a country rocker before 1977's aptly titled <i>Changes in Latitude, Changes in Attitude</i> cemented his image as a beachcombing sage. Although he hit his creative peak during this period, Key West, Fla.'s favorite son has continued to write amusing, often intelligent tunes. A wise businessman, he has become the hero of "parrot heads" -- blue and white-collar working stiffs who would love to lead the life about which he writes (music, novels, plays) and sings. Jimmy Buffett is indeed a genre of one.
- Eric Shea]]></description>
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<title>Bruce Springsteen</title>
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<category>Classic Rock</category>
<pubDate>Tue, 1 Dec 2009 09:47:08 -0800</pubDate>
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<description><![CDATA[No rock performer has spoken with more authority on the human fallout of the American Dream than Bruce Springsteen. <I>Darkness on the Edge of Town</I> and <I>Nebraska</I> are American Gothics haunted by star-crossed lovers and noble souls hag-ridden by fate into crime, depression, and worst of all, ordinariness. But lest we forget, the original denim rocker has also written some of the most uplifting songs in AOR: every line of "Born to Run" and "Glory Days" offers an ideal place to hang your troubles out to dry. Springsteen plays the perfect tailor for the damaged lives that populate his lyrics, recognizing the tiny flaws and the holes that gape in the human fabric, and doing his best to mend them -- sometimes with simple compassion, sometimes with joy. Just about everything the Boss has done has an air of permanence about it. You just know that when generations hence try to grasp what life meant to us, his music will offer an important clue. But despite his many accomplishments and incredible fame, something has kept the Boss down to earth. He generously handed out hit songs to Patti Smith and Robert Gordon in the 1970s, and even today continues to promote the careers of lesser luminaries such as duet partner Elliot Murphy.
- Henry B.]]></description>
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<title>Van Morrison</title>
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<category>Classic Rock</category>
<pubDate>Wed, 2 Dec 2009 11:06:57 -0800</pubDate>
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<description><![CDATA[Van Morrison stands out in the youth-obsessed, disposable world of modern pop music. A grouchy fireplug of a man, he has earned a loyal following that's always kept guessing as to what direction he'll take next. Since the beginning, Morrison has ignored all fly-by-night fads and in doing so has amassed a timeless body of work. Coming out of Them's primal R&B-fueled Garage Rock, Morrison's 1968 <I>Astral Weeks</I> was a daring, exploratory work that painted a bleak picture of the acid generation, while <i>Moondance</i> (1970) was a breezy celebration of life. These albums have set the stage for an artist who freely mixes soul, folk, blues, jazz, and his native Celtic influences into highly personal, idiosyncratic music. Only a handful of his later albums are masterpieces on the level of <i>No Guru, No Method, No Teacher</i> (1986), but each release contains at least one brilliant track. A private man, Van Morrison is more comfortable talking about heroes such as Ray Charles, Frank Sinatra, or Jerry Lee Lewis than himself.
- Nick Dedina]]></description>
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<title>Neil Young</title>
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<category>Classic Rock</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
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<description><![CDATA[Throughout his extraordinary career, Neil Young's Americana-rooted songwriting has dipped into a staggering variety of styles and tones. With the live <i>Time Fades Away</i>, the spatial <i>On The Beach</i> and the liquid <i>Tonight's The Night</i>, Neil inadvertently presented his so-called doom trilogy -- three records that beautifully capture throwing in the towel. 1975's <i>Zuma</i> signaled a return from the darkness to the sunny, rural rock he first explored on <i>Everybody Knows This Is Nowhere</i>. <i>Comes A Time</i> found him hip deep in a fermentation of 1970s canyon and country rock, while <I>Rust Never Sleeps</I> unfolded his career multi-dimensionally as he unleashed his acoustic/electric duality to a receptive commercial and critical audience. With <i>Freedom</i> and <i>Ragged Glory</i>, Young made a valiant return to form in the late '80s and early '90s before recapturing acoustic peace with <i>Harvest Moon</i>, his 1992 release that many view as the sequel to his heroically pastoral 1972 album <i>Harvest</i>. The Canadian transplant's high, watery tenor emotes with an elasticity that can effortlessly traverse into falsetto with natural warmth and heavenly tremolo. You'll find the real Young singing the hazy guitar epics "Like A Hurricane" and "Cortez the Killer," or when songs such as the gentle "Birds" and "Motion Pictures" seem to weep from your speakers. True to form, Neil Young is one of the only songwriters in the world who can approximate the sound of a heart breaking with his voice.
- Eric Shea]]></description>
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<title>David Gray</title>
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<category>Adult Alternative</category>
<pubDate>Fri, 27 Nov 2009 10:25:37 -0800</pubDate>
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<description><![CDATA[Welsh singer-songwriter David Gray had enjoyed immense success in Ireland for years before the rest of the world caught up with him. His simple, acoustic-fronted songs are canvasses on which Gray paints emotions, with his hoarse vocals acting as the brush with which he recreates scenes from his soul. Leaving Wales to go to school in Liverpool, Gray drifted through various bands trying to find his place in the world of music. Eventually he started doing his own solo work and moved to London. He signed with Hut Records shortly thereafter, releasing <I>A Century Ends</I> in 1992 and <I>Flesh</I> in 1994. Despite strong reviews and some astonishing live performances, his music oddly failed to ignite and he was dropped by his label. He continued to play out live, and a performer-audience connection was forged in Ireland, where the crowds appreciated the singer's stark, emotional style. EMI snapped Gray up and in 1996, <I>Sell, Sell, Sell</I> was released. Again, the musician hit the road, this time in support of Radiohead and the Dave Matthews Band. But although the audiences were larger, sales stayed flat and he was dropped. Again. Thoroughly deflated, he went on a writing spree and with a "glass is half full" sort of optimisim, began recording his fourth album, <I>White Ladder</I> in his London studio apartment. The self-financed project was released on Gray's own IHT Records in 1998, and almost overnight found itself firmly lodged in the Irish Top-40, where it remained for quite some time. Dave Matthews, whom had befriended Gray on their earlier tour, signed him to his imprint label, ATO Records and released <I>White Ladder</I> stateside in 2000. American audiences warmed to the stirring single, "Babylon," and <I>White Ladder</I> went gold by the end of the year, and platinum a mere two months later. There was a glut of David Gray reissues in 2001 as well as <I>The EPs 92-94</I>, which consisted of three singles from <I>A Century Ends</I>, his very first single, "Birds Without Wings" and various other musical tidbits. This was quickly followed by 2002's <I>A New Day at Midnight</I>, which went gold for the singer-songwriter, despite the fact there wasn't another "Babylon" on the album. In 2005, Gray branched out from "bedroom recordings" and entered a proper recording studio with Marius De Vries (Rufus Wainwright, Madonna, U2, etc) producing. The resulting album, <I>Life In Slow Motion</I>, spills over with low-key but radio-friendly songs and an expansive aesthetic.
- Linda Ryan]]></description>
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<title>Billy Joel</title>
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<category>Singer-Songwriter</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
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<description><![CDATA[Owner of more hit singles than there are strip malls in his native Long Island, N.Y., Billy Joel has fashioned the quintessential pop career from unparalleled songcraft, a penchant for genre-bouncing from one album to the next, and over-the-top stage performances. A child of 1950s R&B and 1960s British Invasion, Joel has always maintained an extraordinary knack for coming up with songs that sound just as good (if not better) on the AM radio of your uncle's '73 Pinto as they do on the living room hi-fi. This devotion to the pop aesthetic over the course of twelve studio albums and innumerable radio hits -- beginning with the autobiographical "Piano Man" in 1973 on through "The River of Dreams" 20 years later -- has won Joel a fan base ranging from 20-somethings raised on his late '70s/early '80s classics ("My Life," "Only The Good Die Young," and "Pressure" among them) to the parents of those same 20-somethings who hear a bit of the Beatles, Dylan, and Smokey Robinson in those same classics. Although Joel removed himself from the pop fold following <I>River of Dreams</I>, his mighty back catalog continues to sell in hefty chunks.
- Charles Hodgkins]]></description>
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<title>Sarah McLachlan</title>
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<category>Adult Alternative</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sarah McLachlan</rhap:artist>
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<description><![CDATA[Perhaps best known as the Lilith Fair's founder, Sarah McLachlan is alternately a singer-songwriter, guitarist, pianist, tour impresario and chanteuse who's been recording since 1988. Her work includes daring dance remixes of soulful ballads as well as covers of songs by XTC and Tom Waits ("Dear God" and "Ol' 55"). When McLachlan joined the 1990s burgeoning Adult Alternative scene she sat at the front of a class that included Alanis Morissette and Paula Cole. Almost a decade after her first release, she found mainstream success with singles such as "I Will Remember You" and "Building a Mystery." McLachlan's throaty, soaring vocals have inspired a million gloomy shower-singers and even more lonely late night drives. Hers is powerful, emotional music that's truly "better than ice cream."
- Molly Ditmore]]></description>
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<title>James Taylor</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6421&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 2 Dec 2009 11:07:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">James Taylor</rhap:artist>
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<description><![CDATA[A folkie with a dark past, upbeat sound and clear pop inclinations, James Taylor was the poster boy for the '70s singer-songwriter movement. He had personal or professional ties to almost all of the era's stars, including Carole King, Joni Mitchell and Carly Simon -- his wife of more than a decade -- and several of his hits, including "Fire and Rain" and his cover of King's "You've Got a Friend," are definitive. Taylor came from a musical family -- three siblings were professional musicians -- and got his first break when Paul McCartney signed him to the Beatles' Apple Records in 1968. By then, he had already endured a 10-month stay in a psychiatric hospital for depression and was battling heroin addiction. That back-story colored his music. The collision of confessional songwriting and bright, catchy acoustic pop on Taylor's early records established the model for legions of folk-poppers. He continued racking up hits throughout the '70s with a combination of breezy originals and rootsy covers. The template has hardly changed in the ensuing decades, though hints of jazz and the classic pop songbook shine through on later albums.
- Eric Shea]]></description>
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<title>Neil Diamond</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1505&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Wed, 2 Dec 2009 11:07:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Neil Diamond</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1505&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[OK, Neil Diamond is an easy target for parody -- voice straight outta Brooklyn, bespangled shirt straight outta Vegas. But this ex-Brill Building tunesmith crafted a batch of excellent songs during the 1960s (hits such as "Solitary Man" for himself and "I'm a Believer" for the Monkees) before emerging as a stadium superstar. His bombastic, ubermelodramatic work from the 1970s has earned him an enormous, if aging, female following who feel that Diamond tells them what their tight-lipped, big-bellied husbands never will. Today, a new generation of ironic hipster fans have swelled their ranks. Both these groups know that underneath the florid orchestrations and over-the-top emotion lies the truth. Who doesn't feel that love can go on the rocks? Who hasn't experienced a great September morning? Be it a longtime fan in too-snug polyester trousers or a smug 25-year-old in his dad's leisure suit -- both pump their fists in unison during "America." Neil Diamond, an undeserving nation thanks you for trying to put some feeling (however unsubtle) into our bored, numbed lives.
- Nick Dedina]]></description>
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<title>John Denver</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42555&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Country Pop/Cosmopolitan</category>
<pubDate>Mon, 30 Nov 2009 10:00:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Denver</rhap:artist>
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<description><![CDATA[If thrift store record bins are any sort of barometer, it would seem that every person in America at one time owned a John Denver record. By this same logic, you can also guess to say that they all tossed them out at the same time. At some point, John Denver went from being America's most loved singer-songwriter to being the punchline on late-night talk shows. Blame it on overexposure or his constant mugging with Muppets, George Burns, and other bloodless creatures. Eventually, his humanitarian concerns took precedence over his folk/pop. The author of such heart-on-a-sleeve snapshots as "Sunshine On My Shoulder" and "Rocky Mountain High" died in a plane crash in 1997. John Denver's real name was Henry John Deutschendorf. He was raised on many Air Force bases, but always loved and championed the outdoors.
- Eric Shea]]></description>
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<title>John Mellencamp</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2310&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>AOR</category>
<pubDate>Sat, 28 Nov 2009 09:38:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Mellencamp</rhap:artist>
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<description><![CDATA[Long before Prince decided he had it with his regal name, Mellencamp was the original "artist formerly known as." He started his career with the record label-chosen moniker Johnny Cougar before his success allowed him to return to his family name. Early in his career he could have gone by Bruce or Bob, since his first recordings sounded more like Springsteen or Seger than something original. It wasn't until he produced a bushelful of radio hits before he started to mine a territory that was uniquely his own. Mixing '50s rock with more than hint of the blues, soul and R&B, Mellencamp's middle career records stand out not only for music maturity, but also because of his direct populist voice. Starting with 1983's<I>Uh-huh</I>, building with <I>Scarecrow</I> and then becoming fully realized with 1987's <I>The Lonesome Jubilee,</I> Mellencamp told stories of those on the fringes. While perhaps not as subtle as others, Mellencamp's message that all was not well in Regan's America powered him to the top of the charts and into political consciousness. In 1985, along with Willie Nelson and Neil Young, Mellencamp helped found the Farm Aid concert series that provides financial assistance to struggling farmers.]]></description>
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<title>Paul Simon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.240&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sat, 28 Nov 2009 09:38:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paul Simon</rhap:artist>
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<description><![CDATA[Throughout his solo career, Paul Simon has loaned his unique songwriting voice to a host of different global and ethnic musical styles. Simon's cross-cultural pollinations work so well because he makes sure that his musical interests match his personal vision. Immediately after he split with Garfunkel he recorded with Stephane Grapelli, the Dixie Hummingbirds and Los Incas, while his late '70s and early '80s work found him searching the darker emotional sides of that era, notorious for good cocaine and bad wine. 1986's <i>Graceland</i> was a joyous about-face, introducing North America to modern South African popular music. Since that time Simon has continued to explore -- one of his last efforts was writing for the Broadway stage. Yet no matter where he goes or what he does, his music beats with the same Folk-Pop heart that resided in Simon and Garfunkel.
- Nick Dedina]]></description>
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<title>Sheryl Crow</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1921&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Mon, 30 Nov 2009 10:00:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sheryl Crow</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1921&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Singer-Songwriter from rural Missouri burst onto the music scene in 1994 with her solo debut, <I>Tuesday Night Music Club</I>, which painted vivid images of working class bars and early morning nightcaps. The public immediately latched on to her blend of singsong vocals and laid back blues rock delivered with a confident, disarming wink. Though she's since abandoned her bottle of Bud persona in favor of a more glamorous pop image, she's still someone you can't help but imagine running into at a small town dive.
- Doug Russell]]></description>
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<title>Ray LaMontagne</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6479139&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 2 Dec 2009 11:06:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ray LaMontagne</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6479139&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Musical epiphanies often happen to people at the most random moments. Dave Matthews once confessed that his came when he was eating a hot dog at the legendary Pink's in Hollywood when a Paul Williams song came on the radio and from then on he knew what he was going to do with the rest of his life. Roger McGuinn of the Byrds admits that after watching George Harrison play an electric 12-string guitar in <I>A Hard Day's Night</I>, that he suddenly knew that the magic sounding, jangly chime was gong to be his trademark sound. For Ray LaMontagne, the calling came over the speakers of a shoe factory he was working in. More specifically, it was "Tree Top Flyer" by Stephen Stills that stopped him dead in his tracks when he knew that he had to leave his job and pursue a singing/songwriting career. Having grown up in a nomadic family, it wasn't too unfamiliar for LaMontagne to suddenly pick up and start over, which is exactly what he did. Ten recorded demo songs later, he was inking a deal with Chrysalis Music Publishing before teaming up with Hollywood producer Ethan Johns to cut his debut album <I>Trouble</I> which was almost instantly nabbed by RCA Records in 2004. Although LaMontagne is often compared to Tim Buckley, his voice sounds not unlike a young Van Morrison or even Ryan Adams.
- Eric Shea]]></description>
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<title>Cat Stevens</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3496&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Tue, 1 Dec 2009 09:47:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cat Stevens</rhap:artist>
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<description><![CDATA[The archetypal sensitive singer-songwriter, Cat Stevens became a sensation in the 1970s with his gravelly voice and acoustic musings. Alternating between gentle folk and the occasional R&B-flavored bounce, Stevens' singles almost always went Top Ten. Pretty much everyone knows "Wild World" (originally written for Jimmy Cliff), "Hard-Headed Woman" and "Peace Train" by heart, but Stevens' album cuts offer much to those interested in deeper exploration. "Sitting," "The Wind," and "Trouble" from the soundtrack to the cult film fave <I>Harold And Maude</I> are all great songs, and just a few of the many Stevens crafted before deepening religious convictions led him to quit pop music for good. In 1977, Stevens changed his name to Yusef Islam, renounced his career and adopted a strict Muslim lifestyle. In the '80s he lost a lot of fans when he was quoted as calling for the death of writer Salman Rushdie after Rushdie's <I>Satanic Verses</I> became a hugely popular and controversial novel about the Islamic religion. The quotation was exaggerated, however, and Stevens was unfairly branded as a fanatic. Today he records and tours as Yusef Islam, performing new material and even some of his old Cat Stevens songs on occasion.
- Mike McGuirk]]></description>
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<title>Iron and Wine</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5016&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5016&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lo-fi tapes of hushed acoustic indie rock go together with Miami like
(tanning) oil and (salt) water, spring break and sobriety, Florida governor
Jeb Bush and a problem-free day at the polls. See, what we're saying is they
seem kind of incongruous. But Mr. Samuel Beam, aka Iron & Wine, was living
in Miami crafting just such beguiling home recordings when Jonathan Poneman
of Sub Pop "discovered" him via an indie magazine in Seattle. The mesmerized
Poneman contacted Beam and hounded him for music until Beam finally mailed
him two full-length CDs. Sub Pop almost released both right off the bat, but
instead pared them down into Iron & Wine's debut, <i>The Creek Drank the
Cradle</i>, released in 2002. A hi-fi studio recording (2004's <i>Our
Endless Numbered Days</i>) and a few EPs (including 2005's <i>In the
Rein</i>, a joint effort with Calexico) followed. For 2007's <i>The Shepherd's Dog</i>, Beam beefed up the musicianship, filling songs with eccentric worldly nuances, making it one of his most upbeat and cohesive albums to date.
- Rachel Devitt]]></description>
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<title>Leonard Cohen</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2899&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Leonard Cohen</rhap:artist>
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<description><![CDATA[It's hard to think of another artist who cares so little for or about pop music yet who has changed it, and influenced its practitioners, so profoundly as Leonard Cohen. One of the most original, compelling, and covered songwriters of the rock era, Leonard Cohen has slowly transitioned from a singer of elegantly spare folk dirges to a whisky-voiced smooth talker on elegantly spare electro-acoustic percolations. From the beginning, the smartly tailored Montreal native has seemed like an outsider and an elder statesman in the music world. A teenage flirtation with the beatnik jazz/folk scene led Cohen to a highly successful (but oddly forgotten) career as a countercultural poet and fiction writer. At the same time, singers started taking notice of Cohen's bohemian (but decidedly non-youth revolution) tunes and his most heralded composition, "Suzanne" was widely known before he even had a recording contract. In 1968, his striking debut album <I>Songs of Leonard Cohen</I> showcased "Suzanne" and nine other of his world-weary and bleak, yet highly romantic songs. The album wasn't a huge success but -- as with the Velvet Underground's debut record or Van Morrison's <I>Astral Weeks</I> -- a new cadre of rain-coated skeptics kept purchasing the album every year until it finally reached gold sales status. Each of the excellent collections leading up to 1975's <I>Best of Leonard Cohen</I> are filled with the tunesmith's circular guitar patterns and nicotine-stained tales of small hopes and shell-shocked heartbreaks. Songs such as "Bird On A Wire," "Famous Blue Raincoat" and "Chelsea Hotel" would've made his reputation for the rest of his life but Cohen was slowly moving away from his stark, "just the facts, Ma'am" studio sound. In 1977, he teamed up with the wild-eyed production guru Phil Spector for <I>Death of a Ladies Man</I>, an uneasy listening concept album about the sexual revolution turning into a war of the sexes. It bombed yet somehow only gets more disturbing and more realized as the years pass. Cohen slowed down after this, taking big breaks between projects, then oddly began embracing synthesizers and Greek chorus-style backing vocalists on 1985's lovely <I>Various Positions</I>. As fresh and different as this album was, 1988's more outrÃÂÃÂÃÂÃÂ© <I>I'm Your Man</I> turned out to be a career rebirth and reintroduced the artist to the public. From here on out, Cohen no longer lived in the trenches, choosing to alternate his song guises between being an older, but wiser fool for love and an Old Testament God who forgoes fury and punishment for dispensations of charity and understanding. Cohen greeted the 1990s with a new fan base, the stunning actress Rebecca De Mornay on his arm, and a lingering bout of depression. In a plot twist that sounds like something out of a Leonard Cohen tune, the songwriter left the good life, spent most of the decade in hard labor at a Buddhist monastery and then came down from the mountain because he still craved female companionship. Cohen's <I>Ten New Songs</I> (2001) greeted the new millennium with typical understatement. The album lets anyone who cares to listen know that all the epic follies and romantic glories of the past century would be repeated in the new one.
- Nick Dedina]]></description>
</item><item>
<title>Tori Amos</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5694&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Mon, 30 Nov 2009 10:00:48 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tori Amos</rhap:artist>
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<description><![CDATA[Tori Amos is a songwriter in the classic '70s sense. Creating meaningful, emotional songs that incorporate acoustic guitar, piano, and strings into elaborate and evocative compositions, Amos' fragile voice carries with it all the strength, emotion and sensuality her intelligent, poetic lyrics allow. Her complexity as an artist comes from her ability to display womanly vulnerability and subvert it with raw sexuality and intimidating, thick-skinned ire, embodying it all with startling honesty.
- Jessy Terry]]></description>
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<title>Tom Waits</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4519&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sat, 28 Nov 2009 09:38:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tom Waits</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4519&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This mercurial artist has periodically redefined himself, never content to let his dogs lie and rest on his laurels. Balladeer for the lonely and downtrodden, absurdist storyteller, Electric Blues musician, sophisticated arranger of lush string sections, troupe leader of a junkyard Salvation Army band, composer for legitimate theater, and actor for both independent and Hollywood feature films. And what does the world make of Tom Waits now? He's generally considered to be one of the most important modern composers working in any genre, having garnered a well-earned reputation for fanatically following his muses wherever they lead, always with a sense of joyous abandon and an innate trust in his ability to find ugly and beautiful truths wherever they may lie. His poetic sensibility reveals an empathy with the plight of modern man, while always maintaining an intelligent and wry sense of humor. His influence can be felt in the work of so many contemporary artists that if he never released another piece of music he would still be guaranteed a huge house in music history heaven. (Although Jewel did misspell his name in her book -- could it adversely affect his career?...)
- Will Lerner]]></description>
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<title>Lyle Lovett</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2356&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Texas Country</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lyle Lovett</rhap:artist>
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<description><![CDATA[Mellow country Folk-Rock with a subtle Texas flavor. Although many people consider Lovett a country singer, his work covers a much more broad and diverse spectrum of Singer-Songwiter musings.
- Eric Shea]]></description>
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<title>John Lennon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.710&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 2 Dec 2009 11:07:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Lennon</rhap:artist>
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<description><![CDATA[Without question, John Lennon gave us some of the most enduring music of the previous century, yet everything he wrote appears destined for perpetual scrutiny. He left behind a massive catalog of some of the finest songs the idiom has to offer -- the bulk of which are acutely personal in nature. For the first half of the 1970s, Lennon was the angry and, at times, self-righteous protestor of everything from the war in Vietnam to getting out of bed. Songs such as "Give Peace a Chance," "Power to the People" and "Working Class Hero" -- powerful slogans and scathing indictments in their day -- have lost much of their bite, primarily due to their disturbing and perverse use in ad campaigns, something that would surely make Lennon purple with rage. The remainder of his solo output has a tendency to be spotty, but there are certainly some unmatched heights, from his perennial rocker "Cold Turkey" and signature song "Instant Karma! (We All Shine On)" to the tonsil-shredding masterpiece "Mother" and his pure pop comeback "(Just Like) Starting Over." With his trademark reverb-heavy vocals, the unapologetic exposure of his beleaguered emotions, and a lifelong fascination with the Chuck Berry riffs that initially inspired him, John Lennon gladly offered the world ringside seats to the overhauling of his psyche and, for a time, acted as an outspoken, prickly conscience to us all. His unfathomable murder in 1980 remains one of the most mourned losses in the history of rock 'n' roll.
- Mike McGuirk]]></description>
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<title>Nelly Furtado</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.35794&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Wed, 2 Dec 2009 11:07:00 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nelly Furtado</rhap:artist>
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<description><![CDATA[Although she grew up in Canada, Nelly Furtado's parents were Portuguese immigrants, and she was raised surrounded by the rhythms of traditional Portuguese music. Still drawn to the beat years later, Furtado gravitated toward the popular rap and contemporary R&B groups of the day. Like many teenagers, she used music not only as a means of escape, but also as a way to fan the flames of her dreams. After graduating from high school, Furtado headed to Toronto, where she formed the hip-hop duo Nelster. Still working a day job, Furtado haunted clubs at night, until being spotted by Brian West and Gerald Eaton of the Philosopher Kings. The pair produced a demo that landed the chanteuse her deal with Dreamworks, and continued to turn the knobs on Furtado's 2000 debut, <I>Whoa, Nelly!</I>. Three years later, she issued the more reflective album, <I>Folklore</I>. Three years after <I>that</I> (and after giving birth to her daughter), Furtado took off in a completely different direction with <I>Loose</I>, a collection of sleek, sexy, hip-hop-infused dance pop (much of it, including the huge hit "Promiscuous," produced by Timbaland) aimed at conquering the top 40 -- which she certainly did. Another three years went by and it was time for -- you guessed it -- another new direction, this time with <I>Mi Plan</I>, a collection of Spanish-language pop.
- Linda Ryan]]></description>
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<title>James Blunt</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7435752&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Sat, 21 Nov 2009 13:42:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<description><![CDATA[Growing up in England, James Blunt had a "traditional" childhood, which essentially means he was shipped off to boarding school at age seven. He excelled in science and math at school, so it wasn't a surprise that his father pushed him along the path of a military career. But school wasn't all bad: Blunt learned how to play the piano there and even tried his hand at school plays. It would be too clichÃÂ© to say that Blunt's love for music helped him fight off the career designs of his over-enthusiastic father. In fact, that would be both clichÃÂ© and a lie. Blunt <I>did</I> join the military, and in 1999 he served as a peacekeeper in Kosovo. Armed with a gun and his guitar, James did his best to keep an even keel in a place that just experienced one of the bloodiest civil wars on record. Writing was an escape for the singer-songwriter, a way to process the horrors of what he was witnessing, as songs like "No Bravery" attest. When his military time was up, Blunt focused on making music his career, got a band together and recorded some demos. Within months he landed both a publishing deal and a manager. After his performance at 2003's SXSW, Blunt met producer Linda Perry (Pink, Christina Aguilera), who offered the singer a deal on her very own label, Custard Records. James Blunt's debut, <I>Back to Bedlam</I>, was released in the U.K. in January 2005 and in United States later that year, in July.
- Linda Ryan]]></description>
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<title>Bon Iver</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.18670694&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bon Iver</rhap:artist>
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<description><![CDATA[Bon Iver (aka Justin Vernon) is a singer-songwriter from Eau Claire, Wisconsin. His smoldering, acoustic guitar soundscapes take cues from Will Oldham's side-project Bonnie "Prince" Billy and Iron & Wine. The band name is French for "good winter," which aptly describes the stark, drifting quality of Vernon's music. Bon Iver's debut album, <i>For Emma, Forever Ago</i>, was recorded while Vernon spent four months locked away in a cabin in rural Wisconsin, which is reflected in its bleak, barren sound.
- Dan Shumate]]></description>
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<title>Joni Mitchell</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6617&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Thu, 26 Nov 2009 11:28:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joni Mitchell</rhap:artist>
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<description><![CDATA[When it comes to women's music in the twentieth century, Joni Mitchell stands as the preeminent trailblazer. With musings in almost every genre, Mitchell paved the way for many other popular female singer-songwriters. Like many others, she got her start playing folk music in coffeehouses during the early 1960s. In 1967, Reprise Records released her self-titled acoustic debut. 1969 saw the release of her second album <I>Clouds</I>, followed in 1970 by the successful <I>Ladies of the Canyon</I>, which featured the chart-topping "Big Yellow Taxi." But it was the moody and cathartic <i>Blue</i> (1971) that put her on the map of musical genius: the album even inspired Bob Dylan to write "Tangled Up In Blue." Mitchell dialed up the jazz on <I>Court and Spark</I> (1974), which spawned three major hit singles -- "Free Man in Paris," "Raised on Robbery" and "Help Me." Throughout her career, Joni Mitchell has experimented and taken risks with her music. To this day, she continues to explore new ground and hark back to the old folkie ways that gave her snowball its first push.
- Eric Shea]]></description>
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<title>Elliott Smith</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4825&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Baroque Pop</category>
<pubDate>Thu, 26 Nov 2009 11:27:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Elliott Smith</rhap:artist>
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<description><![CDATA[Patron saint of indie music, Elliott Smith was once making folk based baroque pop on his own while simultaneously fuzzing-out amps in his former band Heatmiser. Upon "going solo," Smith's own moderately downtempo songwriting had tastefully expanded and grown with clever arrangements and matured instrumentation. Grand pianos and classically arranged strings took the place of grungy distortion boxes and toy guitars. The overall production was stepped up, but not stylistically compromised. And still, what remained consistent in these recordings was his ability to play the heartstrings better than any instrument in his back-line. An artist who single-handedly redefined the term "singer/songwriter," Smith influenced countless other bedroom four-trackers as well as a myriad of professional musicians, including Beck Hansen, Bill Callahan (Smog), Damon Gough (Badly Drawn Boy) and Chan Marshall (! Cat Power). Before he could finish what was to be his last album, <I>From A Basement On A Hill</I>, Smith took his own life on October 21, 2003. His nearly completed posthumous album was self-tracked on Smith's home recording devices, as well as with the infamous Hollywood producer Jon Brion. Collaborator David McConnell, explained that the CD was originally intended by Smith to sound lo-fi and dusty in its final production. However, since Smith's family had legal say as to how the album was to be sequenced and mixed, they handed the project over to engineer/producer Rob Schnapf and Joanna Bolme (an ex girlfriend of Smith's and member of Stephen Malkmus' band the Jicks) to make what they believed were necessary changes. It has since been re-mixed and released to a much-deserved overwhelming critical acclaim as well as a bit of controversy regarding the author's intent.
- Eric Shea]]></description>
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<title>Gordon Lightfoot</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3801&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 18 Nov 2009 13:06:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3801&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Melancholy folk-rock minstrel Gordon Lightfoot is one of Canada's proudest exports, with a prodigious career spanning over six decades, including seven Grammy nominations, 17 Juno Awards, and a number of prestigious accolades, among them the Order of Canada in 1970 and the Governor's Performing Arts Award in 1997 - the highest official honor, conferred on the very few (Joni Mitchell is also a recipient). The singer began his long career at a remarkably early age, cutting his first record at the age of 10 in a single take, with his sister Bev as his accompanist. His first brush with fame occurred shortly after when the principal of his elementary school played the disc over the school's PA on Parent's Day. Lightfoot never looked back, forging his storied career first as choral performer and dancer on the CBC's <I>Country Hoedown</I> for two years, before drumming for a revue dubbed Up Tempo '61, under the unexpected pseudonym Charles Sullivan. But his anonymity didn't last long. "Remember Me (I'm The One)," which he recorded as a member of the folk duo Two Tones with partner Terry Whelan, climbed up the Canadian charts and reached a respectable No. 10, and in 1964, he was "discovered" by popular folk duo Ian & Sylvia at Steele's Tavern in Toronto. They were wowed by his weathered voice and sparse, striking arrangements, and recorded some of the young artist's songs, which led Bob Dylan's manager, Albert Grossman, to sign him. Lightfoot performed at the Newport Folk Festival in 1965, that seminal day when Dylan -- a life-long friend who wrote in the liner notes to his own <I>Biograph</I> box set: "Gordon Lightfoot, every time I hear a song of his, it's like I wish it would last forever" -- went electric and set the folk community on its ear. By the mid-'60s, Lightfoot became a much sought-after songwriter, his ethereal compositions becoming hits for Peter Paul & Mary and Johnny Cash, while "Ribbon of Darkness," a song he penned for Marty Robbins, topped the country charts. Lightfoot's star really began to rise at the beginning of the next decade, when he entered the U.S. charts for the first time with "If You Could Read My Mind," which reached No. 5 on the singles chart. But his career didn't reach its commercial apex until 1974, when his album <I>Sundown</I> perched on top of the U.S. charts. The next year, "Rainy Day People" peaked at a still-respectable No. 26 on the singles charts, and two years later 'The Wreck of the Edmund Fitzgerald" soared to No. 1 -- but it was clear that commercial tides were changing. The musician continued to record his soft-focus, mature singer-songwriter-styled material, but it just wasn't as appealing to this new rock audience, who hungered for harder music. Nevertheless, Lightfoot's popularity has been sustained over the decades because an astonishing number of high wattage performers like Bob Dylan, Elvis Presley, Barbra Streisand and Ron Sexsmith have covered his material. If that weren't reason enough, the iconic balladeer lives on in "Lightfoot," a rather serious-minded tribute by the Guess Who that references Lightfoot's own songs. The folk legend nearly died in 2002, after an artery ruptured in his abdomen during a performance. He was airlifted to a nearby hospital, and spent three months in recovery, including five weeks in a coma. He returned to performing in 2004.
- Jaan Uhelszki]]></description>
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<title>Imogen Heap</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39587&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Thu, 19 Nov 2009 15:24:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<description><![CDATA[Best known as the lead singer of trip-hop duo Frou Frou, Imogen Heap's solo work is at least as interesting -- if not more -- as her collaborations. A bundle of young, exciting and vibrant talent, Heap composes solo music that reveals both shrewd craftsmanship and eloquent passion. As a pianist/keyboardist, her skill is immediately apparent and quite impressive: there are passages on her debut <I>i Megaphone</I> that are simply dazzling. Song arrangements display a keen awareness of what is <I>now</I> -- drumbeats and basslines are consistently danceable while electronic noises swoop and swirl with a refreshingly understated gracefulness. As a vocalist, Heap brings a slinky, sexy toughness that's never riddled with melodrama. Even when she's at her most vulnerable, one can't help but think she's a born survivor who can weather any emotional storm. Heap and her co-conspirators do justice to her distinctive, honest vocal delivery and lyrics and her superb musicianship.
- Will Lerner]]></description>
</item><item>
<title>Dan Fogelberg</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2668&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sat, 21 Nov 2009 13:43:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2668&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dan Fogelberg's music occupies a plane somewhere between Jackson Browne's Classic Rock singer-songwriter stylings and the straight-up glitz of England Dan & John Ford Coley. There's no small amount of Crosby, Stills, and Nash in Fogelberg's music as well, but his primary focus was always on commercially viable pop craft as opposed to CSN's pot-headed artistic journeys. Fogelberg was a somewhat fringe figure throughout the 1970s, fostering a respectably-sized following until he sealed his festival-circuit status with a major hit in the 1980s called "Leader of the Band." After issuing a pair of records in the '90s that focused loosely on environmentalism and employed elements of world music, he returned to writing acoustic ballads for 2003's <i>Full Circle</i>. He quit performing after being diagnosed with advanced prostate cancer in 2004 and he passed away in December of 2007 at the age of 56.
- Mike McGuirk]]></description>
</item><item>
<title>KT Tunstall</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7606549&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 2 Dec 2009 11:07:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7606549&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[KT Tunstall was born just knowing she was meant for big things. The adopted child of two academics, born in the college town-cum-golf Mecca of St. Andrews, Scotland, the singer first tried her hand at children's theater, constructing dioramas. While she insists that she only showed marginal musical talent, she's forged a career as a recording artist out of a fierce determination, an engaging but offbeat personality, a knack for spotting telling moments in fractured relationships and then writing about them, and a great love for eccentric music. Tunstall, who was born Kate Victoria (the KT is both an affectation to hide her gender and a homage to PJ Harvey), taught herself guitar from a busker's book at the age of 16, when she spent a year abroad attending high school in Connecticut. Earning pocket change singing on the streets, she knew that her life would never be the same. "I never had a backup plan, nor did I want one," she insists in an exclusive interview with Rhapsody. Returning home to Scotland, she enrolled in the Royal Holloway College, where she studied music by day and listened to the seditious music of Lou Reed, the dark sadness of Billie Holiday, and the proud idiosyncratic rhythms of Tom Waits. She convinced a friend who played mandolin to enter a battle of the bands, and the duo won to everyone's surprise but her own. "I've always thought I was the golden child," she claims with only a little bit of irony, and much humor. <br> </br> Now everyone agrees. Teaming up with noted producer Steve Osborne, who has been behind the boards with such notable talents as U2, Suede, New Order and Shaun Ryder, she crafted an album, <I>Eye to the Telescope</I>, that was both introspective and feral; a love letter to her physics professor father and a deconstruction of the small, telling moments in human relationships. "My lyrics look closely at relationships, what goes on when to people are sitting close together when no one is watching," she explains. But now everyone seems to be watching. Prominent fans like Flaming Lips' Wayne Coyne and the Cure's Robert Smith extol her talents and regularly attend her shows. She has been nominated for Britain's coveted Mercury Prize and a Brit Award for Best Female Solo Artist, but the real accolade is how a song like "Black Horse and the Cherry Tree" sticks in the listener's mind. "Our producer Steve Osborne said he didn't get much sleep making this record -- not because we worked such long hours, but because he said he couldn't get my songs out of his head," she says. Now that's a real barometer.
- Jaan Uhelszki]]></description>
</item><item>
<title>Carly Simon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3462&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Thu, 26 Nov 2009 11:28:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3462&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If you don't remember Carly Simon first hand, then you surely remember her as the woman that always took up a few spots in your mother's record collection, probably nestled somewhere alongside Carole King's <i>Tapestry</i>. A singer-songwriter whose star shone brightest in the 1970s -- she was among the most prominent of the confessional bunch during the genre's heyday -- Simon's music was both pleasantly undaunting and mildly shocking in its frankness, and her light piano playing and run-of-the-mill vocals contrasted with her uninhibited lyrics. In the face of increasingly emotional songwriting that's emerged over the years, the sharp-pointed phrases that filled Simon's music seem to have become relatively blunt, and her music now fits perfectly in the tame playlists of Lite Rock radio. But a night spent dusting off her records and listening to her sing of life's trials, tribulations and excesses can revive some of the emotion still contained therein.
- Nick Dedina]]></description>
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<title>Damien Rice</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44126&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Sun, 15 Nov 2009 11:03:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44126&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Damien Rice is an Irish singer-songwriter whose epic folk songs are simple and direct, with arrangements that border on the operatic. His intimate debut, <I>O</I>, was released in 2002 and contains the breakout track, "The Blower's Daughter." Rice followed up his initial success with the profound, brooding <I>9</I> in late '06.
- Jon Pruett]]></description>
</item><item>
<title>Andrew Bird</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12440&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Fri, 27 Nov 2009 10:25:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12440&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12440&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Few artists better exemplify the term chamber pop than violinist, whistler, songwriter, and multi-instrumentalist Andrew Bird. Born in the small agricultural community of Elizabeth, Illinois, Bird took up the Suzuki method for violin as a boy and eventually completed a bachelor's degree in violin performance from Northwestern University. His first solo album, <i>Music of Hair</i>, was self-released in 1996. In 1997, he joined the Squirrel Nut Zippers just in time to release their blockbuster <i>Hot</i> releases, though he left the band shortly after. His work with the Zippers and countless other cameos didn't distract from his solo career though, and he released four more records -- 1998's <i>Thrills</i>, 1999's <i>Oh! The Grandeur</i>, 2001's <i>The Swimming Hour</i>, and 2003's <i>Weather Systems</i> -- before the minor commercial breakthrough of 2005's <i>The Mysterious Production of Eggs</i>. In 2007, Bird's eclectic chamber pop became the black sheep of blues label Fat Possum records, when the label released <i> Armchair Apocrypha</i>.
- Nate Cavalieri]]></description>
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<title>Emmylou Harris</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.418&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Cosmic American Music</category>
<pubDate>Wed, 2 Dec 2009 11:07:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.418&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The otherworldly and yet accessible voice of Emmylou Harris has helped bring country music to wider audiences. After the untimely death of her protege Gram Parsons, Harris kept the cosmic American music spirit and sound alive in her own solo recordings. She was blessed with a warm and nurturing singing voice that seems like it was destined to bring beautiful high-lonesome harmonies to life. Whether she's singing soulfully by herself or harmonizing with other folks, her elastic and dynamic vocals unfold and soar to astral heights, adding new dimensions and organic depth to whatever song she graces. Her incandescent inflections have accompanied the likes of Neil Young, Dolly Parton, Linda Ronstadt, Beck, Sheryl Crow, The Band, Jackson Browne, Rosanne Cash, and Glen Campbell to name a very few--but her rich phrasing and harmonious articulation has never been as powerful nor as heartbreakingly emotional as when she sang in close harmony with the late, great Parsons.
- Eric Shea]]></description>
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<title>Carole King</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.653&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 2 Dec 2009 11:06:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.653&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.653&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No self-respecting 1970s co-ed dorm was without a copy of Carole King's <i>Tapestry</i>, a mondo hit that did for female singer-songwriters what Paul Simon did for the guys. One of the main consequences of this key album was that the public got clued into all the great songs King had written -- often with Jerry Goffin -- for other artists when the Brill Building ruled '60s pop. Such wonders as "Will You Still Love Me Tomorrow" and "You've Got a Friend" are ultra-catchy, yet have a depth that is sorely missing in today's market of disposable singles. King's career was the inspiration behind the movie <i>Grace of My Heart</i>.
- Nick Dedina]]></description>
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<title>Jim Croce</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4174&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sun, 22 Nov 2009 10:09:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4174&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bruce Springsteen owes a lot to the late, great Jim Croce. Not just on a singer/songwriter level, but that whole appealing-to-the-blue-collar-man-through-music thing was really Croce's idea first (or second if you count Woody Guthrie). Whether he was capturing a hauntingly passionate moment in a narrative or just playing a little acoustic boogie, Croce could tap into a multititude of musical styles while retaining his own signature urban-troubadour sound. Like many great songwriters, Croce began writing songs and singing while attending college, though he grew up listening to Dixieland jazz and teaching himself how to play guitar. He married his wife Ingrid after graduation and kept food on the table and a roof over their heads by working construction, taking on random teaching jobs and playing his music in small clubs and bars. It wasn't until he took a job writing songs for radio jingles that he was discovered by ABC/Dunhill records who released his 1972 hit album <I>You Don't Mess Around With Jim</I>. The most popular song on the album "Time In A Bottle" hit No. 1 on the charts, allowing him to record another album entitled <I>Life And Times</I> which yielded another No. 1 hit with "Bad, Bad Leroy Brown" in 1973. Croce died an untimely death that year in a plane crash, and though other recordings of his surfaced and were released posthumously, speculations of what he could have accomplished abound whenever anything is penned or produced about the man. He was survived by his wife Ingrid and son A.J. (who is a brilliant singer/songwriter in his own right).
- Eric Shea]]></description>
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<title>Brandi Carlile</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7330891&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Fri, 13 Nov 2009 12:39:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7330891&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7330891&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The beginning of Brandi Carlile's story has all the makings of a spectacular CMT
movie of the week: a childhood spent in the isolated foothills of rural
Ravensdale, Washington, teaching herself to sing by listening to Patsy Cline and daydreaming about appearing on the Grand Ole Opry -- until one day her momma got serious and took her to sing on a local country radio show, jumpstarting Carlile's career. Fast forward to the musical montage, where we find a 17-year-old Carlile developing an ear for rock, making a go of it in the big city (Seattle), gigging wherever she can, forming a band with twin brothers Tim and Phil Hanseroth, and gradually building a following out of sweat and determination and raw talent. But then Carlile goes and messes up the whole Sunday matinee movie plot. She skips over the drinking and the failed marriages and the senseless tragedy that usually flesh out these stories and heads straight for the big, triumphant climax: a deal with Columbia to record her self-titled debut and then a whirlwind tour, opening for big names like Chris Isaak and Tori Amos, all at the ripe old age of 23. Carlile headed into the studio with producer T-Bone Burnett to work on sophomore album, 2007's <I>The Story</I>. 2009's <I>Give Up the Ghost</I> featured a collaboration with Carlile's longtime idol, Elton John.
- Rachel Devitt]]></description>
</item><item>
<title>John Prine</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.57024&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Country-Folk</category>
<pubDate>Wed, 2 Dec 2009 11:07:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57024&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[They give him Grammies as a folk artist, but you can't really categorize a genius as big as John Prine's. He's as deft with Memphis skronk as he is with Nashville sentiment, and a long time ago, people were calling him the next Dylan. He may never have reached Mr. Zimmerman's heights of fame and influence, but Prine has spent almost thirty years crafting a unique body of work. Like Kurt Vonnegut's early novels, Prine's songs are notable for both their bite and their warmth -- the gentle surface of ballads such as "All the Best" often hide a dark heart, while angrier numbers like "Angel from Montgomery" always seem to forgive the targets of their indignation. He's a true hero, and his devoted cult of admirers will be pleased to hear his first studio album in four years, a collection of classic country duets featuring Lucinda Williams, Emmylou Harris, Iris DeMent, and more.
- Eric Shea]]></description>
</item><item>
<title>Pete Yorn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12298&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 3 Nov 2009 11:25:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12298&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12298&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pete Yorn plays heart-on-the-sleeve alt/indie/folk with all the currently pertinent references: Nick Drake-like vocals, super-slow-mo tempos and a detectable fascination with Gram Parsons. With a Don Fleming connection and a track on the <i>Me, Myself & Irene</i> soundtrack, PY is born to win, but don't let that stop you success-hating hipsters from enjoying these delicate, wounded tunes.
- Eric Shea]]></description>
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<title>Bill Withers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44070&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Fri, 13 Nov 2009 12:39:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bill Withers</rhap:artist>
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<description><![CDATA[Singer/songwriter Bill Withers' contribution to the golden era of 1970s soul is nearly incalculable, so great were the half dozen singles for which he's best remembered. But those are just the beginning: Withers' body of work is surprisingly deep, with almost no filler, and most of the album cuts offer as much to fans as any of his hits. Speaking of hits, the 1977 Grammy-winning duet with Grover Washington, "Just the Two of Us," may be the most widely recognized song of Withers' repertoire, but folks just discovering the man will be blown away by the dark, foreboding funk of "Use Me," the despairing Soul-Blues masterpiece "Ain't No Sunshine," and the inspirational "Lean On Me." Then there's "Lovely Day," which also rules. Withers is one of those supremely talented soul figures who has inexplicably dropped from national consciousness, but all his material is worth checking out.
- Mike McGuirk]]></description>
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<title>Ani DiFranco</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1174&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Urban Folk</category>
<pubDate>Tue, 6 Oct 2009 09:54:02 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ani DiFranco</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1174&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ranging from gloriously outraged to beautifully blunt, the folk/punk poetry of radio reject Ani DiFranco has earned her a loyal cult following of beloved listeners which originally sprouted at the grass roots level, only to be sown mainly by word-of-mouth sustenance. Boasting an impressive discography roughly comprising one full-length album a year, this music industry iconoclast proves that staunch determination and dedication to the DIY ethic can lead to success. Acclaimed for her sound that is both painfully honest and respectfully real, this best-friend-next-door-turned-living-guru backs her raw, emotive lyrics and poignant acoustic guitars with an ever-evolving, multi-colored musical style that moves from candid spoken word to full-band rock, over to brassy jazz stylings, and back to singer-songwriter simplicty.
- Eric Shea]]></description>
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<title>Nanci Griffith</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5386&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Folk Pop</category>
<pubDate>Tue, 17 Nov 2009 09:07:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nanci Griffith</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5386&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lilith Fair has littered the landscape with acres of golden-voiced, confessional Singer-Songwriters. Don't let Nanci Griffith get lost amongst the chaff. The luminous Texan wrote and performed her beautiful mix of folk, country, and pop while Jewel was still modeling Underoos to her kindergarten chums. Griffith had a couple of minor country hits and earned the highest respect from such American peers as Emmylou Harris and John Prine, but their literate, intimate nature seem to have found an easier home in Ireland and Great Britain than America. Griffith isn't overshadowed one bit by performing songs by respected tunesmiths Bob Dylan and Townes Van Zandt on <I>Other Voices, Other Rooms</I>, a stunning document of overlooked songs.]]></description>
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<title>Nick Drake</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.452&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>British Folk</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nick Drake</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.452&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.452&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A sound more gentle than the soft, almost timid singing of Nick Drake never passed human lips. Of all the melancholy balladeers of the past fifty years, none have so effectively captured the sound of the human heart in conflict with itself. Of course the saddest thing about Drake's music is that "Pink Moon" is being used to sell Volkswagens. If the first time you heard Drake was during a car commercial, then buying <I>Fruit Tree</I> straightaway is the least you can do to make amends. The collection gathers Drake's three studio albums and the posthumous disc <I>Time Has Told Me</I>. Though it's impossible to pick favorites with Drake, his debut <I>Five Leaves Left</I> may turn out to be the album you play most. It takes listeners on a gorgeous sojourn through rustic themes, wafting strings and Drake's lapidary acoustic guitar playing. The follow-up, <I>Bryter Later</I>, is a more urbane record; a purple-prose serenade from a dream corner of London. The partly cloudy skies of <I>Bryter Later</I> suddenly turned gray and glowering on the last album Drake recorded. The stark, eerie <I>Pink Moon</I> contains what is arguably some of the saddest music ever recorded, which is precisely what makes it so ineffably beautiful.
- Chad Driscoll]]></description>
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<title>Michelle Branch</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14585&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14585&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This savvy youngster creates simple, spry music that contains the acoustic guitar strumming of Folk Pop, the sweet vocal sounds found in many a Twee Pop band (lots of ba-ba's and da-da's), and Beck-ish dance beats.
- Will Lerner]]></description>
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<title>M. Ward</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13347&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Tue, 18 Aug 2009 09:14:43 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">M. Ward</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13347&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13347&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The stuff that goes into any one of M Ward's bittersweet recordings contains a handful of rootsy musical traditions -- dusty, blues-inflected country; the rolling rhythms of early rock 'n' roll; the breezy shuffle of acoustic folk. Even though the elements suggest a traditionalist approach, it's the ease with which he navigates them that has helped Ward emerge as one of the most refreshing figures in the post-millennium indie folk scene. His first solo effort, <i>Duet for Guitars #2</i>, was released in 1999, eventually finding an audience beyond Portland through a handful of rereleases. With his sophomore record, 2001's <i>End of Amnesia</i>, and 2003's <i>Transfiguration of Vincent</i> (whose title is a nod to a record by one of Ward's primary influences, John Fahey), his elegant songwriting won international acclaim. His next pair of releases, <i>Transistor Radio</i> (2005) and <i>Post-War</i> (2006), followed in form but examined more robust production aesthetics. He began collaborating with actress Zooey Deschanel in 2006, and after releasing a 2008 record with her as She & Him, titled <i>Volume One</i>, he returned to his solo career with 2009's <i>Hold Time</i>.
- Nate Cavalieri]]></description>
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<title>SiA</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.58977&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Fri, 20 Nov 2009 12:51:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=458&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss">Top Singer-Songwriter Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">SiA</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.58977&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.58977&amp;variant=data&amp;rws=%2Frock-pop%2Fsinger-songwriter%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It was inevitable that Sia's unique vocal talent would find a significant audience outside her native Australia. In 2000 her debut album, <I>Healing Is Difficult,</I> was championed by critics -- the lead single, "Taken For Granted," even made the U.K. Top 10 -- but sales were relatively poor. The record did, however, bring Sia to the attention of London studio assistants Henry Bins and Sam Hardaker, who invited her to record vocals for two tracks on a CD they were making in their spare time. The resulting recordings -- "Destiny" and "In The Waiting Line," on Zero 7's world-conquering <I>Simple Things</I> (2001) -- are two of downtempo's high water marks. After touring with Zero 7 (a process she credits with broadening her musical horizons), Sia stepped back from the scene to regroup. Her back-to-basics LP, <I>Colour the Small One</I> (2006), features "Breathe Me," a song used to powerful effect in the closing scene of the finale of TV series <I>Six Feet Under</I>, as well as "The Bully," a song cowritten with Beck. Sia's next major release came in early 2008 with <i>Some People Have Real Problems</i>.
- Neil West]]></description>
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