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<title>Top Roots Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link><description>Top Roots Artists on Rhapsody Online</description><category>Roots</category><language>en</language><ttl>720</ttl><pubDate>Sun, 20 Dec 2009 19:59:46 -0800</pubDate><image>
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<title>John Mellencamp</title>
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<category>AOR</category>
<pubDate>Fri, 18 Dec 2009 12:08:50 -0800</pubDate>
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<description><![CDATA[Long before Prince decided he had it with his regal name, Mellencamp was the original "artist formerly known as." He started his career with the record label-chosen moniker Johnny Cougar before his success allowed him to return to his family name. Early in his career he could have gone by Bruce or Bob, since his first recordings sounded more like Springsteen or Seger than something original. It wasn't until he produced a bushelful of radio hits before he started to mine a territory that was uniquely his own. Mixing '50s rock with more than hint of the blues, soul and R&B, Mellencamp's middle career records stand out not only for music maturity, but also because of his direct populist voice. Starting with 1983's<I>Uh-huh</I>, building with <I>Scarecrow</I> and then becoming fully realized with 1987's <I>The Lonesome Jubilee,</I> Mellencamp told stories of those on the fringes. While perhaps not as subtle as others, Mellencamp's message that all was not well in Regan's America powered him to the top of the charts and into political consciousness. In 1985, along with Willie Nelson and Neil Young, Mellencamp helped found the Farm Aid concert series that provides financial assistance to struggling farmers.]]></description>
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<title>Chris Isaak</title>
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<category>Adult Alternative</category>
<pubDate>Wed, 16 Dec 2009 11:55:14 -0800</pubDate>
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<description><![CDATA[Gifted with an absolutely divine voice and a riveting stage presence, Isaak is one of the few performers that can pull off both infectious rockers and heartfelt ballads with utter conviction and unrivaled style. Though it was the former that made him cool, it was the latter that made him famous. Once his "Wicked Game" was featured in David Lynch's 1990 film masterpiece <I>Wild At Heart</I>, it wasn't long before people took notice; naturally, an ultrasexy video for the song with supermodel Helena Christensen didn't exactly hurt his popularity. Subsequent efforts, while smoother and less steamy than his 1980s work, have all been successes.
- Doug Russell]]></description>
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<title>The Band</title>
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<category>Americana</category>
<pubDate>Fri, 18 Dec 2009 12:08:21 -0800</pubDate>
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<description><![CDATA[The Band's saga began in the late 1950s when they performed with Ronnie Hawkins as the Hawks. In 1965, they became Bob Dylan's band. After his motorcycle accident in 1966, they changed their name to the Band and relocated to upstate New York in a house they dubbed "Big Pink." It was here that The Band began to write and record songs that would influence anyone in love with music surrounding the myths of Americana lore. Guitarist Robbie Robertson, pianist Richard Manuel, drummer Levon Helm, and bass player Rick Danko all shared singing responsibilities. From the swamp boogie of "Up on Cripple Creek" to the pure soul of "The Weight," the Band had just begun to realize their ability to capture and release the ghosts of Okie souls in their unpretentious, down-home, roots music. While the songs available here run the gamut of the Band's almost incalculable career, many of their fans believe the sessions recorded at Big Pink to be their collective opus. Manuel took his life in 1986. Rick Danko died in his sleep on December 10, 1999.
- Eric Shea]]></description>
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<title>Bonnie Raitt</title>
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<category>Blues &amp; Boogie Rock</category>
<pubDate>Thu, 17 Dec 2009 10:43:35 -0800</pubDate>
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<description><![CDATA[Bonnie Raitt's mellifluous voice, accomplished guitar playing and classic catalog of blues, folk, R&B, and pop songs have made her one of the most acclaimed artists of her generation. Though she made her debut in in 1971, it was not until 1989's <i>Nick of Time</i> and 1991's <I>Luck of the Draw</I> that Raitt achieved the enormous commercial success fans and critics had been predicting for decades.
<br><br> The daughter of Broadway star John Raitt, Bonnie Raitt began playing guitar at age 12 and was immediately attracted to the blues. In 1967 she left her L.A. home to enter Radcliffe, but dropped out after two years and began playing the local folk and blues clubs. Dick Waterman, longtime blues aficionado and manager, signed her, and soon she was performing with Howlin' Wolf, Sippie Wallace, Mississippi Fred McDowell, and other blues legends. Her reputation in Boston and Philadelphia led to a record contract with Warner Brothers.
<br><br> Raitt's early albums were critically lauded for her singing and guitar playing (she is one of the few women who play bottleneck) as well as her choice of material, which often included blues as well as pop and folk songs. Most of Raitt's repertoire consists of covers, and she has gone out of her way to credit her sources, often touring with them as opening acts. Her sixth album, <i>Sweet Forgiveness</i> (Number 25, 1977), went gold and yielded a hit cover version of Del Shannon's "Runaway" (Number 57, 1977). <i>The Glow</i> (featuring her first original tunes since three on <i>Give It Up</i>) (Number 30, 1979) was produced by Peter Asher, but it did not sell as well as its predecessor.
<br><br> A Quaker, Raitt has played literally hundreds of benefits over the course of her career. She was a founder of M.U.S.E. (Musicians United for Safe Energy), which in September 1979 held a massive concert at Madison Square Garden, with other stars such as Jackson Browne, James Taylor, and the Doobie Brothers. It was later commemorated on a three-LP set. In 1982 she released her eighth LP, <I>Green Light</I> (Number 38, 1982), a harder-rocking effort aided by her backup band, the Bump Band, which included veteran keyboardist Ian MacLagan (of the Faces and the Stones) and Raitt's longtime bassist and tuba-player, Freebo, remained a constant sideman through her various backup bands. They toured with Raitt in mid-1982, greeted by the usual critical acclaim. Her work also appeared on the platinum 1980 <i>Urban Cowboy</i> soundtrack, with the country song "Don't It Make You Wanna Dance."
<br><br> When <i>Nine Lives</i> (Number 115, 1986) flopped, Raitt lost her deal with Warner Bros. Prince reportedly produced an album's worth of tracks with her, but they were never released. Instead, Raitt reemerged in 1989 on Capitol with her Don Was–produced breakthrough album <i>Nick of Time</i>, which smoothed out her rough bluesy edges yet avoided crass commercialism. It topped the charts, sold 4 million copies, and won an Album of the Year Grammy (one of four awards won by a thunderstruck Raitt at the 1990 gala; one was for her duet with Delbert McClinton, "Good Man, Good Woman").
<br><br> The pattern held with <I>Luck of the Draw</I> (Number 2, 1991), another Was production, which included the hit singles "Something to Talk About" (Number 5, 1991) and "I Can't Make You Love Me" (Number 18, 1991). It sold over 4 million copies and netted three more Grammys, for Album of the Year, Best Female Rock Vocal, and Best Pop Vocal Performance. Raitt earned another in 1990, for Best Traditional Blues Recording, for "In the Mood," a duet with John Lee Hooker on his album <i>The Healer</i>. Her former label Warner Bros. capitalized on Raitt's high profile by releasing <i>The Bonnie Raitt Collection</i> (Number 61, 1990), which included live duets with Sippie Wallace and John Prine.
<br><br> In April 1991 Raitt married actor Michael O'Keefe (they divorced in 1999). Raitt also cofounded the Rhythm & Blues Foundation, dedicated to raising awareness and money for influential musical pioneers left impoverished in their old age by unfair record deals and lack of health insurance. Raitt once again found success working with producer Don Was, as 1994's <i>Longing in Their Hearts</i> topped the chart and went platinum shortly after its release; it sold over 2 million copies. It included "Love Sneakin' Up on You" (Number 19, 1994) and "You" (Number 92, 1994). Around this time, Raitt had a hit with "You Got It" (Number 33, 1995) from the film <i>Boys on the Side</i>, and a minor hit with "Rock Steady"(Number 73, 1995), a duet with Bryan Adams. <i>Road Tested</i> (Number 44, 1995) is a live album.
<br><br> In 1995 Raitt became the first woman guitarist to have a guitar named for her. All royalties from the sale of Fender's Bonnie Raitt Signature Series Stratocaster go to programs to teach inner-city girls to play guitar.
<br><br> Her next effort, <i>Fundamental</i> (Number 17, 1998), produced by Mitchell Froom and Tchad Blake, was a less polished collection that some viewed as a return to the fine roots- and blues-based work of her earlier, hitless days. Raitt called 1982's <i>Green Light</i> the album's "true predecessor." Inducted into the Rock and Roll Hall of Fame in 2000, Raitt continues to perform for and speak out on a wide range of issues, including nuclear power, reproductive freedom, and the environment. In 2002, Raitt issued <i>Silver Lining</i> (Number 13, 2002) followed by a greatest hits compilation, <i>The Best of Bonnie Raitt on Capitol 1989-2003</i> in 2003. The self-produced (with Tchad Blake) <i>Souls Alike</i> (Number 19, 2005) followed in 2005. In 2006, Bonnie collaborated with Norah Jones, Alison Krauss, Keb' Mo', and Ben Harper on the DVD/CD project <i>Bonnie Raitt and Friends</i>.
]]></description>
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<title>Blues Traveler</title>
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<category>Jam Rock</category>
<pubDate>Wed, 16 Dec 2009 11:56:23 -0800</pubDate>
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<description><![CDATA[Blues Traveler formed in 1988, and it wasn't long before the band's penchant for extended jams found an eager audience. The band signed to A&M two years later and released their eponymous debut. The album failed to chart, but the band did what they do best: tour. More albums followed with similarly lackluster results, but the band continued on with a hectic tour schedule. Their aptly titled fourth album <I>Four</I> looked like it would meet the same under-the-radar fate as its predecessors upon its release in 1994; but the following year the single "Run-Around" was released, and the combination of MTV airplay and constant radio airplay proved to be an unstoppable force. Not only was "Run-Around" one of the best-selling singles in 1995, but <I>Four</I> went platinum five times over. H.O.R.D.E tours and more albums followed. In 1999 John Popper underwent angioplasty, leaving the future of the band in question. Popper recovered, but weeks later bassist Bobby Sheehan was found dead in his New Orleans home at age thirty-one.
- Linda Ryan]]></description>
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<title>Cross Canadian Ragweed</title>
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<category>Roots</category>
<pubDate>Sun, 20 Dec 2009 09:42:24 -0800</pubDate>
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<description><![CDATA[Like California's Mother Hips, Cross Canadian Ragweed tour so much that they really don't need that much radio airplay or big money promotion from a huge label to garner popularity. They started off playing country-tinged folk-rock before morphing into a hard hitting and melodious alt country band with songs catchier than cactus needles.
- Eric Shea]]></description>
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<title>Gomez</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4462&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Brit Rock</category>
<pubDate>Tue, 8 Dec 2009 09:16:41 -0800</pubDate>
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<description><![CDATA[British guitar bands that offer more than expensive haircuts and fancy trousers can be a rare find. Enter North England's Gomez. Their 1998 debut, <I>Bring it On</I>, beat out the Verve's <i>Urban Hymns</i> and Massive Attack's <i>Mezzanine</i> (both fine albums in their own right) for the U.K.'s prestigious Mercury Music Prize Album Of The Year. Their music braids vines of organic roots music with strands of bubbly dance production, but their songs tend to stick closer to the soil than the dancefloor. Three singers and two drummers mean a lot of ground can be explored, and Gomez are always willing to go where no Brit has gone before. They've garnered many comparisons to the Band thanks to their innovative take on Americana (<I>MOJO</I> magazine even put them on a cover aping the cover art of <i>The Basement Tapes</i>). One singer barks out lyrics with a warm Eddie Vedderesque rasp, while a second adds your standard, shy-voiced English indie kid, and a third inflects like a very young Tom Waits. Since each one is also a songwriter, the band's best moments feature three different personalities coming together on one soaring vision. And that, good people, is what you call musical chemistry (in it's most pure and dynamic form). With the energy, enthusiasm and passion of young people seeing the world for the first time, they weave in and out of Beatle-inspired power pop, bluesy laments, triumphant rockers or extended cosmic jams -- all the while retaining the kinetic Gomez sound.
- Eric Shea]]></description>
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<title>Los Lonely Boys</title>
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<category>Latin Rock</category>
<pubDate>Sun, 20 Dec 2009 09:42:29 -0800</pubDate>
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<description><![CDATA[Based in Texas, this brother act garnered a strong regional following thanks in part to constant touring but mostly because of their excellent synthesis of roots music. Born into a musical family, the three Garza brothers picked up instruments around the time they learned to walk. As teenagers they often supported their father on live dates, and after a less-than-successful turn in Nashville, the group decided to proceed as a trio. The evolved sound caught the ear of Willie Nelson, who invited the band to record their first album at his studio. With strong brother harmonies and a panoply of influences that includes Tex-Mex and R&B, the band's self-titled 2004 debut was a warm, extremely comfortable affair that boasts a few outstanding tracks.
- Sarah Bardeen]]></description>
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<title>Blind Melon</title>
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<category>Contemporary Hard Rock</category>
<pubDate>Fri, 18 Dec 2009 12:08:43 -0800</pubDate>
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<description><![CDATA[Blind Melon were a hippie rock band who shied away from the psychedelic overtones of bands like The Grateful Dead and Phish. They formed in Los Angeles and released an eponymous debut on Capitol Records in 1992. Their major crossover hit "No Rain" was a gigantic ray of bouncing pop sunshine, bursting through a gray cloud of Grunge when the airwaves were inundated with flannel-clad distortion. The band's second album <i>Soup</i> found Blind Melon leaving behind the flowers and little girls in bumblebee costumes for a darker, moodier sound that revealed intelligent songwriting and a salient finesse in musicianship. While touring in support of the album, the band's future came to a tragic end when front man and vocalist Shannon Hoon died from a drug overdose.
- Eric Shea]]></description>
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<title>Levon Helm</title>
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<category>Americana</category>
<pubDate>Sun, 13 Dec 2009 10:14:07 -0800</pubDate>
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<description><![CDATA[As the drummer of The Band -- and Dylan's first electric band -- Levon Helm played a significant role in American rock history. But too often overlooked is Helm's contribution as a songwriter and singer, which has yielded canonical slices of Americana like "The Weight" and "The Night They Drove Old Dixie Down." Helm was born in Marvell, AK, where he started playing guitar along to Nashville country station WLAC as a boy. He moved to Memphis as a young man where he was enlisted as the drummer of The Hawks, the backing group of early rock singer Ronnie Hawkins. Hawkins and Helm moved to Toronto where they recruited the rest of what would be The Band. The Band backed Dylan in the mid-60s, though Helm's time with Dylan was short; the negative reaction to Dylan's electric venture disheartened Helm so much that he quit the band and moved back to Arkansas, where he worked on an oil rig. When he rejoined The Band some years later, they were working on their masterpiece, <i>Music From Big Pink</i>, a record on which Helm's drumming, singing and (often uncredited) songwriting was essential. After the group disbanded in 1976, Helm cultivated an acting career, earning his biggest role in <i>Cole Miner's Daughter</i>, and continued playing with sundry Band-related projects. Helm was diagnosed with throat cancer in the '90s, though he continued performing with his daughter, Amy, and hosting a famous "Midnight Ramble" series of concerts in his Woodstock barn. After struggling with cancer for a number of years, Helm was able to sing again in the early '00s. He released <i>Dirt Farmer</i>, his first solo record in some 25 years, in 2007.
- Nate Cavalieri]]></description>
</item><item>
<title>Lucinda Williams</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6426&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 17 Dec 2009 10:45:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lucinda Williams</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6426&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6426&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Any musician who has ever been courted by a label knows all about the pressure to appeal to the mainstream. Just ask Lucinda Williams. The "Man" has been trying to compromise her sound ever since 1979 with <i>Ramblin' On My Mind</i> (a collection of old country and blues standards). Although the majors tried to coerce Williams to crank out over-produced hit singles for mass quantity consumption by Wal-Mart shoppers, she has stuck to her guns through all these years. Her music is her own: rooted in crafted songs tinged with twang, slide, and the gritty soul of her ragged vocals.
- Eric Shea]]></description>
</item><item>
<title>Sister Hazel</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5325&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Sun, 20 Dec 2009 09:42:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sister Hazel</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5325&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5325&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Yet another result of the mini musical renaissance that swept through Gainesville, Fla., in the mid- to late-'90s. Though comparisons to the Counting Crows will likely be the bane of the group's existence, they do make a concerted effort to set themselves apart with the a fuller sound that sometimes incorporates strings. Folk music meets <i>Hooked on Classics</i>.
- Chad Driscoll]]></description>
</item><item>
<title>Los Lobos</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7112&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Latin Rock</category>
<pubDate>Sat, 19 Dec 2009 10:51:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Los Lobos</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7112&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7112&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The pride of East L.A., Los Lobos have been tipping their hats to their ethnic musical tradition while exploring new sonic terrain for over twenty years. They started out as a Tejano and Mexican folk outfit, but quickly implemented Roots Rock and rhythm and blues into their sound. Their breakout 1984 album, <I>How Will the Wolf Survive?</I> was big with both the Roots-Punk crowd and general rock audiences. Three years later, their soundtrack to <I>La Bamba</I> gave them multiplatinum record sales and mass exposure for the first time in their career. Since 1988, they have changed their musical direction, stepping off into less popular, but increasingly interesting and rewarding avenues. An album of classic Mexican folk songs has given way to adventurous forays that combine roots music, impressionist landscapes, and Avant-Garde production techniques. Their exceptional songwriting skills keep them grounded and instantly identifiable as one of America's most important bands.]]></description>
</item><item>
<title>John Hiatt</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.625&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sat, 10 Oct 2009 10:13:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Hiatt</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.625&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.625&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It took him awhile, but during the late 1980s and early 1990s, John Hiatt's commercial appeal almost caught up to his critical reputation. The Indianapolis-born Hiatt began his career as a staff songwriter in Nashville, scoring a hit for Three Dog Night before he even reached his 20s. This eventually led Hiatt to secure a succession of record deals in the 1970s, which led to little more than a small cult following and more acclaim as a songwriter. Hiatt put bread on the table with cover versions of his songs, as well as by working as a guitarist in Ry Cooder's band. Hiatt's breakthrough came in the late 1980s with a record called <I>Bring the Family</I>, on which he was backed up by Nick Lowe, Ry Cooder and ace session drummer Jim Keltner. The record was a critical smash as well as a commercial hit. Since then Hiatt has become a major concert attraction. He remains revered by songwriters, and his material is covered often, most recently on the Eric Clapton/B.B. King collaboration on Hiatt's "Riding With the King."
- Eric Shea]]></description>
</item><item>
<title>Edwin McCain</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68627&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Thu, 17 Dec 2009 10:45:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Edwin McCain</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68627&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Edwin McCain's ascent into the big time came after years of working the southeast bar-band circuit, mirroring the experience of fellow South Carolinians Hootie & the Blowfish. Playing simple, acoustic guitar-based Roots pop that mixes earnest ballads with mildly anthemic three-chord rockers, McCain's distinguished himself in the homogenized field of "frat rock," "Hootie rock" or "bland-core" (as some detractors have called it) thanks to his full-bodied, easygoing voice and no-frills songwriting approach. He also got a boost when the hand-holding ballad "I'll Be" (from the 1997 CD <I>Misguided Roses</I>) appeared on <I>Dawson's Creek</I> and earned him fans outside his khaki-and baseball cap-wearing fan base. His 1999 follow-up resorted to slick, string-coated production and even included a tune by schmaltz queen Diane Warren. Like Michael Bolton and Celine Dion before him, McCain reaped the financial benefits of this association with "I Could Not Ask for More," climbing back up the charts and a bit further from his bar-band roots, even though -- at its core -- his music hasn't changed all that much.
- Will York]]></description>
</item><item>
<title>Selena</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2039&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Latin Pop</category>
<pubDate>Wed, 16 Dec 2009 11:56:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Selena</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2039&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2039&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Memorialized in music and film, Tejano singer Selena was the first Latina to become an American pop icon. Working with family members, at a young age she began displaying an obvious talent for performance and a natural, warm-toned voice that could easily stretch her voice up a notch and send shivers down your spine with long sustains. Selena made her first recording at age 12, and by 16 she had won Tejano music awards for best female vocalist and performer. Her version of this polkafied Tex-Mex included elements of rock and country, but she also recorded cumbias and, later, added contemporary dance flavors. Singing catchy, anthemic love songs, Selena's popularity spread like a wildfire throughout the U.S. and Latin America. Ultimately, she recorded a crossover record in English that was released posthumously after her tragic murder in 1994. A source of pride to the Latin community and a monumental spark to the music industry, Selena is likened to a Latina Madonna in that she aroused controversy and fanatical devotion. Furthermore, she is credited with helping open the door to the American mainstream for Latin artists, and was instrumental in launching the career of Jennifer Lopez.
- Robert Leaver]]></description>
</item><item>
<title>Shwayze</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17891594&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Rock/Pop</category>
<pubDate>Fri, 4 Dec 2009 13:19:30 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shwayze</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17891594&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Shwayze is the result of equal amounts of derring-do and stoner chill. The derring-do bit comes from the emcee third of this California trio, Shwayze himself, a kid born Aaron Smith and raised in the trailer parks of Malibu. One night in 2005, Smith jumped the stage at the Malibu Inn, started freestyling and basically took over the opening band's set. His pluck and skills were not missed by main act Whitestarr, the roots-rock outfit headed up by Cisco Adler, professional man about Malibu and scion of record producer Lou Adler. Adler and Smith started hanging out and, after Smith dogged him for a while, Adler finally brought him into his home studio. The two would party all night and then spend their days in the studio, with Adler laying down beats, buzzy vocals and rootsy acoustic guitar riffs and Smith (newly christened Shwayze) providing laid-back rhymes about girls, parties and summer. The duo later expanded to a trio with the addition of DJ Skeet Skeet and signed to Geffen, which released their first album in August 2008.]]></description>
</item><item>
<title>Calexico</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55132&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Indie/Alternative</category>
<pubDate>Thu, 5 Nov 2009 12:41:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Calexico</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55132&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55132&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Calexico includes members of ragged country punks Giant Sand and OP8. Their music is the desolate sound of waking up alone in a deserted border town with only a pack mule and a half-empty bottle of Mezcal to keep you company. Lonely, desert-soaked ballads filled with Flamenco guitars and flashes of the best moments of Sergio Leone's Spaghetti westerns abound in Calexico's sound, while sublime hints of a distant mariachi band and the weeping notes of a pedal steel intertwine with the squeeze of an accordion. Joey Burns' hushed vocal will bring you to a dusty, heartbroken land of caballeros and bandidos. If Lee Marvin were still with us today, he'd be a Calexico fan.
- Eric Shea]]></description>
</item><item>
<title>Los Tigres del Norte</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56910&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Norteno</category>
<pubDate>Sun, 13 Dec 2009 10:14:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Los Tigres del Norte</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56910&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Formed in San Jose, Calif., at the dawn of the 1970s, Los Tigres del Norte -- comprising the Hernandez brothers of Sinaloa and drummer Oscar Lara-- had been playing music together since they were children, but it wasn't until impresario Art Walker heard them in San Jose in the late '60s that they began to take themselves seriously as a band. Walker signed them to his new label Fama Records, and the group began to have limited success, playing throughout San Jose's growing Mexican district and getting some airplay. But the group truly coalesced when bandleader and vocalist Jorge Hernandez heard a singer in Los Angeles perform "Contrabando y Traicion." The dramatic narco-corrido was unlike anything he'd ever heard, and it became the group's break-out single in 1971. "Contrabando y Traicion" told the story of a Bonnie and Clyde-esque drug-running couple with a flair and drama not seen before in narco-corridos, and the hit spun off legions of imitators who invented further adventures for the ruthless fictional heroine, Camelia La Tejana, as well as a slew of songs in a similar vein. Early hits like "La Banda del Carro Rojo" followed up on "Contrabando y Traicion"'s success and cemented the band's place as a corridos powerhouse. Though pioneers of the narco-corrido, the band has never allowed itself to be pigeonholed in that genre, refusing to name real drug traffickers in their songs (unlike many other groups) and shunning the gun-glorifying imagery associated with the genre. Their diverse repertoire includes love songs, songs about the immigrant experience in the U.S., and critical commentaries on Mexican politics. They spearheaded the movement to write songs about the immigrant experience with the 1976 single "Vivan Los Mojados," a still-relevant track that questions what would happen to American agriculture if all the "wetbacks" were sent back to Mexico. "La Jaula de Oro" (The Gold Cage) is widely considered a masterpiece; it deals with the alienation a longtime immigrant can still feel in the United States. In 2000, stars of rock and pop came together to pay homage to the group with an album of covers, <I>El Mas Grande Homenaje A Los Tigres Del Norte</i>, which acknowledged the group's massive contributions to music north and south of the border. After three decades, Los Tigres del Norte have become less a band than an institution, a defining voice for over a generation of Mexicans and Mexican-Americans.
- Sarah Bardeen]]></description>
</item><item>
<title>Marc Broussard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66769&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 17 Dec 2009 10:43:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marc Broussard</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66769&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.66769&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When you grow up in Lafayette, La., you pretty much have to go out of your way to find bad food or bad music, as Marc Broussard can attest to. The son of Ted Broussard (guitar player for the Boogie Kings) never had to go far to be surrounded by a myriad of musicians of all styles (albeit mostly Cajun or roots-related). Perhaps that's why traces of Dr. John, a young Lee Dorsey and various other soulful singers can be heard in his voice. His sound is more twangy than tangy, but not as full-blown "alt country" as someone like Jay Farrar.
- Eric Shea]]></description>
</item><item>
<title>Ry Cooder</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68454&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Thu, 17 Dec 2009 10:44:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ry Cooder</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68454&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ry Cooder has had a long and varied career as virtuoso session musician, recording artist, record producer, film scorer, musicologist and champion of indigenous music throughout the world. He started out as a guitarist of uncommon skill in Los Angeles folk music circles. He was briefly in a band with Taj Mahal called Rising Sons, and was also a part of Captain Beefheart's Magic Band. His slide guitar playing and his ability with just about any stringed instrument soon set him apart. As well as playing numerous sessions in the '60s, he worked with the Rolling Stones and is probably responsible for pointing Keith Richards in the direction of the open-tuned guitar sound that has become his trademark. Cooder's solo albums feature dramatic reworkings of some old and sometimes obscure material. He has worked extensively writing and playing movie soundtracks, such as the eerie, atmospheric <i>Paris, Texas</i> and <i>The Long Riders</I>. Cooder has most recently been active with world music, recording a very popular album with African guitarist Ali Farka Toure. His latest and most prominent role is that of producer for an ad hoc group of Cuban musicians on a recording called <i>The Buena Vista Social Club</i>, which has revived the careers of a number of musicians, as well as being massively popular critically and commercially.
- Tom Heyman]]></description>
</item><item>
<title>Ike and Tina Turner</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3085&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Classic R&amp;B</category>
<pubDate>Sat, 19 Dec 2009 10:51:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ike and Tina Turner</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3085&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3085&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Don't let Ike Turner's bad press keep you away from the greatest music Tina Turner ever sang. This highly charged blues-soul-rock duo could rock the house better than any act around. The music is so liberating, you won't even notice that Ike Turner helped create rock 'n' roll.
- Nick Dedina]]></description>
</item><item>
<title>John Fogerty</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2283&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Fri, 18 Dec 2009 12:08:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2283</guid>
<rhap:rcid xmlns:rhap="rhap">art.2283</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Fogerty</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2283&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2283&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[From 1968-1971, Creedence Clearwater Revival were a commercial juggernaut, with nine Top 10 albums, even outselling the Beatles in 1970. But unlike the Beatles, founding member John Fogerty just couldn't let it be, going head to head with Fantasy Records founder Saul Zaentz over wanting to rewrite contracts he signed when he was just 18. Fogerty lost the rights to songs like "Proud Mary" and "Fortunate Son" for almost 35 years, and Zaentz, an Oscar-winning film producer, sued Fogerty, claiming he was defamed on "Zanz Kant Danz" and "Mr. Greed" from 1985's <I>Centerfield</I>, Forgerty's fourth solo effort. That record with its driving, rhythmic songs, assertive, swampy guitars, poetic social commentary and the singer's trademark idiosyncratic raw, sometimes unhinged voice landed on the top of the charts. If that wasn't vindication enough, a San Francisco jury found Forgerty not guilty of the charges brought by Zantz. In 2005, the iconic songwriter was reunited with his songs, putting out his very first greatest hits CD, the aptly titled <I>Long Road Home </I>, the next year. He continues to be a vital, earthy performer, and his ascendance presaged a whole generation of heartland rockers.
- Mike Cloward]]></description>
</item><item>
<title>Delbert McClinton</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4783&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Fri, 23 Oct 2009 11:55:09 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4783</guid>
<rhap:rcid xmlns:rhap="rhap">art.4783</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Delbert McClinton</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4783</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4783&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4783&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ever wonder who taught John Lennon how to play harmonica? That's right, it was Texan blues rock bad boy Delbert McClinton. In the 1960s McClinton found chart success with the hit "If You Really Want Me To, I'll Go" while singing for the Rondells. He joined up with Glen Clark in the 1970s and then had a career as a solo artist and popular session musician, playing with folks like Bonnie Raitt and Tracy Nelson. As a testament to how talented he is, McClinton's songs have been covered by the likes of Emmylou Harris and Waylon Jennings. He still continues to play stellar blues rock, often traveling knee-deep into Americana territories and wandering into the sonic canyons of Lone Star State-styled country rock.
- Eric Shea]]></description>
</item><item>
<title>The Tragically Hip</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.704&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Fri, 4 Dec 2009 13:20:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.704</guid>
<rhap:rcid xmlns:rhap="rhap">art.704</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Tragically Hip</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.704</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.704&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.704&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Currently residing in the "Where Are They Now?" file, these Canadians were on the verge of making it big in the late '80s and early '90s. Their almost unique blues-influenced pop just never caught on with Americans (nor the rest of the world) as much as it did in Canada.
- Mark Murrmann]]></description>
</item><item>
<title>The Felice Brothers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13064223&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sun, 27 Sep 2009 09:56:03 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.13064223</guid>
<rhap:rcid xmlns:rhap="rhap">art.13064223</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Felice Brothers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13064223</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13064223&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13064223&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Intocable</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.40141&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Norteno</category>
<pubDate>Sun, 6 Dec 2009 09:56:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.40141</guid>
<rhap:rcid xmlns:rhap="rhap">art.40141</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Intocable</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40141</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40141&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40141&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Tejano and norteno music is given a tougher edge with heavy bass and percussion in this mix of slow boleros and punchy polkas. Rapid accordion lines accent emotional leads and tight, sincere harmony vocals.
- Robert Leaver]]></description>
</item><item>
<title>Ryan Bingham</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16495361&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Sun, 20 Dec 2009 09:42:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.16495361</guid>
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<rhap:artist xmlns:rhap="rhap">Ryan Bingham</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16495361</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16495361&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16495361&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>BoDeans</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3894&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Thu, 12 Nov 2009 09:55:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3894</guid>
<rhap:rcid xmlns:rhap="rhap">art.3894</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">BoDeans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3894</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3894&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3894&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The BoDeans have made a career of spinning tales about average folks. Full of streamlined hooks, their brand of heartland rock has earned them continuous critical acclaim, as well as nods from Robbie Robertson and U2. However, these Wisconsin natives didn't receive their commercial due until "Closer to Free" became the theme song to the television tragicomedy <I>Party of Five</I> in 1996.
- Charles Hodgkins]]></description>
</item><item>
<title>Shawn Mullins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1881&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Mon, 14 Dec 2009 10:05:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1881</guid>
<rhap:rcid xmlns:rhap="rhap">art.1881</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Shawn Mullins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1881</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1881&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1881&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like his hero Kris Kristofferson, Atlanta's Shawn Mullins served in the airborne division of the U.S. Armed Forces when he began writing songs. After an eight-year stint in the military, Mullins set out to pursue music full time. Not surprisingly, his songwriting style is closely aligned with the narrative country that Kristofferson and Townes Van Zandt established long ago. But Mullins isn't one of those roots rock geeks imitating his influences. Although his roots run deep in that soil, he's inspired by Celtic, gospel, '60s guitar pop and all kinds of folk music. Mullins released five albums on indie labels before seeing any kind of measurable success. All that changed when he released his first full-length for Sony/Columbia. The plantinum-selling <I>Soul's Core</I> was a fine balance of uplifting messages, spiky irreverence and fascinating story lines that garnered the craggy singer a whole new audience. He also is involved in an outfit called the Thorns, which includes power pop prodigy Matthew Sweet and singer-songwriter Pete Droge. Their sound is a bit more borrowed than Mullins' own material, but if you like delightfully derivative songs that sound like the Los Angelino canyon rock crooners of the late 1960s and early '70s (think Crosby, Stills & Nash or the Mamas and the Papas), definitely check out this band. And then listen to Mullins' <I>9th Ward Pickin' Parlor,</I> which blends the slivers of harmonious soul found in the Thorns with his own narrative know-how, to create this love song to the fallen, but not broken, New Orleans in the wake of Hurricane Katrina.
- Eric Shea]]></description>
</item><item>
<title>John Cafferty &amp; The Beaver Brown Band</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.19983&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>AOR</category>
<pubDate>Sun, 6 Dec 2009 09:55:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.19983</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Cafferty &amp; The Beaver Brown Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.19983</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19983&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19983&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Freddy Fender</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2767&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Tex Mex</category>
<pubDate>Sun, 6 Dec 2009 09:55:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.2767</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Freddy Fender</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2767</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2767&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2767&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born Baldemar Huerta in Texas over half a century ago, singer, songwriter and guitarist Fender has an astonishingly soulful voice that finds him right at home singing country, Rockabilly, R&B, Swamp Pop and all manner of Tex Mex music. He began his career singing primarily in Spanish in the 1950s and gained a regional reputation in Texas. In an effort to broaden his audience, he adopted the stage name Fender and embraced Rockabilly and R&B music. Although the sides he recorded didn't have much success, they remain as wild and visceral as any regional rock 'n' roll recorded. Fender was busted for marijuana and served a 3-year jolt in prison, which pretty much set his career adrift after his release. Fender was on the fringes of the music business for almost 10 years until he hooked up with legendary Huey P. Meaux and released the song "Until the Next Teardrop Falls" on Meaux's Crazy Cajun label. The song was a huge hit, and the follow up "Wasted Days and Wasted Nights" was just as big, ironically making the journeyman Fender into an overnight sensation. He remained a big star for the rest of the 1970s. After sitting out much of the 1980s, Fender emerged with fellow Texans Flaco Jimenez, the late Doug Sahm and Augie Meyers in the highly acclaimed Tejano supergroup Texas Tornadoes.
- Tom Heyman]]></description>
</item><item>
<title>Trevor Hall</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7165464&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Mon, 17 Aug 2009 09:14:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Trevor Hall</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7165464</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7165464&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7165464&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Eric Shea]]></description>
</item><item>
<title>Dan Zanes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.33587&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Folk/Sing-Along</category>
<pubDate>Sun, 20 Dec 2009 09:42:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.33587</guid>
<rhap:rcid xmlns:rhap="rhap">art.33587</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dan Zanes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.33587</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33587&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33587&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Zanes was the singer for indie rock's first coulda-shoulda-woulda crossover hopes, the Del Fuegos. He put together a solo project in the mid-1990s, but he's been releasing musically sophisticated children's records since the turn of the century.
- Tim Quirk]]></description>
</item><item>
<title>Roger Clyne &amp; The Peacemakers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13343&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Fri, 5 Jun 2009 08:53:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.13343</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Roger Clyne &amp; The Peacemakers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13343</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13343&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13343&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Country Rock for the new millennium. Roger Clyne's accessible country grit sounds professional enough for radio, but it isn't so slick that the cool kids are going to snub these relevant Roots rock anthems.
- Eric Shea]]></description>
</item><item>
<title>Georgia Satellites</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4243&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Southern Rock</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4243</guid>
<rhap:rcid xmlns:rhap="rhap">art.4243</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Georgia Satellites</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4243</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4243&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4243&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Subdudes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.31566&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 20 Aug 2009 09:28:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Subdudes</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.31566&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.31566&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>X</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6442&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Punk</category>
<pubDate>Fri, 4 Dec 2009 13:20:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6442</guid>
<rhap:rcid xmlns:rhap="rhap">art.6442</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">X</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6442</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6442&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6442&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Besides being an awesome rock 'n' roll band, X was extremely influential to American popular music. They had a major impact on the underground Punk rock movement and also the Roots, folk, and Americana revival scenes. Just as importantly, they were the band that put independent labels on the map (selling 100,000 copies seemingly out of the blue). They stood head and shoulders above the rest of America's Punk bands of the late '70s and quickly came to national prominence with their combination of raw energy, beatnik-style lyrics, intertwining vocal harmonies, and buzzsaw guitar (courtesy of Rockabilly veteran Billy Zoom). That diversity and a never-ending supply of good songs via John Doe and Exene Cervenka were the keys to their success. They never lived up to major label expectations and lost focus after their first three (essential) albums but their entire output has merit. They parted ways in the late '80s but still get back together from time to time to play for a whole new generation of fans.]]></description>
</item><item>
<title>Drivin' N' Cryin'</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3554&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Thu, 17 Dec 2009 10:45:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3554</guid>
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<rhap:artist xmlns:rhap="rhap">Drivin' N' Cryin'</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3554</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3554&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3554&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Straddling a strange netherworld between hard and alternative rock, Drivin' N' Cryin' are a southern rock band whose folk focus morphed into a rootsier arena. Though never as successful as contemporaries R.E.M., this band reaped a crop of rock songs over the years that brim with sincere intensity and lyricism that is occasionally worthy of Bob Dylan.
- Sarah Bardeen]]></description>
</item><item>
<title>Texas Tornados</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1714&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Tex Mex</category>
<pubDate>Fri, 18 Dec 2009 12:08:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Texas Tornados</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1714</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1714&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1714&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Texas supergroup's four frontmen had more than 200 years of experience playing live and recording between them. A left-field hybrid of norteno, Swamp Pop, rock 'n' roll, blues, country and everything in between, Texas Tornadoes were fronted by Tejano star Flaco Jimenez, '60s rock icon Doug Sahm, crooner Freddy Fender, and Sahm's cohort from the Sir Douglas Quintet, Augie Meyers. The Tornadoes hit the country charts with their debut album -- quite a feat considering how far removed from the Nashville norm the group's sound was. Though they never repeated that success on their subsequent records, the band retained a large and loyal worldwide following. They disbanded after the unexpected death of Doug Sahm in 1999.
- Eric Shea]]></description>
</item><item>
<title>Buckwheat Zydeco</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6503&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Cajun/Zydeco</category>
<pubDate>Thu, 5 Nov 2009 12:41:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6503</guid>
<rhap:rcid xmlns:rhap="rhap">art.6503</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Buckwheat Zydeco</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6503</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6503&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6503&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's difficult not to be swept away by the infectious, frenetic groove of Buckwheat Zydeco. The Creole-style hybrid Zydeco was born when Clifton Chenier took traditional African-American music from Louisiana, played on accordion and fiddle, and added a full-scale, amplified R&B rhythm section. Buckwheat Zydeco continued that tradition, and have become the most successful artists of the genre since Chenier's death. Some of their material points directly towards R&B, with shuffle beats, punchy horn lines, and classic Electric Blues riffs. Other tunes are straight ahead pounding two-step that aims to cleanse your soul by working your body to the bone. And through it all, lead singer Stanley Dural remains one of the genre's strongest voices, with a muscular baritone growl and undeniable charisma.
- Eric Shea]]></description>
</item><item>
<title>Tony Joe White</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.371&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Country Soul</category>
<pubDate>Thu, 26 Nov 2009 11:27:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tony Joe White</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.371&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.371&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There's a photograph of Tony Joe White floating about the Internet. He's smoking while strolling through a bayou jungle bare-chested, a guitar slung over his shoulder and black leather pants suctioned to his legs. He looks a lot like Elvis during his '68 comeback special, only cooler. A child of Louisiana with Cherokee blood flowing through his veins, White helped invent swamp rock in the late '60s with hits like "Polk Salad Annie," a murky fusion of stripped-down RnB and Hendrix-inspired wah-wah. Meanwhile, he became an in-demand songwriter after Dusty Springfield turned "Willie and Laura Mae Jones" into an instant classic, and Brook Benton followed suit with "Rainy Night in Georgia." By the '70s, White had toned down the lusty funk and transformed himself into an articulate singer-songwriter, one who detailed the complications of romance as well as the hardships of the Southern working class. Over the years the media-shy Louisianan has settled into cult artist status, scoring several more hits on the country charts. But in the end there can be no doubt that Tony Joe White, nicknamed the Swamp Fox, is indeed one of the coolest dudes to ever to wear black leather pants.
- Justin Farrar]]></description>
</item><item>
<title>50 Guitars Of Tommy Garrett</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7525105&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Instrumental Country</category>
<pubDate>Sun, 6 Dec 2009 09:55:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">50 Guitars Of Tommy Garrett</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7525105&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Ingram Hill</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5088209&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Tue, 16 Jun 2009 05:22:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ingram Hill</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5088209</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5088209&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5088209&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>No Justice</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9264950&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Mon, 26 Oct 2009 13:51:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">No Justice</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9264950</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9264950&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9264950&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Dave Edmunds</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2607&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Pub Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2607</guid>
<rhap:rcid xmlns:rhap="rhap">art.2607</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dave Edmunds</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2607</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2607&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2607&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Arguably more respected as a producer than a solo performer, former Rockpile member Dave Edmunds' Midas touch helped launch the careers of the Flamin' Groovies, Nick Lowe, the Stray Cats, the Fabulous Thunderbirds and k.d. lang. At the outset of his career in the early 1970s, Edmunds set himself against the roaring currents of Prog Rock effusiveness and laconic Punk bile, choosing instead to re-travel routes forged by performers like Buddy Holly and Chuck Berry. With exacting precision, Edmunds revived the clean melodic lines and pure pop sensibilities of early rock 'n' roll standards. Ironically, his one hit song -- "I Hear You Knockin'" -- is almost entirely unrepresentative of the remainder of his output. Enduring solo performer, collaborator with Graham Parker and Nick Lowe, and highly esteemed producer, musical factotum Dave Edmunds has remained over the course of his long career a tireless advocate of the oldie-but-goodie sounds of the '50s and early '60s.
- Chad Driscoll]]></description>
</item><item>
<title>Scott H. Biram</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12942528&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Alt Country</category>
<pubDate>Fri, 28 Aug 2009 11:49:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Scott H. Biram</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12942528</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12942528&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12942528&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Los Caminantes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12467&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Norteno</category>
<pubDate>Sun, 25 Oct 2009 10:21:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Los Caminantes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12467</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12467&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12467&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Clifton Chenier</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6488&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Cajun/Zydeco</category>
<pubDate>Thu, 5 Nov 2009 12:41:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Clifton Chenier</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6488&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6488&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A French-speaking native of Opelousas, La., Clifton Chenier's first break in the music biz came in 1954 when Elko Records released "Clifton's Blues," which became a big regional hit. Over the next three decades, Chenier's accordion-accompanied singing made him the definitive ambassador of zydeco -- a swampy, two-stepping blend of cajun, creole, RnB and blues traditions -- and one of the most influential artists of the region. An appearance on the PBS show <i>Austin City Limits</i> in 1976 led to an explosion of interest in his music, and Chenier won a Grammy for his 1982 album <i>I'm Here</i>. He died of diabetes-related kidney disease in 1987, but his legacy lives on in the music of his son, C.J. Chenier, his many singular recordings and his label, Alligator Records.
- Nate Cavalieri]]></description>
</item><item>
<title>Chuck Prophet</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3162&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sun, 13 Dec 2009 10:14:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss">Top Roots Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chuck Prophet</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3162&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3162&amp;variant=data&amp;rws=%2Frock-pop%2Froots%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Once, when shown an early 1980s Fender Telecaster, Chuck Prophet said, "Hey, you know a guy can make a living off one of those things if he knows what he's doin'." It's safe to say that Prophet knows what he's doin' -- he somehow squeezes old '52 Fender tones from early '80s Squire Telecasters. Prophet has played with the likes of psychedelic cowboys Green On Red, the canyon crazy Jim Dickensen, the infamous one-eyed visionary Spooner Oldham, Cake, the Silos, and many others. He also wrote for and played with Kelly Willis on her 1999 release, <i>What I Deserve</i> before touring with Penelope Houston and then Warren Zevon. More interesting than his session work and touring schedule is Prophet's own torn and frayed style of songwriting. One listen to "New Year's Day" off his '97 solo album and you'll understand why the record was titled <I>Homemade Blood</I> -- Prophet has a Dylan-like ability to bleed into his own songs. He seems to play with one foot planted in American tradition and one foot resting on the foot-pedal of astral innovation.
- Eric Shea]]></description>
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