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<title>Top Dance Pop Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link><description>Top Dance Pop Artists on Rhapsody Online</description><category>Dance Pop</category><language>en</language><ttl>720</ttl><pubDate>Tue, 29 Dec 2009 20:54:45 -0800</pubDate><image>
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<title>Top Dance Pop Artists on Rhapsody Online</title>
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<title>Michael Jackson</title>
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<category>Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:47 -0800</pubDate>
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<description><![CDATA[It doesn't really matter if Michael Jackson bullied the world's media into calling him the King of Pop in the early 1990s or if they just started using that sobriquet on their own. Either way, he earned it. Whether singing "I Want You Back" as the 11-year-old frontman of the Jackson 5, breaking the MTV color line with the explosive "Billie Jean" or defending the world's downtrodden and misunderstood (himself, that is), Jackson set the standard for pop singing, songwriting, dancing and, let's face it, weirdness for the better part of a quarter century. He came of age in the Jackson 5, then moonwalked out of the family's clutches and into his own universe with three groundbreaking albums made with producer Quincy Jones. <i>Off the Wall</i>, <i>Thriller</i> and <i>Bad</i> blended soul, funk and rock influences into a taut dance-pop that transformed the sound of radio for the rest of the century. Singers and producers from Madonna to Timbaland are still trying to catch up. Prosecutors and paparazzi have been playing catch-up, too, with some of Jackson's questionable life choices, and since the late 1990s, he has seemingly spent more time in the tabloids than on the pop charts. On June 25th, 2009, Michael Jackson passed away at the age of 50.
- Matty Karas]]></description>
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<title>Lady Gaga</title>
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<category>Dance Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
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<description><![CDATA[Raised on a musical diet of Michael Jackson, Cyndi Lauper, the Rolling Stones and the Beatles, Lady Gaga brings a sense of theatrical fashion and attitude to her dance-inspired, electro-rock performances. Named after Queen's "Radio Gaga," the pop fashionista took the fast lane to success, starting at age four when she learned to play piano by ear. At 14, she began performing at open-mic nights in and around New York City's Lower East Side. After graduating from Convent of the Sacred Heart school (the elite private institution Paris Hilton attended), Gaga earned a coveted spot at the famed Tisch School of the Arts. Soon after, she started writing songs for the Pussycat Dolls, and at age 20, she was signed to Interscope Records. In 2009, she became one of pop culture's most ubiquitous figures, with the songs "Just Dance" and "Pokerface" dominating the pop charts and her public antics (Kermit dresses! A possible penis?) dominating discussions from TMZ to the blogosphere. Though Gaga's 2009 tour with Kanye West was cancelled, the fact that she was the one to call it off only confirmed her status as one of pop's reigning divas.
- Jamie Sanchez]]></description>
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<title>Madonna</title>
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<category>Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
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<description><![CDATA[One of the few megastars only needing a single name, Madonna's brand of dance pop began as the purest of bubblegum but has become increasingly sophisticated during the course of a career now in its third decade. Her influence has lessened a bit since the multimedia dynasty she lorded over in the 1980s and early '90s, partly because she's been busy raising children and partly because the focus of dance-oriented music has radically shifted in the years between <I>Bedtime Stories</I> (1994) and <I>Confessions On A Dance Floor</I> (2005). However her clubbing antennae remain finely tuned, and each subsequent release serves less as an indication of her musical development and more her ability to latch onto producer/writers of the moment. This, and her constant image-massaging to remain relevant to the dance community, allows a mother in her early forties to get away with acting like a club kitten without too much dissent, even less so with her triumphant 2005 return to form. A ruthless careerist and tougher than most of us, she does tend to show weakness with her lyrics, which at their best are simple ditties and at their worst just plain embarrassing. A catchy tune is usually there to save the day, however, and perhaps this is why she has failed to make it in the acting world -- she needs the music to shield her inability to deliver a really good line. And what music -- hit after hit, some still working a dancefloor just as effectively 20 years after initial release. Few other artists in the dance pop and electronica world show such staying power, and few receive such goodwill from their fan base, no matter which upheavals she drags them through as she hops and skips from fad to fad, laughing all the way to the bank.
- Nicholas Baker]]></description>
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<title>Mariah Carey</title>
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<category>Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:46 -0800</pubDate>
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<description><![CDATA[Say what you may about her fashion sense or "diva-tude," but there is no doubt that Mariah Carey defined 1990s urban pop music. Carey ruled the charts during the Clinton decade -- her 1990 self-titled debut album alone spawned four No. 1 hit singles, and she would have 11 more before the new millennium. Over the years, artists from Christina Aguilera to Ciara would name her as an influence. Her albums are always expertly crafted and performed, making her <I>MTV Unplugged</I> EP a surprisingly warm change of pace. Her dominance of the charts in the 1990s earned her the title of Billboard's Artist of the Decade. Despite heavily publicized personal trials in the early part of the new century, Carey returned to the forefront of modern music with <I>The Emancipation of Mimi</I>, which spawned her 16th and 17th No. 1 hits. In 2008, Mariah returned with the hit single "Touch My Body" and the subsequent album, <I>E=MC2</I>. The single pushed her past Elvis into second place (behind the Beatles) for the most No. 1 singles for an artist in the modern era.
- Rachel Landy]]></description>
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<title>Britney Spears</title>
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<category>Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
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<description><![CDATA[Britney. Over the past decade the name has dominated pop charts and tabloids. Uttered with a mix of adoration and repulsion, the first name of Britney Spears exists as shorthand for the magnificent mess of contemporary pop culture. It's been quite a ride for the former Mouseketeer, who first appeared in pearly smile and short skirt on the cover of 1999's <i>...Baby One More Time</i>, with a glut of sugary singles. By 2000's <i>Oops! I Did It Again</i>, she was a household name and a pop-music icon, and not yet 20 years old. Two more LPs -- <i>Britney</i> and <i>In the Zone</i> -- were increasingly inflected with RnB and hip-hop, though flagging chart performances and record sales soon made her as much media sensation as music maker. Fueled by a messy breakup with Justin Timberlake, two sensational marriages (one commenced in Vegas and ended only 55 hours later; the other was to former backup dancer Kevin Federline) and rumors of drug and alcohol abuse, Britney's public image was in nonstop tailspin through much of the mid '00s. By 2007, the 'tween audience that squealed about her debut was engorged by tales of panty-less partying, drug-treatment programs and a custody battle over her two children with Federline.
- Nate Cavalieri]]></description>
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<title>Prince</title>
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<category>Funk</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
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<description><![CDATA[In this age of musical genre ghetto-ization, Prince stands alone. The Artist can get funky, he can rock up a storm, he can croon a soulful ballad, he can spin out webs of jazz piano, he can hip and he can hop. He can do it all, often brilliantly. Prince takes chances and often fails -- especially on the (hopefully abandoned) film front -- but every one of his albums is chock full of gems. Prince hasn't sustained the massive popularity he earned in the <I>Purple Rain</I>-crazed '80s, but that seems due more to bad publicity surrounding his tabloid lifestyle than his musical output. He can't hide the fact that he is an odd, fuzzy little man, but genius doesn't come in perfect packages. While legions of Prince's contemporaries crash and burn, he sits in his Minneapolis tower and continues to expand the boundaries of popular music.
- Nick Dedina]]></description>
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<title>Ashley Tisdale</title>
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<category>Teen Beat</category>
<pubDate>Fri, 18 Dec 2009 12:08:51 -0800</pubDate>
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<description><![CDATA[Since being discovered by her manager at a mall near her hometown in New Jersey at age three, Ashley Tisdale has gone on to wrap the Disney Channel around her little finger. The actor-singer-model's regular gig is <i>The Suite Life of Zach and Cody</i>, where she plays the boys' babysitter. But Tisdale also has a recurring role on <i>Kim Possible</i>, is set to voice a lead character on the forthcoming <i>Phineas and Ferb</i>, and starred in Disney's made-for-TV-movie <i>High School Musical</i>, which garnered the network the highest ratings in its history.<p>
<p>
Having conquered the small screen, Tisdale is now working towards an additional
career in music--Disney-style, of course. She sings on two tracks from the
triple-platinum <i>High School Musical</i> soundtrack and recorded a new version of <i>The Little Mermaid</i>'s "Kiss the Girl." Finally, in 2007, she released <i>Headstrong</i>, her not-so-Disney debut solo album, followed in 2009 by <I>Guilty Pleasure.</I>
- Rachel Devitt]]></description>
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<title>Whitney Houston</title>
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<category>Contemporary R&amp;B</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
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<description><![CDATA[As the daughter of renowned gospel and soul singer Cissy Houston, and the cousin of Dionne Warwick, Whitney Houston was better connected than most young vocalists when she embarked on a recording career in the mid-1980s. But neither genes nor industry contacts can account for the level of superstardom to which Houston quickly ascended. Blessed with a sublimely creamy, agile voice and picture-perfect looks, she delivered the sort of buoyant dance tunes and smooth, hummable ballads that are equally at home on the pop, R&B, and Adult Contemporary charts. For years critics carped that her supple singing would be better served by more soulful, less commercially ingratiating material; when she finally did emerge with a more urban sound, the media homed in on her increasingly irresponsible personal behavior. But where America's record-buying public was concerned, Houston became a star of the highest order, one whose appeal crossed races, cultures, and generations.
<br><br>
As a child, Houston sang in her family's church choir. At 15 she began performing in her mother's nightclub act. While attending a Catholic high school, the lithe beauty signed with a modeling agency and posed for magazines including <I>Glamour</I> and <I>Vogue</I>. After graduating, she continued to model and sing, backing up Lou Rawls and Chaka Khan, then at 19 was spotted by Arista president Clive Davis &Number 8212; who had previously steered the careers of Warwick and Houston family friend Aretha Franklin &Number 8212; while giving a showcase in Manhattan. Davis signed Houston, and started choosing songs for her debut album, which featured duets with established stars Teddy Pendergrass (her first hit, "Hold Me") and Jermaine Jackson, and cost Arista an extraordinarily hefty sum of $250,000.
<br><br>
Released in 1985, Whitney Houston proved a worthwhile investment, shooting to Number One and generating the smash singles "You Give Good Love" (Number Three pop, Number One R&B, 1985), "Saving All My Love for You" (Number One pop, Number One R&B, 1985), "How Will I Know" (Number One pop, Number One R&B, 1985), and "Greatest Love of All" (Number One pop, Number Three R&B, 1986). Whitney solidified Houston's success, reaching Number One and spawning "I Wanna Dance With Somebody (Who Loves Me)" (Number One pop, Number Two R&B, 1987), "Didn't We Almost Have It All" (Number One pop, Number Two R&B, 1987), "So Emotional" (Number One pop, Number Five R&B, 1987), "Where Do Broken Hearts Go" (Number One pop, Number Two R&B, 1988), and "Love Will Save the Day" (Number Nine pop, Number Five R&B, 1988). Also in 1988, Houston recorded "One Moment in Time," NBC-TV's theme song for the Summer Olympics (Number Five pop). In 1989 she teamed up with Aretha Franklin on the Number Five R&B hit "It Isn't, It Wasn't, It Ain't Never Gonna Be."
<br><br>
In 1990 <I>I'm Your Baby Tonight</I>'s title track topped the pop and R&B charts, as did "All the Man That I Need." There were more hits in 1991 &#8212; "Miracle" (Number Nine pop, Number Two R&B), "My Name Is Not Susan" (Number 20 pop, Number Eight R&B), and "I Belong to You" (Number 10 R&B) &#8212; but, peaking at Number Three, <I>Baby</I> proved disappointing after its predecessors. Houston bounced back in a big way, though, with the 1992 film <I>The Bodyguard</I>, in which she made her acting debut (as a singing star, opposite Kevin Costner), to mixed reviews and huge box office success. The movie's soundtrack &#8212; with six tracks sung by Houston &#8212; proved even more successful, hitting Number One and producing a monster single, Houston's cover of Dolly Parton's "I Will Always Love You" (1992), which remained at the top of the chart for an unprecedented 14 weeks, as well as a cover of Chaka Khan's 1978 hit "I'm Every Woman" (Number Four pop, Number Five R&B, 1993) and "I Have Nothing" (Number Four pop, Number Four R&B, 1993). In 1992 Houston married singer Bobby Brown; their first child, Bobbi Kristina, was born the next year.
<br><br>
Houston's next career move was to attempt to duplicate the success of the movie/soundtrack combination of <I>The Bodyguard</I> with 1995's black-female friendship film <I>Waiting to Exhale</I>, in which the singer costarred alongside Angela Bassett. The movie was popular with audiences, and resulted in a few more hit singles for Houston, most notably "Exhale (Shoop Shoop)" (Number One pop and R&B) and a duet with CeCe Winans, "Count on Me" (Number Eight pop, Number Seven R&B, 1996). In 1996 Houston starred with Denzel Washington and Courtney B. Vance in <I>The Preacher's Wife</I>, a box-office disappointment whose soundtrack nevertheless gave her another charting ballad, "I Believe in You and Me" (Number Four pop, Number Four R&B).
<br><br>
She tried the small screen in 1997, producing and playing the Fairy Godmother to Brandy's Cinderella in a <I>Wonderful World of Disney</I> remake of Rodgers and Hammerstein's <I>Cinderella</I>. In 1998 Houston released her first studio album since 1990, the uncharacteristic <I>My Love Is Your Love</I> (Number 13 pop, Number Seven R&B). Aside from a handful of ballads, including her Oscar-winning duet with fellow diva Mariah Carey, "When You Believe" (Number 15 pop, Number 33 R&B, 1998–99), from <I>The Prince of Egypt</I>, and the Diane Warren–penned torch song "I Learned From the Best" (Number 13 R&B, 1999), the album showcased a new, savvy street credibility that had previously come through only in Houston's later interviews and her private life with Brown. Hip-hop personalities and producers such as Wyclef Jean, Lauryn Hill, Rodney Jerkins, Missy Elliott, and Faith Evans collaborated with the vocalist on various tracks. The public still loved the new Whitney, giving her hits with the sultry "Heartbreak Hotel" (Number Two pop, Number One R&B), the kick-him-out anthem "It's Not Right But It's Okay" (Number Four pop, Number Seven R&B, 1999), and the reggae-inflected title track (Number Four pop, Number Two R&B, 1999).
<br><br>
While Houston was back in the spotlight, reports of her already notorious prima donna behavior became more prevalent in 1999 and 2000: She was often hours late for interviews, photo shoots, and rehearsals; canceled concerts and talk-show appearances; and in what would be the start of a string of tabloid stories questioning her state of mind, dodged arrest for marijuana possession at a Hawaii airport in January 2000 (charges were later dismissed). In the months that followed that incident, Houston was a surprising no-show at her mentor Clive Davis' induction into the Rock and Roll Hall of Fame, and was allegedly booted out of Academy Awards rehearsals for an all-star tribute to Burt Bacharach. Rumors about her tumultuous marriage to Brown resurfaced, particularly when he was briefly imprisoned in mid-2000 for a parole violation. Yet Houston attempted to have the last laugh with a powerful performance at an Arista Records anniversary party that also served as a tribute to Davis, plus the release of a two-disc greatest-hits collection that equally highlighted her ballads and dance-club remixes and featured four new songs, three of which were duets with Deborah Cox, Enrique Iglesias, and George Michael
<br><br>
It turned out Houston had been struggling with a drug problem. After renewing her Arista contract with the biggest record deal in history ($100 million for a promise of six new albums), she performed on Michael Jackson's Thirtieth Anniversary television special looking thin and frail. The following year, Houston spoke frankly about her drug problems in a special edition of ABC's Primetime with Diane Sawyer that coincided with the release of her comeback album, <i>Just Whitney</i> (Number Three R&B/Hip-Hop, Number Nine pop, 2002). The album &#8212; which included production work by her husband, Missy Elliott and Babyface &#8212; was Houston's first work without the involvement of Davis. <i>Just Whitney</i> was not well received: critics bashed it, the singles failed to reach the Top Forty and sales of the album were lower than any of her previous works. She followed up with a holiday disc, <i>One Wish: The Holiday Album</i> (Number 14 R&B/Hip-Hop, Number 49 pop, 2002), which sold even fewer copies. In spring of 2004 Houston entered rehab for the first time; later that year, she toured as part of the Soul Divas along with her cousin Dionne Warwick and Natalie Cole. That September, Houston received a standing ovation when she sang a tribute to Davis at the World Music Awards. She and Davis subsequently announced they would be working together on a new album, although as of 2008 their plans had not yet materialized. Houston returned to rehab in 2005 and the following year filed for divorce from Brown (after some of the couple's trails and travails were aired on the MTV reality show "Being Bobby Brown" in 2005). In 2007 Davis reiterated that the two were working on a new album and had lined up a string of hip producers including John Legend and will.i.am. That April Houston's divorce from Brown was finalized with her winning sole custody of the couple's daughter. In December 2007 an apparently sober Houston performed an entire show before a crowd of 10,000 at the Live and Loud Festival in Malaysia.
]]></description>
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<title>Janet Jackson</title>
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<category>Contemporary R&amp;B</category>
<pubDate>Tue, 29 Dec 2009 10:22:43 -0800</pubDate>
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<description><![CDATA[As the baby of pop music's best-known family, Janet Jackson (b. Janet Damita Jo Jackson, May 16, 1966, Gary, Indiana) could have spent her career in the shadow of her eight siblings, particularly brother Michael. Instead, with the help of some savvy creative and professional advisers outside the family, Janet established herself as the preeminent pop-funk diva of the late 1980s and early 1990s. Her wispy voice was a pale echo of Michael's, but on Janet's albums &#8212; and in her videos and live performances, which revealed a crisp, athletic dance technique not unlike her brother's &#8212; singing wasn't the point. Her slamming beats, infectious hooks, and impeccable production values were perfectly suited to the breezy zeal with which she declared her social and sexual independence.
<br><br>
As a young child, Jackson was a tomboy who aspired to be a jockey. When she was seven, though, her father, Joseph, encouraged her to join her brothers &#8212; by then famous as the Jackson 5 &#8212; in their music and variety act. (Sister La Toya joined them for several shows in 1974; the following year, La Toya, eldest sister Rebbie, and brother Randy were all in on the act, while brother Jermaine bowed out.) Shows in Las Vegas resulted in a summer-replacement TV show in 1976 (on CBS), which led Janet to roles on the popular sitcoms <I>Good Times</I> and <I>Diff'rent Strokes</I>.
<br><br>
Next, Jackson secured a contract with A&M Records, and in 1982, while still managed and creatively guided by her father, she released a forgettable debut album, <I>Janet Jackson</I>. The album did yield a Number Six R&B single, "Young Love." Another TV role, on the series <I>Fame</I>, followed, as did another unremarkable album, 1984's <I>Dream Street</I>, and another R&B hit, "Don't Stand Another Chance" (Number Nine). Also in 1984, at the age of 18, Jackson defied her family by marrying singer James DeBarge, whose fledgling R&B sibling act DeBarge was being hyped as a successor to the Jacksons. The marriage was annulled after less than a year; but the seeds of Jackson's independence from the family dynasty, and her father in particular, were firmly planted.
<br><br>
Then John McClain, an A&M executive and family friend, suggested that Jackson work with Jimmy Jam and Terry Lewis of the Time. Collaborating with these musician/writer/producers, Jackson recorded her breakthrough album, 1986's <I>Control</I>, which topped the pop and R&B album charts and spawned numerous hits: "What Have You Done for Me Lately" (Number Four pop, Number One R&B), "Nasty" (Number Three pop, Number One R&B), "When I Think of You" (Number One pop, Number three R&B), and, in 1987, "Control" (Number Five pop, Number one R&B), "Let's Wait Awhile" (Number Two pop, Number 1 R&B), and "The Pleasure Principle" (Number 14 pop, Number One R&B). Helping fuel these singles were Jackson's highly energized, elaborately staged videos, most of which featured movie-musical-inspired choreography by Paula Abdul, who was discovered by Jackie Jackson, Abdul's boyfriend during her L.A. Lakers cheerleading days.
<br><br>
Having asserted her adulthood and self-reliance with <I>Control</I>, by 1987 Jackson had dismissed her father as manager (as other siblings had done before her) before recording <I>Rhythm Nation 1814</I>. <I>Control</I>'s successor dealt with larger social issues, like the need for tolerance, and found Jam and Lewis assuming more of the songwriting duties. (Years later, Jackson would also credit her boyfriend, Rene Elizondo Jr., for contributing ideas to many of her songs beginning with this album; it was known that he helped choreograph, and eventually directed, some of her videos.) <I>Rhythm Nation</I> hit Number One in the pop and R&B categories in 1989, and generated the smash singles "Miss You Much" (Number One pop and R&B) and, in 1990, "Rhythm Nation" (Number Two pop, Number One R&B), "Escapade" (Number One pop, Number One R&B), "Alright" (Number Four pop, Number Two R&B), "Come Back to Me" (Number Two pop, Number Two R&B), "Black Cat" (Number One pop, Number Ten R&B), and "Love Will Never Do (Without You)" (Number One pop, Number Three R&B). To promote the album, Jackson embarked on her first major tour, which matched the energy and spectacle of her videos.
<br><br>
In 1991 Virgin Records owner Richard Branson lured Jackson away from A&M with a contract worth more than $30 million. Her last original hit with A&M was a 1992 duet with Luther Vandross, "The Best Things in Life Are Free" (Number Ten pop, Number One R&B), recorded for the soundtrack to the film <I>Mo' Money</I>. In 1993 Jackson made her own movie debut as the heroine (opposite rapper Tupac Shakur) of director/screenwriter John Singleton's <I>Poetic Justice</I>, for which she received lukewarm reviews but an Oscar nomination for the song "Again."
<br><br>
That same year, Jackson's Virgin album <I>janet.</I> shot to the top of the pop and R&B charts, as did the single "That's the Way Love Goes." More Top 10 singles followed, including "If" (Number Four pop, Number Three R&B, 1993) and "Again" (Number one pop, Number Seven R&B, 1994). Her new material was just as confrontational, and more aggressively sexual, than her previous work had been; ditto for the accompanying tour, which featured Jackson in midriff-baring costumes, interacting suggestively with male dancers &#8212; indeed, more reminiscent of Madonna than Michael. While Janet's once squeaky-clean image wasn't shattered by scandal as her brother's was, it was clear by the early 1990s that the littlest Jackson was nobody's baby, and very much her own woman.
<br><br>
Jackson's status as a hitmaker led her to help her brother Michael regain some credibility by collaborating with him on the duet and elaborate video for "Scream" (Number Five pop, Number Two R&B) in 1995. The same year, she also had a solo hit with "Runaway" (Number Three pop, Number six R&B). She'd continue to please her fans with her next album, <I>The Velvet Rope</I> (Number One pop, Number Two R&B), in 1997. At times still sensual in nature &#8212; including a cover of Rod Stewart's seduction song "Tonight's the Night," without a change in the gender of the woman being sung to &#8212; much of the album had a melancholy feel and self-doubting lyrics. While doing interviews to promote the album and its tour, Jackson admitted to dealing with depression and long-standing self-esteem issues while working on the album. It did produce its share of hits, including "Got 'Til It's Gone" (Number Three R&B, 1997), based around a sample of Joni Mitchell's "Big Yellow Taxi" and featuring the rapper Q-Tip, "Together Again" (Number One pop, Number Eight R&B, 1997), and "I Get Lonely" (Number Three pop, Number 1 R&B, 1998), featuring the group BLACKstreet. In 1999 she enjoyed a hit with Busta Rhymes, "What's It Gonna Be?!," which hit the top of the R&B singles chart.
<br><br>
But Jackson's life wasn't everything it appeared to be. Fans were surprised when, in 2000, Jackson's longtime creative and romantic partner, Elizondo, filed for divorce from the singer after nine years of marriage. Although Elizondo was seen as a loving, stable presence in Jackson's life, it had not been public knowledge that the couple had ever married. Jackson explained that she'd wanted to protect the union from media scrutiny. Also in 2000 Jackson returned to acting, costarring with Eddie Murphy in <I>Nutty Professor II: The Klumps</I>, which featured Jackson's "Doesn't Really Matter" (Number One, 2000). The following year she released the double-platinum <I>All for You</I> (Number 1, 2001), featuring the Grammy-winning Number One title track, as well as "Someone to Call My Lover" (Number Three, 2001), which included a loop of America's "Ventura Highway," and "Son of a Gun (I Betcha Think This Song Is About You)," a Missy Elliott remix featuring the vocals of Carly Simon from her Seventies hit "You're So Vain."
<br><br>
On February 1, 2004, Jackson returned to the public eye with a halftime performance with Justin Timberlake at Super Bowl XXXVIII. The duet on his song "Rock Your Body" created huge controversy when the bustier Jackson was wearing tore open and exposed her right breast just as Timberlake sang the lyrics, "gonna have you naked by the end of this song." Jackson apologized for the incident, claiming it was a "wardrobe malfunction," and the three producers of the show &#8212; CBS, sister network MTV and the National Football League &#8212; all denied previous knowledge of the incident and abdicated responsibility for it. The display became the most-searched event in the history of the Internet, according to the Guinness World Records. And its ramifications were far-reaching. When Jackson declined to apologize to the network without claiming the incident was a wardrobe malfunction, she was denied a performance at the 2004 Grammy Awards. Record producer Jermaine Dupri, with whom Jackson had begun a relationship, resigned his position on the Grammy Awards committee. ABC stopped plans for Jackson to star in a made-for-television biopic on the life of Lena Horne when Horne expressed displeasure with the Super Bowl incident.
<br><br>
When Jackson's new album, <I>Damita Jo</I> (Number Two, 2004), arrived three months later, its highly sexual theme revealed what some interpreted to have been an elaborate marketing plan that began with the Super Bowl incident. In a soft-spoken remark at the end of the song "Sexhibition," Jackson says, "Relax, it's just sex." If it was a marketing ploy, though, it was a failure. <I>Damita Jo</I> produced no Top Forty pop singles &#8212; although "I Want You" reached Number 18 on the R&B/Hip-Hop chart &#8212; and MTV aired none of its video. The album also met with vicious reviews, one critic calling it "the aural equivalent of hardcore pornography."
<br><br>
Two years later, Jackson rebounded slightly with one of the least sexual albums of her career, <I>20 Y.O.</I> (Number One R&B/Hip-Hop, Number Two pop, 2006). One of its singles, "Call on Me," a duet with rapper Nelly, sold moderately, charting respectably at Number 25 pop and Number One R&B/Hip-Hop, but other singles were less successful. However, when she appeared on the cover of <I>US Weekly</I> that June, the issue was the magazine's biggest seller ever. In late 2007 Jackson appeared alongside Tyler Perry in the film <I>Why Did I Get Married?</I>, which opened at Number One at the box office, grossing $55 million. With her Virgin Records contract fulfilled, Jackson moved to Island Records for 2008's <I>Discipline</I>, which topped both the pop and R&B/Hip-Hop album charts and produced a hit in its first single, "Feedback" (Number 19 R&B/Hip-Hop).]]></description>
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<title>Kristinia DeBarge</title>
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<category>Dance Pop</category>
<pubDate>Fri, 18 Dec 2009 12:08:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Everything is in place for Kristinia Debarge to be a huge pop star. She's got the pedigree: her dad (James DeBarge) and his siblings made up hit '80s R&B outfit DeBarge. She's got the right formula for a sizzling debut: Babyface (who discovered the young singer and helped her win a Def Jam contract) wrote and produced much of it. And most of all, if her debut single is any indication, she's got the talent: "Goodbye" is a burning hot, dance-pop kiss-off that borrows from Steam's 1969 classic "Na Na Hey Hey Kiss Him Goodbye."
- Rachel Devitt]]></description>
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<title>George Michael</title>
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<category>Blue-Eyed Soul</category>
<pubDate>Sun, 6 Dec 2009 09:55:35 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Few could have guessed the transition from teenybopper idol to serious singer/songwriter would go as smoothly as it did for George Michael, who became famous as half of the British pop duo Wham! before ascending to pop superstardom with his solo debut, <I>Faith</I>. Whereas in Wham! Michael used his cherubic good looks and uncanny knack for a melodic hook to create ingratiating but disposable pop, his solo work reveals an earnest effort to achieve deeper musical and emotional resonance. His radiant ballads, insidious dance tracks, and blue-eyed soul singing established him as a top international artist.
<br><br>
Michael's popularity never waned in the U.K. &#8212; all of his albums have reached either Number One or Number Two on the album charts there &#8212; but subsequent efforts have been able to match his early solo successes in the U.S. Michael's first post-Wham! outing was "I Knew You Were Waiting (for Me)," a duet with Aretha Franklin that hit Number One in 1987 and earned Michael a Grammy for Best R&B Performance by a Duo. Shortly afterward, Michael released the funky first single off <I>Faith</I>, "I Want Your Sex," which, bolstered by a sexy video, quickly soared to Number Two. The album would eventually spin off four Number One hits: "Faith" (1987), the shimmering "Father Figure" (1988), the romantic ballad "One More Try" (1988), and "Monkey" (1988). "Kissing a Fool" hit Number Five, further boosting the 14 million–selling <I>Faith</I>. 1988's smash album and Grammy winner for Album of the Year.
<br><br>
In his videos and media appearances, Michael cultivated a sex-symbol image, albeit a more rugged &#8212; leather, chin stubble, sneer &#8212; and mature one than he had nurtured in Wham! But with the release of his second solo effort, <I>Listen Without Prejudice, Vol. 1</I>, in 1990, Michael surprised fans and industry insiders by shunning the press and saying that he wouldn't make videos. The album peaked at Number Two nonetheless, and there was a chart-topping hit, the somber "Praying for Time" (Number One, 1990). The danceable second single, "Freedom 90" &#8212; whose lyrics spelled out Michael's decision to abandon his rock-star persona &#8212; went to Number Eight (1990) and was made into a video, albeit without Michael's presence. (Instead, a bevy of supermodels lip-synched his vocals.) In late 1991 Michael was back on the charts with a Number One version of Elton John's "Don't Let the Sun Go Down on Me," recorded live with John.
<br><br>
A year later, Michael announced that he would take legal action to terminate his contract with Sony Music, the corporation that took over his label, Columbia Records. He charged that Sony, still wishing to package Michael as a sex symbol, lacked respect for his artistic expression and that it only halfheartedly supported his projects benefiting AIDS research and prevention, among them his duet with Elton John and his three-track contribution to a compilation album called <I>Red Hot + Dance</I>. In 1993, Sony grudgingly granted Hollywood Records permission to release <I>Five Live</I>, an EP of two cover songs performed by Michael on his 1991–92 tour and three from his appearance at the Freddie Mercury tribute concert in 1992, during which he sang Queen songs with surviving members of that band. All proceeds from the record went to the Phoenix Trust, an AIDS charity set up in Mercury's memory.
<br><br>
In June 1994 a London court rejected Michael's claim that his contract with Sony amounted to "restraint of trade" and upheld the $12 million contract the singer had signed with the company in 1988. At the time, Michael owed the label six more albums on a contract that could run to 2003. Two months later, Michael filed an appeal of the verdict. As the legal battle continued, Michael was unable to release new product. Under a special arrangement, however, Michael performed his song "Jesus to a Child" on television as part of an annual appeal to raise funds for needy children. After hearing the six-minute song, listeners pledged $32,000 to the charity.
<br><br>
In 1995, though Michael lost the appeal he filed, he signed new contracts with DreamWorks in the U.S. and Virgin in the rest of the world. He released his first album of new material in six years, <I>Older</I>, in 1996 (Number Six), featuring "Jesus to a Child" (Number Seven) and the dance track "Fastlove" (Number Eight), but the release sold just 900,000 copies in the U.S.
<br><br>
Michael's profile was heightened again in 1998, but for a more notorious reason: In April of that year, he was arrested for lewd conduct in the men's room of a public park in Beverly Hills. Michael subsequently outted himself on CNN, and though the court fined him and ordered him to perform community service, he seemed somewhat relieved to reveal the truth to the media and his fans. That fall, he even set the scene for his video for "Outside" (one of two new songs from <I>Ladies & Gentlemen: The Best of George Michael</I>) in a public restroom; it featured dancing men dressed in leather and male actors portraying police officers kissing. Unfortunately, this was no joke to Michael's real-life arresting officer, who filed a lawsuit against him, claiming slander; the judge dismissed the case.
<br><br>
In late 1999 Michael put the embarrassing events of the previous year behind him with the release of <I>Songs From the Last Century</I>, an album of cover songs co-produced by Phil Ramone that ran the gamut from the Depression-era "Brother Can You Spare a Dime" to the Police's "Roxanne." In 2000 Michael participated in Equality Rocks, a concert in Washington, DC, organized by the Human Rights Campaign that highlighted the issue of gay rights.
<br><br>
Michael's next studio album, <I>Patience</I> (Number 12, 2004), achieved mild chart success overseas, but achieved its greatest notoriety in the U.S. with the inclusion of "Shoot the Dog," a tepid dance track whose video poked fun at Tony Blair and George H.W. Bush. A double-disc best-of, <I>Twenty Five</I>, followed in 2006. That same year, Michael launched an extensive European tour, his first in fifteen years. In September of 2008 Michael was again arrested in a public lavatory in London's Hampstead Heath area for drug possession. In a statement, an embarrassed Michael said: "I want to apologize to my fans for screwing up again, and to promise them I'll sort myself out. And to say sorry to everybody else, just for boring them."]]></description>
</item><item>
<title>M.I.A.</title>
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<category>Electronica/Dance</category>
<pubDate>Tue, 29 Dec 2009 10:22:47 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[When she was little, Maya Arulpragasam, aka M.I.A., probably had no idea she'd grow up to become an underground dancehall sensation. Her father was a resistance figure in the Sri Lankan independence struggle, and Arulpragasam's family was forced to leave Sri Lanka -- for their safety -- when she was nine years old. But after growing up in a London housing estate and studying film, Arulpragasam's life changed when she picked up a Roland MC-505 for the first time and started composing songs. Skillfully weaving street slang with geo-politics, nonsense rhymes with low-tech dancehall riddims, Arulpragasam's angular, low-tech sound has struck a chord. Her debut, <i>Arular</i>, was released in 2005.
- Sarah Bardeen]]></description>
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<title>Basshunter</title>
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<category>Trance</category>
<pubDate>Mon, 28 Dec 2009 09:24:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Malmo, Sweden's Jonas Altberg was born in 1984, and you can hear his youthful exuberance leaping out of the music he records as Basshunter. In his teens, he began experimenting with Fruity Loops music software, and by 2006 he'd scored a deal with Warner Music -- not a bad learning curve. In his official bio, he sounds a bit baffled himself by the rate at which he went from being a video-game expert to a musician "that performed almost every day all over Scandinavia." (Some things haven't changed: He still lives at home with his parents.)
<P>
Basshunter's first release was 2006's <I>Anna Boten</I> single, a glammy trance stomper notable in part for its Swedish vocals. Later that year he followed up with his debut album, a collection of stab-happy trance ("Strand Tylosand," named after the beach by his family home) and harder, more acidic fare ("I'm Your Bass Creator"). In 2008, with his international profile bolstered by Ultra's re-release of his album, he came out with the singles "Please Don't Go" and "Now You're Gone," both of them lighters-in-the-air trance ballads.
</P>
- Philip Sherburne]]></description>
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<title>Natasha Bedingfield</title>
<link>http://www.rhapsody.com/goto?rcid=art.7093482&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sat, 26 Dec 2009 10:03:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Natasha Bedingfield</rhap:artist>
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<description><![CDATA[Natasha Bedingfield is straight out of the U.K. school of "pop" pop star:
antipodean, Anglophile and enviably attractive. Lay that alongside the fact that her career took off after brother Daniel's "Gotta Get Thru This" had shot its way to legendary status in the U.K.'s burgeoning 2-step scene (not to mention the top of the charts), and it's easy to see how the London-bred New Zealander struggled to be taken seriously at the outset, despite her debut release "Single" making it to No. 3 in the U.K. in May 2004. But then "These Words" hit the airwaves and any residual doubts about Natasha's staying power evaporated as she stormed to the top of the British charts. Her debut album <I>Unwritten</I>
embraced a diverse number of genres and is held together by Bedingfield's
evident interest in pop songwriting (and much vaunted studies of
psychology). 2008's <i>Pocketful of Sunshine</i> features a radio-friendly duet with the lovable Sean Kingston, and is Bedingfield's reentry back onto the American pop music radar.
- Jamie Dolling]]></description>
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<title>Nelly Furtado</title>
<link>http://www.rhapsody.com/goto?rcid=art.35794&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:49 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nelly Furtado</rhap:artist>
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<description><![CDATA[Although she grew up in Canada, Nelly Furtado's parents were Portuguese immigrants, and she was raised surrounded by the rhythms of traditional Portuguese music. Still drawn to the beat years later, Furtado gravitated toward the popular rap and contemporary R&B groups of the day. Like many teenagers, she used music not only as a means of escape, but also as a way to fan the flames of her dreams. After graduating from high school, Furtado headed to Toronto, where she formed the hip-hop duo Nelster. Still working a day job, Furtado haunted clubs at night, until being spotted by Brian West and Gerald Eaton of the Philosopher Kings. The pair produced a demo that landed the chanteuse her deal with Dreamworks, and continued to turn the knobs on Furtado's 2000 debut, <I>Whoa, Nelly!</I>. Three years later, she issued the more reflective album, <I>Folklore</I>. Three years after <I>that</I> (and after giving birth to her daughter), Furtado took off in a completely different direction with <I>Loose</I>, a collection of sleek, sexy, hip-hop-infused dance pop (much of it, including the huge hit "Promiscuous," produced by Timbaland) aimed at conquering the top 40 -- which she certainly did. Another three years went by and it was time for -- you guessed it -- another new direction, this time with <I>Mi Plan</I>, a collection of Spanish-language pop.
- Linda Ryan]]></description>
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<title>Gwen Stefani</title>
<link>http://www.rhapsody.com/goto?rcid=art.66964&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Mon, 28 Dec 2009 09:24:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gwen Stefani</rhap:artist>
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<description><![CDATA[Gwen Stefani first came into the public conscious as the lead singer of
overnight sensation No Doubt; with the advent of the band's first single,
"Just a Girl," her blonde hair and belly piercing became immediate fixtures
on MTV. No Doubt continued to sell records into the '00s, but in 2004
Stefani broke out on her own, releasing smash hit solo album <I>Love Angel
Music Baby</I> and debuting a well-received fashion line called L.A.M.B. <p>
The album found Stefani continuing to forge the friendship with hip-hop she
began with her cameo on Eve's "Let Me Blow Ya Mind": many of the tracks
featured fly hip-hop beats, provided by the likes of Dr. Dre, the Neptunes
and Andre 3000. But the album also encompassed some of Stefani's other
predilections, including Japanese culture and couture, embodied on both the
tour and videos for <i>Love Angel Music Baby</i> by the Harajuku Girls.
Stefani referred to the girls as her "imaginary" Japanese back-up dancers
and named them (what else?) Love, Angel, Music and Baby, prompting
comedienne Margaret Cho, who called the singer's performances a "minstrel
show," and other critics to denounce Stefani as a racist. <p>
Stefani's second album has yet to meet with the same explosive ire. <i>The
Sweet Escape</i>, released in late 2006, once again pays hit-making,
trend-setting tribute to Stefani's myriad passions, including dance pop,
hip-hop, J-pop, Broadway musicals and her infant son (with Bush's Gavin
Rossdale).
- Rachel Devitt]]></description>
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<title>Cyndi Lauper</title>
<link>http://www.rhapsody.com/goto?rcid=art.2785&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Fri, 25 Dec 2009 11:17:24 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cyndi Lauper</rhap:artist>
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<description><![CDATA[Cyndi Lauper is forever linked to the early 1980s, but her talent is such that her career has weathered the subsequent decades well. Bright, sassy and brimming over with goofball charisma, Lauper never hid her Brooklyn-accented street smarts, and she's smiled publicly through career ups and downs. Lauper's 1984 debut, <I>She's So Unusual</I>, became one of the defining albums of the "leg warmer and shoulder pads" era with such hits as "Time After Time," "She Bop" and the irrepressible "Girls Just Wanna Have Fun." If anyone else had sung "She Bop"'s "proud to practice self-abuse" lyrics during the early-'80s it would have caused major controversy, but Lauper's emphasis on good cheer instead of overt sexuality defused any potential public outcry. Her cartoon pop take on new wave may have hurt her career as times changed, but most of her subsequent recordings sound better and have sold more than most people would guess. Lauper also has a parallel acting career, and she's starred in movies with two of cinema's greatest eccentric talents, Christopher Walken and Jeff Goldblum. She's also won an Emmy for her recurring role on the '90s sitcom, <I>Mad About You</I>.
- Nick Dedina]]></description>
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<title>Anjulie</title>
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<category>Neo-Soul</category>
<pubDate>Sun, 20 Dec 2009 09:42:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Anjulie is one of those precocious types who was probably born with the word "success" stamped on her forehead. The youngest child of Guyanese parents who immigrated to Toronto, Anjulie Persaud began playing and composing her own music while she was still a teenager. When she was 17, she scored herself an internship at Toronto's Metalworks recording studio. There, she befriended Jon Levine, keyboardist for Canadian R&B outfit the Philosopher Kings. Levine was so impressed with the young singer-songwriter that they began writing together -- for his band, for other artists and eventually on Anjulie's debut album, which dropped in July of 2009. The album's lead single was the vintage soul cut "Boom."
- Rachel Devitt]]></description>
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<title>Cascada</title>
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<category>Dance Pop</category>
<pubDate>Tue, 24 Nov 2009 09:38:11 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cascada</rhap:artist>
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<description><![CDATA[Cascada were formed in Germany when Natalie Horler joined forces with DJ Manian and Yanou. Natalie's love of music came from her jazz musician father -- she used to practice singing Disney numbers and copying jazz classics in the home studio before rounding out her performance skills with dance lessons and acting. This portfolio no doubt helped in the crafting of Cascada's famously high-energy live performances. They are best known for their hits "Miracle" and "Everytime We Touch."
- Nicholas Baker]]></description>
</item><item>
<title>Gloria Estefan</title>
<link>http://www.rhapsody.com/goto?rcid=art.40167&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 18 Dec 2009 12:08:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gloria Estefan</rhap:artist>
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<description><![CDATA[Initially considered a Latin version of Madonna, Gloria Estefan developed from a dance diva into a respected songstress. With her husband on keyboards and in the producer's seat, Estefan's band Miami Sound Machine evolved from a wedding band to a veritable hit machine in the 1980s, composing accessible dance tunes that fused Disco with Salsa. "Conga" and "Rhythm is Gonna Get You" were chart-topping dance anthems rooted in Afro-Cuban rhythms that foreshadowed the tropical music explosion. In 1993 she released a Spanish language record, "Mi Tierra (My Land)," which was a mix of nostalgic ballads and contemporary Salsa. Singing in her mother tongue, Estefan's voice reached a new level of sophistication and highlighted her formidable range. Featuring a guest appearance by Celia Cruz on "Alma Caribena (Latin Soul)" (2000), Estefan wholeheartedly embraces her Cuban heritage with superb arrangements. Gloria and her husband Emilio can be credited with putting Miami on the musical map and reconnecting across a great divide back to their motherland -- Cuba.
- Robert Leaver]]></description>
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<title>Jennifer Lopez</title>
<link>http://www.rhapsody.com/goto?rcid=art.2630&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Sun, 20 Dec 2009 09:42:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jennifer Lopez</rhap:artist>
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<description><![CDATA[She's been called a lot of things: J-Lo, Jenny from the Block, Mrs. Anthony. Just don't call La Lopez a diva, although she deserves it -- and not just for her alleged outlandish demands-making, entourage-rocking, fur-wearing behavior. Love her or hate her, you have to respect a woman who went from being a "Fly Girl" on <I>In Living Color</I> to a captain of the movie, music <I>and</I> fashion industries.<p>
<p>
Born in the Bronx to Puerto Rican parents, Jennifer Lopez dabbled in musical theater as a child before moving on to small roles in film and television and backup dancing gigs for artists like New Kids on the Block and Janet Jackson. Several small movie roles followed, but it was her portrayal of beloved Tejano singer Selena in the 1997 film of the same name that catapulted Lopez to true stardom. After co-starring with George Clooney in 1998's well-received <I>Out of Sight</I>, Lopez recorded her first album, 1999's <I>On the Six</I>. All of which left people asking: sure, she can dance, act and sing, but can she design a fashion line? Yes, yes, she can. In 2001, Lopez founded Sweetface Fashion Club, home to her J.Lo and Sweetface lines.<p>
<p>
Four more studio albums and a series of high-profile relationships (one word: Bennifer) later, Lopez settled down with hubby No. 3, Marc Anthony. The two of them produced and starred in 2007's <I>El Cantante</I>, a biopic about Puerto Rican salsa singer Hector Lavoe. That same year, Lopez put out <I>two</I> albums: <I>Como Ama Mujer</I> and <I>Brave</I>.
- Rachel Devitt]]></description>
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<title>Kylie Minogue</title>
<link>http://www.rhapsody.com/goto?rcid=art.57044&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Wed, 23 Dec 2009 13:32:47 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Armed with an appealing pop style that mesmerizes the masses release after
release, Kylie Minogue is a dancefloor icon in the tradition of Madonna.
This Australian-born actress turned pop performer has had a series of
international hits since she first scored with an unforgettable 1987 cover
of Little Eva's "The Loco-Motion." Currently sporting a slick, fresh take on
disco trimmed with self-assured and seductively delivered lyrics, Minogue made a triumphant stateside comeback in 2002 with <i>Fever</i>. Songs like "Can't Get You Out of My Head" and "Love At First Site" sailed to the top of the charts, providing strong testimony to this kittenish pixie's staying power. In 2005, Minogue was diagnosed with breast cancer. She underwent the usual treatment of surgery and chemo, but that was punctuated by a few emotional stage performances amended to preserve the diminutive singer's strength. After a few years' hiatus, Minogue returned to recording in 2007.
- Melissa Piazza]]></description>
</item><item>
<title>T.A.T.U.</title>
<link>http://www.rhapsody.com/goto?rcid=art.55601&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sun, 20 Dec 2009 09:42:22 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[T.A.T.U. exploded onto the international pop world in 2002, featuring the female Russian teen duo making out on stage and professing lesbian love for one another at every opportunity. Despite the fact that a year later the pair admitted they were not in fact a gay couple, that stunt remains probably the greatest marketing ploy of all time. Performing live in their underwear and making a point to tongue-kiss each other onstage, T.A.T.U. also found time to release not one, but two albums, the first of which <I>200KM/H In the Wrong Lane</I>, was an international bestseller on the strength of the hit "All The Things She Said."
- Mike McGuirk]]></description>
</item><item>
<title>Wham!</title>
<link>http://www.rhapsody.com/goto?rcid=art.992&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Pop</category>
<pubDate>Fri, 25 Dec 2009 11:17:24 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[The British pop duo Wham! formed in 1981 as a collaboration between George Michael and Andrew Ridgeley. Their 1984 effort <i>Make It Big</i> yielded four huge American hits including "Wake Me Up Before You Go-Go," "Everything She Wants," "Freedom," and "Careless Whisper." The fact that Michael took on a majority of the duties by functioning as the duo's primary composer, singer, and producer laid the groundwork for a successful solo career that followed after the pair split in 1986. Ridgeley's post-Wham! ambitions produced an ill-fated, short-lived solo career before he retired from music to work as an environmental activist.
- Nate Cavalieri]]></description>
</item><item>
<title>Paula Abdul</title>
<link>http://www.rhapsody.com/goto?rcid=art.4472&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sat, 19 Dec 2009 10:51:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paula Abdul</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4472</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4472&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4472&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[While Paula Abdul's pert physique and choreographic skills fit in perfectly with the MTV age, this cheery -- and privately troubled -- personality had a tough time weathering the second half of the '90s. With Madonna moving on, the new century is aching for the charismatic Abdul to make a comeback and reclaim the elegant Dance Pop crown she wore while flawlessly tapping around MC Skat Kat.
- Nick Dedina]]></description>
</item><item>
<title>Vanessa Hudgens</title>
<link>http://www.rhapsody.com/goto?rcid=art.11451092&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Teen Beat</category>
<pubDate>Mon, 28 Dec 2009 09:24:35 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Vanessa Hudgens</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.11451092</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11451092&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11451092&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Vanessa Hudgens is probably best known for one of three things: her star-making turn as Gabrielle Montez in the Disney Channel's phenomenally successful made-for-TV-movie series <I>High School Musical</I>; her relationship with her <I>HSM</I> costar, teen heartthrob Zac Efron; or the scandal involving provocative photos of Hudgens that surfaced on the internet in 2007. But there's more to the young singer/actress's story than just the usual Disney-princess-turned-tabloid-fodder fare. Take these less-circulated facts: The Salinas-born, San Diego-raised starlet has been performing since age eight (she got her start in musicals) and moved to England to study music and acting for a brief period. After the first <I>HSM</I> came out, the Teen Choice award-winner was offered a record deal with Hollywood, which produced two dance-pop albums sleek and slick enough to appeal to audiences beyond Disney's target demographic: 2006's <I>V</I> and 2008's <I>Identified</I>. Finally, the child of a white and Native American father and a Philippines-born mother, Hudgens is also one of the most prominent (and perhaps only) artists of Filipino <I>or</i> Native American descent on the charts -- or the screen -- today.
- Rachel Devitt]]></description>
</item><item>
<title>Faith Evans</title>
<link>http://www.rhapsody.com/goto?rcid=art.3072&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Fri, 25 Dec 2009 11:17:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3072</guid>
<rhap:rcid xmlns:rhap="rhap">art.3072</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Faith Evans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3072</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3072&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3072&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Faith Evans was an up-and-coming R&B songwriter and behind-the-scenes player before she got her shot at solo stardom. The fact that she's Notorious B.I.G.'s widow has somewhat obscured her own mainstream R&B music, but she was her own musical navigator before her marriage, and she remains one of the shining lights of hip-hop-infused R&B.
- Nick Dedina]]></description>
</item><item>
<title>Thompson Twins</title>
<link>http://www.rhapsody.com/goto?rcid=art.3923&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>New Wave</category>
<pubDate>Fri, 25 Dec 2009 11:17:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3923</guid>
<rhap:rcid xmlns:rhap="rhap">art.3923</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Thompson Twins</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3923</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3923&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3923&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Chad Driscoll]]></description>
</item><item>
<title>Crazy Frog</title>
<link>http://www.rhapsody.com/goto?rcid=art.7496163&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sat, 12 Dec 2009 11:16:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7496163</guid>
<rhap:rcid xmlns:rhap="rhap">art.7496163</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Crazy Frog</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7496163</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7496163&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7496163&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Crazy Frog was spawned in 17-year-old Swede Daniel Malmedahl's bedroom in 1997 as an impression of the sounds made by his friends' souped-up two-stroke scooters as they raced around local streets. His efforts were posted up on the Internet, at which point he was invited to perform live on national TV. Several websites then picked up on the phenomenon, with fellow Swede Erik Wernquist setting it to the now-famous amphibian animations. The pair were then approached by the real player in all of this, ringtone company Jamster, who swept Crazy Frog to prominence worldwide, shifting $15 million's worth of tones in the U.K. alone and propelling it into the charts to the strains of Harold Faltermeyer's "Axel F."]]></description>
</item><item>
<title>Roxette</title>
<link>http://www.rhapsody.com/goto?rcid=art.2190&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sun, 20 Dec 2009 09:42:38 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.2190</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Roxette</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2190</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2190&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2190&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Swedish pop duo Roxette picked up where Abba left off, providing charmingly accented and instantly forgettable dance tunes for rafts of pre-teens in the late '80s. They had a catchy hook up each sleeve, and their boy/girl vocals warmed the mix considerably.
- Nick Dedina]]></description>
</item><item>
<title>ATB</title>
<link>http://www.rhapsody.com/goto?rcid=art.68488&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Trance</category>
<pubDate>Mon, 28 Dec 2009 09:24:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68488</guid>
<rhap:rcid xmlns:rhap="rhap">art.68488</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">ATB</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68488</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68488&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68488&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[European club favorite ATB, born Andre Tannenberger, is best known for scoring high on the charts with his 1999 Sound of Ministry release "9pm (Til I Come)." Fashioned from soul-lifting synths, seductive vocal snippets and physically-fit beats, this trend-setting Teutonic Trancemaster's anthems have proven to be some of the most memorable moments in dance music's developing history.
- Melissa Piazza]]></description>
</item><item>
<title>Paul Hardcastle</title>
<link>http://www.rhapsody.com/goto?rcid=art.69203&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Tue, 1 Dec 2009 09:48:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.69203</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Paul Hardcastle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69203</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69203&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69203&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Perhaps he is forever to be best known as the man who brought electro-funk and Vietnam together in 1985's "19" but Paul Hardcastle has proven to be a studio innovator and an enduring contributor to the world of lite funk. His earlier '80s work showed an interest in R&B and the emerging sounds of hip-hop. His unlikely hit "19" brought massive amounts of attention to this English studio wizard, resulting in the equally unlikely combination of funk and the voices of English stalwarts Bob Hoskins and Lawrence Olivier. More at home behind the scenes, Paul Hardcastle has kept busy composing television themes for the BBC as well as releasing several albums under the pseudonyms Jazzmasters and Kiss the Sky, among others.
- Jon Pruett]]></description>
</item><item>
<title>Aqua</title>
<link>http://www.rhapsody.com/goto?rcid=art.62758&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 4 Dec 2009 13:19:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62758</guid>
<rhap:rcid xmlns:rhap="rhap">art.62758</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Aqua</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62758</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62758&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62758&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>DeBarge</title>
<link>http://www.rhapsody.com/goto?rcid=art.46711&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:48 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.46711</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">DeBarge</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.46711</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.46711&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.46711&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Rick Astley</title>
<link>http://www.rhapsody.com/goto?rcid=art.69005&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Wed, 16 Dec 2009 11:56:24 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69005</guid>
<rhap:rcid xmlns:rhap="rhap">art.69005</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Rick Astley</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69005</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69005&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69005&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pop crooner Rick Astley saw a few moments of fame in the late '80s when his rounded bubble of a voice chanted Hallmark sentiments such as "Never Gonna Give You Up" and "Together Forever" over untiring dance beats. He certainly deserved the fame; his voice was deep and relatively powerful. But all things fade, and Astley reportedly grew tired of the singer-puppet image foisted on him by his production team. Astley hasn't released much material in the years since.
- Sarah Bardeen]]></description>
</item><item>
<title>The White Tie Affair</title>
<link>http://www.rhapsody.com/goto?rcid=art.18492911&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Thu, 8 Oct 2009 11:45:30 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.18492911</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The White Tie Affair</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.18492911</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.18492911&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.18492911&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Following in Fall Out Boy's platinum-clad footsteps, fellow Chicagoans the White Tie Affair blend peppy emo and party-hard club jams into guitar pop that's sassy, glamorous and above all else, decadent. They are like the aural equivalent of a Friday-night cruise through the big city in a Hummer limo rocking with half-naked <i>Maxim</i> babes. The White Tie Affair started gigging around the Windy City with the specific intention of developing '80s-inspired dance music. After signing to Slightly Dangerous (a subsidiary of Epic Records) in 2007, the quintet hit the tour circuit with the likes of Metro Station, Secondhand Serenade, Kill Hannah and Making April. In support of its debut album, 2008's <i>Walk This Way</i>, the band teamed up with <i>Playboy</i>. Further cementing their party-boy image, the White Tie Affair appeared in a glitzy photo spread, played Hef's annual Pajama Party and participated in the Girls of the Big 10 Tour. At the same time, steamy, babe-a-licious videos for their first two singles, "Allow Me to Introduce Myself...Mr. Right" and "Candle (Sick and Tired)," became YouTube sensations. Edited versions quickly made their way to MTV.
- Justin Farrar]]></description>
</item><item>
<title>Chante Moore</title>
<link>http://www.rhapsody.com/goto?rcid=art.9680&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Fri, 4 Dec 2009 13:21:19 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.9680</guid>
<rhap:rcid xmlns:rhap="rhap">art.9680</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chante Moore</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9680</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9680&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9680&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A talented vocalist, Chante Moore got into the entertainment business as a child, writing and singing her own songs, acting in plays, and competing in beauty pageants. Her first big break in the music industry came in the early 1990s, when she sang back up for El Debarge on his solo LP <I>In The Storm</I>. She released her debut album <I>Precious</I> in 1992, flexing a pop-flavored R&B style akin to artists like Vanessa Williams and Toni Braxton. Her second LP <I>A Love Supreme</I> produced the single "Old School Lovin'." She closed out the decade with two more solo albums and a greatest hits collection appeared in 2004.
- Brolin Winning]]></description>
</item><item>
<title>Deee-Lite</title>
<link>http://www.rhapsody.com/goto?rcid=art.4410&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Wed, 5 Aug 2009 11:18:01 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Deee-Lite</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4410</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4410&amp;variant=play&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4410&amp;variant=data&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[These Dance Pop legends mastered the art of mainstream accessibility with their chart-topping sound that fused House, Techno, hip-hop and Funk. Noted for their platform-shoe-requiring, boundary-dissolving hit "Groove Is In the Heart," Deee-Lite epitomized New York club culture in the early 1990s. Kept alive on frat-house speakers and at retro-themed parties worldwide.
- Melissa Piazza]]></description>
</item><item>
<title>Yaz</title>
<link>http://www.rhapsody.com/goto?rcid=art.697&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Synth Pop</category>
<pubDate>Tue, 29 Dec 2009 10:22:49 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Yaz</rhap:artist>
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<description><![CDATA[This synth-pop duo, fronted by the throaty Alison Moyet, had four British hit singles in their two years together. (In the States they're known as Yaz, but in their native UK it's Yazoo.) Co-founder Vince Clarke left Depeche Mode in 1981 to form Yaz. Clarke wrote one of Yaz' biggest hits, "Only You," for Depeche Mode, but they didn't want it. After Yaz, Moyet went solo and Clarke went on to form Erasure with Andy Bell.]]></description>
</item><item>
<title>Taylor Dayne</title>
<link>http://www.rhapsody.com/goto?rcid=art.1794&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 25 Dec 2009 11:17:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Taylor Dayne</rhap:artist>
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<description><![CDATA[Taylor Dayne hit the charts running in 1987 with "Tell it to My Heart." While her crossover fire has dimmed since then, she still remains a dance diva. She has more natural talent than many of her younger heirs apparent.]]></description>
</item><item>
<title>Schiller</title>
<link>http://www.rhapsody.com/goto?rcid=art.54873&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Electronica/Dance</category>
<pubDate>Tue, 17 Mar 2009 20:32:22 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Schiller</rhap:artist>
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<description><![CDATA[Schiller, the project of Grammy-nominated DJ/producer Christopher von Deylen, create soothing New Age dance music with a hint of trance and ambient elements. German electronic pioneer von Deylen named the group for the famous 18th-century German poet and philosopher Friedrich Schiller. In 1998, Schiller released the hugely popular "Glockenspiel," a straight-up trance song that featured the bell-like glockenspiel sampled over a bouncy dance beat. The international success of the song pushed them to create a full-length album, and the following year, they released <i>Zeitgeist</i>. The album featured more trance singles aimed directly at the club scene, but Schiller also began venturing into ambient, New Age and breakbeat genres on future albums like <i>Voyage</i>, <i>Life</i> and <i>Prologue</i>. Schiller's musical influences include Tangerine Dream, Jean-Michel Jarre and Kraftwerk, and they count artists such as Sarah Brightman, Sinead O'Connor and Mike Oldfield as fans. In late 2008, Schiller were nominated for four Grammy Awards, including Song of the Year for the chart-topping trance single "Tired of Being Alone."
- Jamie Sanchez]]></description>
</item><item>
<title>Sheena Easton</title>
<link>http://www.rhapsody.com/goto?rcid=art.1883&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Wed, 16 Dec 2009 11:56:24 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sheena Easton</rhap:artist>
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<description />
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<title>DJ Sammy</title>
<link>http://www.rhapsody.com/goto?rcid=art.36763&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 27 Nov 2009 10:25:03 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Sammy</rhap:artist>
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<description><![CDATA[DJ Sammy's penchant for Trance and 1980s rock is finally paying off. In 2002, his adaptations of Bryan Adams' "Heaven" and Don Henley's "Boys of Summer" appeared on dance charts and mainstream mix compilations such as DJ Encore's <I>Ultra Dance Vol. 2</I>. Much like Puff Daddy and Will Smith, Sammy reworks familiar songs into more dance-friendly formats, but instead of using hip-hop flavored beats and rhymes, his style relies on such dramatic electronica techniques as arpeggio synth builds and diva-led vocals. Prior to the release of his career-changing <I>Heaven</I> LP, the Spanish producer spent over a decade behind the 1's and 2's as an underground club DJ performing throughout Europe.
- Peter Gavin]]></description>
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<title>September</title>
<link>http://www.rhapsody.com/goto?rcid=art.6877091&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Euro Pop</category>
<pubDate>Tue, 8 Dec 2009 09:16:47 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">September</rhap:artist>
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<description><![CDATA[Hailing from Stockholm, Sweden, September (real name Petra Marklund) is the dance-pop singer behind hits like "Cry for You" and "Until I Die." A precocious talent, Marklund got her start in the industry early. At only 12 years old she was already recording in studios; at 18 she released her first single, "La La La (Never Give It Up)," which made it to No. 8 in Sweden's pop charts. Working alongside the songwriting and production trio of Jonas von der Burg, Niclas von der Burg and Anoo Bhagavan, September went on to release multiple singles and three albums between 2004 and 2007. A frequent visitor to various European pop charts, she represented her home country in 2007's Sopot International Song Festival, against artists like Sophie Ellis-Bextor and Thierry Amiel.
- Philip Sherburne]]></description>
</item><item>
<title>Westlife</title>
<link>http://www.rhapsody.com/goto?rcid=art.16229&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Teen Beat</category>
<pubDate>Thu, 8 Oct 2009 11:45:23 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Westlife</rhap:artist>
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<description><![CDATA[One of the more recent entries into the boy band sweepstakes, this quintet of Irish lads has already begun to hit it big in the quest to woo the hearts of teenage girls everywhere. Fans devote website after website to posting photos of these sweater-clad heartthrobs. They hold debates as to which member -- Shane, Nick, Bryan, Mark or Kyan -- is the most gorgeous and occasionally throw in a word or two about their music. Gushing with mall-friendly harmonies and sticky-sweet love lyrics, Westlife's music faithfully follows a time-proven formula, and would probably be right at home on a thirteen-year-old's CD shelf, sitting to the right of 'N-Sync and to the left of the Backstreet Boys.
- Will York]]></description>
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<title>El DeBarge</title>
<link>http://www.rhapsody.com/goto?rcid=art.3411&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Fri, 4 Dec 2009 13:20:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">El DeBarge</rhap:artist>
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<description />
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<title>C + C Music Factory</title>
<link>http://www.rhapsody.com/goto?rcid=art.3745&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Wed, 23 Dec 2009 13:31:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Dance-Pop purists Robert Clivilles and David Cole formed the C + C Music
Factory in the early 1990s with rapper Freedom Williams and vocalists Zelma
Davis and Martha Walsh. They quickly made dance music history with three hit
singles that combined elements of House, rock and hip-hop: "Gonna Make You
Sweat (Everybody Dance Now)," "Things That Make You Go Hmmmm..." and "Here
We Go" (all from debut album, <I>Gonna Make You Sweat</I>). 1994's follow-up
album, <I>Anything Goes!</I> garnered only lukewarm praise. The production
team dissolved when David Cole succumbed to spinal meningitis in 1995.
- Melissa Piazza]]></description>
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<title>Mary Jane Girls</title>
<link>http://www.rhapsody.com/goto?rcid=art.2199&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 4 Dec 2009 13:20:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[The Mary Jane Girls may have started out as Rick "Superfreak" James' backup singers, but the foursome became a bona fide group (under his tutelage, of course) just a couple of years later. James essentially invented the girls' personas as characters for his own live act, and wrote all the songs on their debut and sophomore efforts. In fact, the two camps were so intertwined that when James started to have legal troubles with Motown Records in the mid-'80s, the Mary Jane Girls also suffered. The group was dropped, and never recorded a third album for that, or any other, label.
- Linda Ryan]]></description>
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<title>Utada Hikaru</title>
<link>http://www.rhapsody.com/goto?rcid=art.6523160&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Sun, 20 Dec 2009 09:42:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[Utada Hikaru is one of Japanese pop's guiding lights. She was writing songs before she hit puberty, and when an EMI executive caught wind of her skills, he asked her to write her songs in Japanese. She did, and became an overnight sensation in Japan. Utada jumped labels in 2004 and released her first English language album, the evocatively named <i>Exodus</i>, the same year.
- Sarah Bardeen]]></description>
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<title>Lisa Lisa and Cult Jam</title>
<link>http://www.rhapsody.com/goto?rcid=art.2828&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 11 Dec 2009 11:39:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=290&amp;rws=%2Frock-pop%2Fpop%2Fdance-pop%2Fartist-chart.rss">Top Dance Pop Artists on Rhapsody Online</source>
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<description><![CDATA[An early Dance Pop powerhouse from the early 1980s, Lisa Lisa & the Cult Jam produced catchy cuts that made an indelible mark on the masses -- especially the teenage set. Responsible for such chart-hitting tracks as "I Wonder if I Take You Home," "All Cried Out," "Head to Toe" and "Can You Feel the Beat," Lisa Lisa & the Cult Jam were a trio that performed radio-ready songs written and produced by Brooklyn's six-person musical team, Full Force. Emphasizing an undeniably danceable, electro-influenced instrumental mix over cute lyrics that are neither memorable nor remarkable, Lisa Lisa & the Cult Jam's sing-along tunes are decidedly easy to imitate.
- Melissa Piazza]]></description>
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