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<title>Top Folk-Rock Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link><description>Top Folk-Rock Artists on Rhapsody Online</description><category>Folk-Rock</category><language>en</language><ttl>720</ttl><pubDate>Tue, 24 Nov 2009 08:03:41 -0800</pubDate><image>
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<title>Bob Dylan</title>
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<category>Singer-Songwriter</category>
<pubDate>Mon, 23 Nov 2009 10:12:32 -0800</pubDate>
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<description><![CDATA[Bob Dylan is on the short list of the most influential artists of the 20th century. He coupled a love for all forms of American popular and folk music with a personal and poetic songwriting style instead of relying on professional craftsmen or standard tunes. Influenced by Woody Guthrie, Dylan proved that you didn't have to be a technically perfect singer or musician to make brilliant pop music. The songs on 1963's <I>The Freewheelin' Bob Dylan</I> catapulted the artist to stardom but he was already burning to get away from acoustic backing and match his unique vision to rock, country and blues. Dylan's music influenced a whole new generation of musicians -- such as the Beatles and Stevie Wonder -- to start crafting songs about what was important to them. While Dylan kick-started folk and country rock in his '60s studio work, the ragged home recordings he made with the Band showed that not even poorly placed microphones could stifle brilliance. Dylan still tours these days and records less often then he used to, but as albums such as 1997's <I>Time Out of Mind</I> and 2006's <I>Modern Times</I> prove, the man still has a lot to say and continues to do it in a way that no one else can.
- Nick Dedina]]></description>
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<title>Neil Young</title>
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<category>Classic Rock</category>
<pubDate>Mon, 23 Nov 2009 10:12:34 -0800</pubDate>
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<description><![CDATA[Throughout his extraordinary career, Neil Young's Americana-rooted songwriting has dipped into a staggering variety of styles and tones. With the live <i>Time Fades Away</i>, the spatial <i>On The Beach</i> and the liquid <i>Tonight's The Night</i>, Neil inadvertently presented his so-called doom trilogy -- three records that beautifully capture throwing in the towel. 1975's <i>Zuma</i> signaled a return from the darkness to the sunny, rural rock he first explored on <i>Everybody Knows This Is Nowhere</i>. <i>Comes A Time</i> found him hip deep in a fermentation of 1970s canyon and country rock, while <I>Rust Never Sleeps</I> unfolded his career multi-dimensionally as he unleashed his acoustic/electric duality to a receptive commercial and critical audience. With <i>Freedom</i> and <i>Ragged Glory</i>, Young made a valiant return to form in the late '80s and early '90s before recapturing acoustic peace with <i>Harvest Moon</i>, his 1992 release that many view as the sequel to his heroically pastoral 1972 album <i>Harvest</i>. The Canadian transplant's high, watery tenor emotes with an elasticity that can effortlessly traverse into falsetto with natural warmth and heavenly tremolo. You'll find the real Young singing the hazy guitar epics "Like A Hurricane" and "Cortez the Killer," or when songs such as the gentle "Birds" and "Motion Pictures" seem to weep from your speakers. True to form, Neil Young is one of the only songwriters in the world who can approximate the sound of a heart breaking with his voice.
- Eric Shea]]></description>
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<title>Simon &amp; Garfunkel</title>
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<category>Folk Pop</category>
<pubDate>Sun, 22 Nov 2009 10:09:51 -0800</pubDate>
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<description><![CDATA[When they were in the sixth grade together in Forest Hills, Queens, Paul Simon and Art Garfunkel discovered they could harmonize. What they then may not have realized was just how far their mellifluous voices would carry them. Throughout the latter half of the 1960s and early 1970s the duo's hooky pop-folk amalgam, literary lyrics, and, above all, exquisite harmonies propelled them to the top of the charts and established them amongst the era's most popular cultural icons.
<br><br>
The first songs Simon and Garfunkel sang together were doo-wop hits, but soon they were singing their own songs. One of those was "Hey, Schoolgirl," which the duo recorded in 1957. An agent of Big Records present at the session signed them on the spot. Calling themselves Tom and Jerry ("Tom Graph" and "Jerry Landis"), they had a Top 50 hit with "Hey, Schoolgirl" and appeared on American Bandstand. (In a 1984 Playboy interview Simon asserted that the record company agent used payola to get the record played.) Garfunkel estimates the record sold 150,000 copies. When a few follow-ups flopped, Tom and Jerry split up. When they met again in 1962, Garfunkel was studying architecture after trying to record as Arty Garr, and Simon was studying English literature but devoting most of his time to writing and selling his songs. In 1964 Simon, who had just dropped out of law school and quit his job as a song peddler for a music publishing company, took one of his originals to Columbia Records producer Tom Wilson. Wilson bought the song and signed the Everly Brothers–influenced duo.
<br><br>
<I>Wednesday Morning, 3 A.M.</I> &#8212; a set that combined traditional folk songs with Simon's originals and Dylan anthems like "The Times They Are A-Changin'," performed solely by the two singers accompanied by Simon's acoustic guitar &#8212; was lost in the glut of early Dylan imitators. Simon went to work the folk circuit in London, where in May 1965 he recorded a solo album. Several months later, he was performing around England and the Continent when he received the news that <I>Wednesday</I>'s "The Sounds of Silence" was the Number One single in the United States. It was not quite the song Simon and Garfunkel had recorded. Wilson (who had played a part in electrifying Dylan's music) had added electric guitars, bass, and drums to the original track. The remixed single was at the vanguard of "folk rock." Simon returned to hit the college circuit with Garfunkel and to record a second duo album. Along with the redubbed "Sounds of Silence," the album of that name comprised folk-rock remakes of many of the songs from Simon's U.K. solo album. The production was elaborate, an appropriate setting for Simon's self-consciously poetic songs and Garfunkel's angelic voice, and Simon and Garfunkel turned out to be acceptable to both teenagers (who found them relevant) and adults (who found them intelligent).
<br><br>
In 1966 they placed four singles and three albums in the Top 30 (the revived <I>Wednesday Morning</I>, <I>Sounds of Silence</I>, and <I>Parsley, Sage, Rosemary and Thyme</I>). "Homeward Bound" (Number Five), "I Am a Rock" (Number Three), and "Sounds of Silence" (Number One) reached the Top Five. Simon was not a prolific writer &#8212; most of the material on the first three Simon and Garfunkel albums had been composed between 1962 and 1965 &#8212; and once <I>Parsley, Sage</I> was completed, the duo's output slowed considerably. They released only two singles in 1967: "At the Zoo" (Number 16) and "Fakin' It" (Number 23). Simon was developing the more colloquial, less literary style he would bring to his later solo work; the first sign of it was the elliptical "Mrs. Robinson," composed for the soundtrack of <I>The Graduate</I>. The film and the soundtrack album were followed within two months by <I>Bookends</I>; "Mrs. Robinson" hit Number One in June 1968, <I>Bookends</I> soon afterward.
<br><br>
Simon and Garfunkel produced <I>Bookends</I> with engineer Roy Halee, who had worked on every Simon and Garfunkel session. (With <I>Parsley, Sage</I>, Halee had taken a major role in the arranging; it was Columbia's first album recorded on eight tracks.) "The Boxer" (Number Seven), Simon and Garfunkel's only release in 1969, was Columbia's first song recorded on 16 tracks.
<br><br>
<I>Bridge Over Troubled Water</I> took almost two years to make as the duo began pursuing individual projects. They often worked separately in the studio, and as their music became more complex they performed less often on stage. Their only appearance together in 1969 was on their own network television special. Around this period, Garfunkel's acting career began with a role in <I>Catch-22</I>. Soon after the record's release, Simon and Garfunkel staged a brief but very successful tour, which quieted rumors about a breakup, but by the time Garfunkel's second movie, <I>Carnal Knowledge</I>, and Simon's 1972 solo album came out, it was clear that their individual solo careers [see entries] were taking precedence.
<br><br>
The two left their joint career at its peak, though both have said that their initial intention was not to break up permanently but just take a break from each other. After reaching Number One in spring 1970, <I>Bridge Over Troubled Water</I> rode the charts for over a year and a half (spending ten weeks at the top), eventually selling over 13 million copies worldwide. The LP yielded three hit singles - the title song (a Number one hit, the biggest seller of their career), "Cecilia" (Number Four), and "El Condor Pasa" (Number 18) &#8212; and won six Grammys. In 1977 it was given the British Britannia Award as Best International Pop Album of the past 25 years, and the title song received the equivalent award as a single. To date the duo has sold more than 20 million albums in the U.S. alone.
<br><br>
Since 1970 the Forest Hills classmates have gotten together on a few notable occasions. The first was a benefit concert for presidential candidate George McGovern at Madison Square Garden, New York, in June 1972. (That occasion also saw the reunions of Peter, Paul and Mary and the comedy team of Mike Nichols and Elaine May.) In 1975 Simon and Garfunkel had a Top Ten hit single with "My Little Town," a song Simon wrote for Garfunkel and sang with him, which appeared on solo LPs by both. Garfunkel joined Simon to perform a selection of their old hits on Simon's 1977 television special, and the two got together again the next year in a studio with James Taylor to record a trio rendition of Sam Cooke's "(What a) Wonderful World." On September 19, 1981, Simon and Garfunkel gave a free concert for an estimated 500,000 fans in New York's Central Park, and in 1982, a double album, <I>The Concert in Central Park</I>, went platinum, peaking at Number Six. They embarked on an extended tour and began recording what was to have been a new Simon and Garfunkel album. Unable to resolve their creative differences, the two abandoned the project, and the material was released on the Paul Simon solo LP <I>Hearts and Bones</I>.
<br><br>
The pair performed several shows for charitable causes in the early Nineties, and in 1993 a smash 21-date sold-out run at the Paramount Theater in New York City, followed by a tour of the Far East. Though, technically speaking, these shows were not Simon and Garfunkel concerts (they performed together only in the first and last of the show's four segments; the balance was dedicated to Simon's solo work), fans seemed to feel otherwise. The two were inducted into the Rock and Roll Hall of Fame in 1990.
<br><br>
In February 2003, a decade after the duo's previous reunion, Simon and Garfunkel appeared together at the Grammy Awards show, where they performed "The Sounds of Silence" together and were presented a Lifetime Achievement award. That fall, they hit the road again for a two-month "Old Friends" tour that took them to 28 cities and resulted in the 2004 live album of the same name. Simon and Garfunkel reprised the tour that summer, ending with a performance at the Colosseum in Rome to a reported 600,000 fans, even larger than the audience at the 1981 Central Park show. Three years later, Simon won an award at the first PBS Gershwin Awards show, where he and Garfunkel performed "Bridge over Troubled Water." Whether for its exquisite craftsmanship or place as a musical-cultural touchstone, or both, the music Simon and Garfunkel created and recorded seems destined to endure.
]]></description>
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<title>Cat Stevens</title>
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<category>Singer-Songwriter</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<description><![CDATA[For the balance of the 1970s Cat Stevens was a trans-Atlantic superstar whose soft, romantic, hooky, and often-mystical singles were Top Ten mainstays. After eight gold albums in a row, the commercially and critically lauder singer/songwriter's star began to fade. By the late-1970s, following a near-drowning experience, Stevens converted to Islam and changed his name to Yusef Islam dropping out of music throughout the 1980s and most of the 1990s. By the turn of the millennium, however, he began to make a comeback albeit under a different persona.
<br><br>
The son of a Greek father and Swedish mother, Stevens (b. Steven Demetri Georgiou, Jul 21, 1947, London, Eng.) spent his early youth developing a love of Greek folk songs and dances. By the time he entered secondary school, he had also taken an interest in rock and roll and English and American folk music. While attending Hammersmith College in the mid-1960s, he began writing his own songs and performing solo.
<br><br>
In 1966 independent producer Mike Hurst (formerly with the Springfields) produced Stevens' first U.K. hit single, "I Love My Dog." In 1967 "Matthew and Son" went to Number Two on the British chart. Meanwhile, Stevens' tunes were British hits for other performers as well. P.P. Arnold hit with "The First Cut Is the Deepest" (later covered by Rod Stewart and Sheryl Crow), the Tremeloes with "Here Comes My Baby." Stevens toured England and Europe, becoming something of a teen idol, and shared bills with Jimi Hendrix and Engelbert Humperdinck, among others.
<br><br>
But Stevens became disenchanted with what he considered the shallowness of his ventures. After his 1968 hit "I'm Gonna Get Me a Gun" (Number Six U.K.), he tried to work ambitious classical arrangements into his tunes, to his producers' chagrin. Stevens' career then came to a standstill when he contracted a near-fatal case of tuberculosis in late 1968 and was confined to a hospital for a year. He took that time to work on his new material, which was unveiled in <I>Mona Bone Jakon</I>, a critical success that yielded a British hit single in "Lady D'Arbanville" (Number Eight U.K., 1970) (purportedly about the actress Patti D'Arbanville). The muted accompaniment was by flutist Peter Gabriel (who would soon find his own fame in Genesis), percussionist Harvey Burns, and perennial Stevens collaborator guitarist Alun Davies.
<br><br>
Stevens' next album, Tea for the Tillerman, hit the U.S. Top Ten and stayed on the charts for well over a year, yielding the hit "Wild World." Stevens was now a highly successful concert performer as well. The next album was another hit; <I>Teaser and the Firecat</I> went to Number Three, then gold, and contained the hits "Morning Has Broken" (Number Six), "Peace Train" (Number Seven), and "Moon Shadow" (Number 30). Though <I>Catch Bull at Four</I> and <I>Foreigner</I> were also certified gold, they yielded no big hits. At that time, unbeknownst to many of his fans, Stevens was living in Brazil, donating much of his earnings to charities such as UNESCO. With <I>Buddah and the Chocolate Box</I>, featuring "Oh Very Young" (Number 10), and <I>Numbers</I>, Stevens' sales dropped off.
<br><br>
In 1975 Stevens began studying the Koran and later converted to the Muslim religion. In late 1981 the rechristened Stevens announced, "I'm no longer seeking applause and fame," and auctioned off all his material possessions, including his gold records. By then he had married Fouzia Ali; as of the late 1980s, they had five children, and he was running a Muslim school outside London. In 1987 10,000 Maniacs covered "Peace Train," and the following year Maxi Priest hit the U.K. Top Ten with a version of "Wild World." What might have grown into a Stevens revival, however, was nipped in 1989, when the media reported that the singer allegedly supported Iran's death-sentence condemnation of <I>Satanic Verses</I> author Salman Rushdie, whose book had supposedly blasphemed the Muslim faith (Stevens claims he was misinterpreted). American radio stations observed an airplay boycott of Stevens' material; 10,000 Maniacs removed "Peace Train" from later pressings of the album on which it appeared.
<br><br>
In the mid-'90s Yusef Islam founded his own label, Mountain of Light, on which he released spoken-word albums. The albums <i>A Is for Allah</i> (2000) and <i>I Look, I See</i> (2003) contain songs for children in addition to spoken pieces. He followed those with the concert disc <i>A Night of Remembrance: Live at the Royal Albert Hall</i>. In 2000 Islam, who has supported humanitarian efforts in Bosnia, oversaw the release of a Stevens retrospective and began to resurface in the music press, claiming to have been unfairly vilified and misquoted about the Rushdie incident. Twenty-eight years after he left the major-label pop world as Cat Stevens, he returned on Atlantic Records as Yusef Islam with <i>An Other Cup</i> (Number 52, 2006), a set of folk-pop songs that hearkened back to his pop-star days but with clear religious messages. He continues to release religious albums and music for children independently.
]]></description>
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<title>The Band</title>
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<category>Americana</category>
<pubDate>Sat, 31 Oct 2009 11:42:52 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<description><![CDATA[The Band's saga began in the late 1950s when they performed with Ronnie Hawkins as the Hawks. In 1965, they became Bob Dylan's band. After his motorcycle accident in 1966, they changed their name to the Band and relocated to upstate New York in a house they dubbed "Big Pink." It was here that The Band began to write and record songs that would influence anyone in love with music surrounding the myths of Americana lore. Guitarist Robbie Robertson, pianist Richard Manuel, drummer Levon Helm, and bass player Rick Danko all shared singing responsibilities. From the swamp boogie of "Up on Cripple Creek" to the pure soul of "The Weight," the Band had just begun to realize their ability to capture and release the ghosts of Okie souls in their unpretentious, down-home, roots music. While the songs available here run the gamut of the Band's almost incalculable career, many of their fans believe the sessions recorded at Big Pink to be their collective opus. Manuel took his life in 1986. Rick Danko died in his sleep on December 10, 1999.
- Eric Shea]]></description>
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<title>Leonard Cohen</title>
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<category>Singer-Songwriter</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
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<description><![CDATA[It's hard to think of another artist who cares so little for or about pop music yet who has changed it, and influenced its practitioners, so profoundly as Leonard Cohen. One of the most original, compelling, and covered songwriters of the rock era, Leonard Cohen has slowly transitioned from a singer of elegantly spare folk dirges to a whisky-voiced smooth talker on elegantly spare electro-acoustic percolations. From the beginning, the smartly tailored Montreal native has seemed like an outsider and an elder statesman in the music world. A teenage flirtation with the beatnik jazz/folk scene led Cohen to a highly successful (but oddly forgotten) career as a countercultural poet and fiction writer. At the same time, singers started taking notice of Cohen's bohemian (but decidedly non-youth revolution) tunes and his most heralded composition, "Suzanne" was widely known before he even had a recording contract. In 1968, his striking debut album <I>Songs of Leonard Cohen</I> showcased "Suzanne" and nine other of his world-weary and bleak, yet highly romantic songs. The album wasn't a huge success but -- as with the Velvet Underground's debut record or Van Morrison's <I>Astral Weeks</I> -- a new cadre of rain-coated skeptics kept purchasing the album every year until it finally reached gold sales status. Each of the excellent collections leading up to 1975's <I>Best of Leonard Cohen</I> are filled with the tunesmith's circular guitar patterns and nicotine-stained tales of small hopes and shell-shocked heartbreaks. Songs such as "Bird On A Wire," "Famous Blue Raincoat" and "Chelsea Hotel" would've made his reputation for the rest of his life but Cohen was slowly moving away from his stark, "just the facts, Ma'am" studio sound. In 1977, he teamed up with the wild-eyed production guru Phil Spector for <I>Death of a Ladies Man</I>, an uneasy listening concept album about the sexual revolution turning into a war of the sexes. It bombed yet somehow only gets more disturbing and more realized as the years pass. Cohen slowed down after this, taking big breaks between projects, then oddly began embracing synthesizers and Greek chorus-style backing vocalists on 1985's lovely <I>Various Positions</I>. As fresh and different as this album was, 1988's more outrÃÂÃÂÃÂÃÂ© <I>I'm Your Man</I> turned out to be a career rebirth and reintroduced the artist to the public. From here on out, Cohen no longer lived in the trenches, choosing to alternate his song guises between being an older, but wiser fool for love and an Old Testament God who forgoes fury and punishment for dispensations of charity and understanding. Cohen greeted the 1990s with a new fan base, the stunning actress Rebecca De Mornay on his arm, and a lingering bout of depression. In a plot twist that sounds like something out of a Leonard Cohen tune, the songwriter left the good life, spent most of the decade in hard labor at a Buddhist monastery and then came down from the mountain because he still craved female companionship. Cohen's <I>Ten New Songs</I> (2001) greeted the new millennium with typical understatement. The album lets anyone who cares to listen know that all the epic follies and romantic glories of the past century would be repeated in the new one.
- Nick Dedina]]></description>
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<title>Heart</title>
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<category>Classic Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:51 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Heart</rhap:artist>
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<description><![CDATA[On Heart's 1976 debut, <I>Dreamboat Annie</I>, Ann and Nancy Wilson rocked as no other female act had since Janis Joplin. The record is all the more amazing for its diversity, demonstrating that the sisters were equally at home in the folky confines of Carly Simon and Joni Mitchell as they were in the heavy blues environs of Led Zeppelin. Nowhere is the influence of the latter more prevalent than on the <I>Little Queen</I> single "Barracuda," with its instantly recognizable "Achilles' Last Stand" riff and bated-beat dynamic. In the '80s, the Wilsons re-styled themselves as power balladeers, and 1985's <I>Heart</I> was wildly successful, restoring credibility to the band just when it seemed to be on it way out. Songs like "What About Love?" and "These Dreams" introduced Heart to a new generation. The sisters returned to touring in the early 2000s and released <i>Alive In Seattle</I>, focusing on their classic '70s material, in 2003. <i>Jupiter's Darling</i> appeared in 2004 and found the band revisiting the hard rock/folk-rock hybrid that made them famous in the '70s.
- Chad Driscoll]]></description>
</item><item>
<title>Crosby, Stills, Nash and Young</title>
<link>http://www.rhapsody.com/goto?rcid=art.2718&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Fri, 23 Oct 2009 11:56:12 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Crosby, Stills, Nash and Young</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2718&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The heavenly harmonies and melodic Folk-Rock of CSN&Y was born in the uncanny chemistry of David Crosby (from the Byrds), Stephen Stills (Buffalo Springfield), Graham Nash (the Hollies) and Neil Young (also from Buffalo Springfield). The supergroup formed in 1968 (Young was added in 1970), and continue to sail a wooden ship of melodic soul into the new century. The salient aspects of the band's updated sound poke out in the form of harsh, angular, electric guitar tones and glossy, allocated riffs. The production is obviously much more pristine and glossy than the quartet's first album, <i>Deja Vu</i>, but they still manage to stamp their signature vocal style on the sound, traversing from melodic pop to acoustic folk to Hard Rock.
- Eric Shea]]></description>
</item><item>
<title>Crosby, Stills and Nash</title>
<link>http://www.rhapsody.com/goto?rcid=art.4323&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Crosby, Stills and Nash</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4323&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The heavenly harmonies and melodic Folk-Rock of Crosby, Stills and Nash was born in the uncanny chemistry of David Crosby (from the Byrds), Stephen Stills (Buffalo Springfield), and Graham Nash (the Hollies). The supergroup formed in 1968 (Neil Young was added in 1970 -- he kind of plays whenever he feels like it), and continue to sail a wooden ship of melodic soul into the new century. The salient aspects of the band's updated sound poke out in the form of harsh, angular, electric guitar tones and glossy, allocated riffs. The production is obviously much more pristine and glossy than the trio's self-titled debut, but they still manage to stamp their signature vocal style on the sound, traversing from melodic pop to acoustic folk to Hard Rock -- and even experimenting with some silly '80s pop, as seen here.
- Eric Shea]]></description>
</item><item>
<title>America</title>
<link>http://www.rhapsody.com/goto?rcid=art.68654&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">America</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68654&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68654&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With hits like "Ventura Highway" and "A Horse With No Name," America took the California sound to new plateaus in the 1970s and '80s. Even with the innovative and pristine production of Elliott Shiner (who also produced Randy Newman) and Phil Galdston (Jill Sobule, Vanessa Williams), the folk-rock band still made the kind of free and easy music that rocked dads' leather-craft night classes and your moms' latch-hook rug-making parties. Their albums' popularity trickled off as the '80s progressed, possibly owing to the band's shift from a rootsier, Neil Young-influenced sound to more polished soft rock (complete with synthesizers), but the tours, live albums and greatest-hits collections continued to flow. In 2007, with younger, hipper listeners finding a new appreciation for lite-FM sounds of the '70s and '80s, the band reasserted its relevance with <I>Here & Now</I>, a double album produced by Smashing Pumpkins' James Iha and Fountains of Wayne's Adam Schlesinger, featuring appearances by Bryan Adams and Ben Kweller, along with covers of songs by Nada Surf and My Morning Jacket.
- Eric Shea]]></description>
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<title>Joni Mitchell</title>
<link>http://www.rhapsody.com/goto?rcid=art.6617&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 18 Nov 2009 13:06:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joni Mitchell</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6617&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When it comes to women's music in the twentieth century, Joni Mitchell stands as the preeminent trailblazer. With musings in almost every genre, Mitchell paved the way for many other popular female singer-songwriters. Like many others, she got her start playing folk music in coffeehouses during the early 1960s. In 1967, Reprise Records released her self-titled acoustic debut. 1969 saw the release of her second album <I>Clouds</I>, followed in 1970 by the successful <I>Ladies of the Canyon</I>, which featured the chart-topping "Big Yellow Taxi." But it was the moody and cathartic <i>Blue</i> (1971) that put her on the map of musical genius: the album even inspired Bob Dylan to write "Tangled Up In Blue." Mitchell dialed up the jazz on <I>Court and Spark</I> (1974), which spawned three major hit singles -- "Free Man in Paris," "Raised on Robbery" and "Help Me." Throughout her career, Joni Mitchell has experimented and taken risks with her music. To this day, she continues to explore new ground and hark back to the old folkie ways that gave her snowball its first push.
- Eric Shea]]></description>
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<title>Michael Franti</title>
<link>http://www.rhapsody.com/goto?rcid=art.37952&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Political Rock</category>
<pubDate>Fri, 30 Oct 2009 12:04:44 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Michael Franti</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37952&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A longtime fixture in the Bay Area music scene, Michael Franti is known both for his eclectic, highly creative music, and for his ardent activism. He got his start as a founding member of the Beatnigs, an aggressive, industrial jazz duo formed in the mid-eighties. After one album with them, he formed the Disposable Heroes of Hiphoprisy, a rap group whose main purpose was to educate listeners about the widespread lyrical ignorance in hip-hop. The group released one LP, scored a minor hit with "TV: The Drug of the Nation," and shared stages with everyone from PE to Jello Biafra to Nirvana. Franti then went on to start Spearhead, who, with their socially conscious message and more accessible and organic sound, fast became favorites of progressive, politically active listeners in the Bay Area and around the world. Spearhead has released four albums since 1994, and continue to perform regularly. They took part in several anti-war concerts during the Afghanistan and Iraq conflicts, and toured with Ziggy Marley.
- Brolin Winning]]></description>
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<title>Dan Fogelberg</title>
<link>http://www.rhapsody.com/goto?rcid=art.2668&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Sat, 21 Nov 2009 13:43:12 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dan Fogelberg</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2668&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2668&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dan Fogelberg's music occupies a plane somewhere between Jackson Browne's Classic Rock singer-songwriter stylings and the straight-up glitz of England Dan & John Ford Coley. There's no small amount of Crosby, Stills, and Nash in Fogelberg's music as well, but his primary focus was always on commercially viable pop craft as opposed to CSN's pot-headed artistic journeys. Fogelberg was a somewhat fringe figure throughout the 1970s, fostering a respectably-sized following until he sealed his festival-circuit status with a major hit in the 1980s called "Leader of the Band." After issuing a pair of records in the '90s that focused loosely on environmentalism and employed elements of world music, he returned to writing acoustic ballads for 2003's <i>Full Circle</i>. He quit performing after being diagnosed with advanced prostate cancer in 2004 and he passed away in December of 2007 at the age of 56.
- Mike McGuirk]]></description>
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<title>The Byrds</title>
<link>http://www.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Mon, 23 Nov 2009 10:12:32 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Byrds</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1172&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Byrds are one of rock 'n' roll's most underrated bands. There is so much more to The Byrds than the Folk Rock of "Turn! Turn! Turn! (To Everything There is A Season)" -- they were the first group to blend the harmonies and backbeat of British Invasion with the warm, lyrical blood of folk music. The sustenance to their sugar was the evocative mash of Roger McGuinn's trademark, chiming 12-string Rickenbacker, soaring, three-part, gossamer vocal harmonies, and innovative pairing of analog synthesizers with country music's elastic tonal twang provided by the Telecaster B-bender (a string-stretching device invented by the late, great Clarence White and Gene Parsons to approximate a pedal steel's fluid cry). The Byrds effortlessly flew like a feathered Lear jet through Dylan-esque musings, inner galactic Psychedelia, and Cosmic American Music soundscapes that helped bring country music to a wider audience.
- Eric Shea]]></description>
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<title>Jefferson Airplane</title>
<link>http://www.rhapsody.com/goto?rcid=art.41141&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Psychedelic</category>
<pubDate>Sun, 22 Nov 2009 10:09:52 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jefferson Airplane</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.41141&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jefferson Airplane's Psychedelic pop and Acid Rock songs helped put San Francisco on the musical map of the 1960s. The band was formed in 1965 with Signe Anderson as lead vocalist. She was soon replaced by Grace Slick of the Great Society and the new, improved Jefferson Airplane landed on a hit with "Somebody To Love" from their timely 1967 album, <i>Surrealistic Pillow</i> (the same lp that hit with the alleged druggie anthem "White Rabbit"). Loaded with swirling guitars and lysergic solos, this album provided part of the soundtrack to San Francisco's Summer of Love. The Jefferson Airplane was founded by Marty Balin, who left the band in 1971. Besides Anderson and Balin, many other notable musicians traveled on the Jefferson Airplane through a revolving door that once welcomed Alexander "Skip" Spence of Moby Grape as well as David Freiberg of the Quicksilver Messenger Service. Following a myriad of lineup changes, the band went through some name changes as well. Jefferson Airplane became Jefferson Starship and then Starship. Jefferson Starship's most celebrated appearance came in the form of a </i>Star Wars</i> made-for-television musical special that was aired shortly after the film's box office success. Hosted by Bea Arthur, the one-hour show featured much of the <i>Star Wars</i> cast as well as a now-endearing musical performance by Jefferson Starship. The band later had a hit in the '80s as Starship with "We Built This City," a MOR/AOR pop hit built with synthesizers, sound bites and the shelf-life of a soft-banana.]]></description>
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<title>The Mamas &amp; The Papas</title>
<link>http://www.rhapsody.com/goto?rcid=art.49644&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mamas &amp; The Papas</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.49644&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.49644&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Mamas & the Papas were one of many bands to capture the zeitgeist of the 1960s counter-culture movement. Formed in New York by folkie John Phillips, the quartet moved from New York to Los Angeles in the mid-'60s, and promptly caught the ear of MCA's Lou Adler. The band's airy harmonies, supplied by Mama Cass, Michelle Philips and Denny Doherty, shimmered around John Phillips' poetic lyrics, adding just the right glow to what would become the group's signature sound. Songs such as "California Dreaming" acted like beacons in the night to disenfranchised youths, who came to the Haight-Ashbury district of San Francisco in droves. But the group's Flower Power-inspired lifestyle would contribute to their downfall, as drugs, alcohol and too much "free love" tripped its members up. The Mamas & Papas called it quits in 1971.
- Linda Ryan]]></description>
</item><item>
<title>Nick Drake</title>
<link>http://www.rhapsody.com/goto?rcid=art.452&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>British Folk</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nick Drake</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.452&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.452&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A sound more gentle than the soft, almost timid singing of Nick Drake never passed human lips. Of all the melancholy balladeers of the past fifty years, none have so effectively captured the sound of the human heart in conflict with itself. Of course the saddest thing about Drake's music is that "Pink Moon" is being used to sell Volkswagens. If the first time you heard Drake was during a car commercial, then buying <I>Fruit Tree</I> straightaway is the least you can do to make amends. The collection gathers Drake's three studio albums and the posthumous disc <I>Time Has Told Me</I>. Though it's impossible to pick favorites with Drake, his debut <I>Five Leaves Left</I> may turn out to be the album you play most. It takes listeners on a gorgeous sojourn through rustic themes, wafting strings and Drake's lapidary acoustic guitar playing. The follow-up, <I>Bryter Later</I>, is a more urbane record; a purple-prose serenade from a dream corner of London. The partly cloudy skies of <I>Bryter Later</I> suddenly turned gray and glowering on the last album Drake recorded. The stark, eerie <I>Pink Moon</I> contains what is arguably some of the saddest music ever recorded, which is precisely what makes it so ineffably beautiful.
- Chad Driscoll]]></description>
</item><item>
<title>Flogging Molly</title>
<link>http://www.rhapsody.com/goto?rcid=art.7175&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Celtic Rock</category>
<pubDate>Sat, 31 Oct 2009 11:42:51 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Flogging Molly</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7175&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7175&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Deliriously energetic Celtic rock band will take you on a boozy romp through the Irish heath at midnight, whisper nasty brogue in your ear, and leave you to step-dance your way home. <i>Way</i> harder than Michael Flatley.
- Michael Ansaldo]]></description>
</item><item>
<title>Donovan</title>
<link>http://www.rhapsody.com/goto?rcid=art.3835&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Donovan</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3835&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Generation X moviegoers thank him for producing Ione Skye, while <i>Details</i> readers are into his son's band Nancy Boy, but aging Aquarians know that Donovan was one of the key artists of the revolutionary 1960s. He started his career as Britain's answer to Bob Dylan, and his first two acoustic folk albums are charming, low-key winners; but he turned into a "Sunshine Superman" just in time for the Psychedelic revolution. If all you've heard from Donovan is "Mellow Yellow," do yourself a favor and check out his late '60s material. He remained a folk-popper at heart and the ultra-groovy production touches are completely in key with the current Indie scenes in America and Europe. Donovan's career didn't survive the post-Altamont age of '70s cynicism, but in 1996 he cut his album <i>Sutras</i> with Rick Rubin, showing that his flowery style is as groovadelic as ever.
- Eric Shea]]></description>
</item><item>
<title>Loggins &amp; Messina</title>
<link>http://www.rhapsody.com/goto?rcid=art.2745&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Lite Rock</category>
<pubDate>Sat, 21 Nov 2009 13:42:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Loggins &amp; Messina</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2745&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2745&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A decade before Kenny Loggins set the '80s on fire with a string of killer soundtrack anthems, he was just another beardo soft rocker making his way in denim-clad L.A. Originally a pro songwriter (the Nitty Gritty Dirt Band recorded several of his tunes), Loggins hooked up with Jim Messina in 1970. At first, Messina -- who wasn't looking for a new project after stints in Buffalo Springfield and Poco had both ended badly -- only wanted to help his young, talented friend secure a record contract. But their chemistry was so combustible that their casual collaboration quickly grew into a full-time band. As with the era's other classic duos (Seals & Croft, Batdorf & Rodney, England Dan & John Ford Coley), Loggins & Messina blended roots rock, folk and touches of Caribbean/Latin music into a smooth, radio-friendly pop product (later to be tagged "yacht rock"). Hits came fast and hard for the pair: "Vahevala," "Your Mama Don't Dance," "Thinking of You." There was no stopping Loggins, however. The songs he wrote were taken to the top of the charts by everybody from Anne Murray to the Doobies. In 1976 Kenny flew the coop, ready to become a pop star in his own right.
- Justin Farrar]]></description>
</item><item>
<title>Dispatch</title>
<link>http://www.rhapsody.com/goto?rcid=art.35982&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Jam Rock</category>
<pubDate>Tue, 10 Nov 2009 10:13:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dispatch</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35982&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35982&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[As the three-part harmonies demonstrate, this acoustic-centered three piece jam outfit from New England works as hard on the vocals as it does on the music. They've been working the college circuit since the late-1990s.]]></description>
</item><item>
<title>Buffalo Springfield</title>
<link>http://www.rhapsody.com/goto?rcid=art.38184&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Fri, 23 Oct 2009 11:56:11 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Buffalo Springfield</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38184&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38184&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Los Angelino folk rockers Buffalo Springfield were as integral to the West Coast canyon rock sound as the Byrds, but they were also politically active: they dared to criticize the establishment at a time when the youth revolution was hit hard by the Kent State massacre and the Berkeley campus riots. Neil Young, Stephen Stills, Jim Messina, Richie Furay, Bruce Palmer and Dewey Martin (from bluegrass hipsters the Dillards) came together as Buffalo Springfield in 1966, when Stills spotted Neil Young's hearse driving down Sunset Boulevard. Recognizing him from the Canadian coffeehouse folk scene, Stills flipped a U-turn and chased him down to see if he wanted to start a rock 'n' roll band. He did, and Buffalo Springfield was born. The band's sound reflected the early to mid-1960s, when college kids, beatniks and other free thinkers were gravitating from folk protest songs to rock. Like Dylan and the Byrds, their folk roots flirted with country rock and psychedelic undertones to create a sound laden with beautiful vocal harmonies. While the pacific "For What It's Worth" was the only commercially successful song, there could have been more to follow but the band lasted just two years, as the conflicting egos of multiple visionaries amounted to too many cooks in the kitchen. Nonetheless, in that short time Buffalo Springfield put a serious dent in the music world. Their fruitful family tree bore Neil Young's solo career, Stephen Stills' Manassas, Crosby Stills Nash & Young, Loggins & Messina, Poco and rootsy outfits including the Souther-Hillman-Furay Band. Buffalo Springfield's songs stand the test of time, influencing everyone from Big Star to the Beachwood Sparks and beyond.
- Eric Shea]]></description>
</item><item>
<title>Don McLean</title>
<link>http://www.rhapsody.com/goto?rcid=art.3797&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Wed, 18 Nov 2009 13:06:28 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Don McLean</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3797&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3797&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Just as Mike Lookinland will always be known for playing the part of Bobby Brady in the popular Sherwood Schwartz televised situation comedy <I>The Brady Bunch</I>, Don McLean will forever be the guy who wrote the classic hit song "American Pie." When you write a song as epic as that one, how can anything else match up? Like many other singer-songwriters of his era, McLean was a New York City village folknik who got his start in the same coffee houses as Fred Neil and Pete Seeger. By 1970, he had already penned "Vincent," his soft rock ode to Van Gogh, but it didn't hit until after he scored with the career defining "American Pie," an eight-minute long epic tribute to the life and music of Buddy Holly. The timely song struck a chord with a nation still bruised by Vietnam and the Nixon administration. Young America's reaction to this song was to adopt it as a pacifist's anthem. Roberta Flack's hit "Killing Me Softly With His Song" was in fact about her reaction to first hearing "American Pie." McLean never had anything close to the success of that hit, but the man stuck to his guns and refused his record label's request to try and recreate another "American Pie." As a result his career spiraled downward ever since, although it's probably safe to assume that the royalties for his monumental contribution to popular culture keep him afloat.
- Eric Shea]]></description>
</item><item>
<title>The Association</title>
<link>http://www.rhapsody.com/goto?rcid=art.4731&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Association</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4731&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4731&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Association's place in rock history is an interesting one. Nowadays, the band is considered nothing more than an oldies act forever associated with AM pop. However, along with the Byrds and the Mamas and the Papas, the sextet emerged from Los Angeles' folk-rock scene of the mid-'60s. The Association sounded a bit more saccharine than their contemporaries, yet they gained instant street cred with their second single, "Along Comes Mary," a British Invasion-inspired nugget that sparked controversy when more than a few squares claimed the song extolled the virtues of cannabis (aka Mary <i>Jane</i>). In an attempt to cement their rep in the burgeoning underground, the Association played the Monterey International Pop Music Festival in the summer of 1967. At the same time, the group shared little in common with Janis and Jimi. Scoring one <i>Billboard</i> smash after another, including the radio staples "Cherish" and "Windy," the Association favored a mix of smooth harmonies, lush strings and punchy brass, a sound that would prove influential on soft-rock acts like Bread and Air Supply. By the early '70s the band's glory days were behind it, yet it continues to record and tour to this day.
- Justin Farrar]]></description>
</item><item>
<title>The Lovin' Spoonful</title>
<link>http://www.rhapsody.com/goto?rcid=art.63385&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Lovin' Spoonful</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63385&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63385&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For a New York band, The Lovin' Spoonful sure sounded like a California act. For one thing, they blended folk rock with country rock and threw in come cascading vocal harmonies a la Buffalo Springfield or The Byrds. They also peppered their songs with themes about peace, love and beautiful girls. Their first single "Do You Believe in Magic?" seemed to compete with the flood of British invasion acts that were saturating the airwaves and "Summer in the City," hinted at psychedelic rock, but by "Nashville Cats" it was obvious that the Spoonful were at home in the country. But instead of becoming another chambray shirt clad country rock act they leaned more toward folk and the down home blues found in pastoral jug bands. Singer John Sebastian (who got his start playing harmonica on Fred Neil recordings) was hardly ever seen without his autoharp in hand and they seemed to prefer writing songs about "going fishing" to singing about "life in the fast lane." After a few lineup changes, Sebastian parted ways to start a solo singer-songwriter career, breaking up the band in 1968. He had a hit in 1976 with "Welcome Back," the theme song for the television sitcom <I>Welcome Back Kotter.</I>
- Eric Shea]]></description>
</item><item>
<title>The Pogues</title>
<link>http://www.rhapsody.com/goto?rcid=art.1061&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Celtic Rock</category>
<pubDate>Mon, 26 Oct 2009 16:41:55 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Pogues</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1061</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1061&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1061&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lamprey-mouthed vocalist and legendary boozer Shane MacGowan first cut his teeth in punk band the Nips before packing up his DIY bags and moving on to Celtic rock with the Pogues. It was a daring move that has produced some of the most original-sounding music of the post-punk era. <I>Red Roses for Me</I> heralded the arrival of a band brashly defying convention simply by adhering to tradition. As a permeable ensemble of a half-dozen or more players, they were able to incorporate traditional instruments hitherto unheard of in rock 'n' roll. Mandolins, concertina, tin whistle, the dulcimer and the bodhran gave the Pogues their distinctly Irish sound, and in Shane MacGowan the band possessed an ace writer fitting squarely into the Irish literary heritage. Songs like "The Old Main Drag," "A Pair of Brown Eyes" and "Hell's Ditch" indicate that, had he been so inclined, MacGowan might have written books to put on the shelf with Flann O'Brien, Brendan Behan and the Joyce of <I>Finnegan's Wake</I>. Not many bands could wear the hoary epaulets of the label "National Treasure" and pull it off, but the Pogues were such a band.
- Chad Driscoll]]></description>
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<title>Stephen Stills</title>
<link>http://www.rhapsody.com/goto?rcid=art.5008&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Fri, 6 Nov 2009 12:47:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Stephen Stills</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5008&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5008&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Eric Shea]]></description>
</item><item>
<title>The Turtles</title>
<link>http://www.rhapsody.com/goto?rcid=art.62089&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Turtles</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62089&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62089&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Turtles' founding members Howard Kaylan and Mark Volman were members of Los Angeles High School 's a cappella choir. But these two vocal savants joined forces in an <i>instrumental</i> surf group dubbed the Nightriders. The Nightriders morphed into the Crossfires, then the Tyrtles, in homage to the Byrds, to whom they are often compared. "Happy Together," a song they found in a batch of demos, put them in the No. 1 spot. It was written by Gary Boner and Alan Gordon, and the Turtles (they dropped the "y") had the duo pen more songs for them. "She'd Rather Be with Me," "You Know What I Mean" and "She's My Girl" all landed them in the Top 20. A flirtation with psychedelic music yielded "Sound Asleep," the band's first song not to ease into the Top 40, which caused their record company to demand that they hire a producer that would report to the label. The result was "The Story of Rock and Roll," which flopped, but the follow-up "Elenore," written by the band, redeemed them -- briefly. After their label attempted to add Kaylan's and Volman's vocals to backing tracks, they rebelled and left the label in a huff, recording as Phlorescent Leech & Eddie, later shortened to Flo & Eddie.
- Jaan Uhelszki]]></description>
</item><item>
<title>Fastball</title>
<link>http://www.rhapsody.com/goto?rcid=art.5745&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Contemporary Hard Rock</category>
<pubDate>Sat, 17 Oct 2009 12:40:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Fastball</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5745</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5745&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5745&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Immediately recalling the Wallflowers (who recall Robbie Robertson and Levon Helm) comes this Austin, Tex., trio who specialize in crossover songs dipped like a Dairy Queen cone in a vat of chocolatey warm tone. The sound of a grinding Hammond B-3 organ pumped through old, wooden Leslie cabinets undulates over clean piano lines, clickety-clack railroad-track drum staccatos, succinct basslines, tube-tone electric guitar, and soulful vocals that edge out those of Jakob Dylan.]]></description>
</item><item>
<title>Al Stewart</title>
<link>http://www.rhapsody.com/goto?rcid=art.3866&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Lite Rock</category>
<pubDate>Sat, 24 Oct 2009 12:06:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Al Stewart</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3866&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3866&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[American audiences will know the name for two reasons, "Time Passages" and "Year of the Cat." Before Al Stewart hit American pay dirt, however, his recorded output consisted largely of pastoral folk tunes that indicated a preoccupation with lyric poetry and romanticized notions of the Old Country. But whether he's singing about courtly ladies-in-waiting or downtown ladies-for-the-taking, Stewart's restrained delivery, his incredible equanimity is what makes his music instantly recognizable and downright hypnotic. He sounds like a man who found Zen early on and just kind of stayed there.
- Chad Driscoll]]></description>
</item><item>
<title>Carbon Leaf</title>
<link>http://www.rhapsody.com/goto?rcid=art.12859&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Celtic Rock</category>
<pubDate>Sat, 21 Nov 2009 13:42:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.12859</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Carbon Leaf</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12859</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12859&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12859&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jig-inducing folk embolism of all things Anglo played by some hyper-active Virginians. Nothing like hearing a folk band break into a Zeppelin riff -- that one never gets old. At least they don't fake any accents.
- Mike McGuirk]]></description>
</item><item>
<title>Dexys Midnight Runners</title>
<link>http://www.rhapsody.com/goto?rcid=art.4030&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>New Wave</category>
<pubDate>Tue, 21 Jul 2009 11:02:56 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4030</guid>
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<rhap:artist xmlns:rhap="rhap">Dexys Midnight Runners</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4030</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4030&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4030&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Todd Snider</title>
<link>http://www.rhapsody.com/goto?rcid=art.525&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 12 Nov 2009 19:09:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.525</guid>
<rhap:rcid xmlns:rhap="rhap">art.525</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Todd Snider</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.525</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.525&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.525&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A singer-songwriter with a Southern sensibility and a country-tempered rock 'n' roll streak, Todd Snider (no relation to Dee Snider) has built a strong cult following through a combination of his smart songwriting and heavy touring. Snider was "discovered" by Jimmy Buffett and subsequently signed to Buffett's label. He gained no small amount of exposure opening for Buffett concerts, but there is really very little similarity between the two artists -- Snider's work is closer to a combination of Billy Joe Shaver and John Prine. His songs can be wryly funny, but more often than not they have an underlying seriousness to them. His sound is a lean blend of country and rock, with traces of Bluegrass and R&B.
- Tom Heyman]]></description>
</item><item>
<title>Joan Armatrading</title>
<link>http://www.rhapsody.com/goto?rcid=art.6502&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk Pop</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6502</guid>
<rhap:rcid xmlns:rhap="rhap">art.6502</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Joan Armatrading</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6502</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6502&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6502&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Her British star status has never quite carried over to the US, but Armatrading is one hell of an accomplished songwriter, consistently delivering Caribbean-inflected folk hits with a ringside seat to the inner workings of her romantic soul. As a singer she excels; a periodic, gingerly slip into falsetto will make sure you understand.
- Jessy Terry]]></description>
</item><item>
<title>Tracy Chapman</title>
<link>http://www.rhapsody.com/goto?rcid=art.4160&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk Pop</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4160</guid>
<rhap:rcid xmlns:rhap="rhap">art.4160</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tracy Chapman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4160</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4160&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4160&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In an era when the political Singer-Songwriter looked like it was going the way of the dodo bird and Reaganomics was in full robber-baron swing, along came Tracy Chapman. With her sensitive, well-crafted narratives and a voice as rich as the Mississippi Delta, Chapman re-introduced nuanced social commentary into pop music. Though her more self-consciously radical albums didn't fare as well as her 1988 self-titled debut, the hit song "Fast Car" became an instant classic with its heart-stopping vibrato and incisive lyricism. Chapman returned in the late '90s with the retro Acoustic Blues number "Give Me One Reason," which captures a slow burn rivaled only by R&B great Irma Thomas. Chapman's latest work continues in the same vein -- full of contained yet forceful emotion and refreshing, socially engaged subject matter.
- Sarah Bardeen]]></description>
</item><item>
<title>Mason Jennings</title>
<link>http://www.rhapsody.com/goto?rcid=art.35444&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Thu, 24 Sep 2009 09:49:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.35444</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mason Jennings</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.35444</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35444&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.35444&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pure Lou Reed simplicity with a monotone Beat poet lyrically combining the absurd with the vulgar and creating something beautiful. This is grown-up but not old, rocking easily in a laid-back setting of stand-up bass and no-frills drumming.
- Mike McGuirk]]></description>
</item><item>
<title>Richard Thompson</title>
<link>http://www.rhapsody.com/goto?rcid=art.6309&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>British Folk</category>
<pubDate>Fri, 20 Nov 2009 12:50:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6309</guid>
<rhap:rcid xmlns:rhap="rhap">art.6309</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Richard Thompson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6309</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6309&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6309&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This founding member of Fairport Convention -- much acclaimed for his classic <I>Shoot Out the Lights</I> LP, recorded with then-wife Linda Thompson -- plays Folk-Rock with a heavy dose of British flavor. His scornful songs have gained high praise from critics everywhere, and his fan base is serious and dedicated. His music is complex and exploits almost every avenue of guitar playing -- Thompson's up-tempo songs seem schizophrenic and disturbingly catchy, while his slower songs are perfect for staring out of your bedroom window on a rainy day. He is clearly one of the most underrated songwriters of our time, creating cerebral musings for cerebral listeners.]]></description>
</item><item>
<title>Gaelic Storm</title>
<link>http://www.rhapsody.com/goto?rcid=art.7833&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Celtic Rock</category>
<pubDate>Mon, 16 Nov 2009 10:52:18 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7833</guid>
<rhap:rcid xmlns:rhap="rhap">art.7833</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gaelic Storm</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7833</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7833&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7833&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gaelic Storm were catapulted to a fame -- of a sort -- when they made a
cameo as the band performing during the steerage party in James Cameron's
epic film, <i>Titanic</i>. The scene was symbolic in some ways: the group
has always spanned two continents, founded by native Cork man Patrick Murphy
and New York's Steve Wehmeyer -- both of whom play an astounding array of
instruments that includes bodhran, piano, accordion, digeridoo, spoons and
harmonica. With the addition of Englishman Steve Twigger, the band first hit
its stride in live performances in Southern California, where they
discovered that audiences responded instinctively to their rollicking mix of
Celtic folk and rock 'n' roll. (It can't hurt that Murphy's singing voice
bears more than a passing resemblance to that of the famous, groundbreaking
Irish singer Christy Moore.) Picking up an assortment of members over the
years, the group has now swollen to six members and has seen several albums
soar to the Top-5 of the <I>Billboard</I> World charts.
- Sarah Bardeen]]></description>
</item><item>
<title>Midnight Oil</title>
<link>http://www.rhapsody.com/goto?rcid=art.4088&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Political Rock</category>
<pubDate>Thu, 8 Oct 2009 11:44:51 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4088</guid>
<rhap:rcid xmlns:rhap="rhap">art.4088</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Midnight Oil</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4088</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4088&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4088&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Edie Brickell</title>
<link>http://www.rhapsody.com/goto?rcid=art.3552&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Adult Alternative</category>
<pubDate>Wed, 18 Nov 2009 13:06:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3552</guid>
<rhap:rcid xmlns:rhap="rhap">art.3552</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Edie Brickell</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3552</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3552&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3552&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Edie Brickell had such a big hit with "What I Am" in 1988 that it looked like she'd be the Julia Roberts of song (Brickell is one long, lean, and lippy Texan) and ride superstardom right into the 1990s. But <I>Ghost of a Dog</I> (1990), Brickell's solid follow-up to the ka-billion selling debut <I>Shooting Rubberbands at the Stars</I> proved a commercial disappointment. Brickell married Paul Simon and settled into a happy motherhood, recording only when she had something special to say. While this has probably confused record company honchos, it also means that Brickell gets to control her music and career. In 2002 Brickell released <I>Volcano</I>, her first album in almost a decade. The album found Brickell sounding much more relaxed and natural than most of the Adult Alternative stars that appeared in her wake. <I>Volcano</I> barely charted, but it was her best album to date.
- Nick Dedina]]></description>
</item><item>
<title>The Subdudes</title>
<link>http://www.rhapsody.com/goto?rcid=art.31566&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Thu, 20 Aug 2009 09:28:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.31566</guid>
<rhap:rcid xmlns:rhap="rhap">art.31566</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Subdudes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.31566</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.31566&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.31566&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Yusuf Islam</title>
<link>http://www.rhapsody.com/goto?rcid=art.5264222&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Tue, 3 Nov 2009 11:25:02 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5264222</guid>
<rhap:rcid xmlns:rhap="rhap">art.5264222</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Yusuf Islam</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5264222</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5264222&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5264222&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The archetypal sensitive singer-songwriter, Cat Stevens became a sensation in the 1970s with his gravelly voice and acoustic musings. Alternating between gentle folk and the occasional R&B-flavored bounce, Stevens' singles almost always went Top Ten. Pretty much everyone knows "Wild World" (originally written for Jimmy Cliff), "Hard-Headed Woman" and "Peace Train" by heart, but Stevens' album cuts offer much to those interested in deeper exploration. "Sitting," "The Wind," and "Trouble" from the soundtrack to the cult film fave <I>Harold And Maude</I> are all great songs, and just a few of the many Stevens crafted before deepening religious convictions led him to quit pop music for good. In 1977, Stevens changed his name to Yusef Islam, renounced his career and adopted a strict Muslim lifestyle. In the '80s he lost a lot of fans when he was quoted as calling for the death of writer Salman Rushdie after Rushdie's <I>Satanic Verses</I> became a hugely popular and controversial novel about the Islamic religion. The quotation was exaggerated, however, and Stevens was unfairly branded as a fanatic. Today he records and tours as Yusuf Islam, performing new material and even some of his old Cat Stevens songs on occasion.
- Mike McGuirk]]></description>
</item><item>
<title>The Felice Brothers</title>
<link>http://www.rhapsody.com/goto?rcid=art.13064223&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Americana</category>
<pubDate>Sun, 27 Sep 2009 09:56:03 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.13064223</guid>
<rhap:rcid xmlns:rhap="rhap">art.13064223</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Felice Brothers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13064223</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13064223&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13064223&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Vetiver</title>
<link>http://www.rhapsody.com/goto?rcid=art.5195118&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Thu, 19 Nov 2009 15:24:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5195118</guid>
<rhap:rcid xmlns:rhap="rhap">art.5195118</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Vetiver</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5195118</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5195118&amp;variant=play&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5195118&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Vetiver combine lush layers of acoustic strings and delicate vocals with a touch of carefree psychedelia. After moving to San Francisco from North Carolina, frontman Andy Cabic joined forces with singer-songwriter Devendra Banhart, violinist Jim Gaylord and cellist Alissa Anderson for Vetiver's self-titled debut, released in 2004. With guests including Joanna Newsom, Mazzy Star's Hope Sandoval and former My Bloody Valentine drummer Colm O'Ciosoig, the album brought a warm balance between late '60s country rock, Americana and D.I.Y. minimalism that pleased the indie masses. Gathering more of Cabic's friends for Vetiver's sophomore album, <i>To Find Me Gone</i>, the group expanded and polished their sound with bigger beats and electric guitars. A follow-up came in 2008 with <i>Thing of the Past</i>, a collection of covers by singer-songwriters including Townes Van Zandt, Michael Hurley and Dave Brock, that revealed some of Cabic's favorite forgotten tracks from 1967-1973.
- Stephanie Benson]]></description>
</item><item>
<title>Corey Smith</title>
<link>http://www.rhapsody.com/goto?rcid=art.9778522&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Sat, 17 Oct 2009 12:40:20 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Corey Smith</rhap:artist>
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<title>Against Me!</title>
<link>http://www.rhapsody.com/goto?rcid=art.5237159&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Punk</category>
<pubDate>Tue, 27 Oct 2009 09:26:51 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Against Me!</rhap:artist>
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<description><![CDATA[Begun by guitarist and singer Tom Gabel, Against Me! was a folk-punk cult fave in the college town of Gainesville, Florida for years before breaking into the mainstream in 2005. Initially Gabel played his songs in anarchic shows inside local laundromats. In 2003, the band signed to Fat Wreck Chords and Gabel began to move in a more rock direction. <I>Searching For a Former Clarity</I> came out in 2005, along with a video that was a far cry from the group's anarchy-punk roots.
- Mike McGuirk]]></description>
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<title>Ian Hunter</title>
<link>http://www.rhapsody.com/goto?rcid=art.5973&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Thu, 29 Oct 2009 10:54:30 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ian Hunter</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5973&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In Mott the Hoople, shades-clad British ex-newspaperman Ian Hunter was as literate and self-aware as any '70s hard rocker. And though acts from the Clash to Def Leppard to the Pet Shop Boys to Billy Bob Thornton have claimed Mott as a primary inspiration, no band since has managed to carry Jerry Lee Lewis rockabilly and <I>Blonde on Blonde</I> folk boogie into the realm of glam metal. Songs such as "Ballad of Mott" and "Saturday Gigs," like Hunter's definitive 1972 book <I>Diary of a Rock'N'Roll Star</I>, were unflinchingly clear-eyed chronicles of musicians' lives; by the time he left Mott in 1974, Hunter seemed to think rock 'n' roll itself was dying. Yet he's never stopped plugging away. Of his 13 solo albums, 1975's self-titled debut and 1979's <I>You're Never Alone With a Schizophrenic</I> remain the most indispensable, and not just because they spawned his best-known songs: "Once Bitten Twice Shy" (later a hit for Great White), "Ships" (later a hit for Barry Manilow) and "Cleveland Rocks" (later a TV theme for Drew Carey). But nearly all his music is worth hearing. Now, seven decades into his life, Hunter is still making respectable records for alt-country label New West.
- Chuck Eddy]]></description>
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<title>Drivin' N' Cryin'</title>
<link>http://www.rhapsody.com/goto?rcid=art.3554&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Roots</category>
<pubDate>Fri, 25 Sep 2009 10:14:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<description><![CDATA[Straddling a strange netherworld between hard and alternative rock, Drivin' N' Cryin' are a southern rock band whose folk focus morphed into a rootsier arena. Though never as successful as contemporaries R.E.M., this band reaped a crop of rock songs over the years that brim with sincere intensity and lyricism that is occasionally worthy of Bob Dylan.
- Sarah Bardeen]]></description>
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<title>Trevor Hall</title>
<link>http://www.rhapsody.com/goto?rcid=art.7165464&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Mon, 17 Aug 2009 09:14:54 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Trevor Hall</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7165464&amp;variant=data&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[
- Eric Shea]]></description>
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<title>Richie Havens</title>
<link>http://www.rhapsody.com/goto?rcid=art.4560&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=409&amp;rws=%2Frock-pop%2Ffolk-rock%2Fartist-chart.rss">Top Folk-Rock Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Richie Havens</rhap:artist>
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<description><![CDATA[Richie Havens is a master of bringing together rich melodies, powerful lyrics, pre-punk acoustic guitar and a touch of jazziness for a liberating aural experience. Combining Bob Dylan's lyrical skills with an earthy vocal prowess, Havens reaches near-orgasmic heights in each energetic composition. His 1967 outing <I>Mixed Bag</I> best exhibits the duality of Havens' playing: on the one hand, you have sunshine-filled jazzy folk such as "Morning, Morning"; on the other hand you've got electrically charged pieces such as "High Flying Bird." The high point of Havens' long career remains his electrifying performance at Woodstock, where he equaled the mighty roar of Hendrix's screaming Fender Stratocaster with his deep, growling vocals and vigorous, finger shredding acoustic guitar strumming. The low point might be his Amtrak commercials a few years ago, but we forgive him -- it's not easy making a living as a folk guitarist.
- Jessy Terry]]></description>
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