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<title>Playlists Featuring Recoil on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.15802&amp;variant=artist-playlists&amp;rws=%2Frecoil%2Fplaylists.rss</link><description>Best known as the shy one of British synth-pop giants Depeche Mode during their mid- to late-'80s heyday, Alan Wilder was originally intended to replace departed songwriter Vince Clarke (now of Erasure fame). Instead, he became involved in the production end of 1983's &lt;I&gt;Construction Time Again&lt;/I&gt; and cemented a darker, more sophisticated, multidimensional sound for the band. Wilder's first solo recordings quietly emerged alongside 1986's &lt;I&gt;Black Celebration&lt;/I&gt; and earmarked him as the group's technical genius; although only four-track cassette demos, his works featured the cutting-edge sampling and sound design that had become DM's trademark. These skeletal but broodingly vivid audio sketches, captured on the first Recoil LP &lt;I&gt;Hydrology&lt;/I&gt;, became fully fleshed as Wilder began to invite a spectrum of guest vocalists, with a preference for spur-tongued New York poets and paranoid personalities. Using their emotional contributions, as well as progressively vigorous instrumentation, Wilder's current, post-modern pop excursions remain compellingly alienating.
- Jeff K.</description><category>Post-Modern Pop</category><language>en</language><ttl>720</ttl><pubDate>Fri, 1 Jan 2010 23:32:14 -0800</pubDate><image>
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<description>Best known as the shy one of British synth-pop giants Depeche Mode during their mid- to late-'80s heyday, Alan Wilder was originally intended to replace departed songwriter Vince Clarke (now of Erasure fame). Instead, he became involved in the production end of 1983's &lt;I&gt;Construction Time Again&lt;/I&gt; and cemented a darker, more sophisticated, multidimensional sound for the band. Wilder's first solo recordings quietly emerged alongside 1986's &lt;I&gt;Black Celebration&lt;/I&gt; and earmarked him as the group's technical genius; although only four-track cassette demos, his works featured the cutting-edge sampling and sound design that had become DM's trademark. These skeletal but broodingly vivid audio sketches, captured on the first Recoil LP &lt;I&gt;Hydrology&lt;/I&gt;, became fully fleshed as Wilder began to invite a spectrum of guest vocalists, with a preference for spur-tongued New York poets and paranoid personalities. Using their emotional contributions, as well as progressively vigorous instrumentation, Wilder's current, post-modern pop excursions remain compellingly alienating.
- Jeff K.</description>
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