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<title>Top Producers Corner Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link><description>Top Producers Corner Artists on Rhapsody Online</description><category>Producers Corner</category><language>en</language><ttl>720</ttl><pubDate>Sun, 27 Dec 2009 07:16:46 -0800</pubDate><image>
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<title>Top Producers Corner Artists on Rhapsody Online</title>
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<title>Kanye West</title>
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<category>Hitmakers</category>
<pubDate>Sat, 26 Dec 2009 10:03:56 -0800</pubDate>
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<description><![CDATA[One of the most successful pop personalities of the '00s, Chi-town producer/emcee Kanye West may be hip-hop's most unlikely superstar. After Jay-Z's <I>The Blueprint</I> dropped in 2001 with West productions "Izzo (H.O.V.A.)" and "Never Change," his patented chipmunk soul (sped-up soul loops for choruses; dramatic, sweeping strings) ushered in a new era of polished hip-hop formalism. It was a nice rejoinder to the bombast of Timbaland and the Neptunes. Many doubted that West could make the transition from producer to emcee; his flow was rigid compared to his Roc-A-Fella counterparts, and his middle-class perspective was the antithesis of their crack raps. But on his 2004 debut, <I>College Dropout</I>, West delivered one of the most thematically complex pop albums of the decade, alternately accepting and rejecting rap's conspicuous consumerism and reconciling his middle-class upbringing with hip-hop's more nihilistic archetypes. Subsequent albums documented West's ascension from quirky underdog to king of the hip-hop world, a position he continued to hold with 2008's mystifying <I>808 & Heartbreak</I>, which brandished his sensitive heart on its Auto-Tuned sleeve.
- Sam Chennault]]></description>
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<title>Dr. Dre</title>
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<category>G-Funk/ Gangsta</category>
<pubDate>Fri, 25 Dec 2009 11:18:01 -0800</pubDate>
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<description><![CDATA[Irrefutably one of the most important artists in the history of hip-hop, if not all popular music, Dr. Dre has amassed an astonishingly impressive body of work over his lengthy career. He got his start as a DJ in Los Angeles, was a member of the World Class Wreckin Crew, and in the late 1980s formed NWA. Dangerous though their lyrics were, Dre's production was equally important to the success of the group. His knack for unforgettable beats, funky basslines and cinematic depth proved the perfect accompaniment to their confrontational rhymes. Dre left the crew after their third record, and in 1992 released <I>The Chronic</I>, an untouchable masterpiece of California Gangsta Rap. Chock full of Parliament/Funkadelic basslines, high-pitched synths, and lolo-rockin' beats, track after track of G-Funk gems propelled the album to the top of the charts, made Snoop Dogg a household name, and changed the sound of hip-hop forever. In 1999 he produced Eminem's hugely successful <I>The Slim Shady LP</I>, followed several months later by Dre's long-awaited sophomore release, <I>2001</I>. The album proved that Dre's already incredible talents were getting even better, with elaborate, orchestrated production perfectly balancing funkiness and complexity. Trendsetter, talent spotter, mic-ripper, and producer extraordinaire -- after more than fifteen years blessing speakers around the world, Dr. Dre is still at the top of his game.
- Brolin Winning]]></description>
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<title>Timbaland</title>
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<category>Producers Corner</category>
<pubDate>Tue, 22 Dec 2009 10:24:23 -0800</pubDate>
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<description><![CDATA[It's impossible to calculate Timbaland's impact on urban music. Beginning in the mid-'90s, the Virginia producer not only revolutionized how hip-hop and R&B sounded, he also changed how pop audiences view the role of the producer. His work for Missy Elliott and Aaliyah elevated those figures into the spotlight, and introduced a singular production aesthetic that incorporated tabla rhythms and electro flourishes. The sound was witty and eclectic, and the five albums he created with Missy Elliott -- from 1997's <i>Supa Dupa Fly</i> to 2003's <i>This is Not a Test</i> -- are among Southern hip-hop's most treasured. They were immediate and visceral, alternately giant and quirky, building bombast out of world music nuances. You can hear Timbaland's influence in nearly every Southern and Midwestern producer, and his sound has been adopted by pop acts ranging from Justin Timberlake to Nelly Furtado. He is among the most respected figures in hip-hop, and in many ways is comparable to legendary pop producers such as Phil Spector.
- Sam Chennault]]></description>
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<title>MF DOOM</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:28:15 -0800</pubDate>
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<description><![CDATA[The emcee now simply known as DOOM hasn't shown his face to the public in over a decade, choosing instead to hide behind a metal mask at all times. The subject of constant speculation by a rabid fan base, the man born Daniel Dumile is among hip-hop's most mythologized rappers. DOOM's story starts in 1993, when Sev Love X's brother and KMD groupmate Subroc died in a car accident and their sophomore album, <i>Black Bastards</i>, was shelved by their record label. Sev Love went into hiding, emerging years later as the masked "super villain" MF DOOM. His first album, 1999's <i>Operation Doomsday</i>, was a lo-fi hip-hop classic, featuring a cadre of reworked quiet-storm beats and oblique word puzzles. As an emcee, his flow is a blunt instrument, rumbling over a track's rhythm, oftentimes oblivious to the beat. He relies on words to draw out rhythm, cramming lines with inner rhymes and alliteration. The album acquired a cult following, and when DOOM returned in 2003, the world was ready. He released classics <i>Madvillainy</i>, <i>Take Me to Your Leader</i> and <i>Vaudeville Villain</i> under different aliases within a 10-month period in 2003 and 2004. His latest is 2009's <i>Born Like This</i>.
- Brolin Winning]]></description>
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<title>Lil Jon</title>
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<category>Hitmakers</category>
<pubDate>Thu, 17 Dec 2009 10:45:20 -0800</pubDate>
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<description><![CDATA[The self-proclaimed King of Crunk, Atlanta rap icon Lil Jon has built up a formidable empire since he first hit the scene in 1997. Best known for his hyperactive, chant-along style, he's scored a long string of crossover hits, including "Bia Bia," "Get Low," and "Damn!" And he's not just a rapper -- Jon's production skills are in serious demand from all kinds of artists, among them Usher, who enlisted him to lace the beat for his single "Yeah." In addition to cranking out platinum hits, Lil Jon has also helped to develop new talent, including Lil Scrappy and Trillville.
- Brolin Winning]]></description>
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<title>Madlib</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
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<description><![CDATA[Though he'd made guest appearances with West Coast indie stalwarts Tha Alkoholics, most people first noticed Madlib when his group Lootpack released <I>Soundpieces: Da Antidote</I> in 1999. Madlib's rickety lo-fi productions were looser and funkier variations on the jazzy hip-hop pioneered by his NYC producers, but it wasn't until <I>The Unseen</I> dropped in 2000 that Madlib's M.O. became apparent. Released under the Quasimoto moniker, <I>The Unseen</I> was a concept album based on a helium-voiced hedonist who enjoyed "astro traveling." It was equal parts Prince Paul, Sun Ra and Cheech Marin, and remains among the most inventive hip-hop albums ever made. Madlib would continue to follow his weird muse unbridled by either commercial interest or fan expectations. In the past eight years, he recorded numerous jazz albums under different aliases, collaborated with J Dilla on <I>Champion Sound</I>, recorded a broken-beat album under the moniker DJ Rels, reworked both the Blue Note and Trojan catalogs, linked up with MF Doom for <I>Madvillainy</I> and recorded two widely acclaimed instrumental hip-hop albums. Madlib continues to push boundaries.
- Sam Chennault]]></description>
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<title>RJD2</title>
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<category>The Midwestern Basement</category>
<pubDate>Fri, 25 Dec 2009 11:17:29 -0800</pubDate>
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<description><![CDATA[A producer and DJ from Columbus, Ohio, RJD2 is undoubtedly one of the most hyped beatmakers in independent hip-hop today. He got his start making tracks for the MHZ crew (Copywrite, Camu Tao, Tage Proto), then worked his way up with a series of singles and mix tapes before unleashing his critically-acclaimed debut LP, <i>Dead Ringer</i>, on the uber-hip Def Jux label in 2002. Much like DJ Shadow (an obvious influence) before him, RJD2's music appeals not only to the underground hip-hop community, but also to aging indie-rockers and hipsters who don't care for most rap music. Loaded with moody samples, dusty drum breaks, dialogue clips, and pieces of vintage soul jams, the mostly instrumental <i>Dead Ringer</i> elicited rave reviews from a wide variety of listeners, and was bound for many critic's "best of 2002" lists.
- Brolin Winning]]></description>
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<title>Will.i.am</title>
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<category>Producers Corner</category>
<pubDate>Thu, 26 Nov 2009 11:27:12 -0800</pubDate>
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<description><![CDATA[Will.I.Am's path in life is almost as strange and schizophrenic as his productions. The producer/emcee started off as a b-boy/dancer in the early '90s before joining up with West Coast conscious rappers Atban Klann. Creating a buzz with their dynamic live shows, they signed to Eazy E's Ruthless Records, though they struggled to find their niche among the other gangster rappers on that label. After Eazy died of Aids , the group changed their name to Black Eyed Peas and shortly thereafter signed to Interscope Records. Will was still in b-boy mode, and the first Peas record was light, jazzy boho rap. This true-skool spirit runs through his first two solo albums, 2001's <i>Lost Change</i> and 2003's <i>Must B 21</i>. It's fashionable in rap circles to say that Will eventually sold out when he recruited Fergie into BEP, collaborated with the likes of Justin Timberlake and became the mega-star that he is today. But it's also true that he's always been about accessibility and eclecticism. That approach has changed little.
- Sam Chennault]]></description>
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<title>DJ Quik</title>
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<category>Producers Corner</category>
<pubDate>Wed, 9 Dec 2009 10:53:45 -0800</pubDate>
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<description><![CDATA[Since he first grabbed the spotlight with his hit "Born and Raised in Compton," DJ Quik has become legendary, producing tight and funky tracks both for himself and other artists. While he never reached the mega-star status enjoyed by fellow G-funkster Dr. Dre, Quik was also very instrumental in pioneering the Parliament/Funkadelic inspired movement. His tracks have all the key ingredients; full-bodied bass grooves, wheezing high-end synths, and beats custom-made for the ride. Quik has released five albums between '91 and 2000, in addition to lending his skills to a variety of artists from both coasts. His dance inducing "Pitch In On A Party" single rocked the airwaves during the summer of 2000, and 2002 saw him return with <i>Under The Influence</i>. A hits compilation entitled <i>Best of DJ Quik</i> was released that same year, <i>Platinum & Gold Collection</i> followed in 2004.
- Brolin Winning]]></description>
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<title>J Dilla</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Sat, 26 Dec 2009 10:03:53 -0800</pubDate>
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<description><![CDATA[One of hip-hop's most accomplished producers, J Dilla helped define the sound of underground hip-hop. His signature blend of breezy soul music, jazz licks and hip-hop thump can be heard in the music of Kanye West, Madlib and the Roots. And while charting was never a priority, Dilla was as accessible as anything by the Neptunes, and he worked with such pop artists as Busta Rhymes and Janet Jackson. When Dilla passed in February 2006 due to liver failure, there was an instant and inescapable void in the hip-hop universe -- one that will not be easily filled. <br></br> Dilla began his musical odyssey in the late '80s as part of the emerging Detroit hip-hop crew Slum Village. He was labeled a prodigy -- when the group formed in 1988, Dilla was only 15. Dilla first reached national attention in the mid-'90s while producing for Tribe Called Quest and De La Soul. Though Trife and Q-Tip's chemistry together had long since waned, Dilla's production on <I>The Love Movement</I> at least made the CD listenable. Subtle counter melodies and light, shuffling breaks were the order of the day, and tracks such as "Find My Way" and "4Moms" found Dilla in increasingly pastoral form. It provided a proper sendoff for one of hip-hop's most celebrated groups and set the stage for the neo-soul movement that would later help redefine urban music. <br></br> Dilla produced for many key artists in the neo-soul genre. His work on D'Angelo's <I>Voodoo</I> was quintessential, while the tracks that he completed for Erykah Badu (including "Cleva" and "Didn't Cha Know") were equally compelling. But Dilla was too restless a musician to be confined to one sound. As he was turning out tracks for the headwrap soul set, he was also helping to guide the careers of hip-hop superstars Common and Busta Rhymes and overseeing the commercial emergence of his old Detroit crew, Slum Village. SV's 2000 single "Rise Up," from the <I>Fantastic, Vol. 2</I> album, was featured extensively on MTV and was vintage Jay Dee: sample-based with slight electro embellishments and awkward, non-quantized drum programming that would be dubbed by the Roots' ?uestlove as Dilla's "drunken style." <br></br>It was during this time that Dilla would experience his greatest commercial successes. Q-Tip's "Vivrant Thing," from his solo debut <I>Amplified </I>, was that rapper's biggest single to date, and Dilla's work on Busta Rhymes' <I>The Genesis</I> and Common's <I>Like Water for Chocolate</I> was equally popular. Suddenly, Dilla was a top-tier producer, a status that was cemented when Janet Jackson contracted him in 2000. Dilla never felt comfortable in the role, and he soon departed from Slum Village (rumor has it that that the group wanted to take a more commercial approach) and began to focus on producing for lesser-known Detroit acts. His production during this period was grittier. While his signature off-tempo drums were still in place, the delicate soul samples that dominated his earlier work were supplanted by a thornier electro edge. <br></br>In 2003, Dilla linked up with California producer Madlib. Madlib's work was obviously influenced by Dilla, though it was abstract and tangential where Dilla's was focused and concise. Their 2003 collaborative LP, Jaylib's <I>Champion Sound</I>, was an underground hip-hop classic. Dilla was so smitten with Madlib and his Stones Throw label that he relocated to L.A. and signed to Stones Throw. It would be here that Dilla released</I> Donuts </I>, his last album. The record found Dilla flipping classic soul samples and was widely heralded as his best work in years. It was a fitting bookend to one of hip-hop's most illustrious careers. <br></br>Due to Dilla's incredible medical expences, a fund has been set up to provide financial relief for Dilla's mother. If you'd like to help, please send check or money orders to the following address:<br></br>
Maureen Yancey<br></br>
132 N. Sycamore Avenue<br></br>
Los Angeles, CA 90036
- Sam Chennault]]></description>
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<title>Pharrell Williams</title>
<link>http://www.rhapsody.com/goto?rcid=art.64713&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Hitmakers</category>
<pubDate>Wed, 2 Dec 2009 11:07:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<description><![CDATA[Few individuals have been more influential in how hip-hop both looks and sounds than Virginia Beach producer/singer Pharrell Williams. His work with the Neptunes and N.E.R.D. is among the most critically acclaimed and commercially successful in all of hip-hop. Beginning with N.O.R.E's 1998 hit single "Super Thug" and ODB's cult classic <I>N*gg* Please</I>, the Neptunes essentially reinvented the Urban Music wheel, effecting everything from R&B to hip-hop to modern pop. Their mixture of grimy minimalism, churning electro funk and airy R&B was confrontational in its absolute accessibility. The churning noise of Clipse's "Grindin'" gave way to the fragile melody of "Frontin'," yet neither club-goers nor radio DJs missed a beat. A string of imitators sprung up in their wake (did you know that the Neptunes didn't produce J-Kwon's "Tipsy"?), but Pharrell and co. were so relentless and mercurial that they never grew stale to pop consumers. But more than merely reconfiguring the genre's sonic landscape, Williams redefined the role of the hip-hop producer. As the public face of the Neptunes, he appeared in videos for Busta Rhymes, P. Diddy and Nelly; designed a line of jewelry and sunglasses for Louis Vuitton; and graced many a hook with his awkward yet endearing falsetto warble. It was perhaps the first example of producer as pop personality, and the approach would be adopted by everyone from Lil' John to Kanye West. Considering that he's one of pop music's most recognizable figures, it comes as little surprise that his debut solo album, <I>In My Mind </I>, is one of 2006's most eagerly anticipated releases.
- Sam Chennault]]></description>
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<title>Jermaine Dupri</title>
<link>http://www.rhapsody.com/goto?rcid=art.38080&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Hitmakers</category>
<pubDate>Wed, 16 Dec 2009 11:56:27 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jermaine Dupri</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38080&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A platinum-selling producer/rapper/label CEO from Atlanta, Jermaine Dupri's legendary career is impossible to front on. His reign on the pop charts began in the early 1990s, when he discovered Kris Kross, producing their debut LP that sold over four million copies. He also contributed tracks to early TLC albums, and soon introduced the world to both Xscape and Da Brat. All recorded platinum records for JD's So So Def label. At this stage in the game, he started lacing tracks for a wide variety of established superstars, including Mariah Carey and Jay-Z. He also recorded <i>Life In 1472</i>, a compilation-style album featuring a virtual who's-who of the hip-hop and R&B world. In 2000 JD upped the ante even more, with Lil Bow Wow's debut <i>Beware Of Dog</i> blowing up from coast to coast. 2001 saw the release of <i>Instructions</i>, featuring cameos from Ludacris, Nate Dogg, and UGK.
- Brolin Winning]]></description>
</item><item>
<title>RZA</title>
<link>http://www.rhapsody.com/goto?rcid=art.4098&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Wed, 16 Dec 2009 11:56:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">RZA</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4098&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The mad genius behind one of the most important crews in the history of hip-hop, RZA has rewritten the rules for making beats. Following a brief stint as Prince Rakeem in 1991, he came back with a vengeance, masterminding the Wu's classic debut <I>Enter The Wu-Tang (36 Chambers)</I> in 1993. The rest is history. The Clan blew up, spawning clothing lines, movies, comic books, video games and seemingly unlimited numbers of solo albums, but it was the Rzarector's trademark sound that made it all possible. In addition to his work on Wu records, both group and solo, he has managed to stay quite busy. He was a founding member of Gravediggaz and he has begun working in film, both as a director and a composer. In 1998 he recorded his futuristic concept album <I>RZA as Bobby Digital in Stereo</I>. The sophisticated pseudo-soundtrack went over the heads of many Clan fans, but displayed his need for experimentation and growth as an artist. The RZA would release three more solo projects over the next decade, two additional Bobby Digital projects (2001's <I>Digital Bullet</I> and 2008's <I>Digi Snax</I>) as well as 2004's <I>Birth of a Prince</I>.
- Brolin Winning]]></description>
</item><item>
<title>Alchemist</title>
<link>http://www.rhapsody.com/goto?rcid=art.40339&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 26 Dec 2009 10:03:57 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Alchemist</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40339&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the most impressive beatmakers in the game, the Alchemist got his start in the early '90s as one-half of the Cypress Hill-affiliated duo the Whooliganz. Al was mentored by DJ Muggs, who taught him the fundamentals of producing hot tracks. Since then he's laid extra-raw beats and cinematic soundscapes for a wide range of crews, including Mobb Deep, Dilated Peoples, CNN, Buc Fifty, and many more. A thug-rap specialist, he released his own instrumental album <i>Gangster Theme Music</i> at the end of 2000. After a few more self-released projects (<i>Insomnia</i>, <i>The Cutting Room Floor</i>), he released his proper debut album <i>1st Infantry</i> in late 2004.
- Brolin Winning]]></description>
</item><item>
<title>Swizz Beatz</title>
<link>http://www.rhapsody.com/goto?rcid=art.8525&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Wed, 9 Dec 2009 10:53:49 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Swizz Beatz</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8525&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>9th Wonder</title>
<link>http://www.rhapsody.com/goto?rcid=art.8653315&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 22 Aug 2009 09:35:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8653315&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Hi-Tek</title>
<link>http://www.rhapsody.com/goto?rcid=art.37665&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 31 Oct 2009 11:43:10 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Hi-Tek</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37665&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37665&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A fast-rising producer from Cincinnati, Hi-Tek's distinctive, laid-back beats are finding more and more exposure outside the hip-hop underground. He's worked extensively with Mood (peep their <i>Mission Control Presents: Prehistoric Sounds</i> LP), and through them he hooked up with Talib Kweli. He and Talib went on to form Reflection Eternal, releasing classic singles like "Fortified Live" on the then-fresh indie label known as Rawkus. Hi-Tek provided many key tracks to Talib and Mos Def's <i>Black Star</i> album, and in 2000 he and Kweli dropped the eagerly-anticipated <i>Train Of Thought</i> full-length, featuring serious bumps like "The Blast" (which he also rhymes on) and "Move Somethin'." His debut solo record <i>Hi-Teknology</i> followed in 2001, with choice cameos from Cormega, Buckshot, and Common.
- Brolin Winning]]></description>
</item><item>
<title>Pete Rock</title>
<link>http://www.rhapsody.com/goto?rcid=art.69185&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 3 Oct 2009 10:44:39 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69185&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Easily one of the best and most influential producers of the 1990s, Pete Rock's track-making mastery is responsible for many hip-hop classics. He released three albums with partner C.L. Smooth between 1991 and 1994, incorporating mellow beats and a heavy jazz influence into his work. He's worked the boards for a wide assortment of rap stars -- everyone from Kid 'N Play and Heavy D to Nas and Rakim. He released <I>Soul Survivor</I> in 1998, a solo LP featuring a gang of guests including Black Thought, Raekwon, and Kool G. Rap. In 2001, he teamed up with BBE Records for their Beat Generation series, offering the excellent <i>Petestrumentals</i> LP.
- Brolin Winning]]></description>
</item><item>
<title>Sa-Ra Creative Partners</title>
<link>http://www.rhapsody.com/goto?rcid=art.8902812&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sa-Ra Creative Partners</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8902812&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8902812&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the most buzzed-about groups of 2005, SA-RA Creative Partners are a production unit comprised of Om'Mas Keith, Taz Arnold, and Shafiq Husayn. All of them had successful careers in the music industry before coming together in 2000. With skills in beatmaking, DJing, singing and rapping, they truly are a triple threat and have a musically diverse sound to back it up. They've produced for big-name artists like Dr. Dre, Common, Jill Scott and Erykah Badu, and have released a steady stream of collectable 12-inch singles in the States and abroad. With a hard-to-categorize sound and plenty of love from fickle journalists and music aficionados alike, don't be surprised if these guys become full-fledged stars.
- Brolin Winning]]></description>
</item><item>
<title>88-Keys</title>
<link>http://www.rhapsody.com/goto?rcid=art.22950101&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Thu, 24 Dec 2009 13:15:37 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.22950101&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Luny Tunes</title>
<link>http://www.rhapsody.com/goto?rcid=art.6639829&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Reggaeton</category>
<pubDate>Wed, 28 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<description><![CDATA[Luny Tunes are to reggaeton what the Neptunes were to rap at the turn of the 21st century; their beats have animated just about every hit on the books, from Daddy Yankee's ubiquitous "Gasolina" and "Lo Que Paso, Paso" to Tego Calderon's "Guasa, Guasa" and Wisin y Yandel's "Rakata." Born Francisco Saldana and Victor Cabrera in the Dominican Republic, both grew up in Puerto Rico listening to underground Puerto Rican rap. Through some strange twist of economic fate, they both ended up in Massachusetts in the 1990s, forced to temper their musical aspirations with reality as they worked as a cook and dishwasher, respectively, at Harvard University. When the chance came to produce a few tracks in Puerto Rico, they hot-footed it back there to give music-making a shot. Luck and talent collided when Ivy Queen became the first big-name reggaeton artist to work with them, and pretty soon their prowess made them indispensable to the scene.
- Sarah Bardeen]]></description>
</item><item>
<title>Mannie Fresh</title>
<link>http://www.rhapsody.com/goto?rcid=art.55530&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Fri, 13 Nov 2009 12:38:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<description><![CDATA[The musical maestro behind Cash Money Records' tremendous success, Mannie Fresh is revered for his signature production style that has made superstars out of Juvenile and Baby the Birdman among others. One of New Orleans' original hip-hop DJs, Fresh has been living up to his name since the mid-'80s, when he was spinning at parties and clubs around the Big Easy. Hooking up with Cash Money, he soon became the in-house producer for every artist on the label, focusing on teenage rapper B.G., alligator-wrestler-turned-emcee Juvenile and the Hot Boys supergroup, plus comprising one-half of the Big Tymers. In the late-'90s, Mannie's syncopated, bottom-heavy beats had spread from the Dirty South to the mainstream on the strength of better distribution through Universal and a string of infectious, chart-topping hits such as "Ha," "Back That Azz Up," "Bling Bling," "We On Fire" and "Project Chick." Though several of Cash Money's marquee acts have since left the label, Mannie remains, continuing to craft hits for the team. In late 2004, he released his highly anticipated solo debut <I>The Mind Of Mannie Fresh</I>.
- Brolin Winning]]></description>
</item><item>
<title>Large Professor</title>
<link>http://www.rhapsody.com/goto?rcid=art.7485&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Fri, 30 Oct 2009 12:04:39 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7485&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Large Professor is one of the most long-standing -- and underrated -- producers in hip-hop, creating tracks for some of the biggest names in the business. He got his start making beats for artists like Kool G Rap and Rakim, before joining up with Main Source and going to work behind the boards as well as on the mic. Their 1991 album, <I>Breaking Atoms</I>, remains a cherished classic, with the timeless hits "Looking At The Front Door" and "Live at the Barbeque." Though he left the group behind, his impact and influence steadily grew through his top-notch compositions for other rising stars. His resume reads like a who's-who of quality hip-hop, with Nas, Big Daddy Kane, A Tribe Called Quest, and Mobb Deep. Large Professor continues to record as a producer and emcee; he released <I>Rap Professionals</I> in 2000.
- Brolin Winning]]></description>
</item><item>
<title>Prince Paul</title>
<link>http://www.rhapsody.com/goto?rcid=art.69117&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Wed, 25 Mar 2009 21:05:16 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69117&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An extremely innovative producer with an astounding discography behind him, Prince Paul is the mad genius behind some of hip-hop's most landmark work. His production style on De La Soul's 1989 debut <I>3 Feet High and Rising</I> drew from a wide variety of musical sources. The album was the first to expand the depth of sampling capabilities, perfectly mingling sounds not usually associated with hip-hop. It was also one of the earlier examples of skits on records, a trend followed by practically every hip-hop artist in the 1990s.In 1994, along with the RZA, Fruitkwan and Poetic, Paul created the Gravediggaz, a conceptual supergroup whose experimental sound was soon dubbed "horrorcore." He closed the '90s by dropping his solo debuts <I>Psychoanalysis: What Is It?</I> and the cinematic <I>A Prince Among Thieves</I>, while also hooking up with the Automator (another superproducer) and a gang of cutting-edge artists for the genre-bending Handsome Boy Modeling School's <I>So How's Your Girl</I>. With work on over forty albums under his belt, Prince Paul has consistently changed the rules of hip-hop, furthering its evolution with his startlingly original vision and sound.
- Brolin Winning]]></description>
</item><item>
<title>El-P</title>
<link>http://www.rhapsody.com/goto?rcid=art.40822&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Fri, 25 Dec 2009 11:17:24 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40822&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Formerly known as El-Producto, New York producer/lyricist El-P is one of the underground's shining stars. He got his start as 1/3 of the legendary act Company Flow, a group that ushered in a whole new wave of subterranian artists and helped establish Rawkus as a formidable industry powerhouse during the late 1990s. Following Co Flow's break-up in 2000, he went on to develop his own label, Def Jux, which has since grown to include critically acclaimed heads like Aesop Rock, RJD2, and Cannibal Ox. Much-respected (and often mis-understood) due to his hyper-wordy rhyme schemes and ultra-grimy, chaotic beatscapes, El-P also produced Cann Ox's epic 2001 debut <i>The Cold Vein</i>. His highly-anticipated solo debut <i>Fantastic Damage</i> hit the streets in the summer of 2002. He explored the jazz landscape on 2004's <i>High Water (Mark)</i>, and also released <i>Collecting The Kid</i>, a limited edition compilation later that year.
- Brolin Winning]]></description>
</item><item>
<title>The Neptunes</title>
<link>http://www.rhapsody.com/goto?rcid=art.15460&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Fri, 30 Oct 2009 12:04:55 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<description><![CDATA[A production duo comprising Chad Hugo and Pharrell Williams, the Neptunes have fast become the pre-eminent hit-making force in hip-hop. Known for producing eclectic, club-ready singles, their contagious beats have backed major hits by the likes of Jay-Z ("I Just Wanna Love U"), Noreaga ("Superthug"), and Mystikal ("Shake Ya Ass"). Working with longtime friend Shay, they formed N*E*R*D in 2001, which resulted in the exceptional <i>In Search Of</i> LP. A highly musical, genre-blending affair, the release merges their usual jumpy beatscapes with soulful singing, thick pop melodies, and psychedelic sonic trickery. Easily one of the year's best albums, it was unfortunately never released in the states but is available through special order. With a massive catalog of work to their credit, the Neptunes prove to be more than taste-makers; they're immensely talented musicians with an unlimited future in the game.
- Brolin Winning]]></description>
</item><item>
<title>DJ Premier</title>
<link>http://www.rhapsody.com/goto?rcid=art.7766&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 12 Dec 2009 11:16:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7766&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Arguably the most admired and influential producer in hip-hop (at least on the East Coast), DJ Premier's legendary status is well-earned. His career began in the late '80s, as one half of Brooklyn pioneers Gang Starr. He changed the soundscape of hip-hop through his use of extensive jazz sampling, finely chopped loops, thick drum tones, assorted bells and subtle percussion. In the '90s he collaborated with a wide variety of emcees, crafting classic tunes for the likes of Jay-Z, Biggie, Nas, M.O.P., Big L, and many others. He's also explored avenues outside the genre, working with artists as diverse as Limp Bizkit, Branford Marsalis, and Paula Cole. Gang Starr are set to release their sixth proper album in 2002, and Premier will undoubtedly put in work on dozens of other tracks as well. Often imitated but never outdone, DJ Premier continues his reign as one of hip-hop's great beatmasters.
- Brolin Winning]]></description>
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<title>Jake One</title>
<link>http://www.rhapsody.com/goto?rcid=art.11642442&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 22 Aug 2009 09:35:53 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11642442&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Ant Banks</title>
<link>http://www.rhapsody.com/goto?rcid=art.3398&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Bay Area</category>
<pubDate>Sun, 9 Aug 2009 08:39:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3398&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A multi-talented, highly influential rap veteran from Oakland, Ant Banks first came up in the late eighties, producing choice tracks and rhyming alongside gangsta rapper-turned-bank robber Pooh Man. Shortly after, he hooked up with the king of pimp rhymes Too Short, and collaborated with him for numerous classic albums. In '93 he signed to Jive Records and released <i>Sittin' On Something Phat</i>, the first of several solo records. Production-wise, Ant Banks' funk-steeped beats helped define the Bay Area sound. He's contributed that sound to landmark LPs by local luminaries E-40 and Spice 1. After four solo albums, <i>The Best Of Ant Banks</i> appeared in 1998. The following year he assembled the group T.W.D.Y. and scored a big hit with "Player's Holiday."
- Brolin Winning]]></description>
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<title>Havoc</title>
<link>http://www.rhapsody.com/goto?rcid=art.36192&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Mon, 30 Nov 2009 10:00:57 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.36192&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>40winks</title>
<link>http://www.rhapsody.com/goto?rcid=art.16730857&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Thu, 22 Oct 2009 11:11:54 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16730857&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Peanut Butter Wolf</title>
<link>http://www.rhapsody.com/goto?rcid=art.13125&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Fri, 10 Apr 2009 16:04:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13125&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13125&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A producer/DJ at the forefront of the Bay Area's thriving underground hip-hop scene, Peanut Butter Wolf is one of the most innovative artists around. He started Stones Throw Records in 1996, and the label has quickly blossomed into a who's who of progressive emcees and DJs. Lootpack, Rasco, and Rob Swift have all released LPs on the label, which also moves 12"s, instrumental albums, and even 45s. As a beatmaker, PBW uses his deep knowledge of various genres, piecing together original tracks culled from all sorts of jazz, soul, rock, pop and anything else that sounds fresh. His work has appeared on numerous compilations and other albums, and his debut solo LP <i>My Vinyl Weighs A Ton</i> (1999) showcases his track-crafting mastery while letting other artists shine as well (one track features nine different DJs). A strong believer in artistic freedom and experimentation, Peanut Butter Wolf exhibits the rare balance of critical acclaim and musical evolution. His skills as both a producer and label-head are huge assets to the hip-hop community, and his creative vision shows no signs of letting up.
- Brolin Winning]]></description>
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<title>Blue Sky Black Death</title>
<link>http://www.rhapsody.com/goto?rcid=art.11208563&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Sun, 30 Aug 2009 09:01:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11208563&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Diamond D</title>
<link>http://www.rhapsody.com/goto?rcid=art.5869&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Sat, 3 Oct 2009 10:44:48 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Diamond D</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5869</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5869&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5869&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the most influential and revered producers in the game, Diamond D got his start deejaying with Jazzy Jay and making beats with Ultimate Force, before releasing his classic solo debut <i>Stunts, Blunts, & Hip-Hop</i> in 1992. Though he can also rock a mic, Diamond is better known for his skills behind the boards, working on a number of landmark albums. His tracks have appeared on Fugees' <i>The Score</i>, ATCQ's <i>Low End Theory</i>, Showbiz & A.G.'s <i>Runaway Slave</i>, and many others. Diamond's second LP, <i>Hatred, Passion, & Infidelity</i>, dropped in '97, and he's also stayed active as a member of D.I.T.C., who released their long-awaited album in 2000. Other collaborators include Mos Def, Organized Konfusion, Bumpy Knuckles, and the Pharcyde.
- Brolin Winning]]></description>
</item><item>
<title>Danger Mouse</title>
<link>http://www.rhapsody.com/goto?rcid=art.7288241&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Sun, 20 Dec 2009 09:42:57 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Danger Mouse</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7288241</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7288241&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Taking his name from a British cartoon from the 1980s, Danger Mouse was a respected but fairly obscure producer until a great idea and EMI lawyers made him an international superstar practically overnight. In late 2003, when Jay-Z released his supposed swan song <i>The Black Album</i>, he also put out an all-acapella version for budding beatmakers to work with. Several revamped editions followed, but none were as ingenious as Danger Mouse's. He basically rerecorded the entire album using nothing but samples from the Beatles' <i>White Album</i> as source material. He called it <i>The Grey Album</i>, and it sparked a deafening buzz, drooling critics, and a cease and desist letter from the suits at EMI. As a result of the controversy, Danger Mouse became a household name and got tons of press on outlets as big as MTV and CNN. Jay-Z himself was a fan, and his label Roc-A-Fella soon snapped up the young producer to contribute tracks to the new Beanie Sigel LP.
- Brolin Winning]]></description>
</item><item>
<title>Black Milk</title>
<link>http://www.rhapsody.com/goto?rcid=art.10545237&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Sat, 26 Dec 2009 10:03:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Black Milk</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10545237&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10545237&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Detroit rapper Black Milk is one of the most promising young producers in indie hip-hop. He grew up with the generation that saw J Dilla as a model, and his productions reflect this influence. He first rose to national attention with his contributions to Slum Village's fourth self-titled disc. Along with fellow Detroit producer Young RJ, Black Milk formed BR Gunna. The duo released <I>Dirty District: Vol. 2</I> on Barak Records in June 2004 to critical praise. Black Milk released his solo debut <I>Sound of the City</I> in 2005, which was followed by the <I>Broken Wax</I> EP in the fall of 2006. Though it's unfair to call Black Milk a Dilla clone, there are several stylistic similarities between the two, and with Dilla's demise in early 2006, hip-hop devotees tried to anoint Milk the heir to his throne. He didn't disappoint. <I>Popular Demand</I> came as somewhat of a revelation in 2007. Sparse, lo-fi and sublime, it cemented Black Milk's reputation as a master of hard drums and electro hip-hop. 2008's <I>Tronic</I> further expanded his palette, pulling from pop, neo-soul and revivalist boom bap.
- Sam Chennault]]></description>
</item><item>
<title>Illa J</title>
<link>http://www.rhapsody.com/goto?rcid=art.22695327&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Wed, 25 Nov 2009 11:50:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Illa J</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.22695327&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.22695327&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Copperpot</title>
<link>http://www.rhapsody.com/goto?rcid=art.9599087&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Tue, 2 Sep 2008 13:43:45 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Copperpot</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9599087&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jazze Pha</title>
<link>http://www.rhapsody.com/goto?rcid=art.6523140&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Fri, 27 Nov 2009 10:25:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6523140</guid>
<rhap:rcid xmlns:rhap="rhap">art.6523140</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jazze Pha</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6523140</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6523140&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6523140&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Bomb Squad</title>
<link>http://www.rhapsody.com/goto?rcid=art.5578&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Thu, 12 Nov 2009 09:55:07 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bomb Squad</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5578&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5578&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sweet, jazzy keys and horn sounds combine with a slow, rolling drum loop to envelop the syrupy vocals of emcees Shredda D and Shah-reel. Their lazy flow perfectly reflects the peaceful atmosphere created by the music.
- Alex Henning]]></description>
</item><item>
<title>Superstar Quamallah</title>
<link>http://www.rhapsody.com/goto?rcid=art.6988723&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Mon, 7 Sep 2009 09:55:22 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6988723</guid>
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<rhap:artist xmlns:rhap="rhap">Superstar Quamallah</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6988723</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6988723&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6988723&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Scott Storch</title>
<link>http://www.rhapsody.com/goto?rcid=art.10337253&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Tue, 17 Mar 2009 20:29:44 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.10337253</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Scott Storch</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10337253</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10337253&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10337253&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Cool and Dre</title>
<link>http://www.rhapsody.com/goto?rcid=art.10337252&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Tue, 17 Mar 2009 20:31:20 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10337252</guid>
<rhap:rcid xmlns:rhap="rhap">art.10337252</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cool and Dre</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10337252</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10337252&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10337252&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Thes One</title>
<link>http://www.rhapsody.com/goto?rcid=art.7663490&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Wed, 14 Jan 2009 12:27:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thes One</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7663490</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7663490&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7663490&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Da Beatminerz</title>
<link>http://www.rhapsody.com/goto?rcid=art.44582&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Wed, 21 Oct 2009 11:05:04 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Da Beatminerz</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44582</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44582&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44582&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Brooklyn-based production team, Da Beatminerz burst onto the scene in '93, producing Black Moon's seminal debut <i>Enta Da Stage</i>. From there they hooked up with Smif-N-Wessun, lacing them with beats for the Bucktown classic <i>Dah Shinin'</i>. Their style behind the boards is dark and murky, with raw drums, thick jazz loops, and seriously deep bass grooves. Da Beatminerz went on to produce for various members of the Boot Camp Clik as well as Bahamadia, the Roots, and others. Comprising DJ Evil Dee, Mr. Walt, Baby Paul, Chocolate Ty, and Rich Black, their long awaited compilation album dropped in the summer of 2001. It sported collaborations with the Cocoa Brovaz, Pete Rock, Freddie Foxxx, and more.
- Brolin Winning]]></description>
</item><item>
<title>Organized Noize</title>
<link>http://www.rhapsody.com/goto?rcid=art.16468&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Fri, 10 Jul 2009 12:19:17 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Organized Noize</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16468</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16468&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16468&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A three-man production crew from Atlanta, Organized Noize scored their first big hit with TLC's "Waterfalls." They were the main sonic force behind several acclaimed albums by Goodie Mob and Outkast, fusing soulful live instrumentation with creative exploration and lending credibility to a southern scene dominated by Master P and his imitators. They eventually started their own label with artists like Witchdoctor and Cool Breeze but saw limited success. Organized Noize have also produced for Curtis Mayfield, Kurupt, and En Vogue, and have contributed to more than a dozen movie soundtracks. In 1997 they were declared "producers of the year" by <i>The Source</i> magazine.
- Brolin Winning]]></description>
</item><item>
<title>Unagi</title>
<link>http://www.rhapsody.com/goto?rcid=art.5195056&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 9 May 2009 09:56:40 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Unagi</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5195056</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5195056&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5195056&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Up-and-coming San Francisco-based producer/DJ Unagi was raised in a musical
household where playing several instruments was the norm. As a teen, he
performed with an assortment of experimental bands, and in the mid-1990s he
assembled a hip-hop super crew called Discs Of Tron (D.O.T.) that pummeled
Western Massachusetts audiences with a distinct mix of 100% freestyle raps,
schizophrenic live musical accompaniment, and theatrical stage shows. After the
D.O.T. disintegrated, Unagi went solo first as an emcee, then as a producer/DJ.
In the fall of 2003, he released his debut album, an enjoyably ramshackle
instrumental collection that blurs the line between subterranean hip-hop,
soul-jazz, guttural funk, and '80s synth balladry. Unagi's second instrumental LP <i>Keepin It Eel</i> dropped in late 2004.]]></description>
</item><item>
<title>Just Blaze</title>
<link>http://www.rhapsody.com/goto?rcid=art.9682224&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Wed, 21 Oct 2009 11:04:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1027&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss">Top Producers Corner Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Just Blaze</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9682224</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9682224&amp;variant=play&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9682224&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fproducers-corner%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Jel (Anticon)</title>
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<pubDate>Sun, 15 Nov 2009 11:03:44 -0800</pubDate>
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<title>Marley Marl</title>
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<category>Producers Corner</category>
<pubDate>Thu, 5 Nov 2009 12:40:14 -0800</pubDate>
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<description><![CDATA[Among the most influential producers in hip-hop, Juice Crew founder Marley Marl began his beat-making career in the early '80s, making a name for himself through his aggressive tracks and innovative production techniques. The man behind countless classics, Marl crafted the beats for the groundbreaking hits "Roxanne's Revenge," "The Bridge," "Ain't No Half Steppin'," "Eric B For President," and many other timeless crowd-rockers. The first hip-hop artist to put Queensbridge (onetime home of Nas, Capone, and Tragedy) on the map, Marl fine-tuned the sound of New York rap through hit after hit from his Cold Chillin camp. He also put out several compilation albums and spent the '90s producing for a diverse group of artists, including Fat Joe, CNN, Heavy D, and Lords of the Underground. In 2001, Marley Marl teamed up with BBE Records and released <i>Re-Entry</i> as part of their Beat Generation series.
- Brolin Winning]]></description>
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