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<title>Top 80's Rap/Hip-Hop Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link><description>Top 80's Rap/Hip-Hop Artists on Rhapsody Online</description><category>80's Rap/Hip-Hop</category><language>en</language><ttl>720</ttl><pubDate>Fri, 27 Nov 2009 19:10:19 -0800</pubDate><image>
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<title>Top 80's Rap/Hip-Hop Artists on Rhapsody Online</title>
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<title>Beastie Boys</title>
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<category>Hitmakers</category>
<pubDate>Fri, 27 Nov 2009 10:25:05 -0800</pubDate>
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<description><![CDATA[In 1986, the Beastie Boys' first album, <I>Licensed to Ill</I>, went off like a bomb amid the international record-buying public. The New York trio's brash hollering and sophomoric humor, along with producer Rick Rubin's brilliant idea to blast heavy metal riffs underneath, turned the music world on its ear. On their second album, <I>Paul's Boutique</I>, MCA, Ad-Rock and Mike D. loosed a torrent of sly jokes and deep pop culture references that, along with unheard-of production by the Dust Brothers that interlocked over 100 samples, resulted in a critical 180 for the band. This shot-calling in the rap world continued over the next two albums (<I>Check Your Head</I> and <I>Ill Communication</I>) before tapering off as the trio devoted time to developing bands on their Grand Royal label and fighting for various political causes. Their fifth album, <I>Hello Nasty</I>, won a pair of Grammys in 1998, and 2004's <I>To the 5 Boroughs</I> received critical praise. In 2009, they released the single "Too Many Rappers," featuring Nas; plans for the release of a new studio album were put on hold while Adam "MCA" Yauch underwent treatment for cancer of the parotid gland.
- Mike McGuirk]]></description>
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<title>Dr. Dre</title>
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<category>G-Funk/ Gangsta</category>
<pubDate>Fri, 27 Nov 2009 10:25:12 -0800</pubDate>
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<description><![CDATA[Irrefutably one of the most important artists in the history of hip-hop, if not all popular music, Dr. Dre has amassed an astonishingly impressive body of work over his lengthy career. He got his start as a DJ in Los Angeles, was a member of the World Class Wreckin Crew, and in the late 1980s formed NWA. Dangerous though their lyrics were, Dre's production was equally important to the success of the group. His knack for unforgettable beats, funky basslines and cinematic depth proved the perfect accompaniment to their confrontational rhymes. Dre left the crew after their third record, and in 1992 released <I>The Chronic</I>, an untouchable masterpiece of California Gangsta Rap. Chock full of Parliament/Funkadelic basslines, high-pitched synths, and lolo-rockin' beats, track after track of G-Funk gems propelled the album to the top of the charts, made Snoop Dogg a household name, and changed the sound of hip-hop forever. In 1999 he produced Eminem's hugely successful <I>The Slim Shady LP</I>, followed several months later by Dre's long-awaited sophomore release, <I>2001</I>. The album proved that Dre's already incredible talents were getting even better, with elaborate, orchestrated production perfectly balancing funkiness and complexity. Trendsetter, talent spotter, mic-ripper, and producer extraordinaire -- after more than fifteen years blessing speakers around the world, Dr. Dre is still at the top of his game.
- Brolin Winning]]></description>
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<title>LL Cool J</title>
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<category>Hitmakers</category>
<pubDate>Thu, 19 Nov 2009 15:23:42 -0800</pubDate>
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<description><![CDATA[Boasting one of the longest and most successful careers in the history of hip-hop, LL has been cranking out the hits since 1984. The Queens native first made waves with the release of "I Need A Beat," the first release ever on Russell Simmons' powerful Def Jam label. One of Rap's original bona fide superstars, Ladies Love Cool James popularized Kangols and fat rope chains, headlined mega-tours, and released a slew of classic hits, including "Rock The Bells" and "Mama Said Knock You Out." He was also amongst the first hip-hop artists to successfully crossover to a Pop audience, with help from his slow jam hit "I Need Love." In addition to his multi-platinum music career, he also led the charge for rappers as actors, appearing in films, commercials, and his own TV show. Still a prominent figure in an industry notorious for fleeting stardom, he keeps putting in work, further cementing this pioneer and trendsetter's place in the history books.
- Brolin Winning]]></description>
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<title>Too Short</title>
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<category>Bay Area</category>
<pubDate>Thu, 26 Nov 2009 11:27:18 -0800</pubDate>
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<description><![CDATA[A hip-hop pioneer and living legend, Too Short (aka Todd Shaw) practically invented West Coast rap. He began his career slinging tapes out of his car in the early 1980s in Oakland, Calif. Merging pimp game philosophies, thick funk, and hardcore tales of freaky sexcapades, his music was made for players, macks, and gangsters -- of which Oaktown had no shortage. His following grew quickly: at one point he reportedly sold 15,000 tapes in a week. After cutting three records on a small label, Too Short released <I>Born To Mack</I> in 1986, which featured one of his biggest hits, "Freaky Tales," and expanded his already sizable fan base. His success continued throughout the '90s, and in 1996, after more than a dozen years in the game, he announced his retirement. Three years later, to the delight of his devoted following, he returned with <I>Can't Stay Away</I>. Too Short remains a hugely successful and influential figure in the industry, with frequent cameos on records by everyone from Biggie and Jay-Z to E-40 and Scarface. Very few artists approach his longevity; fewer have done so without compromising their style. After nearly twenty years and over ten albums (seven platinum), Too Short is still the Mack.
- Brolin Winning]]></description>
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<title>Run-D.M.C.</title>
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<category>Old School Rap/Hip-Hop</category>
<pubDate>Fri, 27 Nov 2009 10:25:01 -0800</pubDate>
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<description><![CDATA[Without question the single most important group in hip-hop's colorful history, Queens trio Run-D.M.C. have influenced practically everyone who came after them. Breaking barriers in both sound and sales, their charismatic flows and ground-breaking production took the music industry by storm, turning an entire generation on to the magic of rap music. From their first single in 1983, "It's Like That" b/w "Sucker MC's," their distinctive style put them in high regard with fans and fellow artists alike. Jam Master Jay sets the pace with raw, in-your-face drum beats and fierce scratching, while Run and D.M.C. unleashed aggressive and boastful tag-team rhymes destined to become classic. They truly were "kings from Queens," taking hip-hop to MTV and international stadium tours at a time when many critics still fronted on the genre's validity. Between 1984 and 1990 they released six full albums, appeared in two major films, and churned out a slew of incredible singles. "Peter Piper," "It's Tricky," and "My Adidas" continue to move crowds to this day, while the tracks "Rock Box," "King of Rock," and "Walk This Way" were the first to combine Hard Rock and rap, predating today's chart-topping Rapcore acts. They took a few years off and came back hard with <I>Down With The King</I> (1993). In 1999, they released their seventh and final LP <i>Crown Royal</i>. Three years later, on October 30th, 2002, Jam Master Jay was shot and killed in his Queens recording studio, and like Biggie, Tupac, Big L, etc. the murderer has never been caught. In the fall of 2005, Run released his first ever solo album <i>Distortion</i>, and launched an MTV reality show called <i>Run's House</i>.
- Brolin Winning]]></description>
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<title>Public Enemy</title>
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<category>East Coast Rap/Hip-Hop</category>
<pubDate>Thu, 19 Nov 2009 15:23:37 -0800</pubDate>
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<description><![CDATA[From their multiplatinum 1987 debut, <I>Yo! Bum Rush the Show!</I>, to seven records later, Public Enemy's influence on hip-hop and rap shows little sign of slowing down. Arguably the most frequently sampled rap artists of all time, they proclaim, "We got a right to be angry." They've been channeling that anger into articulate, revolutionary lyrics, as much to educate as to entertain. They use deep Funk basslines with layered rhymes from Chuck D interspersed with funny quips from Flava Flav (notorious for wall clocks hung around his neck). The beats, rife with police sirens, screeches, and heavy sampling, speed each tune to a cathartic release. Anyone who thinks that racial equality has been reached in the U.S. can think again, and let Public Enemy do the talking.]]></description>
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<title>N.W.A.</title>
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<category>West Coast O.G.'s</category>
<pubDate>Thu, 12 Nov 2009 19:09:56 -0800</pubDate>
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<description><![CDATA[Though not the first rappers to incorporate unabashedly violent themes into their work (Los Angeles' Ice-T and Philly's Schoolly D were already established), N.W.A. paved the way for countless other groups with their 1988 classic, <I>Straight Outta Compton</I>. Backed by Dr. Dre's layered, cinematic, but funky production, N*gg*s With Attitude practically invented the term "Gangsta Rap," leading to extensive controversy, angry cops, shocked parents, and multiplatinum status. Their deadly serious subject matter came straight from the streets of South Central Los Angeles, where rampant gang banging and crack slinging had turned the neighborhood into a virtual war zone. Financially backed by profits from Eazy-E's days as a real life dopeman, the group's no-holds-barred rhymes struck a chord with both ghetto kids who lived it and bored suburbanites who longed to be hardcore. With the classic joints including the title track (which was banned from MTV), "Gangsta, Gangsta," and "Dopeman," N.W.A. exposed America to a very real mentality that had yet to be acknowledged or exploited. Undoubtedly their most infamous track was the inflammatory "F*ck The Police," which gained the FBI's attention. Ice Cube left the group after the first record to pursue a wildly successful solo career. The group dropped two more excellent albums -- <I>100 Miles and Runnin'</I> in 1990 and <I>N*gg*z4life</I> the following year. They disbanded in '91 while feuding over earnings. Ren and Eazy continued to record marginal solo albums, while Dr. Dre blew up on the strength of his 1992 classic, <I>The Chronic</I>. Some ten years later they reunited (with Snoop Dogg filling in for the deceased Eazy-E), but nothing could match their original intensity. While literally thousands of emcees and acts have attempted to reproduce their street soldier sound and style, N.W.A. remain the epitome of gangsta.
- Brolin Winning]]></description>
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<title>Queen Latifah</title>
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<category>Hitmakers</category>
<pubDate>Sat, 31 Oct 2009 11:43:03 -0700</pubDate>
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<description><![CDATA[One of the first female emcees to really make it big, Queen Latifah opened the door for an entire generation of women in hip-hop. She began her career in East Orange, N.J., beatboxing with a girl group called Ladies Fresh while in high school. Influential producer DJ Mark the 45 King hooked her up with beats for a demo, and in 1989 she dropped her first LP <I>All Hail The Queen</I> containing the hit "Ladies First." Her intelligent lyrics and strong pro-woman philosophies resonated clearly with many listeners, as the industry was even more male-dominated then than it is now. With a knack for diverse delivery, insightful rhymes and catchy production, she would be the premier female rapper for years to come. Latifah's third record, <I>Black Reign</I> (1993), featured the progressively minded hit "U.N.I.T.Y." which eventually won her a Grammy. In addition to her impressive skills on the mic, Queen Latifah is also a successful actress, writer and entrepreneur, with her own management company and label. Her last rap album <I>Order in the Court</I> was released in 1998, though she's since become a household name thanks to her work in hit movies like <i>Bringing Down The House</i> and <i>Chicago</i> (for which she won an Oscar nomination). In 2004, with her career bigger than ever, she showcased her exceptional singing skills on <i>The Dana Owens Album</i>, a collection of jazz and pop standards.
- Brolin Winning]]></description>
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<title>2 Live Crew</title>
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<category>Miami Bass</category>
<pubDate>Mon, 16 Nov 2009 10:52:26 -0800</pubDate>
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<description><![CDATA[Hip-hop's most infamous booty-rap squad, 2 Live Crew came together in Miami in the mid 1980s. Founded by emcee/promotor/label-head Luther Campbell (aka Luke Skyywalker), they are best known for their over-the-top, scandalous sex rhymes and trunk-shaking, bass-heavy beats perfect for the jeep and strip club alike. Their first LP, <i>2 Live Crew Is What We Are</i>, featured potent XXX jams like "We Want Some Pusy" and "Get It Girl," flexing hardcore lyricism not heard since the likes of Blowfly. Already superstars in Miami, they took the world by storm with 1989's ultra-controversial <i>As Nasty As They Wanna Be</i>, an album that featured the smash hit "Me So Horny," incited protests from numerous social and political groups, and got Luke convicted (though later cleared) of obscenity charges. Stores were ordered to pull the record from shelves, but it was too late, the media frenzy only increased sales. They carried on through much of the 90s, but never really had another large-scale single. Luke went on to a successful career as record producer, strip club owner, adult-film magnate, and general big baller. His label also discovered many talented artists, including JT Money and the Poison Clan.]]></description>
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<title>Eazy-E</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3450&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast O.G.'s</category>
<pubDate>Fri, 13 Nov 2009 12:39:30 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[As a Compton rapper and a founder of Ruthless Records, Eazy-E went from neighborhood rock-slinger to international celebrity with Gangsta Rap pioneers NWA. His distinct, high-pitch vocal style and over-the-top misogynistic and violent lyrics helped sell millions of albums for the group. In 1991 NWA disbanded, with Eazy and Dr. Dre bitterly divided over past royalties. The two engaged in a brutal dis war on wax, Dre being the obvious victor on the strength of "Dre Day." Eazy continued to make records, but never reached the status of his former partners -- Cube and Dre. In 1994 he helped launch the careers of Cleveland's Bone Thugs-N-Harmony. Eazy-E died of AIDS in March of 1995.
- Brolin Winning]]></description>
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<title>Salt-n-Pepa</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59660&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Fri, 27 Nov 2009 10:25:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[One of the most successful female acts in hip-hop, Queens trio Salt-n-Pepa and DJ Spinderella first made waves with the 1985 single "The Showstopper (Is Stupid Fresh)" produced by Hurby "Luv Bug" Azor. The following year saw the release of their debut LP <I>Hot Cool & Vicious</I>, which became the first album by a female group to go double-platinum. Their funky beats and strong but playful, pro-women rhymes provided a much-needed female outlet in the male-dominated scene. A remix of their B-side "Push It" rocketed up the charts and was even nominated for a Grammy; two more records and a collection of remixes followed. They returned in 1993 with a more refined, R&B-influenced sound, and scored major success with tracks like "Shoop" and "Whatta Man," winning a Grammy in 1995. Throughout their lengthy career they have consistently evolved and excelled, opening doors for women in hip-hop everywhere. The group released a fifth album in 1997 and a greatest hits package in 2000.
- Brolin Winning]]></description>
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<title>Eric B and Rakim</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61530&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Sun, 22 Nov 2009 10:09:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[N.Y.C.'s groundbreaking duo Eric B and Rakim turned the rap world on its ear with their first single, "Eric B Is President," released in 1986. Set to chunky beats, tight scratching, and heavy synth-bass, Queens emcee Rakim delivered a flurry of now-classic rhymes. Their debut album <i>Paid In Full</i> (1987) continued the onslaught of deadly serious lyricism and air-tight beats, fast establishing them as one of the most respected and influential groups out. Their sophomore LP <i>Follow The Leader</i> (1988) was another undisputed classic, packed with hits like "I Ain't No Joke" and "Microphone Fiend." They released two more solid albums, and parted ways in the early '90s. Their latter-day singles include "Casualties Of War" and "Juice (Know The Ledge)." Among the most influential groups in the history of hip-hop, they popularized James Brown drum loops and complex rhyme schemes alike. Rakim released two solo albums in '97 and '99.
- Brolin Winning]]></description>
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<title>Slick Rick</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14010&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Lyrical</category>
<pubDate>Thu, 26 Nov 2009 11:27:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Slick Rick</rhap:artist>
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<description><![CDATA[The master of storytelling raps, Slick Rick is best known for his smooth and humorous rhymes, unique accent, trademark eye patch, and tendency to drape himself with more jewels than Liberace. He first made waves as MC Ricky D alongside Doug E. Fresh on 1985's classic, double-barreled single "The Show" b/w "La Di Da Di." His 1988 debut album <i>The Great Adventures Of Slick Rick</i>, featured timeless hits like "Children's Story," "Teenage Love," and "Treat Her Like A Prostitute." Rick's flamboyant style and exceptional skills made him a huge star, but in 1990 he was incarcerated and ended up spending six years in the clink. While inside, he managed to record two albums, but both were somewhat lackluster and commercially ignored. Many heads assumed Rick was washed up, but in 1999 he dropped an outstanding comeback record called <i>The Art Of Storytelling</i>. Slick Rick's fifth album will be released by Def Jam sometime in 2002.
- Brolin Winning]]></description>
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<title>The Sugarhill Gang</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61550&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Tue, 24 Nov 2009 09:38:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Formed in NYC in the late '70s, the Sugarhill Gang were one of the true pioneers of hip hop. "Rapper's Delight" was arguably the first rap song to be played on the radio, exposing many unsuspecting listeners to a new and exciting style of music coming out of the Bronx. They are practically synonymous with the phrase "old-school," even though their hit song has shown a staying power and widespread appeal rare with early rappers. Their style was simple enough, multiple emcees incorporating storytelling, humor, and crowd participation over repeated grooves. Twenty years later, in an industry where self-styled Mafioso and teenage millionaires abound, the Sugarhill Gang's upbeat party jams are a refreshing blast from the past, harkening back to a simpler era when it was still cool to "just throw your hands in the air, and wave 'em like you just don't care."
- Brolin Winning]]></description>
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<title>De La Soul</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.543&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Thu, 29 Oct 2009 10:55:56 -0700</pubDate>
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<description><![CDATA[De La Soul made rap history as one of the first groups to go against the hip-hop grain of macho braggadocio, hectoring social comment and mammoth beats, all while winning respect and acclaim from inside and outside of the hip-hop community. With its middle-class suburban Long Island roots, light rhythms, laid-back raps, thoughtfully irreverent lyrics, esoteric sampling, and quasi-hippie attitude, De La Soul paved the way for a steady stream of adventurous "alternative" rap groups (A Tribe Called Quest, P.M. Dawn, Basehead, and Digable Planets).
<br><br>
De La Soul began as three high school friends whose stage names reflected their sense of whimsical in-jokery: through backward spelling David Jolicoeur became "Trugoy the Dove" (yogurt, his favorite food, spelled backwards); Kelvin Mercer derived "Posdnuos" (his nickname as a high school DJ, "Sound-Sop"). Their first demo, "Plug Tunin'," attracted the attention of Paul "Prince Paul" Houston, of local rap group Stetsasonic. He played the tape for colleagues on New York's rap scene, and soon De La Soul signed with Tommy Boy.
<br><br>
Prince Paul produced the group's debut album,<I>3 Feet High and Rising</I>, a mock-game show soundtrack that introduced such De La terms as "the D.A.I.S.Y. Age (Da Inner Sound, Y'all)." De La Soul were labeled "hippies" &#8212; a term at which the group bridled &#8212; but also hailed as ingenious revolutionaries. The album brimmed with off-center inventiveness, its samples taken not from the usual James Brown rhythm tracks but from TV shows and obscure recordings, many from De La Soul's parents' collections. "Transmitting Live From Mars" set a sample from a French lesson record atop a sample from the 1968 Turtles hit "You Showed Me." The former Turtles filed a $1.7 million lawsuit, charging their music was sampled without their permission; the case was settled out of court for an undisclosed sum. <I>Three Feet</I> (Number 24 Pop, Number 1 R&B, 1989) yielded a hit single in "Me Myself and I" (Number 34 Pop, Number 1 R&B, 1989), set to a sample of Funkadelic's 1979 "(not just) Knee Deep." De La Soul then helped formed "Native Tongues," a loose alliance with A Tribe Called Quest, the Jungle Brothers, Queen Latifah, Monie Love, and Black Sheep.
<br><br>
De La Soul's second album was an obvious reaction to the perception that its debut, however innovative, was "soft." Titled <I>De La Soul Is Dead</I> (Number 26 pop, Number 24 R&B, 1991), it took a darker, more serious tone with songs about drug abuse ("My Brother's a Basehead"), incest ("Millie Pulled a Pistol on Santa"), and the vicissitudes of fame ("Ring Ring Ring [Ha Ha Hey]" [Number 22 R&B, 1991]). Critical and commercial reaction to the album was mixed.
<br><br>
De La Soul came back strong in late 1993, however, with <I>Buhloone Mindstate</I> (Number 40 pop, Number Nine R&B), hailed as a return to the group's quirky, groundbreaking form. A more conventional effort, the 1996 album <I>Stakes Is High</I> found the group stuck in neutral. Three singles &#8212; "The Bizness" (Number 53 R&B), "Stakes Is High" (Number 70 R&B), and "Itsoweezee (Hot)" (Number 60 R&B) &#8212; failed to stir sustained interest.
<br><br>
De La Soul wasn't dead, however, as the trio returned to the studio for a 2000 release, <I>Art Official Intelligence: Mosaic Thump</I> (Number Nine Pop, Number Three R&B, 2000), part of a reported three-disc series. Guest artists include Chaka Khan, the Beastie Boys, Busta Rhymes, and Redman. The next year, the group followed up with a second installment of the series, <I>AOI: Bionix</I>, but a third part never showed up. Instead, in 2004, the group's longtime label Tommy Boy tossed out a dated, badly recorded performance disc, <I>Live at Tramps, NYC</I>, 1996. It ended De La Soul's relationship with the label.
<br><br>
The trio signed with indie label Sanctuary Records, a company known more for putting out new albums by older metal and hard rock acts than for its roster of hip-hop. De La Soul's 2004 Sanctuary debut, <I>The Grind Date</I>, was generally well received but broke no new ground. In 2005, De La Soul appeared with the Gorillaz on the single "Feel Good Inc." (Number One, Modern Rock; Number 14 Pop), which won Best Pop Vocal Collaboration at the Grammys. The following year, De La Soul returned with a self-released mixtape, <I>Impossible Mission: TV Series, Pt. 1</I>, on which Posdnuos announced the mission statement in a track called "Freedom Train:" "No longer backed by record companies but back by popular demand." The clunky rhyme was not totally accurate; by 2006 a collection of spotty old and new material failed to chart at all. In 2008 the band toured with A Tribe Called Quest, Nas, Pharcyde and others on the Rock the Bells tour.
]]></description>
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<title>Geto Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2543&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Texas/ H-Town</category>
<pubDate>Tue, 10 Nov 2009 10:13:25 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A pioneering gangsta crew repping Houston's Fifth Ward, the Geto Boys were the first southern group to find national fame. They began as the Ghetto Boys back in the mid-1980s, and released debut <i>Grip It! On That Other Level</i> in 1989. Fusing fierce production with ultra-hardcore rhymes that casually detailed lifestyles rife with drugs, sex, and murder, they found love in the new but fast-growing Gangsta Rap circuit. Their 1991 release <i>We Can't Be Stopped</i> contained the breakthrough hit "Mind Playing Tricks On Me," a classic track about drug-induced paranoia. The core group split up in 1993, and all the members embarked on solo careers. Former Convicts emcee Big Mike was added to the fold, and a revamped lineup continued to record. The original three got back together in '96 for <i>The Resurrection</i>. Willie D released a solo LP in '00, and Bushwick Bill has put a few albums out as well. Scarface has worked steadily through the years, dropping new records and cameos at a feverish pace.
- Brolin Winning]]></description>
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<title>Grandmaster Flash</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3665&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 27 Nov 2009 10:25:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Without a doubt one of hip-hop's most important and influential outfits, Grandmaster Flash and the Furious Five unleashed several classic singles during rap's developmental period of the early 1980s. Pioneering DJ Grandmaster Flash began his career spinning at Bronx block parties in the mid- to late 1970s. He recruited five emcees to form the Furious Five (Cowboy, Scorpio, Kid Creole, Rahiem, and Melle Mel), and together they released their debut album, <I>Superrappin'</I>, in 1979. The group signed to Sugarhill Records, where they released a slew of classic material, including the groundbreaking 1981 masterpiece "Grandmaster Flash on the Wheels of Steel." The epic single had Flash cutting and scratching a series of records, piecing them together for a seriously funky showcase of his skills. The next year the group dropped "The Message," an intense tale of ghetto realities and social ills in Reagan-era America that coined the timeless phrase "It's like a jungle / sometimes it makes me wonder / how I keep from going under." Other classic hits followed, such as "It's Nasty" and the anti-cocaine anthem "White Lines (Don't Do It)," though tensions between Flash and Melle Mel soon disbanded the group. Flash continues to entertain and educate, releasing solo albums, judging DJ battles, and acting as an elder statesman of the hip-hop generation. Arguably the most important DJ in the genre, Grandmaster Flash's knack for innovation and experimentation helped launch a musical revolution that continues to evolve.
- Brolin Winning]]></description>
</item><item>
<title>DJ Jazzy Jeff and the Fresh Prince</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61554&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Thu, 1 Oct 2009 11:35:59 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A trailblazing duo from Philadelphia, DJ Jazzy Jeff and the Fresh Prince had a slew of classic and hugely successful hits in the late 1980s and early '90s. The tracks "Parents (Just Don't Understand)," "Girls Ain't Nothing But Trouble," and "Summertime" kept the pair in steady rotation on radio and MTV. Their lyrics were the antithesis of the developing Gangsta Rap of the era, profanity-free and mostly concerned with partying and goofin' off. In total, they released five albums between 1987 and 1993, as well as a greatest hits package in '98. Will Smith went on to dominate TV, movies, and the charts with his thriving solo career, while Jeff continues to record and produce; he released his first solo album, <i>The Magnificent</i> on BBE in 2002.
- Brolin Winning]]></description>
</item><item>
<title>Boogie Down Productions</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.249&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Boogie Down Productions</rhap:artist>
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<description><![CDATA[A pioneering Bronx-based hip-hop group with a socially conscious message, Boogie Down Productions (BDP) is the hip-hop vehicle of rapper Kris "KRS-One" Parker. Parker originally formed the group with DJ Scott LaRock who was gunned down in 1987 while trying to break up a street fight and help spark KRS-One's ambitious antiviolence crusade. But it was BDP's Productions' blend of hip-hop with reggae dancehall and rock influences that set the group apart from other message-oriented rappers, as well as KRS-One's dexterous verbosity and blunt beat sense.
<br><br>
Growing up poor in Brooklyn and the Bronx, Kris Parker was introduced to rap music through his mother's collection of discs, including some by the Treacherous Three and Grandmaster Flash. Parker ran away from home at 13 and began living on the streets. During the day he would read about philosophy and religion at the library, and at night he'd practice rapping at the homeless shelters where he lived. At 17 he got his GED.
<br><br>
While staying at the Franklin Armory Shelter in the Bronx, Parker met social worker Scott Sterling, known on weekends as DJ Scott LaRock. The two formed BDP and released <I>Criminal Minded</I> on the independent B-Boy label in 1987. The album's smooth grooves and hard rhymes foreshadowed gangsta rap. In August that year LaRock was murdered.
<br><br>
Parker kept going with his brother Kenny, releasing <I>By All Means Necessary</I> (Number 75 pop, Number 18 R&B, 1988) the following year. The album introduced the rapper's "edutainment" style of rap in songs like "My Philosophy" and "Stop the Violence," the latter of which Parker turned into a movement in 1989 to help curb black-on-black violence. BDP's albums sold relatively well. Both <I>Ghetto Music</I> (Number 36 pop, Number Seven R&B, 1989) and <I>Edutainment</I> (Number 32 pop, Number Nine R&B, 1990) went gold and continued Parker's message of nonviolence, with the latter scoring a modest MTV hit with "Love's Gonna Get'cha (Material Love)." Although <I>Live Hardcore Worldwide</I> failed to make it onto the pop chart, <I>Sex and Violence</I> reached Number 42 (Number 20 R&B, 1992). <I>Return of the Boom Bap</I>, KRS-One's solo debut (in reality BDP was increasingly a solo project), reached Number 37 (Number Five R&B, 1993), while the commercial success of <I>KRS-One</I> (Number 19 pop, Number Two R&B, 1995) and <I>I Got Next</I> (Number Three pop, Number Two R&B, 1997) bolstered his fan base.
<br><br>
By the late 1980s, Parker had begun doing college lecture tours wherein he would touch on a range of topics including Afrocentrism, religion, politics, violence, and his own revisionist views of American history. In 1991 he organized a group of artists including Chuck D, L.L. Cool J, Queen Latifah, British folkie Billy Bragg, and R.E.M.'s Michael Stipe for the consciousness-raising compilation <I>H.E.A.L. (Human Education Against Lies): Civilization Vs. Technology</I>. Toward the end of the 1990s KRS began erecting the Temple of Hiphop &#8212; an organization dedicated to the teaching of hip-hop history &#8212; and became a mentor/tutor at Harlem's Riverside Church. He also took an A&R gig with Reprise Records in 1999, which he held for two years.
<br><br>
In 2000, KRS-One finished his contract with Jive by releasing <I>A Retrospective</I>; the following year, on Koch/In the Paint, he released <I>The Sneak Attack</I>, his first studio album in four years. In 2002, he shocked many fans by issuing <I>Spiritual Minded</I>. He continuing releasing new music through the decade, most notably with 2007's <I>Hip-Hop Lives</I>, a collaboration with Marley Marl &#8212; the DJ-producer KRS had explicitly dissed on 1986's "South Bronx" &#8212; thus bringing to an official end to hip-hop's "Bridge Wars," where Bronx MCs battled their Queens counterparts. In 2008 KRS-One released <I>Maximum Strength</I> which was something of a returned to form with "The Teacher" waxing poetically and skillfully on everything from politics to corporate malfeasance to ancient history.
]]></description>
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<title>EPMD</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4209&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Rap/Hip-Hop</category>
<pubDate>Sun, 1 Nov 2009 12:39:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A pioneering duo out of Long Island, EPMD (Erick and Parrish Making Dollars) released their first single "It's My Thing" b/w "You're A Customer" in 1987. Their debut album <i>Strictly Business</i> dropped in '88 and was an instant classic, chock full of exceptional tunes like "You Gots To Chill" and "Let The Funk Flow." With mellow, monotone flows and sample-heavy production, they developed a loyal following and released three more albums over the next few years. They broke up in '92, and both embarked on solo careers. They reunited in 1997 to drop their fifth record <i>Back In Business</i>, and a sixth in '99. Erick Sermon has produced for many other artists, and is also a member of Def Squad with Redman and Keith Murray.
- Brolin Winning]]></description>
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<title>KRS-One</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4373&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Street Poets</category>
<pubDate>Fri, 27 Nov 2009 10:25:27 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[KRS-One (Knowledge Reigns Supreme Over Nearly Everyone) has a long and colorful history. Along with DJ Scott La Rock, he formed Boogie Down Productions in the mid-1980s; their debut album <I>Criminal Minded</I> (1987) showcased KRS' singular delivery and urgent, thought-provoking lyrics over minimal beats and samples. La Rock was murdered shortly thereafter, at which point KRS began to find a more political and socially-minded voice. Successfully avoiding preachy overtones, <I>By All Means Necessary</I> (1988) addressed safe sex and violence prevention. Boogie Down Productions later released four more albums, but due largely to the growing Gangsta Rap phenomenon, their positive messages soon fell out of fashion. KRS released four solo albums in the '90s, but none achieved the classic status of his early work with BDP. A regular on lecture circuits, he mentors new talent and continues to record sporadically. In 1999 he released <I>KRS-One Presents...The Temple of Hip-Hop Kulture</I>, a compilation of up-and-coming artists, and in 2002 he dropped <i>Spiritual Minded</i>, delving further into religious rap. <i>Kristyles</i> and <i>Keep Right</i> followed in 2003 and 2004, respectively.
- Brolin Winning]]></description>
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<title>Biz Markie</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1131&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 13 Nov 2009 12:38:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Biz Markie</rhap:artist>
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<description><![CDATA[Old School hero, Juice Crew member and Comedy Rap pioneer, "The Diabolical" Biz Markie is hip-hop's original class clown and all-around nut. His conversational flows, random moaning, exceptional beatboxing and comical subject matter have delighted listeners since 1986. With classic jams like "Make The Music With Your Mouth Biz," "Pickin' Boogers" and " Vapors," Biz established himself as a true emcee with a very original style. While other rappers focused on self-promotion and bravado, Biz came with the humor, dropping casually hilarious verses over Marley Marl's consistently funky beats. Although he hasn't released an LP in quite some time, Biz is still in action, working with artists like the Beastie Boys and lending his charismatic magic when needed. His timeless hits still rock a party with ease, and no self-respecting hip-hop fan can front on the man's legacy. As he put it himself in 1987, "Nobody Beats The Biz."
- Brolin Winning]]></description>
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<title>Rob Base and DJ E-Z Rock</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.57725&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Rap/Hip-Hop</category>
<pubDate>Fri, 30 Oct 2009 12:04:23 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[From the Old School Hip-Hop era of street-savvy emcees dressed in workout jumpsuits, sneakers and gold chains, their 1988 single "It Takes Two" went from mega hit, to played-out, to Hip-Hop classic. With influences such as Kurtis Blow and Run-D.M.C, Rob Base had a smooth and articulate flow style that was easy to recognize and fun to quote. Base released two LPs following "It Takes Two" (without the help from DJ E-Z Rock) such as the 1989 LP <I>The Incredible Base</I>, which had some highlights; however, like so many other albums to follow big hits, this album didn't receive the same praise.]]></description>
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<title>Young M.C.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59664&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Fri, 13 Nov 2009 12:38:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Born in London, Young M.C. got his start in the rap game while at school in California, writing rhymes for Tone Loc. After Tone blew up on the strength of "Wild Thing" and "Funky Cold Medina," Young M.C. realized it was his time to shine. In 1989 he released the smash hit "Bust A Move," describing comical attempts at love, backed by an irresistible bassline and infectious beats. The song won him a Grammy and lead to his platinum-selling debut <i>Stone Cold Rhyming</i>. Young M.C. recorded several more albums throughout the '90s, but his friendly flows and playful, positive lyrics eventually found themselves out of fashion. "Bust A Move" continues to appear on soundtracks and various hip-hop compilations.
- Brolin Winning]]></description>
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<title>Afrika Bambaataa</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3786&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Fri, 13 Nov 2009 12:39:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Musical visionary, DJ extraordinaire, and founder of the Zulu Nation, Afrika Bambaataa has done more for the culture and music of hip-hop than most could dream of. He grew up in the South Bronx, and began promoting and spinning at block parties in the 1970s. His first professional effort was producing Soul Sonic Force's debut <I>Zulu Nation Throwdown</I> in 1980; two years later, they released the groundbreaking single "Planet Rock," helping to pioneer the Electro-Funk movement with its freaky beats and incorporation of sounds from German synth band Kraftwerk. Bambaataa's futuristic soundscapes took listeners by surprise, becoming a major influence in the development of not only hip-hop, but Techno and House music as well. Throughout his lengthy career, Bam has recorded with a diverse multitude of talented artists, including James Brown, Bill Laswell, Sly and Robbie, and Professor X. Still extremely active in the hip-hop community, he continues to record, tour and educate, maintaining his status as a living legend and forefather of the art.
- Brolin Winning]]></description>
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<title>MC Lyte</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.392&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Sat, 14 Nov 2009 11:49:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[MC Lyte rocks the mic like the Old School master she is, equally excelling at Hardcore battling and flowing over R&B-flavored party tracks. She gives no quarter, and asks for none either.]]></description>
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<title>Doug E. Fresh</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61529&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Fri, 13 Nov 2009 12:38:25 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A legend of Old School Hip-Hop, Doug E. Fresh contributed one of the most classic joints in the art form's history with his 1985 super-single, "The Show" b/w "La Di Da Di." His posse the Get Fresh Crew featured a young rapper by the name of MC Ricky D, who would later achieve mass fame as Slick Rick. They released a number of singles in the mid-1980s, though none would surpass the influence and longevity of their biggest hit. Featuring Fresh's exceptional beat-boxing skills and humorous rhymes from both him and Rick, the record inspired a slew of imitators and admirers: Snoop Dogg even covered "La Di Da Di" on his solo debut. Doug released several albums over the course of the nineties but never recaptured his early success. He has also worked with a variety of artists including Prince, Luke, and Grover Washington, Jr. In 1999 he hooked up with Slick Rick, beatboxing on his album <I>Art Of Storytelling</I>.]]></description>
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<title>Whodini</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.818&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 13 Nov 2009 12:39:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Comprising Ecstasy, Jalil, and Grandmaster Dee, Brooklyn's Whodini were a powerful and pioneering force of Old School Rap. They first appeared in '82 with the release of their single "Magic's Wand." Their debut album followed one year later, fuelled by their Halloween-themed hit "Haunted House Of Rock." Successfully merging hip-hop with soul/R&B, and Electro, they won major props with the classic tracks "Friends" and "Freaks Come Out At Night," among others. Their second LP, <I>Escape</I> (1984) was a platinum selling mega-hit. They went on to release four more albums, their last in '96.
- Brolin Winning]]></description>
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<title>Kool Moe Dee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.251&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Thu, 26 Nov 2009 11:27:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kool Moe Dee</rhap:artist>
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<description><![CDATA[An original member of the Treacherous Three, Kool Moe Dee was a much-respected emcee with an aggressive, no-BS style that was unlike many of the old school party rappers. T3 released some classic singles, including "Body Rock," before breaking up in the mid-eighties. Dee took some time off to get a degree, then came back hard in '86 with "Go See The Doctor," produced by a young Teddy Riley. His second album <I>How Ya Like Me Now</I> took aim at LL Cool J, spawning a legendary war of words between the two. Dee released a total of five albums between '86 and '94, and was also featured on the epic posse cut "Stop The Violence."
- Brolin Winning]]></description>
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<title>DJ Kool</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3853&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Tue, 1 Sep 2009 02:38:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Kool</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3853&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
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<description />
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<title>Fat Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3106&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Novelty Rap/Hip-Hop</category>
<pubDate>Fri, 13 Nov 2009 12:38:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Fat Boys</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3106&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Comprising Prince Markie Dee, the Human Beatbox, and Kool Rock-Ski, the Fat Boys released their first single "Reality" in the fall of 1983. Originally known as the Disco 3, they changed their name the following year with the release of their second single "Fat Boys." The song was a hit and led to a spot on the legendary Fresh Fest tours alongside LL, Whodini, and Run-D.M.C. Their comical rhymes and fun-loving demeanor made them major stars in the '80s, and led to many successful albums. They appeared in two films, <i>Krushgroove</i> and <i>Disorderlies</i>, and had a big crossover hit in '87 with "Wipeout," a collaboration with the Beach Boys from their platinum-selling LP <i>Crushin'</i>. The Fat Boys disbanded in the early '90s, and in '95 the Human Beatbox (Darren Robinson) suffered a fatal heart attack. Highly influential and often overlooked, the Fat Boys played a major role in introducing hip-hop to mainstream America. Rhino Records released <i>The Best Of The Fat Boys: All Meat, No Filler!</i> in '97.
- Brolin Winning]]></description>
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<title>The D.O.C.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1384&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast O.G.'s</category>
<pubDate>Thu, 12 Nov 2009 19:09:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The D.O.C.</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1384&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
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<description><![CDATA[A highly skilled emcee originally out of Texas, the D.O.C. was discovered by Dr. Dre, who produced an incredible '89 debut which was appropriately titled <i>No One Can Do It Better</i>. Armed with a vicious vocabulary and seriously hot Dre beats, the D.O.C. came with a slew of classic tracks including "The Formula," "Let The Bass Go," and "The Grand Finale," a sizzling posse cut with N.W.A. Unfortunately, shortly after the record came out, he was involved in a near-fatal car crash that severely damaged his vocal chords. He penned many of Dre's rhymes on <i>The Chronic</i> and appeared in the skit "$20 Sack Pyramid." The D.O.C. released a little-heard album in '96 called <i>Heltah Skeltah</i>, but came back strong with the compilation-style <i>Deuce</i> in 2002.
- Brolin Winning]]></description>
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<title>U.T.F.O.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61552&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Sat, 11 Jul 2009 12:20:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">U.T.F.O.</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61552&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Best known for their 1984 hit "Roxanne, Roxanne," UnTouchable Force Organization (U.T.F.O.) released an album every year during the second half of the 1980s, but failed to match their early success. Originally composed of Doctor Ice, Kangol Kid and the Educated Rapper, the Brooklyn team rapped mostly about their skills on the mic and with the ladies. <i>Best of U.T.F.O.</i> was released in 1996.
- Brolin Winning]]></description>
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<title>Brand Nubian</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3858&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Sun, 16 Aug 2009 09:06:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[For over ten years, New York's Brand Nubian have been lacing us with intelligent, infectious, high-quality hip-hop. Sadat X, Grand Puba, Lord Jamar, and DJ Alamo released their debut LP <I>All For One</I> in 1990. Widely regarded as a classic, the record showcased lyrics that stressed respect, self-reliance, and 5% ideology, while introducing listeners to the three emcees' unique rhyme styles. Mostly self-produced, the deep but danceable record featured two hits, the title track and "Slow Down." Puba and Alamo eventually split from the group, which recruited DJ Sincere and worked with Diamond D for their 1993 follow-up <I>In God We Trust</I>. The new incarnation fared well and led to two more hit singles, "Punks Jump Up To Get Beat Down" and "Love Me Or Leave Me Alone." Their third album, released one year later, was not as successful but did contain the smooth Simply Red-fuelled "Hold On." Years passed and many had given up on the crew, but they came back strong in 1998. With all original members reunited and production help from Premier and Lord Finesse, they silenced all skeptics with <I>Foundation</I>. A solid album through and through, it proved Brand Nubian's skills and longevity. They continue to captivate listeners with their wisdom-filled funkiness.
- Brolin Winning]]></description>
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<title>Kurtis Blow</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1650&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 13 Nov 2009 12:38:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kurtis Blow</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1650&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1650&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A pioneering emcee out of Harlem, Kurtis Blow found his first hit in 1979 with "Christmas Rappin." The following year he came back with "The Breaks," a bona fide hip-hop classic (and his first gold single) which is still loved today. He was the first rapper signed to a major label, and released nearly ten albums between '80 and '88. His other hits include "Basketball," "If I Ruled The World," and "Hard Times." In the nineties, Mercury put out the <I>Best Of Kurtis Blow</I> compilation, and Rhino released the three volume collection <I>Kurtis Blow's History Of Rap</I>. In 2000, Kurtis worked on <I>Sunset Park</I>, a play about the beginnings of hip-hop.
- Brolin Winning]]></description>
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<title>J.J. Fad</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44658&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Hitmakers</category>
<pubDate>Sat, 14 Nov 2009 11:48:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A trio from Los Angeles, J.J. Fad (short for Just Jammin Fresh And Def) comprised MC J.B., Sassy C, and Baby-D. Signed to NWA's label, Ruthless Records, they had a big hit in '88 with the high-speed classic "Supersonic" from the album of the same name. After throwing down on the "We're All In The Same Game" project -- the West's version of "Self Destruction." -- they dropped their second record, 1991's little-heard <i>Not Just A Fad</i>. They've been M.I.A. ever since.
- Brolin Winning]]></description>
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<title>Special Ed</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7079&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 13 Nov 2009 12:39:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Special Ed</rhap:artist>
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<description />
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<title>Big Daddy Kane</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4257&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:27:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Big Daddy Kane</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4257&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A member of Marley Marl's legendary Juice Crew, Big Daddy Kane first appeared on wax alongside Biz Markie (whom he also wrote rhymes for) on "Just Rhymin' With Biz" (1987). His debut LP <I>Long Live The Kane</I> (1988) established him amongst hip-hop's elite emcees, featuring classic singles like "Raw" and "Ain't No Half Steppin'." Kane's powerful rhyme style was multifaceted, mixing Islamic wisdom with ferocious braggadocio and smooth-talking love jams. His follow-up <I>It's A Big Daddy Thing</I> was another gem, featuring the timeless hit "Smooth Operator." In the '90s, however, many fans grew tired of his high-class posturing and lover-boy themes, and subsequent albums got lukewarm responses at best. Despite his latter-day material, Big Daddy Kane remains one of hip-hop's most admired pioneers, his early hits DJ staples to this day.
- Brolin Winning]]></description>
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<title>Ultramagnetic MC's</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6423&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Fri, 29 May 2009 09:41:23 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Before he lost his sanity completely and changed his name more often than his socks, Kool Keith (aka Dr. Octagon, Dr. Doom, Black Elvis, etc.) was one piece of the puzzle that is Ultramagnetic MC's. Composed of Keith (a.k.a. Rhythm X), Ced Gee, TR Luv, and DJ Moe Luv, Ultramagnetic MC's sculpt hip-hop that's nastier than a gutter full of broken 40 oz. bottles and wet cigarette butts. Like a pack of dirty old men that reprimand upstart MCs by day and dominate the club scene at night, their straightforward delivery leaves listeners ill-prepared for their wildly unpredictable lyrics. They're the scary-looking mugs who somehow steal the girls from the pretty-boy Romeos.]]></description>
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<title>Nice &amp; Smooth</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55002&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Thu, 19 Nov 2009 15:23:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Revered for their spirited flows and one-of-a-kind style, Greg Nice and Smooth Bee make the kind of irresistable, upbeat hip-hop that's impossible to front on. Though many of their rhymes are pretty simple (and occasionally nonsensical), their energy, charisma, and flair more than compensates. With Nice's amped-up, near-yelling, delay on the last word approach, and Smooth's debonair, mellowed-out vibe, the duo found lots of love both inside and outside of the NYC scene. They debuted in '89 with <i>Nice & Smooth</i>, and would go on to release four quality albums, scoring hits with ultra-catchy tunes like "Sometimes I Rhyme Slow," "Hip-Hop Junkies," and "DWYCK" (with Gang Starr). They disbanded after 1997's <i>Blazing Hot, Vol. 4</i>, though Greg Nice still pops up on choruses here and there. In 2001 he threw down on singles like the Beatnuts' "Yo Yo Yo" and Masta Ace's "Don't Understand."
- Brolin Winning]]></description>
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<title>Roxanne Shante</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61539&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Sat, 14 Nov 2009 11:48:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[One of the most skilled and popular early female emcees, Roxanne Shante dropped a bomb on the hip-hop world with her classic 1984 debut single "Roxanne's Revenge." Produced by Marley Marl and recorded when she was just fourteen years old, the track was a response to U.T.F.O.'s "Roxanne Roxanne." It sparked more than a hundred "answer records" from various rappers. She became a member of the original Juice Crew alongside Big Daddy Kane, Biz Markie, and MC Shan. Other hit singles including "Have A Nice Day" led to several solo albums, though none of them blew up as much as her debut. In the early '90s Roxanne retired from rapping to pursue a successful career in criminal psychology. She re-emerged in 2000 to collaborate with U.K. Wall Of Sound producer Mekon, and also spit a rugged verse on "We Live This" from the <i>QB Finest</i> compilation.
- Brolin Winning]]></description>
</item><item>
<title>Dana Dane</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61527&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Thu, 30 Apr 2009 10:57:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Born in the U.K. and raised in Fort Greene, Brooklyn, Dana Dane got his start in the rap game with Slick Rick in the Kangol Crew. His first single "Nightmares" was released in 1986 on Profile. He then scored a big hit with his '87 debut <I>Dana Dane With Fame</I>. Clever singles such as "Cinderfella Dana Dane" (later covered by Snoop) made him a fan favorite. He was known for his skilled storytelling and unique flow. He returned with <I>Dana Dane 4 Ever</I> in '90 and <I>Rollin' Wit Dana Dane</I> in '95.
- Brolin Winning]]></description>
</item><item>
<title>Ant Banks</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3398&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Bay Area</category>
<pubDate>Sun, 9 Aug 2009 08:39:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3398&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A multi-talented, highly influential rap veteran from Oakland, Ant Banks first came up in the late eighties, producing choice tracks and rhyming alongside gangsta rapper-turned-bank robber Pooh Man. Shortly after, he hooked up with the king of pimp rhymes Too Short, and collaborated with him for numerous classic albums. In '93 he signed to Jive Records and released <i>Sittin' On Something Phat</i>, the first of several solo records. Production-wise, Ant Banks' funk-steeped beats helped define the Bay Area sound. He's contributed that sound to landmark LPs by local luminaries E-40 and Spice 1. After four solo albums, <i>The Best Of Ant Banks</i> appeared in 1998. The following year he assembled the group T.W.D.Y. and scored a big hit with "Player's Holiday."
- Brolin Winning]]></description>
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<title>MC Ren</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1269&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast O.G.'s</category>
<pubDate>Thu, 5 Nov 2009 16:49:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A founding member of the notorious Gangsta pioneers N.W.A., MC Ren is arguably the crew's most overlooked and under-appreciated mic wrecker. His deep voice and furious flow is in full effect on all of the N.W.A. records, and he's dropped four high-quality solo albums since the group's demise. Ren can also be heard on LPs from the D.O.C., Above The Law, Ms. Toi, and others.]]></description>
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<title>Full Force</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16210&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Fri, 27 Nov 2009 10:25:27 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16210&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Brooklyn-based production and songwriting crew, Full Force got their first hit in 1984 with UTFO's classic jam "Roxanne Roxanne." The following year, looking for a female answer to New Edition, they organized the group Lisa Lisa and Cult Jam. They also began releasing albums of their own, delivering quirky love raps set to self-produced tracks. Although they put out six albums over ten years, Full Force saw greater success as producers, working with the likes of Samantha Fox, Sting, Selena, and the Backstreet Boys.
- Brolin Winning]]></description>
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<title>Treacherous Three</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61551&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Thu, 9 Jul 2009 12:13:02 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61551&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of hip-hop's first groups, the Treacherous Three comprised Kool Moe Dee, Special K, and L.A. Sunshine. Legends of the Old School, they were fixtures at block parties and MC battles alike. They released several classic singles in the early eighties, including "Yes We Can Can," "Body Rock," and "The New Rap Language." There was some speculation a few years back about a "new" Treacherous Three with Kool Moe Dee, KRS-One, and Big Daddy Kane, but it failed to materialize.
- Brolin Winning]]></description>
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<title>Schoolly D</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6060&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Sat, 31 Oct 2009 11:43:18 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6060&amp;variant=data&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Philadelphia emcee Schoolly D was among the first hip-hop artists to embrace the dark side of the streets, releasing unapologetic Gangsta Rap before there was even a term for it. His first album dropped in 1986, a year before West Coast OG Ice-T served up his debut. His conversational rhymes dealt predominantly with assorted criminology, rapping in the first person about casual murder and drug sales. He released nine albums during the next decade and influenced just about every hardcore artist in the business. Schoolly D is revered as one of Gangsta Rap's founding fathers.
- Brolin Winning]]></description>
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<title>Stetsasonic</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.31428&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Sun, 5 Apr 2009 17:22:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description />
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<title>Double Trouble</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61528&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Thu, 10 Sep 2009 12:14:51 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Double Trouble were a pioneering group known for their fluid and quick-witted rhyme style. The duo Rodney Cee and KK Rockwell, both ex-members of Funky 4 + 1, rapped both in unison and in well-timed tag teaming. They recorded very little actual studio material, but were regulars on the block party and club circuit. They were also featured in the quintessential b-boy movie <i>Wild Style</i>. Rodney battles Busy Bee early in the film, and they perform their legendary "Stoop Rap," which would later be sampled by Fatboy Slim. Unfortunately, it's nearly impossible to find any of their music aside from the <i>Wild Style</i> soundtrack, and they've been laying pretty low since the mid-eighties.
- Brolin Winning]]></description>
</item><item>
<title>Mantronix</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4252&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental (East Coast)</category>
<pubDate>Wed, 1 Apr 2009 22:17:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1031&amp;rws=%2Frap-hip-hop%2Fold-school-rap-hip-hop%2F80s-rap-hip-hop%2Fartist-chart.rss">Top 80's Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Storming the party at the cutting edge of futuristic Electro-Funk, Kurtis Mantronik orchestrated beats and rhymes that have yet to meet their equal. Mantronix originally started as the duo of Mantronik and MC Tee, who fused Kraftwerk's dance-oriented techno pop with New York's emerging rap styles and R&B, Funk and Soul influences. His hybrid productions were simple, but massive; <I>Mantronix: The Album</I> features raps and heavy Vocoder that direct party people to the dance floor to experience hard grooves and raw samples that sound like battling cyborgs. Mantronix's productions became more complex over the years, evolving with changing hip-hop styles. He's mixed for artists such as EPMD, T. La Rock, Dr. Octagon, Duran Duran, Future Sound of London and countless others.
- Marc Kate]]></description>
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