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<title>Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link><description>Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</description><category>Instrumental Rap/Hip-Hop</category><language>en</language><ttl>720</ttl><pubDate>Fri, 18 Dec 2009 11:45:58 -0800</pubDate><image>
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<title>Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</title>
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<title>Rick James</title>
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<category>Funk</category>
<pubDate>Thu, 17 Dec 2009 10:45:43 -0800</pubDate>
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<description><![CDATA[Among the most popular, successful, flamboyant and notorious funk pioneers, Rick James began his career in Toronto, playing in a group called Mynah Birds, which also included Neil Young and Goldy McJohn (Steppenwolf). James played bass with many different bands before landing a solo deal with Motown in the late 1970s. His reign on the charts started shortly thereafter, thanks to supremely funky singles like "Mary Jane" and "Give It To Me Baby." His biggest hit and signature track was the aptly titled "Super Freak," one of the most popular songs of 1981. Blessed with a unique sound that drew from disco, New Wave and R&B, he was at the top of his game as a solo artist and producer in the early '80s, putting together key albums with the Mary Jane Girls, Teena Marie and Eddie Murphy, among others. His own hits continued with singles like "17" and "Cold Blooded," though the rise of hip-hop and his growing drug dependency soon derailed his illustrious career. James was later convicted of felonies stemming from two coke-fueled assaults on women, and spent several years behind bars in the '90s. Upon his release, he cleaned up his act and went back into the studio, releasing his final LP, <I>Urban Rhapsody</I>, in 1997. Though the album spawned no new hits, he made millions off of rap artists sampling his vast catalog; most notably, MC Hammer liberally borrowed from "Super Freak" for his own mega-smash "U Can't Touch This." In 2004, James was back in the spotlight, thanks to a hilarious skit on the Dave Chappelle show, which coined the pervasive catchphrase "I'm Rick James, bitch!" After releasing 14 solo albums in less than 20 years, and producing many more, James firmly established himself as a funk icon on par with legends like James Brown, Sly Stone and George Clinton. He was working on an autobiography and film about his life when he died of natural causes in August 2004. He was 56 years old.
- Brolin Winning]]></description>
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<title>MF DOOM</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:28:15 -0800</pubDate>
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<description><![CDATA[The emcee now simply known as DOOM hasn't shown his face to the public in over a decade, choosing instead to hide behind a metal mask at all times. The subject of constant speculation by a rabid fan base, the man born Daniel Dumile is among hip-hop's most mythologized rappers. DOOM's story starts in 1993, when Sev Love X's brother and KMD groupmate Subroc died in a car accident and their sophomore album, <i>Black Bastards</i>, was shelved by their record label. Sev Love went into hiding, emerging years later as the masked "super villain" MF DOOM. His first album, 1999's <i>Operation Doomsday</i>, was a lo-fi hip-hop classic, featuring a cadre of reworked quiet-storm beats and oblique word puzzles. As an emcee, his flow is a blunt instrument, rumbling over a track's rhythm, oftentimes oblivious to the beat. He relies on words to draw out rhythm, cramming lines with inner rhymes and alliteration. The album acquired a cult following, and when DOOM returned in 2003, the world was ready. He released classics <i>Madvillainy</i>, <i>Take Me to Your Leader</i> and <i>Vaudeville Villain</i> under different aliases within a 10-month period in 2003 and 2004. His latest is 2009's <i>Born Like This</i>.
- Brolin Winning]]></description>
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<title>Cameo</title>
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<category>Funk</category>
<pubDate>Fri, 11 Dec 2009 11:39:29 -0800</pubDate>
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<description><![CDATA[The tale of "Word up!" begins with Cameo, a funk group that, in the mid-'70s, had an obsession with all things George Clinton. Their early records had the requisite sweat-soaked, bare-skinned record covers, while the inner sleeves showed a band with as many members as a small city and with more horns than a gridlocked Manhattan boulevard. As the '80s appeared, the Cameo sound grew to become more streamlined, focusing on slow jams and electro-based Funk. Finally, 1985 saw the release of the definitive Cameo track. An exercise in urban studio magic, "Word Up" became a massive hit and introduced a phrase into our vernacular that is still in use today...although its true meaning has never been fully explained. Word to your mother, indeed.
- Jon Pruett]]></description>
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<title>RJD2</title>
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<category>The Midwestern Basement</category>
<pubDate>Sun, 1 Nov 2009 12:39:40 -0800</pubDate>
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<description><![CDATA[A producer and DJ from Columbus, Ohio, RJD2 is undoubtedly one of the most hyped beatmakers in independent hip-hop today. He got his start making tracks for the MHZ crew (Copywrite, Camu Tao, Tage Proto), then worked his way up with a series of singles and mix tapes before unleashing his critically-acclaimed debut LP, <i>Dead Ringer</i>, on the uber-hip Def Jux label in 2002. Much like DJ Shadow (an obvious influence) before him, RJD2's music appeals not only to the underground hip-hop community, but also to aging indie-rockers and hipsters who don't care for most rap music. Loaded with moody samples, dusty drum breaks, dialogue clips, and pieces of vintage soul jams, the mostly instrumental <i>Dead Ringer</i> elicited rave reviews from a wide variety of listeners, and was bound for many critic's "best of 2002" lists.
- Brolin Winning]]></description>
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<title>Amanda Blank</title>
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<category>Electro-Funk</category>
<pubDate>Thu, 6 Aug 2009 10:40:02 -0700</pubDate>
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<description><![CDATA[The only thing "blank" about this Philly rapper is the name. No blank slate, Amanda Blank is an in-command presence with sass to spare. Blank came up alongside her hometown homies Spank Rock, dropping rhymes on their 2006 album <I>Yoyoyoyoyo</I>; the same year, she anchored Aaron LaCrate's <I>Blow</I> EP. She was soon appearing on all manner of tracks and mixtapes from the likes of Santigold and Diplo. She released her debut album, <I>I Love You</I>, in 2009. Produced by Diplo, TV on the Radio's Dave Sitek and Spank Rock's XXXChange, the album balances feverishly futuristic dance music -- itself a fusion of crunk, Baltimore club and internationalist beats that probably haven't even been named yet -- with touches of new wave, from flourishes of the B-52s in "Make It Take It" to the gutter electro of "Might Like You Better," which reprises the sultry come-on ("...if we slept together") of '80s pop aberration Romeo Void's "Never Say Never." Whatever her name suggests, coloring outside the lines comes easy to Amanda Blank.
- Philip Sherburne]]></description>
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<title>J Dilla</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
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<description><![CDATA[One of hip-hop's most accomplished producers, J Dilla helped define the sound of underground hip-hop. His signature blend of breezy soul music, jazz licks and hip-hop thump can be heard in the music of Kanye West, Madlib and the Roots. And while charting was never a priority, Dilla was as accessible as anything by the Neptunes, and he worked with such pop artists as Busta Rhymes and Janet Jackson. When Dilla passed in February 2006 due to liver failure, there was an instant and inescapable void in the hip-hop universe -- one that will not be easily filled. <br></br> Dilla began his musical odyssey in the late '80s as part of the emerging Detroit hip-hop crew Slum Village. He was labeled a prodigy -- when the group formed in 1988, Dilla was only 15. Dilla first reached national attention in the mid-'90s while producing for Tribe Called Quest and De La Soul. Though Trife and Q-Tip's chemistry together had long since waned, Dilla's production on <I>The Love Movement</I> at least made the CD listenable. Subtle counter melodies and light, shuffling breaks were the order of the day, and tracks such as "Find My Way" and "4Moms" found Dilla in increasingly pastoral form. It provided a proper sendoff for one of hip-hop's most celebrated groups and set the stage for the neo-soul movement that would later help redefine urban music. <br></br> Dilla produced for many key artists in the neo-soul genre. His work on D'Angelo's <I>Voodoo</I> was quintessential, while the tracks that he completed for Erykah Badu (including "Cleva" and "Didn't Cha Know") were equally compelling. But Dilla was too restless a musician to be confined to one sound. As he was turning out tracks for the headwrap soul set, he was also helping to guide the careers of hip-hop superstars Common and Busta Rhymes and overseeing the commercial emergence of his old Detroit crew, Slum Village. SV's 2000 single "Rise Up," from the <I>Fantastic, Vol. 2</I> album, was featured extensively on MTV and was vintage Jay Dee: sample-based with slight electro embellishments and awkward, non-quantized drum programming that would be dubbed by the Roots' ?uestlove as Dilla's "drunken style." <br></br>It was during this time that Dilla would experience his greatest commercial successes. Q-Tip's "Vivrant Thing," from his solo debut <I>Amplified </I>, was that rapper's biggest single to date, and Dilla's work on Busta Rhymes' <I>The Genesis</I> and Common's <I>Like Water for Chocolate</I> was equally popular. Suddenly, Dilla was a top-tier producer, a status that was cemented when Janet Jackson contracted him in 2000. Dilla never felt comfortable in the role, and he soon departed from Slum Village (rumor has it that that the group wanted to take a more commercial approach) and began to focus on producing for lesser-known Detroit acts. His production during this period was grittier. While his signature off-tempo drums were still in place, the delicate soul samples that dominated his earlier work were supplanted by a thornier electro edge. <br></br>In 2003, Dilla linked up with California producer Madlib. Madlib's work was obviously influenced by Dilla, though it was abstract and tangential where Dilla's was focused and concise. Their 2003 collaborative LP, Jaylib's <I>Champion Sound</I>, was an underground hip-hop classic. Dilla was so smitten with Madlib and his Stones Throw label that he relocated to L.A. and signed to Stones Throw. It would be here that Dilla released</I> Donuts </I>, his last album. The record found Dilla flipping classic soul samples and was widely heralded as his best work in years. It was a fitting bookend to one of hip-hop's most illustrious careers. <br></br>Due to Dilla's incredible medical expences, a fund has been set up to provide financial relief for Dilla's mother. If you'd like to help, please send check or money orders to the following address:<br></br>
Maureen Yancey<br></br>
132 N. Sycamore Avenue<br></br>
Los Angeles, CA 90036
- Sam Chennault]]></description>
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<title>Madlib</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
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<description><![CDATA[Though he'd made guest appearances with West Coast indie stalwarts Tha Alkoholics, most people first noticed Madlib when his group Lootpack released <I>Soundpieces: Da Antidote</I> in 1999. Madlib's rickety lo-fi productions were looser and funkier variations on the jazzy hip-hop pioneered by his NYC producers, but it wasn't until <I>The Unseen</I> dropped in 2000 that Madlib's M.O. became apparent. Released under the Quasimoto moniker, <I>The Unseen</I> was a concept album based on a helium-voiced hedonist who enjoyed "astro traveling." It was equal parts Prince Paul, Sun Ra and Cheech Marin, and remains among the most inventive hip-hop albums ever made. Madlib would continue to follow his weird muse unbridled by either commercial interest or fan expectations. In the past eight years, he recorded numerous jazz albums under different aliases, collaborated with J Dilla on <I>Champion Sound</I>, recorded a broken-beat album under the moniker DJ Rels, reworked both the Blue Note and Trojan catalogs, linked up with MF Doom for <I>Madvillainy</I> and recorded two widely acclaimed instrumental hip-hop albums. Madlib continues to push boundaries.
- Sam Chennault]]></description>
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<title>The Gap Band</title>
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<category>Funk</category>
<pubDate>Thu, 17 Dec 2009 10:45:46 -0800</pubDate>
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<description><![CDATA[The funkiest brother act in history, the Gap Band can drop electro-bombs on any party, anywhere, at any time. They are still going strong, with guest rappers joining in their dance floor soul-fests.
- Nick Dedina]]></description>
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<title>Atlantic Starr</title>
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<category>Quiet Storm</category>
<pubDate>Thu, 17 Dec 2009 10:43:34 -0800</pubDate>
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<description><![CDATA[Although they had a slew of hit songs during their early days as keyboard-hauling patrons of the dancefloor, Atlantic Starr hit pay dirt when they stopped trying to keep folks dancin' and turned their attention to romancin'. Ballads became their most popular output, giving the band major hits with "Always" and "If Your Heart Isn't In It." The music stopped in 1987 when lead singer Sharon Bryant took off for a (modestly successful) solo career. The unfortunate disbanding meant no new releases, although "Secret Lovers" continues to show up in the track list of most every slow jam compilation released to date.
- Kali Holloway]]></description>
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<title>2 Live Crew</title>
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<category>Miami Bass</category>
<pubDate>Mon, 16 Nov 2009 10:52:26 -0800</pubDate>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40171&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40171&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hip-hop's most infamous booty-rap squad, 2 Live Crew came together in Miami in the mid 1980s. Founded by emcee/promotor/label-head Luther Campbell (aka Luke Skyywalker), they are best known for their over-the-top, scandalous sex rhymes and trunk-shaking, bass-heavy beats perfect for the jeep and strip club alike. Their first LP, <i>2 Live Crew Is What We Are</i>, featured potent XXX jams like "We Want Some Pusy" and "Get It Girl," flexing hardcore lyricism not heard since the likes of Blowfly. Already superstars in Miami, they took the world by storm with 1989's ultra-controversial <i>As Nasty As They Wanna Be</i>, an album that featured the smash hit "Me So Horny," incited protests from numerous social and political groups, and got Luke convicted (though later cleared) of obscenity charges. Stores were ordered to pull the record from shelves, but it was too late, the media frenzy only increased sales. They carried on through much of the 90s, but never really had another large-scale single. Luke went on to a successful career as record producer, strip club owner, adult-film magnate, and general big baller. His label also discovered many talented artists, including JT Money and the Poison Clan.]]></description>
</item><item>
<title>George Clinton</title>
<link>http://www.rhapsody.com/goto?rcid=art.59532&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Fri, 4 Dec 2009 13:21:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">George Clinton</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.59532&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.59532&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If George Clinton had a nickel for every hip-hop act that sampled "Atomic Dog," he could corner the market in piggy banks. A studio pioneer, Clinton mixed Screaming Jay Hawkins' outrageousness, Jimi Hendrix's psychedelic blues, James Brown's grooves, Sly Stone's Funk-Rock and Sun Ra's wacky genius into one big, throbbing mass of Electro-Funk. His Parliament/Funkadelic groups hit the 1970s with all the force of the oil embargo and Watergate combined. Clinton was a big name in black markets but his success didn't carry over to white audiences busy grooving to Seals and Crofts -- even solo, "Atomic Dog" only hit 101 on the pop charts! Today, his considerable back catalog is scooped up by legions of converts, eager to hear the man who makes Prince seem as funky as Perry Como.
- Nick Dedina]]></description>
</item><item>
<title>Eric B and Rakim</title>
<link>http://www.rhapsody.com/goto?rcid=art.61530&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Wed, 16 Dec 2009 11:55:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Eric B and Rakim</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61530</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61530&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61530&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[N.Y.C.'s groundbreaking duo Eric B and Rakim turned the rap world on its ear with their first single, "Eric B Is President," released in 1986. Set to chunky beats, tight scratching, and heavy synth-bass, Queens emcee Rakim delivered a flurry of now-classic rhymes. Their debut album <i>Paid In Full</i> (1987) continued the onslaught of deadly serious lyricism and air-tight beats, fast establishing them as one of the most respected and influential groups out. Their sophomore LP <i>Follow The Leader</i> (1988) was another undisputed classic, packed with hits like "I Ain't No Joke" and "Microphone Fiend." They released two more solid albums, and parted ways in the early '90s. Their latter-day singles include "Casualties Of War" and "Juice (Know The Ledge)." Among the most influential groups in the history of hip-hop, they popularized James Brown drum loops and complex rhyme schemes alike. Rakim released two solo albums in '97 and '99.
- Brolin Winning]]></description>
</item><item>
<title>DJ Cam</title>
<link>http://www.rhapsody.com/goto?rcid=art.3980&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Sun, 18 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Cam</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3980</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3980&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3980&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A skilled producer influenced by beat styles belonging to such god-like hip-hop figures as DJ Premier and Prince Paul, DJ Cam creates atmospheres to intensify your most chill moods. Widely unappreciated in his country of origin, this scene-sensitive Frenchman is celebrated in the Mo' Wax-watching sectors in America, the U.K. and Japan. Bearing an atmospheric hip-hop sound rounded out with plenty of well-chosen samples, refined breaks, vinyl scratches and engaging emcees, Cam is part of the circle made up of like-minded stylists as DJ Shadow, DJ Krush and La Funk Mob. Aspects of jazz and dub deepen his diverse head-bobbing style, serving to further mystify the hip-hop phenomenon.
- Melissa Piazza]]></description>
</item><item>
<title>Lisa Lisa and Cult Jam</title>
<link>http://www.rhapsody.com/goto?rcid=art.2828&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 11 Dec 2009 11:39:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lisa Lisa and Cult Jam</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2828&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2828&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An early Dance Pop powerhouse from the early 1980s, Lisa Lisa & the Cult Jam produced catchy cuts that made an indelible mark on the masses -- especially the teenage set. Responsible for such chart-hitting tracks as "I Wonder if I Take You Home," "All Cried Out," "Head to Toe" and "Can You Feel the Beat," Lisa Lisa & the Cult Jam were a trio that performed radio-ready songs written and produced by Brooklyn's six-person musical team, Full Force. Emphasizing an undeniably danceable, electro-influenced instrumental mix over cute lyrics that are neither memorable nor remarkable, Lisa Lisa & the Cult Jam's sing-along tunes are decidedly easy to imitate.
- Melissa Piazza]]></description>
</item><item>
<title>Grandmaster Flash</title>
<link>http://www.rhapsody.com/goto?rcid=art.3665&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Old School</category>
<pubDate>Fri, 27 Nov 2009 10:25:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Grandmaster Flash</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3665&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3665&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Without a doubt one of hip-hop's most important and influential outfits, Grandmaster Flash and the Furious Five unleashed several classic singles during rap's developmental period of the early 1980s. Pioneering DJ Grandmaster Flash began his career spinning at Bronx block parties in the mid- to late 1970s. He recruited five emcees to form the Furious Five (Cowboy, Scorpio, Kid Creole, Rahiem, and Melle Mel), and together they released their debut album, <I>Superrappin'</I>, in 1979. The group signed to Sugarhill Records, where they released a slew of classic material, including the groundbreaking 1981 masterpiece "Grandmaster Flash on the Wheels of Steel." The epic single had Flash cutting and scratching a series of records, piecing them together for a seriously funky showcase of his skills. The next year the group dropped "The Message," an intense tale of ghetto realities and social ills in Reagan-era America that coined the timeless phrase "It's like a jungle / sometimes it makes me wonder / how I keep from going under." Other classic hits followed, such as "It's Nasty" and the anti-cocaine anthem "White Lines (Don't Do It)," though tensions between Flash and Melle Mel soon disbanded the group. Flash continues to entertain and educate, releasing solo albums, judging DJ battles, and acting as an elder statesman of the hip-hop generation. Arguably the most important DJ in the genre, Grandmaster Flash's knack for innovation and experimentation helped launch a musical revolution that continues to evolve.
- Brolin Winning]]></description>
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<title>DJ Shadow</title>
<link>http://www.rhapsody.com/goto?rcid=art.4317&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Sat, 24 Oct 2009 12:08:47 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Shadow</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4317&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4317&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A much-lauded DJ and beatmaker from the San Francisco Bay Area, DJ Shadow recorded several singles in the early '90s but it was his debut LP, 1996's <i>Endtroducing...</i>, that really took the world by storm. Incorporating heavy drums, hyper-obscure samples, and moody atmospherics, his unique soundscapes found praise from a wide variety of listeners and critics. He's chronicled his early work on <i>Preemptive Strike</i> (1998) and has also recorded extensively with his crew Solesides (now known as Quannum) which includes Blackalicious and Latyrx. Shadow also contributed to the <i>U.N.K.L.E.</i> album, and helped put together several compilations, including <i>Guns, Cars, and Sitars</i> and <i>Schoolhouse Funk</i>. In 2000 he provided the score to the homelessness documentary <i>Dark Days</i> and was featured on <i>Solesides Greatest Bumps</i>. Shadow's long-awaited new full-length, <i>The Private Press</i>, dropped in 2002.
- Brolin Winning]]></description>
</item><item>
<title>Zapp and Roger</title>
<link>http://www.rhapsody.com/goto?rcid=art.531&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Thu, 17 Dec 2009 10:45:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.531&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.531&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Zapp & Roger may not roll off the tongue before names such as George Clinton, Bootsy Collins and Parliament, but they've proven just as influential as their better-known peers. Zapp and Roger were actually two different entities - the former a band, the latter a solo project - featuring Roger Troutman. Each outfit released albums during the 1980s, and tracks from both have been assembled on various collections attributed to Zapp & Roger in the 1990s. Troutman and company engaged audiences with a funky, synth-driven sound that was both timely and timeless, hitting with classics such as "More Bounce to the Ounce" and "Computer Love." The funkateer's energetic style made heavy use of his signature Talk Box and electro-funk grooves -- many of which were later sampled by the likes of Tupac Shakur, the Beastie Boys, Dr. Dre and Snoop Dogg.
- Linda Ryan]]></description>
</item><item>
<title>Chromeo</title>
<link>http://www.rhapsody.com/goto?rcid=art.5150501&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chromeo</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5150501&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5150501&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Analog synth wizards Chromeo create '80s-inspired electro-funk that combines sleek, melodic rhythms with a dash of rock. Best friends since their childhood years, Montreal natives P-Thugg and Dave 1 write music that oozes with sex appeal. Their love for vintage synthesizers, mad guitar solos and skilled songwriting has gained them worldwide attention
- Jamie Sanchez]]></description>
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<title>Nightmares on Wax</title>
<link>http://www.rhapsody.com/goto?rcid=art.69296&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Thu, 29 Oct 2009 10:55:27 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nightmares on Wax</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69296&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69296&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wholly inviting, this British act's distinctive brand of trip-hop keeps heads nodding with blunted beats and strutting vibes. Stirring up chunky bits of electro, soul and hip-hop, George Evelyn's choice and placement of hooky samples is discriminating and precise. Relaxingly funky rhythms shake up the dance floor with gritty melodies borrowed from a dusty August evening in the South, plus clunky beats and soulful rap and urban lyrics. These tight, downbeat hip-hop grooves are attention-getting fare that's likely to keep lingering bodies swaying, but they'd also make excellent background-enhancers at an intimate house party.
- Melissa Piazza]]></description>
</item><item>
<title>Cut Chemist</title>
<link>http://www.rhapsody.com/goto?rcid=art.61500&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Turntabalism/DJ</category>
<pubDate>Sat, 24 Oct 2009 12:08:47 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cut Chemist</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61500</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61500&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61500&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A standout in the impressive and influential West Coast DJ scene, Cut Chemist has earned his fierce reputation as a solo artist and member of underground groups Jurassic 5 and Ozomatli. His tracks are like intricate puzzles, a series of abstract elements brought together seamlessly through top-notch production and turntable wizardry. With conversational scratching set to instructional records, playful basslines, and rolling snares, he composes funky pieces that are simultaneously nonsensical and tight. One of the hottest names in turntable circles, Cut Chemist is a force on the wheels, and a star in his own right.
- Brolin Winning]]></description>
</item><item>
<title>Mark Ronson</title>
<link>http://www.rhapsody.com/goto?rcid=art.66774&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Hitmakers</category>
<pubDate>Wed, 12 Aug 2009 09:28:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mark Ronson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66774&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.66774&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A celebrity DJ based in New York City, Mark Ronson is best known for being the go-to guy when it comes to star-studded parties, fashion shows, and trendy downtown clubs. His musical taste/style is all over the map, drawing from hip-hop as well as classic rock and retro-electro jams. After building up a rep DJing for P. Diddy and Tommy Hilfiger, among others, he secured a deal with Elektra and released his debut album <I>Here Comes The Fuzz</I> in 2002. More of a compilation that straight solo LP, he flaunted his production skills and collaborated with artists like Ghostface, Nate Dogg, and members of the White Stripes and Weezer. It didn't break any sales records, but was popular amongst the NYC celeb sect and wanna-be fashionistas.
- Brolin Winning]]></description>
</item><item>
<title>Flying Lotus</title>
<link>http://www.rhapsody.com/goto?rcid=art.12627716&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Experimental Rap/Hip-Hop</category>
<pubDate>Fri, 4 Dec 2009 13:19:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Flying Lotus</rhap:artist>
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<description><![CDATA[Long a member of Los Angeles' fertile experimental hip-hop scene, Flying Lotus came up alongside the Dublab collective and the Plug Research label before assuming a kind of leadership role, in 2008, with the launch of his Brainfeeder label and the release of his second album, <I>Los Angeles</I>, on the U.K.'s esteemed Warp label. A great nephew of Alice Coltrane, Flying Lotus (Steven Ellison) isn't as jazzy as you might expect, but he definitely inherited his aunt's cosmic leanings. Running warm analog sounds through crackling digital treatments, Flying Lotus plays with psychoacoustic confusion as assuredly as he turns his boom-bap knock-kneed. By 2009, Ellison's Brainfeeder imprint was picking up speed with truly next-level releases from Ras G, the Gaslamp Killer, Dr. Strangeloop, Samiyam and Lorn. As central as he is to the L.A. scene, FlyLo proved an international pivot as he reached out to swap remixes with dubsteppers Martyn and King Midas Sound.
- Philip Sherburne]]></description>
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<title>Dazz Band</title>
<link>http://www.rhapsody.com/goto?rcid=art.59125&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Thu, 17 Dec 2009 10:45:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dazz Band</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.59125&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the early '80s, Dazz Band (short for "danceable jazz") had up-tempo hits like the Grammy-winning "Let It Whip" and the not-so-subtle sexual groove "Joystick." Bass-slapping, synth-driven Funk from Cleveland with tight rhythms and smooth ensemble singing.
- Jessy Terry]]></description>
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<title>Mr. Scruff</title>
<link>http://www.rhapsody.com/goto?rcid=art.6959&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mr. Scruff</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6959&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Far from nightlife's usual excesses, you won't find Mr. Scruff advocating anything more dangerous than dancing whilst sipping a warm cup of tea. Having long called London's Ninja Tune home, he's less the label's court jester than he is his footed-pajama-wearing, snack-time storyteller. That's not to say that his music, meticulously stitched together out of vintage funk, soul, reggae, rock and folk, and kitted out with good-natured sound effects and squirrelly electronic touches, is lightweight. Scruff, aka Manchester's Andy Carthy, knows what gives funk its oomph, and his albums and DJ sets both show an unusual facility for a danceable groove. But favoring psychedelic touches over the scowls of his comrades in trip-hop, Scruff's life-affirming music stands in a category of its own: This is the stuff of all-ages outdoor festivals (preferably, attended in wackily printed Wellies). And his easygoing collages work equally well in more sedate settings -- no wonder the jack-of-all-trades sells his own line of tea in his spare time. This is as cozy as electronic music gets.
- Philip Sherburne]]></description>
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<title>Shannon</title>
<link>http://www.rhapsody.com/goto?rcid=art.1874&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Wed, 2 Dec 2009 11:07:16 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shannon</rhap:artist>
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<description><![CDATA[An electo-funk legend and Freestyle pioneer, Shannon is the diva behind the heavy-hitting club tune, "Let the Music Play" -- a track that forged the Freestyle genre, this classic club favorite on Emergency Records shot to the top of the Billboard charts in 1983. A debut album with the same title went gold the following year. Although the Washington, D.C. native also sang with the New York Jazz Ensemble, she's noted less for her vocal stylings and more for her innovative electro-synth basslines. Despite the lasting significance of "Let the Music Play," Shannon's career was short-lived.
- Melissa Piazza]]></description>
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<title>The Time</title>
<link>http://www.rhapsody.com/goto?rcid=art.689&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Mon, 9 Nov 2009 11:46:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Time</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.689&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Minneapolis group who got their start as Prince's opening act, the Time first emerged back in 1981 with a self-titled debut album. Their follow-up, <i>What Time Is It?</i> yielded several successful singles, earning them a sizable following and a reputation for funk-filled, sex-driven dance jams. In 1984 they were featured in Prince's film "Purple Rain" and also released their third LP <i>Ice Cream Castle</i> which included the hit "Jungle Love." During the mid-to-late 80's Time members Jimmy Jam and Terry Lewis established themselves as R&B production gurus, crafting major hits for artists including Janet Jackson and Boyz II Men. Flamboyant frontman Morris Day released several underwhelming solo albums, and the group reunited in 1990 to record their final album <i>Pandemonium</i>.
- Brolin Winning]]></description>
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<title>Afrika Bambaataa</title>
<link>http://www.rhapsody.com/goto?rcid=art.3786&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Old School Rap/Hip-Hop</category>
<pubDate>Thu, 17 Dec 2009 10:44:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Afrika Bambaataa</rhap:artist>
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<description><![CDATA[Musical visionary, DJ extraordinaire, and founder of the Zulu Nation, Afrika Bambaataa has done more for the culture and music of hip-hop than most could dream of. He grew up in the South Bronx, and began promoting and spinning at block parties in the 1970s. His first professional effort was producing Soul Sonic Force's debut <I>Zulu Nation Throwdown</I> in 1980; two years later, they released the groundbreaking single "Planet Rock," helping to pioneer the Electro-Funk movement with its freaky beats and incorporation of sounds from German synth band Kraftwerk. Bambaataa's futuristic soundscapes took listeners by surprise, becoming a major influence in the development of not only hip-hop, but Techno and House music as well. Throughout his lengthy career, Bam has recorded with a diverse multitude of talented artists, including James Brown, Bill Laswell, Sly and Robbie, and Professor X. Still extremely active in the hip-hop community, he continues to record, tour and educate, maintaining his status as a living legend and forefather of the art.
- Brolin Winning]]></description>
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<title>DJ Krush</title>
<link>http://www.rhapsody.com/goto?rcid=art.3854&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Wed, 2 Dec 2009 11:07:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3854&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[He can drop breaks and samples from any source into a smooth, seamless, seemingly effortless flow. Japan's DJ Krush's beats take on a painterly lyricism that feels like simple repetitions, but they reveal themselves as highly complex with deep listening. They're not merely providing an auto-pilot groove; they're highly expressive. It's a reflection of his deep roots in the traditions of hip-hop. Though his productions are flawless, they are essentially a combination of sparing, raw elements fused by laboratory attention to detail. As a rock break repeats unpredictably, cool jazz instrumentation leans against fluttering soul textures and creates a fluid hybrid of musics that, under his hands, sound like they were destined to meet. His frequently fragile arrangements sound like they might unravel at the tug of one loose thread. But he leaves no edges unhemmed; his tracks are finished with precision and grace. More recently, his increasing collaborations with vocalists have added yet another perfect factor in his ever-evolving mix.
- Marc Kate]]></description>
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<title>Morris Day</title>
<link>http://www.rhapsody.com/goto?rcid=art.4545&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Sun, 22 Nov 2009 10:09:54 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4545&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[His solo projects may not have been quite up to the quality of early gems with the Time, but how can you not love Morris Day, the smooth-talking secondary star of <i>Purple Rain</i>? Sure, his proposed dance craze "Oak Tree" didn't quite catch on, but it did deliver smooth electronic Funk that easily topped Day's tenor voice as he delivered bedroom-styled R&B. And he did have a No. 1 R&B hit with "Fishnet." Day has also spent much of his time developing an acting career -- who can forget Richard Pryor's <i>Moving</i> or the fabulous Andrew Dice Clay vehicle <i>The Adventures of Ford Fairlane</i>? Luckily, in recent years Day has gone back to what he does best: fronting and leading the Time, with his trademark assured delivery and the guarantee of a funky good time.
- Jessy Terry]]></description>
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<title>The Shanghai Restoration Project</title>
<link>http://www.rhapsody.com/goto?rcid=art.7468550&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>World Pop</category>
<pubDate>Wed, 8 Jul 2009 13:08:45 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Shanghai Restoration Project</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7468550&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Shanghai Restoration Project is a somewhat weighty fusion concept that actually works. And we're not just talking about the sound, although that is very compelling: an artful and, more significantly, listenable and <I>danceable</I> mashup of hip-hop, electronic dance beats, and Chinese traditional and folk instrumentals and melodies that's inspired by (and sometimes samples) the East-meets-West Shanghai jazz bands of the 1930s. Whew! But it works, <I>and</I> it gets the group work. The brain child of Chinese American producer Dave Liang, Shanghai Restoration Project has released three studio albums, two collections of their instrumental cuts, and a remix album since its inception in 2006. The group has also lent its remixing skills to several interesting projects, including a partnership with China Record Corporation (the Chinese government's label) formed to rework recordings of classic Chinese pop and jazz from 1930s Shanghai. Even if you don't regularly peruse China Records' catalogue, however, you have likely heard the Project's ambient, evocative work in commercials for Microsoft, Louis Vuitton and TiVo, among others.
- Rachel Devitt]]></description>
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<title>Loose Ends</title>
<link>http://www.rhapsody.com/goto?rcid=art.26147&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Soul/R&amp;B</category>
<pubDate>Tue, 20 Oct 2009 10:13:12 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.26147&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Herbaliser</title>
<link>http://www.rhapsody.com/goto?rcid=art.3238&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Sun, 18 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Herbaliser</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3238&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3238&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Scholars of old-school hip-hop Ollie Teeba and Jake Wherry demonstrate their abstract beat experiments as the Herbaliser, one of the most respected names on the Ninja Tune roster. Assembling careful samples plucked from America's jazz and Funk heritage over beats inspired by such New York artists as the Sugarhill Gang and the Jungle Brothers, this London-based act's head music settles inside your consciousness like packaged goods sold in an Amsterdam coffee shop. A suave sound-clash of hip-hop and Funk captured on a celluloid strip of cinematic goodness, the Herbaliser's techniques of vinyl manipulation are the perfect addition to any smoke-filled VIP room.
- Melissa Piazza]]></description>
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<title>El-P</title>
<link>http://www.rhapsody.com/goto?rcid=art.40822&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Thu, 27 Aug 2009 09:54:56 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40822&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Formerly known as El-Producto, New York producer/lyricist El-P is one of the underground's shining stars. He got his start as 1/3 of the legendary act Company Flow, a group that ushered in a whole new wave of subterranian artists and helped establish Rawkus as a formidable industry powerhouse during the late 1990s. Following Co Flow's break-up in 2000, he went on to develop his own label, Def Jux, which has since grown to include critically acclaimed heads like Aesop Rock, RJD2, and Cannibal Ox. Much-respected (and often mis-understood) due to his hyper-wordy rhyme schemes and ultra-grimy, chaotic beatscapes, El-P also produced Cann Ox's epic 2001 debut <i>The Cold Vein</i>. His highly-anticipated solo debut <i>Fantastic Damage</i> hit the streets in the summer of 2002. He explored the jazz landscape on 2004's <i>High Water (Mark)</i>, and also released <i>Collecting The Kid</i>, a limited edition compilation later that year.
- Brolin Winning]]></description>
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<title>69 Boyz</title>
<link>http://www.rhapsody.com/goto?rcid=art.488&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Miami Bass</category>
<pubDate>Wed, 2 Dec 2009 11:06:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">69 Boyz</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.488&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Jacksonville booty squad best known for their 1994 hit "Tootsee Roll," the 69 Boyz are all about the bass. Backed by party-rockin' production from C.C. Lemonhead and Jay-Ski (of Quad City DJs and 95 South), the freaky foursome spit playful rhymes about loose girls and living large. They've dropped four albums since 1994.
- Brolin Winning]]></description>
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<title>Blockhead</title>
<link>http://www.rhapsody.com/goto?rcid=art.5187457&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Fri, 6 Nov 2009 12:47:45 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Blockhead</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5187457&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A beatmaker best known for his work with indie rap icon Aesop Rock and other members of the Def Jux family, New York's Blockhead is revered for his signature production style, which fuses classic hip-hop with mellow downtempo sensibilities. In 2004, noted U.K. label Ninja Tune released Blockhead's solo debut, the mellow but dope <i>Music By Cavelight</i>. The following year he returned with his second full-length <i>Downtown Science</i>.
- Brolin Winning]]></description>
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<title>J Boogie's Dubtronic Science</title>
<link>http://www.rhapsody.com/goto?rcid=art.6386&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Instrumental</category>
<pubDate>Sat, 3 Oct 2009 10:44:39 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">J Boogie's Dubtronic Science</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6386&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6386&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[J-Boogie's Dubtronic Science is relaxed aural stimulation for hip-hop heads in a kick-back mood. A San Francisco-based beat innovator, college radio DJ, and resident floor maestro at several popular local venues, J-Boogie sautÃÂ©es dollops of Funk, soul, Dub and hip-hop into one memorable, intoxicating at-home listening vibe, creating body-swaying grooves that cling to Ambient abstraction with a gentle urgency. Highlighting turntable mastery with itchy-scratchy hip-hop samples, wordless encouragement from an urban diva, and sexy percussion, J-Boogie's bass-heavy, sonic elixir invites you to set an intimate bedroom mood with sweet incense aromas and strategically placed candlelight. These down-tempo excursions tie you down while lapping at your ear, slowly uncovering your most remote erogenous zones and leaving you aching for more.
- Melissa Piazza]]></description>
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<title>Bibio</title>
<link>http://www.rhapsody.com/goto?rcid=art.29287085&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Thu, 17 Dec 2009 10:43:35 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.29287085&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Diplo</title>
<link>http://www.rhapsody.com/goto?rcid=art.5229698&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental (East Coast)</category>
<pubDate>Sat, 12 Dec 2009 11:16:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Diplo</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5229698&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A few turntablists aside, DJing has always been as much about what you play as how you play it. And Philly-by-way-of-Florida DJ/ producer Diplo, perhaps more than any other artiste from this decade, is adept at locating the sonic correlations between culturally disparate sounds. His sets effortlessly oscillate between Rio de Janeiro's favela funk, U.K. grime, Baltimore club music, Southern crunk, indie-electro and other as-yet-unclassifiable music. The aim is to get feet on the dance floor, but the effort also rewards listeners with new contexts for appreciating music. Diplo has blurred the line between artist and critic, and his mixes bring up questions of propriety, exploitation and the relationship between the third world producers and first world consumers. His debut, 2003's <I>Florida,</I> was a bit of a tepid redux of late-1990s DJ Shadow-influenced trip-hop, but his 2005's <i>Fabric</i> mix is excellent.
- Sam Chennault]]></description>
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<title>DJ Screw</title>
<link>http://www.rhapsody.com/goto?rcid=art.12205&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Texas/ H-Town</category>
<pubDate>Thu, 5 Nov 2009 16:49:19 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12205&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A DJ, producer, record store owner, and mixtape legend, Houston's DJ Screw has put out literally hundreds of self-made tapes flaunting his "Screwed" style. Playing popular hits at narcoleptically slow speeds, the compilations were made specifically for syrup sippers, i.e. people who drink codeine-laced cough syrup to get wasted. (See "Sippin' On Some Syrup" by Three 6 Mafia.) He was also an ardent supporter/promoter of local acts, including the Screwed Up Click. Already a star in Houston, Screw's unique style was just starting to blow up nationally after years of dedication and hard work. Tragically, in November of 2000, DJ Screw died from a heart attack at age 30. An autopsy later revealed that he had overdosed on codeine cough syrup.
- Brolin Winning]]></description>
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<title>Newcleus</title>
<link>http://www.rhapsody.com/goto?rcid=art.69327&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Thu, 17 Dec 2009 10:44:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Newcleus</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69327&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although this pioneering electro-funk band influenced many of the rap and hip-hop bands that followed, Newcleus released only two albums as an active group. But what albums they were. Taking a quality over quantity approach, the Brooklyn natives' records contain the oft-sampled classics "Jam On It," "Jam On Revenge (The Wikki-Wikki Song)" and "Computer Age (Push the Button)" -- all club hits in the new millennium.
- Linda Ryan]]></description>
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<title>Nicolay</title>
<link>http://www.rhapsody.com/goto?rcid=art.8902802&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Wed, 26 Aug 2009 10:39:20 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nicolay</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8902802&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8902802&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dutch-born Nicolay emerged in the mid-'00s as the producer half of underground duo Foreign Exchange, which also included Little Brother lyricist Phonte. His work drew from the boom-bap revival that began with 9th Wonder, but was lusher in sound than that of most producers toiling in the niche, conveying a decidedly romantic streak. It was no surprise that his sound soon opened up on 2008's <I>Time: Line</I>, a collaboration with rapper Kay. He continued to evolve with Foreign Exchange's sophomore album, <I>Leave It All Behind<I>, which pointed towards '80s R&B.
- Sam Chennault]]></description>
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<title>Propellerheads</title>
<link>http://www.rhapsody.com/goto?rcid=art.69124&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Big Beat</category>
<pubDate>Thu, 5 Nov 2009 12:40:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Propellerheads</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.69124&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Launched by the highly respected U.K. dance label Wall of Sound, DreamWorks artists the Propellerheads stand in the company of the Chemical Brothers and Fatboy Slim as one of the most respected acts on the Big Beat scene. With their expertly pasted elements of Funk, House, Techno, hip-hop and jazz, the Propellerheads ensure there's no sitting still when this duo is pimping on the decks.
- Melissa Piazza]]></description>
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<title>Debbie Deb</title>
<link>http://www.rhapsody.com/goto?rcid=art.38005&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Electro-Funk</category>
<pubDate>Wed, 30 Sep 2009 10:29:52 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Debbie Deb</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38005&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hard, old school dance beats and funky vocoder choruses take you back to the days when Herbie Hancock and Afrika Bambaataa ruled the airwaves -- except none of them had a sweet, pure female voice to add to the mix.
- Jessy Terry]]></description>
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<title>Blowfly</title>
<link>http://www.rhapsody.com/goto?rcid=art.63462&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Comic Song</category>
<pubDate>Wed, 1 Apr 2009 22:17:47 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Blowfly</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.63462&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A prolific songwriter with more than twenty-five albums, Blowfly embraces what many of his critics fear and misunderstand: wild and freaky sex. The lewd lyricist extraordinaire released his first album in 1978, and in 1996 alone put out seven LPs and two compilations, including <i>The Best of Blowfly: Analthology</i>. With a charismatic voice somewhere between James Brown and Ol' Dirty Bastard, Blowfly pulls no punches, detailing graphic trysts and sexperimental scenarios with a cocky flamboyance that few possess. Thick Funk grooves support his tales perfectly, with giggling girls occasionally providing background squeals. His libido-laden lyrics may be shocking to some, but Blowfly's relevance cannot be denied. His no-holds-barred style has influenced many rappers, from Too Short and 2 Live Crew to Lil' Kim and Akinyele.
- Brolin Winning]]></description>
</item><item>
<title>Onra</title>
<link>http://www.rhapsody.com/goto?rcid=art.14514759&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Thu, 14 May 2009 10:49:08 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14514759&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>DJ Laz</title>
<link>http://www.rhapsody.com/goto?rcid=art.14311&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>Dirty South</category>
<pubDate>Thu, 2 Jul 2009 13:50:38 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Laz</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14311&amp;variant=play&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.14311&amp;variant=data&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Florida emcee pulls no punches when it comes to unabashed ass-praising and floor-shaking bass bumps. But that's really no surprise, given that Laz (born Lazaro Mendez) is an influential DJ who's been promoting Miami Bass and Latin music since the late 1980s. Now something of an institution at Miami's Hot 96, Laz pioneered the fusion of Latin beats and rap in the '90s, and he's widely credited with helping to create Latin Bass, an offshoot of his hometown's famous export. Despite his constant work breaking new acts, DJ Laz takes time out every few years to drop his own releases, often featuring guest turns by some of the Dirty South's hottest emcees.
- Sarah Bardeen]]></description>
</item><item>
<title>DJ Food</title>
<link>http://www.rhapsody.com/goto?rcid=art.4408&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Instrumental</category>
<pubDate>Fri, 4 Dec 2009 13:19:59 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=1008&amp;rws=%2Frap-hip-hop%2Finstrumental-rap-hip-hop%2Fartist-chart.rss">Top Instrumental Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">DJ Food</rhap:artist>
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<description><![CDATA[Coldcut's Matt Black started the "DJ Food" project as a resource for DJ's; however, the studio group's success led to touring and performance as a band. The group combines grimy, spliff-smoking breakbeats, club-friendly grooves, and electronic experimentation. Some tracks approach Soul Jazz, full of droning organs and soulful, blues-based guitar improvisation. Other tracks simply add some Dub and Funk inflections to a House beat with shrill diva vocals, bass-heavy rhythms, and slightly flanged keyboard sounds. But the eclecticism doesn't end here. House-ified Mambo grooves give way to surreal Ambient Breakbeat, Middle Eastern-tinged spy-soundtrack Acid Jazz, and jazz-inflected Drum 'n' Bass. Leave it to Ninja Tune Records to come up with this mix of influences.
- Noah Enelow]]></description>
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<title>The Cat Empire</title>
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<category>Post-Modern Pop</category>
<pubDate>Sat, 13 Jun 2009 09:11:14 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Cat Empire</rhap:artist>
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<description><![CDATA[In the eight years since forming in 1999, these incorrigible genre-hoppers from Melbourne, Australia, have doubled in size and expanded their Empire. The Cat Empire started as a trio when keyboardist Oliver McGill, double bassist Ryan Monro, and percussionist Felix Riebl (who specializes in timbales) started playing their jazz-meets-ska-meets-Latin fusion at gigs in jazz clubs and all-night parties at the tender age of nineteen. Gradually, they added trumpeter Harry James Angus, drummer Will Hull-Brown, and DJ Jamshid "Jumps" Khadiwala to the mix of musicians and hip-hop to the musical recipe. Bigger group plus bigger sound turned out to equal bigger bookings for the band, which started playing sold-out shows in Australia, touring around the world, and recording their first album. Record labels came a-knockin', and after weighing their options, the band signed with Virgin, which released their 2003 self-titled debut. <i>Two Shoes</i> and <i>Cities</i> followed in 2005 and 2006, respectively.
- Rachel Devitt]]></description>
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<title>Koushik</title>
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<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
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<description><![CDATA[In a 2003 interview, Koushik compared his music to breathing, which makes sense: while nominally hip-hop in its use of samples and drum breaks, Koushik's work seems to pulse like a bellows, drawing in energy from vintage soul and folk records, and issuing out a yellow-and-pink fog of blurry harmonies. (Imagine the Beach Boys, chopped and screwed, and then photographed through a Vaseline-smeared lens.) Growing up in Dundee, Ontario, Koushik began DJing and recording at 14 -- in fact, he says, he'd been sneaking down to the basement to play with his brother's turntables since he was eight -- but it wasn't until years later that he'd let anyone listen to his creations. His debut single appeared in 2001, followed by a string of singles (collected in 2005 as <I>Be With</I>) for Stones Throw; in 2008 he followed up with <I>Out My Window</I>, his album debut. While the record's beats recalled hip-hop mavericks like Madlib, J Dilla and DJ Shadow, his lush harmonies had more in common with folk-obsessives like Caribou and Four Tet. Unsurprisingly, he has collaborated with both.
- Philip Sherburne]]></description>
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<title>DJ Jazzy Jeff</title>
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<category>Instrumental (East Coast)</category>
<pubDate>Sat, 31 Oct 2009 11:42:49 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">DJ Jazzy Jeff</rhap:artist>
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<description><![CDATA[Best known as the Fresh Prince's sound provider, DJ Jazzy Jeff has been in the rap game since the early 1980s, crafting catchy beats and working the decks with a precision that few others can match. Born and raised in Philly, he and Will Smith helped bring hip-hop to the mainstream, with a succession of inoffensive, stick-in-your-head singles such as "Girls Ain't Nothing But Trouble," "Parents Just Don't Understand" and "Summertime." The platinum-selling duo recorded five albums together between 1987 and 1993, receiving numerous awards and remaining popular despite the explosion of gangsta rap. They disbanded after Will Smith's acting career started taking off, though Jeff continued to produce, DJ, and mentor new talent. He started his own production company, A Touch Of Jazz, assembling a crack team of musicians to provide the sonic backdrop for artists ranging from Jill Scott to Michael Jackson. In 2002, Jazzy Jeff released his long-awaited solo debut, <i>The Magnificent</i>, a top-notch LP that featured such guests as J-Live and Freddie Foxxx.
- Brolin Winning]]></description>
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