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<title>Top Indie Rap/Hip-Hop Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link><description>Top Indie Rap/Hip-Hop Artists on Rhapsody Online</description><category>Indie Rap/Hip-Hop</category><language>en</language><ttl>720</ttl><pubDate>Tue, 8 Dec 2009 14:49:14 -0800</pubDate><image>
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<title>Top Indie Rap/Hip-Hop Artists on Rhapsody Online</title>
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<title>Drake</title>
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<category>Hitmakers</category>
<pubDate>Sun, 6 Dec 2009 09:55:34 -0800</pubDate>
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<description><![CDATA[A biracial, half-Canadian, half-American heartthrob offspring of a multigenerationally musical family who first shot to fame in the early '00s playing an injured high school basketballer on TV's <i>Degrassi: The Next Generation</i>, the rapper born Aubrey Drake Graham is an unlikely candidate to serve as hip-hop's latest great hope. But that's what he's been shaking out as, ever since his self-released 2007 mix tape, <i>Comeback Season</i>, brought him to the attention of Lil Wayne, the first of several superstars he has managed to collaborate with before even releasing a debut album. The list now includes Kanye West, Mary J. Blige and others, and it shows no signs of letting up, especially given Drake's starring role in two of 2009's more inescapable summer hip-hop singles: his own "Best I Ever Had" and Young Money Entertainment's "Every Girl." As with the early Kanye, Drake's persona bridges the gap between street smarts and backpacker emo; it's clear, too, that he can sing as nimbly as he raps. Talk about a future multithreat; he doesn't even need to cross over to acting, because he's already been there. All this from a guy whose debut album, <i>Thank Me Later</i>, isn't due until late 2009.
- Chuck Eddy]]></description>
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<title>LMFAO</title>
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<category>Alt Dance</category>
<pubDate>Tue, 8 Dec 2009 09:16:43 -0800</pubDate>
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<description><![CDATA[LMFAO's M.O. is encoded in the Los Angeles duo's very name, and its music is made to match: loud, brash and cheerfully irreverent. Dirty South-derived hip-hop forms the core of their sound, with its booming 808 bass drums and ravey synth stabs, but if these guys are O.G., it's more like Original Goofball, gleefully tweaking convention with a cartoonish fusion of crunk and nu-electro. Members Sky Blu and Redfoo (Sky's uncle) got their start DJing a mixture of commercial hip-hop and club music, and soon were producing their own beats to play out. After soaking up the sun at the South Beach dance-music festival Winter Music Conference, they returned to L.A. and banged out "I'm in Miami Bitch," a tongue-in-cheek ode to the good life that racked up 19 million MySpace plays (and counting). In 2009, Interscope released their debut album, the self-explanatory <I>Party Rock</I>.
- Philip Sherburne]]></description>
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<title>Gorillaz</title>
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<category>Experimental Rap/Hip-Hop</category>
<pubDate>Tue, 8 Dec 2009 09:16:45 -0800</pubDate>
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<description><![CDATA[The Gorillaz' image may be cartoonish, but with artists like Del the Funky Homosapian, Dan the Automator, and members of Blur, Cibo Matto, and Tom Tom Club contributing, their music is anything but lightweight. Experimental in nature and obtuse in scope, the Gorillaz' sound melds Damon Albarn's sharp pop sensibilities with Dan the Automator's eclectic bass-heavy, beat-driven hip hop. And although the combination doesn't always gel, when they hit the mark, it's usually with a bull's eye. Perhaps it was the cartoon facade, or the side-project feel of the collaborative, but when the Gorillaz's self-titled debut was released in 2001, critics predicted a short shelf life for the band. Despite this, the Gorillaz's album went platinum and the group scored a couple of hefty hits with "Clint Eastwood" and "19-2000." But when most of the members of the group went back to their day jobs, most assumed that was the end of them. But in July 2005, the band released its follow-up, <I>Demon Days.</I> As the title suggests, the Gorillaz's sophomore effort casts a darker shadow; however, this is tempered by slick-sounding beats and a variety of happy-go-lucky blips and bleeps. The group scored a radio hit this second time around with the single "Feel Good, Inc."
- Linda Ryan]]></description>
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<title>Lupe Fiasco</title>
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<category>The Midwestern Basement</category>
<pubDate>Fri, 4 Dec 2009 13:19:45 -0800</pubDate>
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<description><![CDATA[What makes Chicago's Lupe Fiasco special isn't that he's the most talented rapper of his generation, nor that he has a boyish charisma that jumps off his records and has drawn the attention of Jay Z and Kanye West. Technical acumen is not as important as your favorite indie emcee would have you believe, and charisma can be manufactured. What's special about Lupe is the honesty and clarity of his lyrics. He's a war emcee: he raps about the war on terrorism, the war on drugs and the war on the poor. "This has been brought to you by genocide, sponsored by crack," Lupe declares. Over the course of his debut drug dealers with tears rolling down their eyes man funeral processions. Cops roll by laughing at the misery they've sworn to police. The "game" is the "belly of the beast," the streets a "demon in a dress with dollar signs in her eyes and semen on her breath." There's "blasphemy for prayers," "Hennessey tears" and "hollow tips for teeth." For Lupe, "Righteousness is a father teaching his kids/ That what's better than wealth is respect for yourself."
- Sam Chennault]]></description>
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<title>Atmosphere</title>
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<category>Midwestern Lyricists</category>
<pubDate>Thu, 3 Dec 2009 22:53:17 -0800</pubDate>
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<description><![CDATA[A hip-hop trio from Minneapolis, Atmosphere comprise Slug on the mic, Ant on production, and Mr. Dibbs on the wheels. Founders of the Rhymesayers collective and label (which also includes Eyedea & Abilities and Brother Ali, among others), the group has been steadily on the grind since the mid-1990s, playing countless shows for rabid underground heads at events like Scribble Jam and Coachella. Often dubbed "emo-rap" because of Slug's heart-on-his-sleeve lyrical approach, they've been embraced by legions of kids (especially young girls) and critics alike, regularly selling out large venues in both the U.S. and abroad. Their albums include <I>Overcast!</I>, <i>Lucy Ford</i>, <I>God Loves Ugly</I> and <I>Sevens Travels</I>. In 2004, they hit radio and MTV2 paydirt with the single "Trying to Find a Balance."
- Brolin Winning]]></description>
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<title>Gnarls Barkley</title>
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<category>Experimental Rap/Hip-Hop</category>
<pubDate>Tue, 6 Oct 2009 09:54:16 -0700</pubDate>
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<description><![CDATA[Marketing gimmicks aside, pinning down the raw facts on Gnarls Barkley is easy. The group's origins can be traced to an afternoon in 2005 when producer Danger Mouse played a few tracks for soul singer/rapper Cee-Lo. The former Goodie Mob member was impressed with the producer's tracks and suggested that the Athens, Ga. native submit tracks for Cee-Lo's new album. Danger Mouse -- whose production credits include Gorillaz and last year's Danger Doom -- replied matter-of-factly that he doesn't make tracks, he makes albums. The rest, as they say, is history. <br> </br> While it's a clear enough story, the music that Gnarls Barkley makes is more prickly and diverges from anything that Cee-Lo or Danger Mouse have created in their previous endeavors. And though it references nearly everything, it has no real precedent. Is it amoral gospel music, cinematic soul steeped in idiosyncratic underground hip-hop or left-field indie rock with a drum machine and a basketball fixation? Their debut, 2006's <i> St. Elsewhere </i>, is goofy and slippery, falling in the conceptual lineage of other imaginary hip-hop groups such as the aforementioned Gorillaz or Dr. Octagon. It's smooth and soulful, mimicking some the stylistic expeditions taken by Outkast on <i> The Love Below </I>. And finally, it's a mess: disorganized and brilliant; ambitious and nostalgic. Enjoy the music and the mystery.
- Sam Chennault]]></description>
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<title>A Tribe Called Quest</title>
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<category>East Coast Underground</category>
<pubDate>Sun, 6 Dec 2009 09:55:35 -0800</pubDate>
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<description><![CDATA[Throughout their ten-year history, A Tribe Called Quest were undoubtedly one of hip-hop's most influential groups. As part of the Native Tongues Family along with De La and the JBs, Tribe were among the first to fuse hardcore jazz elements with positive lyricism. Their early material combined mellow production by Ali Shaheed Muhammad with intelligent, socially conscious and witty flows from Phife and Q-Tip. They soon delved deeper into jazz, even sporting the bass work of living legend Ron Carter on their 1991 release <I>The Low End Theory</I>, an album many consider to be one of hip-hop's finest as well as the group's masterwork. 1998 saw the release of their final LP <I>The Love Movement</I>, a triple-vinyl concept album that included the single "Find a Way" as well as older remixes and B-sides. Although they've since disbanded, Tribe's musical impact and influence on hip-hop will be heard indefinitely.
- Brolin Winning]]></description>
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<title>Mos Def</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
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<description><![CDATA[For the latter half of the '90s, many considered Mos Def to be hip-hop's savior. It was a ridiculous expectation, sure, but it also reflects the intelligence, charisma and emotion that the emcee puts into every line. In 1998 he teamed up with Talib Kweli for the excellent <i> Black Star </i> LP, followed by his critically acclaimed solo disc, <i>Black on Both Sides</i> (1999). The most appealing aspect of Mos's lyrics wasn't that they largely focused on issues of class and race disparity, but that they infused an emotional poignancy to these potentially dry and pedantic topics. Fans felt his style a viable alternative to stagnant mainstream hip-hop fare, and his records are regarded as underground classics. And while he was entrusted with the keys to the backpack kingdom, he rejected cult status and instead focused on his budding acting career. His two subsequent albums, 2004's <i> New Danger</i> and 2006's <i>True Magic</i> found the emcee moving further away from typical hip-hop claptrap and toward an experimental template that attempted to fuse numerous strands of black music. Oddly, <i>True Magic</i> was pulled off shelves two weeks after it was initially released in 2006. It was slated to be re-released in 2007.
- Sam Chennault]]></description>
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<title>The Roots</title>
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<category>East Coast Underground</category>
<pubDate>Sat, 10 Oct 2009 10:13:30 -0700</pubDate>
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<description><![CDATA[Originally formed in 1989, this Philadelphia supergroup is finally getting the recognition it deserves. Pioneers of the live-rap movement, the Roots use traditional instrumentation in lieu of samples and drum machines. Their distinctly jazzy sound is the direct result of highly skilled musicianship, as demonstrated on their high-quality albums and always impressive live performances. In addition to their signature, organic sound, they are also known for their positive and conscious lyricism. Emcees Black Thought and Malik B always give you something to think about, dropping verses on such heavy topics as politics, equality and respect for fellow man. The Roots have opened the door for a new breed of artist, stressing the importance of original music and intelligent content, a refreshing contrast to hip-hop's glut of party-thug rappers. They are without a doubt one of the most important bands around, not just as emcees, but as musicians and role models.
- Brolin Winning]]></description>
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<title>Common</title>
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<category>Midwestern Rap/Hip-Hop</category>
<pubDate>Sun, 29 Nov 2009 09:28:11 -0800</pubDate>
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<description><![CDATA[Something about the rhythm of Common's flow -- the way he phrases his intelligent rhymes -- turns his voice into an instrument. He started out as Common Sense, releasing two excellent albums filled with sparse beats and dizzying rhymes that were unusual exports from the pop-focused hip-hop scene in the Midwest. Though he's been pigeonholed as a mellow Jazz Rap minimalist, he's got enough consciousness-stirring lyrics to make a listener sit up and think as they nod to his thick grooves. The album that broke him was <I>One Day It'll All Make Sense,</I> a record with rich, organic beats that balanced his unorthodox vocal style. Touring with a live band (often the Roots) seasoned him for his next effort, <I>Like Water For Chocolate</I>. Stretching hip-hop's boundaries, Common has drawn on everything from thick, Fela Kuti-inspired afro-beat to jazzy live backing, with tracks produced by DJ Premier and the Soulquarians (including drummer/mastermind ?uestlove and singer/keyboardist D'Angelo). In 2002, his sound grew considerably more experimental, and the Jay Dee-produced <i>Electric Circus</i> somewhat alienated fans of his earlier material. After taking a few years to regroup, Common returned triumphantly with <i>Be</i>, teaming up with fellow Chi-town native Kanye West for an exceptional back-to-basics album that many critics have hailed as a modern classic.
- Jessy Terry]]></description>
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<title>Tech N9ne</title>
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<category>Midwestern Lyricists</category>
<pubDate>Tue, 1 Dec 2009 09:47:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tech N9ne</rhap:artist>
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<description><![CDATA[One of the foremost practitioners of Midwest horrorcore, Kansas City's Tech N9ne has been frightening listeners with his warped ghetto tales for nearly a decade, though casual listeners wouldn't know it from his paltry recording output. Like most artists who gravitate towards the bloody extremes, Tech (ne Aaron Yates) was brought up in a very strict, religious household with a fundamentalist Christian mother and a Muslim stepfather. Despite their best attempts to shelter him, Tech was exposed to rap early when an uncle brought over a copy of proto-rapper Blowfly's "Rap Dirty." Tech was immediately captivated and soon picked up a mike and started spitting his own rhymes. At 17, he left home and soon got involved in the drug game. But during this time, Tech's rap career was beginning to take off and the young rapper moved to New Orleans for the sake of his career. He has lent his unique perspective to tracks by such artists as Eminem, D12 and Tupac. Unfortunately, it would be the first of many false starts, and he would soon be forced to return to Kansas City sans record deal. Tech refused to give up his dreams, though, and he hooked up with longtime collaborator Icy Rock and producer Dan Juan, who would help the rapper record his 2001 debut, <I>Anghellic</I>. Based on the success of advance singles, the album received major label distribution via Interscope Records. <I>Anghellic</I > was predictably dark, opening with the invocation "Welcome to hell" and refusing to relent thereafter. Tracks such as "Psycho Bitch," "Suicide Letters" and "Tormented" were ghoulishly sinister, approaching the tone and themes of fellow Midwesterner Eminem's more extreme tracks. Though the album was lauded in underground circles, it didn't catch on in the mainstream and Tech was dropped from his contract. Undeterred, he quickly re-entered the studio and independently released 2002's <I>Absolute Power</I>. That album opened with the anti-industry screed "The Industry Is Punks." Throughout both of his two proper full-lengths, Tech's vocal cadence displayed an unusual pliability. From the double-time rap of "The Industry Is Punks" to the growl of "Trapped in a Psycho's Body," Tech's flow was unpredictable. The only common denominator among the songs was Tech's ability to project a sense of impending menace. We can only hope that this Midwestern madman will once again be resurrected.
- Sam Chennault]]></description>
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<title>The Flobots</title>
<link>http://www.rhapsody.com/goto?rcid=art.9598484&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Tue, 8 Dec 2009 09:16:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Flobots</rhap:artist>
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<description><![CDATA[Bringing a politically charged message, Flobots first formed in 2005. The group has seven members, including two emcees and five instrumentalists, who play everything from the trumpet to the violin. Their live instrumentation and socially conscious songs helped build a loyal following in their hometown of Denver, Colo. After selling 3,000 copies of their EP <i>Flobots Present: Platypus</i>, they began touring all over Colorado. They followed <i>Platypus</i> with another well-received full-length project, <i>Fight with Tools</i>, in 2007. All the attention Flobots were getting eventually led to a major-label offer after they performed at the Gothic Theatre in Englewood, Colo., in 2008.
- Toshitaka Kondo]]></description>
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<title>MF DOOM</title>
<link>http://www.rhapsody.com/goto?rcid=art.9929&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:28:15 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">MF DOOM</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9929&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The emcee now simply known as DOOM hasn't shown his face to the public in over a decade, choosing instead to hide behind a metal mask at all times. The subject of constant speculation by a rabid fan base, the man born Daniel Dumile is among hip-hop's most mythologized rappers. DOOM's story starts in 1993, when Sev Love X's brother and KMD groupmate Subroc died in a car accident and their sophomore album, <i>Black Bastards</i>, was shelved by their record label. Sev Love went into hiding, emerging years later as the masked "super villain" MF DOOM. His first album, 1999's <i>Operation Doomsday</i>, was a lo-fi hip-hop classic, featuring a cadre of reworked quiet-storm beats and oblique word puzzles. As an emcee, his flow is a blunt instrument, rumbling over a track's rhythm, oftentimes oblivious to the beat. He relies on words to draw out rhythm, cramming lines with inner rhymes and alliteration. The album acquired a cult following, and when DOOM returned in 2003, the world was ready. He released classics <i>Madvillainy</i>, <i>Take Me to Your Leader</i> and <i>Vaudeville Villain</i> under different aliases within a 10-month period in 2003 and 2004. His latest is 2009's <i>Born Like This</i>.
- Brolin Winning]]></description>
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<title>Gym Class Heroes</title>
<link>http://www.rhapsody.com/goto?rcid=art.7501243&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Wed, 30 Sep 2009 10:29:19 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gym Class Heroes</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7501243&amp;variant=play&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
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<description><![CDATA[A four-piece hip-hop group out of New York, Gym Class Heroes utilizes the live instrumentation rap dynamic developed by hip-hop groups like the Roots and Stetasonic. Where those groups infuse their sound with funk and jazz flourishes, Gym Class focuses on incorporating elements of modern pop. The resulting music illuminates the intersections between Beck and Outkast. The band's many fans are drawn to the appealing vocal harmonies and romantic lyrics of songs such as "Cupid's Stronghold." The Heroes are accessible and likeable, and their two albums -- 2005's <i> The Papercut Chronicles</i> and 2006's <i>As Cruel as School Children</i> -- have been embraced by pop audiences.
- Sam Chennault]]></description>
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<title>Madlib</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Madlib</rhap:artist>
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<description><![CDATA[Though he'd made guest appearances with West Coast indie stalwarts Tha Alkoholics, most people first noticed Madlib when his group Lootpack released <I>Soundpieces: Da Antidote</I> in 1999. Madlib's rickety lo-fi productions were looser and funkier variations on the jazzy hip-hop pioneered by his NYC producers, but it wasn't until <I>The Unseen</I> dropped in 2000 that Madlib's M.O. became apparent. Released under the Quasimoto moniker, <I>The Unseen</I> was a concept album based on a helium-voiced hedonist who enjoyed "astro traveling." It was equal parts Prince Paul, Sun Ra and Cheech Marin, and remains among the most inventive hip-hop albums ever made. Madlib would continue to follow his weird muse unbridled by either commercial interest or fan expectations. In the past eight years, he recorded numerous jazz albums under different aliases, collaborated with J Dilla on <I>Champion Sound</I>, recorded a broken-beat album under the moniker DJ Rels, reworked both the Blue Note and Trojan catalogs, linked up with MF Doom for <I>Madvillainy</I> and recorded two widely acclaimed instrumental hip-hop albums. Madlib continues to push boundaries.
- Sam Chennault]]></description>
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<title>Wale</title>
<link>http://www.rhapsody.com/goto?rcid=art.19296513&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Tue, 8 Dec 2009 09:16:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wale</rhap:artist>
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<description><![CDATA[Washington, D.C., had yet to boast a rapper that made a national impact until now. Setting the Internet on fire, Wale has already gotten cosigns from Jay-Z, the Roots' Black Thought, Bun B and Mark Ronson (who signed him to his Allido Records label) with his contagious enthusiasm for rippin' mics. Rapping over everything from Go-Go's to Justice beats, Wale combines wit, sharp insight and thought-provoking lines to show a side of Chocolate City that has nothing to do with guns and drugs. After scoring a hit with "Nike Boots," which featured Lil Wayne on the remix, Wale brought a lot of exposure to the city's hip-hop scene.
- Toshitaka Kondo]]></description>
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<title>Mickey Avalon</title>
<link>http://www.rhapsody.com/goto?rcid=art.12248263&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Fri, 30 Oct 2009 12:04:56 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mickey Avalon</rhap:artist>
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<description />
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<title>Digital Underground</title>
<link>http://www.rhapsody.com/goto?rcid=art.3957&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 4 Dec 2009 13:19:29 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Digital Underground</rhap:artist>
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<description><![CDATA[Founded in Oakland during the late 1980s, Digital Underground are among the most innovative and original forces in hip-hop. Their 1990 debut LP <I>Sex Packets</I> put them on the map with two major singles, "Doowhutchyalike" and "The Humpty Dance" -- the latter introducing the world to Shock G's eccentric alter-ego Humpty Hump. Armed with charismatic flows and contagious grooves merging samples and live instrumentation, they brought forth fresh new takes on the classic foundations of George Clinton and P-Funk. With playful lyrics and experimental concepts, they crafted a funkdified, party-rocking style never resorting to gangsterisms, though sometimes sounding off on social and political issues. The group's follow-up EP was the first release featuring Tupac, whom they would later produce when he went solo. DU's multitalented lineup, including Shock G, Money B, Chopmaster J, DJ Fuze, Kenny K and others, would periodically change throughout the decade; and while mostly remembered for their early hits, they continue to put out high quality work. DU have released six full albums and continue to bring the funk with their over-the-top recordings and flamboyant live shows.
- Brolin Winning]]></description>
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<title>Gang Starr</title>
<link>http://www.rhapsody.com/goto?rcid=art.44065&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gang Starr</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.44065&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Unquestionably one of the most influential groups in the game, Gang Starr have been serving up treats for over ten years. The dynamic duo of emcee Guru and superproducer DJ Premier dropped their first album in 1989 and they have yet to release their stranglehold on the ears of hip-hop's faithful. They were among the first groups to fully embrace jazz in their work, and over the years they've maintained and refined their distinct style. Guru's trademark monotone rhymes flow like gravy, educating listeners with intelligent and sophisticated lyrics. Primo is arguably the hottest beat-maker in the industry, peppering heavy drums with piano loops, scratched hooks, and finely chopped samples. They've also helped launch the careers of artists including Jeru and Group Home. Guru spearheaded <I>Jazzmatazz</I> projects in '93, '95, and 2000, while Premier has produced for heavy hitters like Biggie, Nas, and Rakim. Their 1999 quadruple album <I>Full Clip: A Decade of Gang Starr</I> contains many classic cuts, including "Mass Appeal," "Ex Girl To The Next Girl," and "DWYCK." For consistently high-quality hip-hop, look no further than Brooklyn's finest.
- Brolin Winning]]></description>
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<title>Jurassic 5</title>
<link>http://www.rhapsody.com/goto?rcid=art.592&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Thu, 1 Oct 2009 11:36:39 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jurassic 5</rhap:artist>
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<description><![CDATA[True innovators are hard to come by. There is an encouraging emergence however, in crews that know what it means to rock a mic and move a crowd. Enter Jurassic 5. Formed in LA circa '93, emcees Akil, Chali 2NA, Marc 7, and Zaakir joined forces with DJs Cut Chemist and NuMark to create original and exciting hip-hop. They met rocking open mics at the Good Life Café, a hotspot for new and creative LA bands such as Pharcyde and Freestyle Fellowship. They released their first single "Unified Rebelution" and continued to perform and evolve their own unique sound. Epitomized by charismatic lyrical interplay, tonal harmonies reminiscent of old-school NYC crews, ample turntable trickery, and a high energy stage show, true heads have embraced them worldwide. They released a self-titled EP in '97 and have appeared on numerous compilations, including <I>Lyricist Lounge Vol.1</I>, <I>World Famous Beat Junkies Vol.2</I>, and <I>Quannum Spectrum</I>, among others. They have also released several singles, toured relentlessly, and dropped their exceptional debut LP <i>Quality Control</i> in early 2000. Their old-school/new-school sound is truly infectious, familiar yet unique, and quite simply: fresh.
- Brolin Winning]]></description>
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<title>Mobb Deep</title>
<link>http://www.rhapsody.com/goto?rcid=art.385&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Street Hop</category>
<pubDate>Fri, 4 Dec 2009 13:19:31 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mobb Deep</rhap:artist>
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<description><![CDATA[Since the early 1990s, NYC duo Mobb Deep have been perfecting their craft and unleashing gritty street rhymes over haunting soundscapes. From <I>Juvenile Hell</I>, released when they were still teenagers, to their recent <I>Murda Muzik</I>, Prodigy and Havoc have refined the genre of East Coast "reality rap" with four albums telling of casual violence on the shady streets around the notorious Queensbridge housing projects. Just as evolutionary are their production techniques, (primarily Havoc's) that incorporate dusty records, paranoid piano loops, booming bass, and super-tight beats. Their tracks are designed to manipulate emotions, bringing fear to the listener, whether hard-rock thugs or sheltered suburbanites. If you dig straight street lyrics and sophisticated instrumentals on a higher plane, this is for you. Arguably one of the most influential groups in hip-hop today, the Mobb has many imitators, but no equal.
- Brolin Winning]]></description>
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<title>Ozomatli</title>
<link>http://www.rhapsody.com/goto?rcid=art.68642&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Latin Rock</category>
<pubDate>Wed, 28 Oct 2009 10:44:29 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ozomatli</rhap:artist>
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<description><![CDATA[Every single funky note floating around L.A. has somehow found its way into Ozomatli's heady brew of rap, Latin, funk and soul. The army of east L.A. musicians known as Ozomatli (whose name originates from that of the Aztec god of dance) have caused an immediate sensation with their incendiary live shows and hyperkinetic mix of styles that bridge the gap between African, Latin and American music. At their blazing best, Ozomatli take the finest of '70s funk and give it an energetically contemporary twist of the arm.]]></description>
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<title>Aesop Rock</title>
<link>http://www.rhapsody.com/goto?rcid=art.38008&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Fri, 27 Nov 2009 10:25:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Aesop Rock</rhap:artist>
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<description><![CDATA[A member of the Atoms Family and down with El-P's Def Jux camp, Aesop Rock is a truly gifted wordsmith. Known for his complex, philosophical lyrics, meandering flow, and strange vocal tone, he's at the forefront of the abstract-loving internet-rocking indie hip-hop underground. Extremely influential to a new generation of lyric-centric emcees, Aesop's solo albums include <i>Float</i>, <i>Labor Days</i>, and <i>Bazooka Tooth</i>.
- Brolin Winning]]></description>
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<title>Talib Kweli</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:27:43 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Talib Kweli</rhap:artist>
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<description><![CDATA[A New York emcee admired for his champion mic skills and conscious lyricism, Talib Kweli has been a very busy man, dropping hot tracks at an astounding rate. He is one half (along with Mos Def) of Black Star, whose 1998 debut garnered worldwide critical acclaim. Kweli has also contributed tracks to some of the most important hip-hop compilations in recent years, including both <i>Soundbombing</i> collections, <i>Lyricist Lounge Vol. 1</i> and <i>New York State of Mind 1 and 2</i>. An outspoken supporter of many sociopolitical issues (both on and off the mic), and he's also appeared on <i>The Unbound Project</i> and <i>Hip Hop For Respect</i>. As if that's not enough, his other group Reflection Eternal (a collaboration with DJ Hi-Tek), have stepped out with several 12-inches and an excellent debut LP. Talib released his long-awaited first solo album <i>Quality</i> in 2002, and found radio love with the single "Get By." His second full-length, <i>The Beautiful Struggle</i> hit the scene two years later, followed by 2007's <i>Eardrum</i>.
- Brolin Winning]]></description>
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<title>Arrested Development</title>
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<category>90's Rap/Hip-Hop</category>
<pubDate>Sun, 15 Nov 2009 11:03:39 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Arrested Development</rhap:artist>
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<description><![CDATA[This Atlanta-based group found major mainstream success with their 1992 debut album <i>3 Years, 5 Months, And 2 Days In The Life Of...</i>. Merging positive, upbeat vibes with intelligent, socio-political lyricism, their infectious brand of friendly Funk sold millions of records and won them two Grammys. Fueled by the hits "Tennessee" and "Mr. Wendal," Arrested Development seemed to have it all. They released two more albums over the next few years (including <i>Unplugged</i>), but neither matched the critical or commercial impact of their first effort. Leader/emcee Speech released a solo album in 1996, and rumors continue to circulate about an impending reunion.
- Brolin Winning]]></description>
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<title>Digable Planets</title>
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<category>East Coast Underground</category>
<pubDate>Sat, 29 Aug 2009 10:21:46 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Digable Planets</rhap:artist>
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<description><![CDATA[Though plagued by the same street credibility problems as De La Soul (due in part to their monikers: Ladybug, Doodlebug and Butterfly), Digable Planet's music speaks for itself. Tight beats linked to hip-hop's rhythmic past couple with subdued, laid-back rhymes, satisfying new and old listeners alike. Creative sampling showcases snippets of Funk and jazz, bringing new audiences to classic artists like Roy Ayers, Curtis Mayfield, Art Blakey, Herbie Hancock and many more. Digable Planet's success led to collaborations with live musicians on tour and in the studio, including work with legends like Lester Bowie and Wah-wah Watson. Their greatest success may lie in their rejection of conventional standards, however; grooves that were considered awkward and offbeat when they first began recording have since become the norm.
- Jessy Terry]]></description>
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<title>Brother Ali</title>
<link>http://www.rhapsody.com/goto?rcid=art.5185455&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Thu, 15 Oct 2009 11:00:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[As a member of Minneapolis' Rhymesayers collective (alongside Atmosphere, Eyedea & Abilities, and others), Brother Ali perfectly encapsulates that heralded crew's aesthetic. He has a knack for insightful lyrics, but he tempers these emo tendencies with tough-guy bravado and a stinging litany of battle-ready insults. Inspired by pioneering emcees like Slick Rick and KRS-One, he began rapping at the age of 15. In 2000, he released his cassette-only debut, <i>Rites of Passage</i>, followed by the excellent <i>Shadows on the Sun</i> in 2003. Though that album was well received by critics and the Rhymesayers faithful, it failed to catch on with the general public, and Ali spent the next two years fighting poverty and engaged in a bitter custody battle with his ex-wife, whom he claims was both mentally and physically abusive toward him and his son. The blood and tears were on full display on his next disc, <i>The Undisputed Truth</i>. For that record, Ali scaled back some of the bravado and explored his inner emotional fissures. Once again, the album gained critical praise and a cult following, but failed to make an impression on the wider listening audience.
- Sam Chennault]]></description>
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<title>P.M. Dawn</title>
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<category>Experimental Rap/Hip-Hop</category>
<pubDate>Thu, 26 Nov 2009 11:27:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">P.M. Dawn</rhap:artist>
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<description><![CDATA[With their unlikely fusion of pop, R&B, psychedelia, and hip-hop, Jersey City's P.M. Dawn won the praise of critics and listeners alike with their 1991 debut, <I>Of the Heart, Of the Soul, and Of the Cross</I>. DJ Minutemix's diverse blend of sounds and Prince Be's introspective vocals won them many fans, though some in the hip-hop community dismissed their eclectic image as formulated and soft. In 1992, after reading an interview in which Be challenged KRS-One, the Blastmaster himself physically tossed him off a stage in NYC. Although P.M. Dawn went on to release three more albums, they never revisited their early successes.
- Brolin Winning]]></description>
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<title>RJD2</title>
<link>http://www.rhapsody.com/goto?rcid=art.39363&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Sun, 1 Nov 2009 12:39:40 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">RJD2</rhap:artist>
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<description><![CDATA[A producer and DJ from Columbus, Ohio, RJD2 is undoubtedly one of the most hyped beatmakers in independent hip-hop today. He got his start making tracks for the MHZ crew (Copywrite, Camu Tao, Tage Proto), then worked his way up with a series of singles and mix tapes before unleashing his critically-acclaimed debut LP, <i>Dead Ringer</i>, on the uber-hip Def Jux label in 2002. Much like DJ Shadow (an obvious influence) before him, RJD2's music appeals not only to the underground hip-hop community, but also to aging indie-rockers and hipsters who don't care for most rap music. Loaded with moody samples, dusty drum breaks, dialogue clips, and pieces of vintage soul jams, the mostly instrumental <i>Dead Ringer</i> elicited rave reviews from a wide variety of listeners, and was bound for many critic's "best of 2002" lists.
- Brolin Winning]]></description>
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<title>J Dilla</title>
<link>http://www.rhapsody.com/goto?rcid=art.5278372&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">J Dilla</rhap:artist>
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<description><![CDATA[One of hip-hop's most accomplished producers, J Dilla helped define the sound of underground hip-hop. His signature blend of breezy soul music, jazz licks and hip-hop thump can be heard in the music of Kanye West, Madlib and the Roots. And while charting was never a priority, Dilla was as accessible as anything by the Neptunes, and he worked with such pop artists as Busta Rhymes and Janet Jackson. When Dilla passed in February 2006 due to liver failure, there was an instant and inescapable void in the hip-hop universe -- one that will not be easily filled. <br></br> Dilla began his musical odyssey in the late '80s as part of the emerging Detroit hip-hop crew Slum Village. He was labeled a prodigy -- when the group formed in 1988, Dilla was only 15. Dilla first reached national attention in the mid-'90s while producing for Tribe Called Quest and De La Soul. Though Trife and Q-Tip's chemistry together had long since waned, Dilla's production on <I>The Love Movement</I> at least made the CD listenable. Subtle counter melodies and light, shuffling breaks were the order of the day, and tracks such as "Find My Way" and "4Moms" found Dilla in increasingly pastoral form. It provided a proper sendoff for one of hip-hop's most celebrated groups and set the stage for the neo-soul movement that would later help redefine urban music. <br></br> Dilla produced for many key artists in the neo-soul genre. His work on D'Angelo's <I>Voodoo</I> was quintessential, while the tracks that he completed for Erykah Badu (including "Cleva" and "Didn't Cha Know") were equally compelling. But Dilla was too restless a musician to be confined to one sound. As he was turning out tracks for the headwrap soul set, he was also helping to guide the careers of hip-hop superstars Common and Busta Rhymes and overseeing the commercial emergence of his old Detroit crew, Slum Village. SV's 2000 single "Rise Up," from the <I>Fantastic, Vol. 2</I> album, was featured extensively on MTV and was vintage Jay Dee: sample-based with slight electro embellishments and awkward, non-quantized drum programming that would be dubbed by the Roots' ?uestlove as Dilla's "drunken style." <br></br>It was during this time that Dilla would experience his greatest commercial successes. Q-Tip's "Vivrant Thing," from his solo debut <I>Amplified </I>, was that rapper's biggest single to date, and Dilla's work on Busta Rhymes' <I>The Genesis</I> and Common's <I>Like Water for Chocolate</I> was equally popular. Suddenly, Dilla was a top-tier producer, a status that was cemented when Janet Jackson contracted him in 2000. Dilla never felt comfortable in the role, and he soon departed from Slum Village (rumor has it that that the group wanted to take a more commercial approach) and began to focus on producing for lesser-known Detroit acts. His production during this period was grittier. While his signature off-tempo drums were still in place, the delicate soul samples that dominated his earlier work were supplanted by a thornier electro edge. <br></br>In 2003, Dilla linked up with California producer Madlib. Madlib's work was obviously influenced by Dilla, though it was abstract and tangential where Dilla's was focused and concise. Their 2003 collaborative LP, Jaylib's <I>Champion Sound</I>, was an underground hip-hop classic. Dilla was so smitten with Madlib and his Stones Throw label that he relocated to L.A. and signed to Stones Throw. It would be here that Dilla released</I> Donuts </I>, his last album. The record found Dilla flipping classic soul samples and was widely heralded as his best work in years. It was a fitting bookend to one of hip-hop's most illustrious careers. <br></br>Due to Dilla's incredible medical expences, a fund has been set up to provide financial relief for Dilla's mother. If you'd like to help, please send check or money orders to the following address:<br></br>
Maureen Yancey<br></br>
132 N. Sycamore Avenue<br></br>
Los Angeles, CA 90036
- Sam Chennault]]></description>
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<title>Kardinal Offishall</title>
<link>http://www.rhapsody.com/goto?rcid=art.16894&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Mon, 30 Nov 2009 10:00:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A highly touted producer/emcee hailing from Toronto, Kardinal Offishall's reggae-infused style of rhyming has won him more than just Northern exposure -- he's an established presence in the U.S. as well. His 1997 debut <I>Eye&I</I> generated substantial hype and led to collaborations with some of the underground's major players. In 2000, he signed with MCA, releasing his major label debut, <I>Quest for Fire: Firestarter Vol. 1</I>, in 2001. His MCA debut features hits like "BaKardi Slang" and "Ol' Time Killin'" and helped him build visibility with American fans and artists alike. Although he wouldn't release another album for seven years because of label politics, he stayed busy collaborating with the Clipse, Pharoahe Monch, Rick Ross, Sean Kingston and many others. During this time he maintained enough of a buzz that Akon signed him to his Kon Live label. Finally in 2008, he scored big with his top five smash, "Dangerous," featuring Akon, off the critically acclaimed <I>Not 4 Sale</I>.
- Brolin Winning]]></description>
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<title>Cool Kids</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Tue, 1 Dec 2009 09:47:22 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Pointing back to a distant era in rap, Cool Kids mix booming 808 drums with simplistic rap patterns, minimalist synth embellishments and references to double dutch, Rakim and <I>Do the Right Thing</I>. Still, kids Chuck Inglish and Mikey Rocks put enough space in their beats and randomness in their rhymes to make their aesthetic fresh -- think the Beastie Boys filtered through Pharrell and Diplo. The two retro-futurists met up in music's current melting pot, Myspace, and garnered a significant underground buzz when they were featured at the 2007 CMJ Music Conference and selected to open for hip harbinger M.I.A. Later that year, their debut single, "Black Mags," a paean to tricked-out bikes, took the indie world by storm. Its success, as well as the ascension of like-minded acts the Knux, Kid Sister and others, birthed the new micro-genre hipster hop. Their debut EP, <I>The Bake Sale</I>, dropped in the summer of 2008 on Chocolate Industries.
- Sam Chennault]]></description>
</item><item>
<title>P.O.S.</title>
<link>http://www.rhapsody.com/goto?rcid=art.41998&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Thu, 3 Dec 2009 22:53:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.41998&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It makes sense that P.O.S. hail from the snow-capped confines of Minnesota. The emcee/producer's sound is cold and carnivorous, seemingly chock-full of the sort of sonic nooks and lyrical crannies that sprung from too much time spent in confined spaces with the same squad. But to say that P.O.S. is unique isn't to say that he's inaccessible. P.O.S.'s blend of punk-rock ethos and hip-hop swagger has earned him fans in both genres; you'll now find his music in the hip-hop section, but he began his music career as a drummer for various punk bands in the Minneapolis scene. In fact, as a teenager, P.O.S. questioned whether or not hip-hop was a vital art form. Those questions were laid to rest when he heard Company Flow's seminal <I>Funcrusher Plus</I>. That record, as well as various underground mix tapes he was picking up, demonstrated that the genre was much more pliable than P.O.S. originally thought, and would allow the musician to express himself in new and exciting ways. Along with rapper Syst and DJ Basis, P.O.S. founded the group Cenospecies in 2001. The crew was short-lived but its album, <I>Indefinition</I>, introduced the rapper/producer to local audiences. From there, P.O.S. teamed up with childhood friend Kai and formed the group Doomtree. As they begin attracting the attention of like-minded artists, the group became the crew that currently includes Mictlan, Sims, Dessa, Cecil Otter, Marshall Larada, Bobby Gorgeous, Emily Bloodmobile, Lazerbeak, Paper Tiger, Turbo Nemesis and Tom Servo. In 2004, P.O.S. released his first full-length, <i> Ipecac Neat</i>. Though it was a self-released album, the buzz surrounding it was significant enough to land P.O.S. a distribution deal through local indie stalwarts Rhymesayers, who are headed by indie heartthrob Slug (also of Atmosphere). With the right label deal and a sound that crossed genre boundaries, P.O.S. was suddenly the center of national attention. His 2006 follow-up, <I>Audition</I>, didn't disappoint. Full of odd instrumentation and agro-flavored sonic abrasion, the album was exceedingly immediate -- as if it were ticker-tape from the sub-conscious of a new -- and until now -- voiceless generation.
- Sam Chennault]]></description>
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<title>De La Soul</title>
<link>http://www.rhapsody.com/goto?rcid=art.543&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Sun, 6 Dec 2009 09:55:41 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.543&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[De La Soul made rap history as one of the first groups to go against the hip-hop grain of macho braggadocio, hectoring social comment and mammoth beats, all while winning respect and acclaim from inside and outside of the hip-hop community. With its middle-class suburban Long Island roots, light rhythms, laid-back raps, thoughtfully irreverent lyrics, esoteric sampling, and quasi-hippie attitude, De La Soul paved the way for a steady stream of adventurous "alternative" rap groups (A Tribe Called Quest, P.M. Dawn, Basehead, and Digable Planets).
<br><br>
De La Soul began as three high school friends whose stage names reflected their sense of whimsical in-jokery: through backward spelling David Jolicoeur became "Trugoy the Dove" (yogurt, his favorite food, spelled backwards); Kelvin Mercer derived "Posdnuos" (his nickname as a high school DJ, "Sound-Sop"). Their first demo, "Plug Tunin'," attracted the attention of Paul "Prince Paul" Houston, of local rap group Stetsasonic. He played the tape for colleagues on New York's rap scene, and soon De La Soul signed with Tommy Boy.
<br><br>
Prince Paul produced the group's debut album,<I>3 Feet High and Rising</I>, a mock-game show soundtrack that introduced such De La terms as "the D.A.I.S.Y. Age (Da Inner Sound, Y'all)." De La Soul were labeled "hippies" &#8212; a term at which the group bridled &#8212; but also hailed as ingenious revolutionaries. The album brimmed with off-center inventiveness, its samples taken not from the usual James Brown rhythm tracks but from TV shows and obscure recordings, many from De La Soul's parents' collections. "Transmitting Live From Mars" set a sample from a French lesson record atop a sample from the 1968 Turtles hit "You Showed Me." The former Turtles filed a $1.7 million lawsuit, charging their music was sampled without their permission; the case was settled out of court for an undisclosed sum. <I>Three Feet</I> (Number 24 Pop, Number 1 R&B, 1989) yielded a hit single in "Me Myself and I" (Number 34 Pop, Number 1 R&B, 1989), set to a sample of Funkadelic's 1979 "(not just) Knee Deep." De La Soul then helped formed "Native Tongues," a loose alliance with A Tribe Called Quest, the Jungle Brothers, Queen Latifah, Monie Love, and Black Sheep.
<br><br>
De La Soul's second album was an obvious reaction to the perception that its debut, however innovative, was "soft." Titled <I>De La Soul Is Dead</I> (Number 26 pop, Number 24 R&B, 1991), it took a darker, more serious tone with songs about drug abuse ("My Brother's a Basehead"), incest ("Millie Pulled a Pistol on Santa"), and the vicissitudes of fame ("Ring Ring Ring [Ha Ha Hey]" [Number 22 R&B, 1991]). Critical and commercial reaction to the album was mixed.
<br><br>
De La Soul came back strong in late 1993, however, with <I>Buhloone Mindstate</I> (Number 40 pop, Number Nine R&B), hailed as a return to the group's quirky, groundbreaking form. A more conventional effort, the 1996 album <I>Stakes Is High</I> found the group stuck in neutral. Three singles &#8212; "The Bizness" (Number 53 R&B), "Stakes Is High" (Number 70 R&B), and "Itsoweezee (Hot)" (Number 60 R&B) &#8212; failed to stir sustained interest.
<br><br>
De La Soul wasn't dead, however, as the trio returned to the studio for a 2000 release, <I>Art Official Intelligence: Mosaic Thump</I> (Number Nine Pop, Number Three R&B, 2000), part of a reported three-disc series. Guest artists include Chaka Khan, the Beastie Boys, Busta Rhymes, and Redman. The next year, the group followed up with a second installment of the series, <I>AOI: Bionix</I>, but a third part never showed up. Instead, in 2004, the group's longtime label Tommy Boy tossed out a dated, badly recorded performance disc, <I>Live at Tramps, NYC</I>, 1996. It ended De La Soul's relationship with the label.
<br><br>
The trio signed with indie label Sanctuary Records, a company known more for putting out new albums by older metal and hard rock acts than for its roster of hip-hop. De La Soul's 2004 Sanctuary debut, <I>The Grind Date</I>, was generally well received but broke no new ground. In 2005, De La Soul appeared with the Gorillaz on the single "Feel Good Inc." (Number One, Modern Rock; Number 14 Pop), which won Best Pop Vocal Collaboration at the Grammys. The following year, De La Soul returned with a self-released mixtape, <I>Impossible Mission: TV Series, Pt. 1</I>, on which Posdnuos announced the mission statement in a track called "Freedom Train:" "No longer backed by record companies but back by popular demand." The clunky rhyme was not totally accurate; by 2006 a collection of spotty old and new material failed to chart at all. In 2008 the band toured with A Tribe Called Quest, Nas, Pharcyde and others on the Rock the Bells tour.
]]></description>
</item><item>
<title>Handsome Boy Modeling School</title>
<link>http://www.rhapsody.com/goto?rcid=art.9503&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Sat, 10 Oct 2009 10:13:26 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9503&amp;variant=play&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.9503&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Two of the most unapologetically eccentric and undeniably skilled producers in
hip-hop, Prince Paul and Dan "the Automator" Nakamura came together in 1999 to form Handsome Boy Modeling School. Assuming the alter-egos of Chest Rockwell and
Nathaniel Merriweather, they put together an all-star crew of rap and rock weirdoes (Del, Kid Koala, Alec Empire, DJ Shadow, Sean Lennon and many others) and released the much-loved concept album <I>So...How's Your Girl?</I> Chock-full of schizophrenic, genre-bending beats, left-field lyricism and plenty of bugged-out humor (as well as multiple <I>Get a Life</I> references), the record was a critically-acclaimed hit, spawning the high-octane single "Rock N' Roll (Could Never Hip Hop Like This)." Five years later, Chest and Nathaniel reunited for <I>White People</I>, drafting another team of musical oddballs to help them on their quest. De La Soul, Cat Power, RZA, Mike Patten, Casual and Mars Volta all lent their skills to the mix, resulting in another one-of-a-kind album that is both hard to classify and easy to dig.
- Brolin Winning]]></description>
</item><item>
<title>Black Star</title>
<link>http://www.rhapsody.com/goto?rcid=art.37462&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Sun, 18 Oct 2009 10:43:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Black Star</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37462&amp;variant=play&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37462&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Brooklyn-based duo composed of Mos Def and Talib Kweli, Black Star enlightened listeners with their self-titled 1998 debut. Armed with positive and conscious lyricism set to jazzy, earthy grooves, they provided a welcome change from the thugged-out styles of the industry. Black Star's mellow flows speak out against ignorance, violence, and materialism, while stressing the importance of respect, freedom, and knowledge of self. Far from being preachy, Mos and Talib's innovative deliveries, varied cadences, and smooth harmonizing always keep their message funky. They are among a refreshing new breed of emcees -- along with the Roots and Common -- who seek to educate as well as entertain.
- Brolin Winning]]></description>
</item><item>
<title>The Pharcyde</title>
<link>http://www.rhapsody.com/goto?rcid=art.1059&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Mon, 5 Oct 2009 10:16:43 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Pharcyde</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1059&amp;variant=play&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.1059&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A funky foursome coming out of Los Angeles, the Pharcyde (Imani, Slim Kid, Fat Lip, Booty Brown,) won a wide range of fans with the release of their classic debut, <i>Bizarre Ride II The Pharcyde</i> (1993). Fuelled by the hits "Passin' Me By," "Ya Mama," and "Otha Fish," the album was a hodgepodge of styles and influences, reflected by the crazy rollercoaster cover art. The group's often humorous rhymes and charismatic deliveries were the antithesis of Gangsta Rap, with vividly colorful and musically diverse production, and an uncanny knack for exceptional party jams. Their 1996 follow-up, <I>Labcabincalifornia</i>, featured a slightly more serious vibe, but continued their legacy of high-quality tracks, maintaining sonic and lyrical accessibility without selling out. They have since taken time to regroup and reorganize, with some members embarking on solo careers. An abbreviated line-up returned in 2000 with <i>Plain Rap</i>, while a greatest hits collection called <i>Cydeways</i> surfaced the following year. Although the full crew only released two LPs, the Pharcyde are without a doubt one of the most important acts of the 1990s; their originality and experimentation has influenced countless artists, who strive to keep hip-hop innovative and fresh.
- Brolin Winning]]></description>
</item><item>
<title>Blackalicious</title>
<link>http://www.rhapsody.com/goto?rcid=art.5549&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Lyricists</category>
<pubDate>Sat, 10 Oct 2009 10:13:29 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5549&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With precise, jazz-heated production, dexterous scratching and deftly executed lyrical acrobatics, Blackalicious take their place among the creme de la creme of the West Coast's underground community. The crew's lyrical swashbuckler the Gift of Gab is blessed (or perhaps cursed) with a brain permanently overloaded with rhymes. In his never-ending quest to rid himself of the massive pile of words that press against his skull, he hammers out gushing raps, saturating his verses with as many lines as he can discharge in a single breath. Space is rarely wasted. He often rocks beats in triple time, with frenzied freestyles that are always on point and never seem to cease. DJ Chief Xcel makes sure he never runs out of beat. With the help of guest producers Cut Chemist and labelmate DJ Shadow, Xcel keeps up with the verbal tirades by looping potent jazz and ripe Funk clips until Gift runs out of breath.
- Alex Henning]]></description>
</item><item>
<title>Murs</title>
<link>http://www.rhapsody.com/goto?rcid=art.38425&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Lyricists</category>
<pubDate>Tue, 17 Nov 2009 09:07:28 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38425&amp;variant=play&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38425&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Among the most prolific emcees in rap, Murs has been steadily churning out blue-collar anthems since the mid-'90s. His emotionally complex narratives are tempered by more lighthearted, comic fare. But regardless of the style he's adopting, Murs almost always comes across as humble and likable. A longtime member of Cali's Living Legends crew, he built up a devoted following on both coasts and overseas in the '90s before signing with indie label Definitive Jux in 2002. After dropping the critically acclaimed LP <I>The End of the Beginning</I> in early 2003, Murs teamed up with North Carolina super-producer 9th Wonder (Little Brother) for 2004's excellent <I>Murs 3:16: The 9th Edition</I> and its 2006 follow-up <I>Murray's Revenge</I>. In 2007, Murs signed to Warner Brothers. Though some feared that the major label would dilute Murs' message, his 2008 album <i>Murs for President</i> was in the same vein as his earlier material.
- Sam Chennault]]></description>
</item><item>
<title>Sage Francis</title>
<link>http://www.rhapsody.com/goto?rcid=art.41309&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Street Poets</category>
<pubDate>Thu, 3 Dec 2009 22:53:08 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.41309&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Frontman of both Art Official Intelligence and Non-Prophets, Sage Francis is one of the underground's fastest rising (and most hated on) super-lyricists. Hailing from Rhode Island, he's taken top prize at several prestigious rap battles and poetry slam showdowns, and has been featured on commercials for the X-Games. His dramatic flow, diverse subject matter, and wordy rhymes have won him adoration amongst the so-called backpacker/internet-nerd sect, as have his collaborations with the like-minded heads at Anticon. Sage's solo endeavors include <i>Still Sick</i>, <i>Sick of Waiting Tables</i>, and <i>Personal Journals</i>. Though his hyper-literary rhyme schemes can get a bit intense on the ears, there is no denying his extraordinary verbal skills.]]></description>
</item><item>
<title>Del tha Funky Homosapien</title>
<link>http://www.rhapsody.com/goto?rcid=art.7701&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Indie</category>
<pubDate>Thu, 15 Oct 2009 11:00:19 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[What are the attributes that define the expert-level freestyle emcee? Confidence, flair, and a head full of rhymes are of course characteristics possessed by all the great rappers; whether they stake their claim to fame rocking rhymes off the top of their heads or straight from the loose-leaf pages. What separates the active freestyler from their ink and pulp bound counterparts is fluid adaptability. Throughout his career, Del has adapted to drastic shifts in production styles, label situations, and financial status. He's kept on rapping no matter his position, be it major label artist, record store employee, or Indie entrepreneur. His uncanny knack for keeping fresh rhymes flowing has forged him a lyrical identity that endures from the studio to the stage to the street corner. Fans appreciate him because no matter the beat, opponent, or venue, his quick wit and lithe tongue allow him to more than hold his own.
- Alex Henning]]></description>
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<title>Little Brother</title>
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<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 30 Oct 2009 12:04:48 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A trio repping for Raleigh-Durham NC, Little Brother entered the rap game riding some significant hype after winning gushing praise from The Roots' rhythm master ?uestlove. Comprising Big Pooh and Phonte on the mic with 9th Wonder on production, they released their much-anticipated debut LP <I>The Listening</I> on Beni B's ABB label in 2003. Revered for their mellow, bling-free rhyme style and soulful, golden-era-influenced beats, they quickly ascended to the top of the crowded underground scene, especially amongst jaded older fans who considered them the second coming of ATCQ and Pete Rock. In particular, 9th Wonder got a lot of attention from indie and mainstream artists alike; Jay-Z had him contribute a cut on <I>The Black Album,</I> and hooked him up with Destiny's Child for their single "Girl." He also produced entire albums for MURS (Living Legends) and Black Moon frontman Buckshot. Meanwhile, Phonte teamed up with Nicolay (a Dutch producer heavily influenced by 9th) for the much-sweated transcontinental collabo record <I>The Foreign Exchange: Connected</I> (2004), and Big Pooh dropped the excellent solo piece <I>Sleepers</I> (2005). Thanks to quality music and tons of good press, the group was picked up by Atlantic Records and released their sophomore LP <I>The Minstrel Show</I> in the fall of 2005. The album was deemed a classic by <I>SCRATCH</I> magazine and <I>XXL</I>, while the editor of <I>The Source</I> resigned from his post after co-CEO and aging never-ran Benzino lowered Little Brother's mic rating. In addition to the LB and their outside projects, they are also part of the Justus League, a 12-man hip-hop collective that includes the Away Team, Cesar Comanche, Legacy and Chaundon.
- Brolin Winning]]></description>
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<title>Jedi Mind Tricks</title>
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<category>East Coast Underground</category>
<pubDate>Sun, 30 Aug 2009 09:01:24 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A ground-breaking crew out of Philly, Jedi Mind Tricks first debuted in 1997 with their highly advanced LP, <i>The Psycho-Social Biological and Electro-Magnetic Manipulation of Human Consciousness</i>. Comprising Stoupe (the Enemy of Mankind) on production and Ikon the Hologram (aka Vinnie Paz) on the mic, they made serious noise with sick beats and crazy rhymes that fused religious scriptures with conspiracy theories. In 2000 they returned with new member JusAllah in tow for their more hardcore album, <i>Violent By Design</i>. Flexing a fiercer, blood-drenched style, the team continues their underground dominance. Their side-project, Army of the Pharoahs, adds Virtuoso, 7L and Esoteric, Bahamadia, and Chief Kamachi to the mix.
- Brolin Winning]]></description>
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<title>Sa-Ra Creative Partners</title>
<link>http://www.rhapsody.com/goto?rcid=art.8902812&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[One of the most buzzed-about groups of 2005, SA-RA Creative Partners are a production unit comprised of Om'Mas Keith, Taz Arnold, and Shafiq Husayn. All of them had successful careers in the music industry before coming together in 2000. With skills in beatmaking, DJing, singing and rapping, they truly are a triple threat and have a musically diverse sound to back it up. They've produced for big-name artists like Dr. Dre, Common, Jill Scott and Erykah Badu, and have released a steady stream of collectable 12-inch singles in the States and abroad. With a hard-to-categorize sound and plenty of love from fickle journalists and music aficionados alike, don't be surprised if these guys become full-fledged stars.
- Brolin Winning]]></description>
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<title>Q-Tip</title>
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<category>East Coast Street Poets</category>
<pubDate>Thu, 26 Nov 2009 11:27:16 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[One of the most recognizable voices in hip-hop, Q-Tip has been blessing mics since the late 1980s, first as a member of the legendary A Tribe Called Quest and later as a solo artist. His mellow flow and nasal tone have graced many classic tunes, including "Bonita Applebaum" and "Scenario." Tip has also collaborated with a wide variety of acts, from Native Tongues breathren like Black Sheep and the Jungle Brothers to mega-star Janet Jackson. In addition to his microphone abilities, he's an excellent producer, with Nas' "One Love" and Mobb Deep's "Drink Away The Pain" to his credit. Following Tribe's break-up in 1999, he released his first solo LP, <i>Amplified</i>. It was a flashier, more "commercial" sounding record that alienated many of his longtime fans but found sales success thanks to the hit single "Vivrant Thing." With his career moving into the 21st century, Q-Tip has changed his name to Kamaal The Abstract and dropped a new album loaded with singing and extended live jams. Though reactions to his new sound were mixed, he continues to evolve as an artist in dramatic ways. Meanwhile, rumors continue to swirl about a Tribe reunion and new LP.]]></description>
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<title>DJ Shadow</title>
<link>http://www.rhapsody.com/goto?rcid=art.4317&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Sat, 24 Oct 2009 12:08:47 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4317&amp;variant=data&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A much-lauded DJ and beatmaker from the San Francisco Bay Area, DJ Shadow recorded several singles in the early '90s but it was his debut LP, 1996's <i>Endtroducing...</i>, that really took the world by storm. Incorporating heavy drums, hyper-obscure samples, and moody atmospherics, his unique soundscapes found praise from a wide variety of listeners and critics. He's chronicled his early work on <i>Preemptive Strike</i> (1998) and has also recorded extensively with his crew Solesides (now known as Quannum) which includes Blackalicious and Latyrx. Shadow also contributed to the <i>U.N.K.L.E.</i> album, and helped put together several compilations, including <i>Guns, Cars, and Sitars</i> and <i>Schoolhouse Funk</i>. In 2000 he provided the score to the homelessness documentary <i>Dark Days</i> and was featured on <i>Solesides Greatest Bumps</i>. Shadow's long-awaited new full-length, <i>The Private Press</i>, dropped in 2002.
- Brolin Winning]]></description>
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<title>Slum Village</title>
<link>http://www.rhapsody.com/goto?rcid=art.39773&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Sat, 31 Oct 2009 11:42:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[A much-lauded trio out of Detroit, and sometimes referred to as "the next Tribe," Slum Village have a warm and jazzy sound rife with vintage samples, deep bass and hearty, soulful grooves. Producer/emcee Jay Dee (well-known for his work with ATCQ, D'Angelo, Common and others) crafts mellow, buttery tracks while he, T3 and Baatin kick smooth flows. Laid-back yet hittin', Slum Village's tight joints are ideal for just kicking back and vibing to.
- Brolin Winning]]></description>
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<title>Lyrics Born</title>
<link>http://www.rhapsody.com/goto?rcid=art.68859&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Lyricists</category>
<pubDate>Tue, 17 Nov 2009 09:07:23 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Down with the Bay Area's Quannum crew (formerly Solesides), Lyrics Born is an emcee's emcee. With a total command of the mic and a distinct, casual flow, he's graced an assortment of projects eagerly embraced by hip-hop aficionados around the globe. In addition to his buttery, easygoing rap style, he can also bust into funk/soul-style singing and still sound dope. Lyrics Born has been delivering the goods since 1993, and continues to light up speakers with his Quannum compadres. Check out his work with Latyrx (his group with Lateef the Truth Speaker) and appearances on various compilations (especially <I>Quannum Spectrum</I>) for more gems from a truly unique talent. In 2003, Lyrics Born released his long-awaited solo debut <I>Later That Day ...</I>. The album was greeted with critical praise as well as commercial success, largely thanks to the regional hit "Callin' Out." After spending the next few years concentrating on touring, Lyrics Born returned in 2008 with <I>Everywhere at Once</I>, which was his first album released on Epitaph.
- Brolin Winning]]></description>
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<title>J Boogie's Dubtronic Science</title>
<link>http://www.rhapsody.com/goto?rcid=art.6386&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>West Coast Instrumental</category>
<pubDate>Sat, 3 Oct 2009 10:44:39 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[J-Boogie's Dubtronic Science is relaxed aural stimulation for hip-hop heads in a kick-back mood. A San Francisco-based beat innovator, college radio DJ, and resident floor maestro at several popular local venues, J-Boogie sautÃÂ©es dollops of Funk, soul, Dub and hip-hop into one memorable, intoxicating at-home listening vibe, creating body-swaying grooves that cling to Ambient abstraction with a gentle urgency. Highlighting turntable mastery with itchy-scratchy hip-hop samples, wordless encouragement from an urban diva, and sexy percussion, J-Boogie's bass-heavy, sonic elixir invites you to set an intimate bedroom mood with sweet incense aromas and strategically placed candlelight. These down-tempo excursions tie you down while lapping at your ear, slowly uncovering your most remote erogenous zones and leaving you aching for more.
- Melissa Piazza]]></description>
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<title>Dead Prez</title>
<link>http://www.rhapsody.com/goto?rcid=art.44668&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss</link>
<category>East Coast Underground</category>
<pubDate>Tue, 2 Jun 2009 14:15:33 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=38&amp;rws=%2Frap-hip-hop%2Findie-rap-hip-hop%2Fartist-chart.rss">Top Indie Rap/Hip-Hop Artists on Rhapsody Online</source>
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<description><![CDATA[Revolutionary hip-hop may have recently taken a back seat to the gat-toting, Mo-sipping club-thugs, but Dead Prez are here to bring it back. M-1 and sticman pull no punches, serving up an aural call-to-arms against the U.S. government. Fiery verses challenge corrupt lawmakers, racist police, and various social injustices while demanding freedom and equality for all citizens. Dead Prez's message is inspiring, immediate and backed with high-caliber production as buttery Soul loops drift above militant beats, merging to craft a sound both intelligent and intense without sacrificing listenability. Like Public Enemy before them, their lyrics demand your attention while their beats keep your neck busy. Protest music you can bump in the ride.
- Brolin Winning]]></description>
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