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In the mid-1950s, Boulez extended his activities to conducting, first with a post as Barrault's musical director and then with brief engagements with the BBC Symphony Orchestra and the New York Philharmonic. Since the mid-1970s, Boulez has concentrated on his work as director of the Institut de Recherche et Coordination Acoustique/Musique (IRCAM), a computer studio in Paris where he composes mostly for ensembles of computer generated sound and orchestra.
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