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<title>Playlists Featuring Paul Bley on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.6222&amp;variant=artist-playlists&amp;rws=%2Fpaul-bley%2Fplaylists.rss</link><description>In 1953, Canadian pianist Paul Bley made his leadership debut in a trio with Charles Mingus and Art Blakey. In the late '50s and early '60s, he went on to make connections with two important groups: the first of Ornette Coleman's famous quartets and clarinetist Jimmy Giuffre's influential chamber jazz trio. Despite such associations, Bley has always remained an individual musically. His daring, cerebral style finds its own niche, falling somewhere between the lush sensitivity of Bill Evans and the denser, more challenging approach of Cecil Taylor. His solo work -- as heard on the ECM label landmark &lt;I&gt;Open, to Love&lt;/I&gt; (1972) among many others -- tends toward the stark, melancholy side of things, while his small combo efforts are notable for their sensitive, almost conversational interplay. He continues to record prolifically, interchanging solo improvisations, duets and Bop-ish trio dates with more aggressively avant-garde albums.
- Will York</description><category>Avant Garde Jazz</category><language>en</language><ttl>720</ttl><pubDate>Tue, 1 Dec 2009 20:36:30 -0800</pubDate><image>
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<description>In 1953, Canadian pianist Paul Bley made his leadership debut in a trio with Charles Mingus and Art Blakey. In the late '50s and early '60s, he went on to make connections with two important groups: the first of Ornette Coleman's famous quartets and clarinetist Jimmy Giuffre's influential chamber jazz trio. Despite such associations, Bley has always remained an individual musically. His daring, cerebral style finds its own niche, falling somewhere between the lush sensitivity of Bill Evans and the denser, more challenging approach of Cecil Taylor. His solo work -- as heard on the ECM label landmark &lt;I&gt;Open, to Love&lt;/I&gt; (1972) among many others -- tends toward the stark, melancholy side of things, while his small combo efforts are notable for their sensitive, almost conversational interplay. He continues to record prolifically, interchanging solo improvisations, duets and Bop-ish trio dates with more aggressively avant-garde albums.
- Will York</description>
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<title>Introducing Soul Note Records - Nick Dedina</title>
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<title>Jazz Piano - Vol 40 - tc_in_nc</title>
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<title>Her Name Was... - Quincy McCoy </title>
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<pubDate>Sat, 10 Oct 2009 10:13:01 -0700</pubDate>
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<title>Remembering Jimmy Giuffre (1921 - 2008) - Nick Dedina</title>
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<pubDate>Tue, 10 Nov 2009 10:12:28 -0800</pubDate>
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<title>2007: Jazz Reissues of the Year - Nick Dedina</title>
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<category>Jazz</category>
<pubDate>Thu, 8 Oct 2009 11:43:18 -0700</pubDate>
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<title>Ahead of Their Time: Explorers and Forerunners - Eamon</title>
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<category>Jazz</category>
<pubDate>Sun, 18 Oct 2009 10:43:17 -0700</pubDate>
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<title>Jazz and Everything Else - Eamon</title>
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<category>Jazz</category>
<pubDate>Sun, 10 May 2009 09:05:11 -0700</pubDate>
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<title>Jazz and not-Jazz - Eamon</title>
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<category>Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:12:49 -0800</pubDate>
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<title>Some Assembly Required - Sixty Tracks in Search of a Theme - Eamon</title>
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<category>Rock/Pop</category>
<pubDate>Fri, 4 Sep 2009 17:18:44 -0700</pubDate>
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<title>Jazz Express - 148 Short Takes - Eamon</title>
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<category>Jazz</category>
<pubDate>Sun, 23 Aug 2009 08:33:58 -0700</pubDate>
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<title>What I listen to #4 - Yet more Music with Heart - Eamon</title>
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<category>Jazz</category>
<pubDate>Thu, 5 Feb 2009 13:53:35 -0800</pubDate>
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<title>What I Listen To #4 - Yet More Music with Heart - Eamon</title>
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<category>Rock/Pop</category>
<pubDate>Fri, 27 Nov 2009 10:24:55 -0800</pubDate>
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