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<title>Playlists Featuring Oneida on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.28443&amp;variant=artist-playlists&amp;rws=%2Foneida%2Fplaylists.rss</link><description>One of the brainiest and most prolific NYC bands of the '00s began as a duo and has done time as a four-piece. But at heart they're a power trio, given to three-CD sets and conceptual trilogies, to freak-folk and slow metal and Krautrock and dub reggae, to plunking the same note over and over for a quarter-hour or more until you realize they've been gradually shifting all along. On early albums like 1999's &lt;I&gt;Enemy Hogs&lt;/I&gt;, they come off as a kind of stoner-rock unit, but on 2000's definitive half-hour-plus &lt;I&gt;Steel Rod&lt;/I&gt; EP, they squeeze Link Wray barbed-wire twang and a choogling Creedence cover into weird nerd-rock that balances the sludge with science-lab keyboards after the manner of Devo or Pere Ubu. "Power Animals," on 2000's &lt;I&gt;Come on Everybody Let's Rock&lt;/I&gt;, was about a deadlocked presidential election -- not Bush and Gore, but Tilden and Hayes in 1876. On 2002's double disc, &lt;I&gt;Each One Teach One&lt;/I&gt;, they carried water-torture minimalism to its breaking point, and since then -- averaging more or less an album a year -- they've gotten both daintier and dronier, picking up indie fans much younger than themselves, then regularly finding ways to dumbfound them.
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