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<title>Top Merseybeat Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=317&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</link><description>Top Merseybeat Artists on Rhapsody Online</description><category>Merseybeat</category><language>en</language><ttl>720</ttl><pubDate>Mon, 21 Dec 2009 06:00:31 -0800</pubDate><image>
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<title>Top Merseybeat Artists on Rhapsody Online</title>
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<title>The Hollies</title>
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<category>British Invasion</category>
<pubDate>Fri, 18 Dec 2009 12:08:04 -0800</pubDate>
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<description><![CDATA[The long-running and mightily adaptable Hollies are one of the most beloved bands to have emerged from the British beat-group boom that remade pop and rock in the first half of the 1960s. Though less of a songwriting force than the Beatles Â a stance that would figure into founding member Graham Nash's eventual decision to leave and throw in his lot with David Crosby and Stephen Stills Â the Hollies produced many grand singles and a number of albums that are deeply treasured by connoisseurs of the era. <br> <br> The Manchester-bred quintet's early U.K. hits were watery versions of American R&B discs such as Maurice Williams and the Zodiac's "Stay" and Doris Troy's "Just One Look." When they began melding their vocal harmonies with more thumping band sounds and songs that better reflected their distinctly English sensibility, the Hollies' records became something truly special. Writer-for-hire Graham Gouldman (who also gave "Heart Full of Soul" to the Yardbirds and later became a focal point of 10cc) provided unstoppable smashes like "Bus Stop" and "Look Through Any Window," which snugly fit in the band's repertoire alongside originals such as "Carrie Anne" and "Pay You Back With Interest." <br> <br> The Hollies' slightly fey quality perfectly fit the psychedelic-influenced pop of 1967, and they made one of the most timeless singles of that genre with "King Midas in Reverse." Nash was unhappy to see it stall at No. 18 in Britain, however, and was further disillusioned when the group rejected his "Marrakesh Express." Upon his departure, the Hollies recruited Terry Sylvester and went on to some of their biggest American successes. They introduced "He Ain't Heavy, He's My Brother," a standard on the talk show and Vegas circuits, and later hit with the 180-degree turnaround of "Long Cool Woman in a Black Dress," which repackaged Creedence's "Travelin' Band" into an anthem with an incomprehensible vocal. Their final big U.S. hit came two years later with 1974's "The Air That I Breathe," another big ballad that proved hard for listeners to resist. Personnel changes continued, with singer Allan Clarke notably in and out in the mid-'70s. Nash rejoined for one album, <I>What Comes Around,</I> in 1983; past glories, though, were hard to regain. Clarke retired in the '90s, to be replaced by Move singer Carl Wayne, who died in 2004. Though now a hobbling concern, the Hollies will forever be remembered by hardcore fans and casual admirers as the makers of a high stack of rock 'n' roll classics.
- Jaan Uhelszki]]></description>
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<title>The Beatles</title>
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<category>British Invasion</category>
<pubDate>Thu, 17 Dec 2009 10:45:15 -0800</pubDate>
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<description><![CDATA[The Beatles cast such a large shadow over their contemporaries -- even the most popular of them -- that sometimes it's difficult to distinguish what they actually contributed to the world of pop music and what they simply popularized. Something they definitely did do was open the floodgates for the British Invasion of the '60s, beginning, for all intents and purposes, with Ed Sullivan's portentous introduction in the beginning of 1964: "Ladies and gentlemen, the Beatles." Popular music has never been the same; at least that's definite. They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc. And although they are often derided for their weaknesses as a true-blue, hard-living, hard-rocking, parent-frightening, cooler-than-all band, one need only compare the versions of "I Wanna Be Your Man" as done by the Fab Four and by the Rolling Stones; their early days in Hamburg taught them well the rules of blistering rock 'n' roll. At least their retreat from the stage was matched by a wealth of awesome material -- everything from the "Penny Lane" / "Strawberry Fields Forever" single to what was to be the band's death knell, "The End" off of <I>Abbey Road</I>, was arguably the most advanced popular music of the time. They had the resources, the talent, the producer ("fifth Beatle" George Martin) and the desire to push the boundaries of their music. Even more amazing is that it has maintained such a grip on the public's ear and imagination.
- Will Lerner]]></description>
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<title>Herman's Hermits</title>
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<category>British Invasion</category>
<pubDate>Thu, 17 Dec 2009 10:45:03 -0800</pubDate>
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<description><![CDATA[Herman's Hermits are the band you hear in between "At the Hop" and "Walk Away Renee" on your local oldies station. A laundry list of hits has secured them a permanent place in the rock 'n' roll psyche. With lead singer/faint-inducing heartthrob Peter Noone up front mewling like Oliver Twist, Herman's Hermits hit with bracingly sweet pop songs that had a skiffle-ized beat and Beatles-bandwagon harmonies. They were a more parentally palatable version of the Beatles, with tamer material and a good-boy image. "I'm Into Something Good" and the sublime "Mrs. Brown You've Got a Lovely Daughter" were followed up with the nerdily rocking "I'm Henry the VIII, I Am" -- songs destined for perpetually nostalgic rotation. These days Peter Noone spends his time making fun of himself as he hosts the occasional special on VH-1.
- Mike McGuirk]]></description>
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<title>The Searchers</title>
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<category>Merseybeat</category>
<pubDate>Thu, 17 Dec 2009 10:45:28 -0800</pubDate>
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<title>Peter and Gordon</title>
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<category>Merseybeat</category>
<pubDate>Thu, 3 Dec 2009 22:54:41 -0800</pubDate>
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<title>Gerry and the Pacemakers</title>
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<category>Merseybeat</category>
<pubDate>Tue, 15 Dec 2009 10:30:56 -0800</pubDate>
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<title>The Fortunes</title>
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<category>British Invasion</category>
<pubDate>Sun, 20 Dec 2009 09:42:30 -0800</pubDate>
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<title>Freddie and the Dreamers</title>
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<category>Merseybeat</category>
<pubDate>Fri, 20 Nov 2009 12:51:14 -0800</pubDate>
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<title>The Easybeats</title>
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<category>Merseybeat</category>
<pubDate>Fri, 13 Nov 2009 12:39:13 -0800</pubDate>
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<title>The Mindbenders</title>
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<category>British Invasion</category>
<pubDate>Fri, 23 Oct 2009 16:25:16 -0700</pubDate>
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<title>The Dave Clark Five</title>
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<category>British Invasion</category>
<pubDate>Thu, 17 Dec 2009 10:45:33 -0800</pubDate>
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<title>Billy J. Kramer and the Dakotas</title>
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<category>Merseybeat</category>
<pubDate>Fri, 18 Dec 2009 12:08:21 -0800</pubDate>
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<title>The Creations</title>
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<category>Merseybeat</category>
<pubDate>Fri, 23 Oct 2009 11:55:17 -0700</pubDate>
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<description><![CDATA[This band does their own take on Merseybeat. Much of the rhythmn is created by MIDI technology which blends awkwardly with the retro guitar sounds.]]></description>
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<title>The Undertakers</title>
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<category>Merseybeat</category>
<pubDate>Sun, 30 Aug 2009 09:01:18 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Undertakers</rhap:artist>
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<title>The Milkshakes</title>
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<category>Garage Rock Revival</category>
<pubDate>Sat, 14 Nov 2009 11:48:49 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Milkshakes</rhap:artist>
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<title>Jeannie &amp; the Big Guys</title>
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<category>Merseybeat</category>
<pubDate>Fri, 23 Oct 2009 16:25:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=317&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss">Top Merseybeat Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jeannie &amp; the Big Guys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.60314</rhap:artist-rcid>
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<title>Gregory Phillips</title>
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<category>Merseybeat</category>
<pubDate>Fri, 23 Oct 2009 16:25:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=317&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss">Top Merseybeat Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gregory Phillips</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.64399</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.64399&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</rhap:data-href>
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<title>Pete Best</title>
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<category>Merseybeat</category>
<pubDate>Fri, 17 Jul 2009 13:25:09 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Pete Best</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.53414&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</rhap:data-href>
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<title>Erkey Grant &amp; The Eerwigs</title>
<link>http://www.rhapsody.com/goto?rcid=art.64395&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Fri, 23 Oct 2009 16:25:15 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Erkey Grant &amp; The Eerwigs</rhap:artist>
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<title>The Swingin Blue Jeans</title>
<link>http://www.rhapsody.com/goto?rcid=art.6177&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Thu, 6 Sep 2007 05:38:47 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Swingin Blue Jeans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6177</rhap:artist-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6177&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fmerseybeat%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If the retrospective brothers and sisters who put out those <I>Nuggets</I> or <I>Pebbles</I> compilations ever did a collection of British Invasion Merseybeat bands, the Swinging Blue Jeans would have to be one of the first outfits featured. Sure, they only had one American hit in 1964 with a cover of "Hippy Hippy Shake," but they played it so well. OK, maybe not as upbeat and adrenalin-charged as the Fab Four's version, but the Swinging Blue Jeans certainly stuck closer to the skiffle-influenced, singsong formula of a purist's Merseybeat. They were a Liverpool band who also had some minor success in the U.K. by dressing up Betty Everett's "You're No Good" with all the vibes that came from around the Mersey River in the early '60s. What's really interesting about them is that they proudly stuck to their roots, even after the Beatles abandoned that particular sound.
- Eric Shea]]></description>
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