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<title>Top British Invasion Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link><description>Top British Invasion Artists on Rhapsody Online</description><category>British Invasion</category><language>en</language><ttl>720</ttl><pubDate>Wed, 9 Dec 2009 05:53:49 -0800</pubDate><image>
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<title>Top British Invasion Artists on Rhapsody Online</title>
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<title>The Rolling Stones</title>
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<category>Classic Rock</category>
<pubDate>Tue, 8 Dec 2009 09:16:49 -0800</pubDate>
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<description><![CDATA[Few partnerships in rock 'n' roll have been as productive as the collaboration between Mick Jagger and Keith Richards, and of course having wunderkind Brian Jones along did nothing to hinder the Rolling Stones' popularity. From the get-go, the band played the raunchy, gritty doppelganger to the Beatles' dandified Merseybeat pop. They ventured a heavier, bluesier sound than their British Invasion counterparts, taking their cues from Muddy Waters and Howlin' Wolf. The band's greatest strength, besides Charlie Watts, has always been their ability to add stylistic touches drawn from their interests in Eastern music, psychedelia, country and even disco to a blues rock chassis. It's difficult to listen to the trippy <I>Their Satanic Majesties Request</I>, the down-and-out honky-tonk of <I>Exile On Main Street</I> and the clean modernist surfaces of <I>Bridges To Babylon</I> and believe they were recorded by the same band. Of course, in some ways they weren't; the lineup changes that have dogged the Stones account for much of their musical diversity. Jagger's famous slur and Richards' sloppy guitar elegance are the two constants in the band's many life cycles that make every Stones song instantly recognizable.
- Chad Driscoll]]></description>
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<title>The Who</title>
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<category>Classic Rock</category>
<pubDate>Tue, 8 Dec 2009 09:16:44 -0800</pubDate>
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<description><![CDATA[More than any band before them, the Who transformed rock 'n' roll into the weapon of choice for the generation gap struggles of the 1960s. Playing up tensions between young and old in teen anthems "My Generation," "The Kids Are Alright," and a cover of Eddie Cochran's "Summertime Blues," this combativeness quickly became the band's hallmark. Roger Daltrey's perilous mic-swinging, Pete Townshend's ill-tempered guitar-smashing, and Keith Moon's "gonzo" drumming all bolstered the band's thuggish, working-class youth image -- and suggested it was more than image. As Mod's heyday waned, Townshend began pushing the band in more adventurous directions, which culminated in the first proper rock opera, <I>Tommy</I> (1969). In one fell swoop, the band upgraded their standing from "average Joes" to intelligentsia. Emboldened by <I>Tommy</I>'s success, Townshend's songwriting became increasingly self-centered and confessional. While "Behind Blue Eyes" and "Love, Reign O'er Me" are simply sublime, much of the Who's '70s material is bogged down by the band's internal conflicts and Townshend's downward spiral into alcohol and drug abuse. The public began to feel that the band had simply overstayed its welcome. Fans had a hard time forgiving the spokesmen of angry youth for getting old, and the band seems to have had a difficult time forgiving themselves.
- Chad Driscoll]]></description>
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<title>The Moody Blues</title>
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<category>Art &amp; Progressive Rock</category>
<pubDate>Tue, 8 Dec 2009 09:16:48 -0800</pubDate>
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<description><![CDATA[Yes, they were part of the original British Invasion. And yes, they had a substantial hit in the 1980s. But the Moody Blues will always be remembered for their marriage of rock band and orchestra as heard on <I>Days of Future Passed</I>(1967). Embraced by flower children and art rock lovers alike, the album-story winds through a prototypical day before ending with their most famous song, "Nights in White Satin." Over the top? Absolutely. Pretentious? Possibly. So, the Moodies dropped the orchestra and placed more importance on keyboardist Mike Pinder's mellotron and the rest of the group's ability as multi-instrumentalists. The streamlined sound served them well, especially on songs such as the joyous rocker "Ride My See-Saw." After making a series of albums in this vein, the band went on hiatus, only to reemerge in the late 1970s. They never again broke new ground in popular music, but they did have enjoy a few more hits, most notably "Your Wildest Dreams" (1986). The band has continued frequent touring and the sporadic release of records into the present day, with <i>Keys of the Kingdom</i>, <i>Strange Times</i> and <i>December</i> appearing in 1991, 1999 and 2003, respectively.
- Will Lerner]]></description>
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<title>The Kinks</title>
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<category>British Invasion</category>
<pubDate>Tue, 8 Dec 2009 09:16:48 -0800</pubDate>
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<description><![CDATA[Led by singer-songwriter Ray Davies, the Kinks recorded countless songs that have proven to be both timeless and highly influential. Their slew of early singles -- from the Hard Rock prototype "You Really Got Me" to the whimsical, lackadaisical and humorous "Sunny Afternoon" -- made them one of the most popular bands of the British Invasion. However, it was Davies' singular, distinctively noncommercial vision that made their superstardom a relatively brief part of an otherwise lengthy career. Tensions between the musicians didn't help matters, as onstage fights between Ray and his guitar-playing brother Dave were notorious. Although they ostensibly mastered the singles format, the Kinks became an album-oriented band in the truest sense: between 1968 and 1977, the band released numerous concept albums that varied wildly in quality and subject matter. The most famous, and perhaps the finest of the lot, is <I>Lola vs. the Powerman & the Money-Go-Round, Part One</I> (1970). The record is a cutting, acerbic look at the music industry, and the song "Lola" put the band back on top -- and what a song to do so, as it's become the most famous song in the rock 'n' roll oeuvre to deal with gender-swapping and/or transvestism. The Kinks continued to record powerful singles and solid albums, but their fame rests firmly on their utterly unique early material.
- Eric Shea]]></description>
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<title>Donovan</title>
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<category>Folk-Rock</category>
<pubDate>Tue, 8 Dec 2009 09:16:48 -0800</pubDate>
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<description><![CDATA[Generation X moviegoers thank him for producing Ione Skye, while <i>Details</i> readers are into his son's band Nancy Boy, but aging Aquarians know that Donovan was one of the key artists of the revolutionary 1960s. He started his career as Britain's answer to Bob Dylan, and his first two acoustic folk albums are charming, low-key winners; but he turned into a "Sunshine Superman" just in time for the Psychedelic revolution. If all you've heard from Donovan is "Mellow Yellow," do yourself a favor and check out his late '60s material. He remained a folk-popper at heart and the ultra-groovy production touches are completely in key with the current Indie scenes in America and Europe. Donovan's career didn't survive the post-Altamont age of '70s cynicism, but in 1996 he cut his album <i>Sutras</i> with Rick Rubin, showing that his flowery style is as groovadelic as ever.
- Eric Shea]]></description>
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<title>Dusty Springfield</title>
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<category>Blue-Eyed Soul</category>
<pubDate>Fri, 4 Dec 2009 13:20:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<description><![CDATA[During the British pop invasion on Yank shores, Dusty Springfield kept Swinging London alive with the sounds of American Soul and Vocal Pop. Like a tea-sipping combination of Peggy Lee and Dionne Warwick, she brought some much needed class to the pimply pop masses. Her voice, a husky but subdued instrument, purred rather than roared -- her love of R&B filtered through her British reserve like light going through a diamond. This approach worked perfectly on material written by her favorite teen drama tunesmith teams, Goffin/King and Bacharach/David. Going stateside, she recorded the sublime <i>Dusty in Memphis</i> with Aretha Franklin's production team. Instead of being a down-home gritfest, it contains her most glistening, uptown material. The perfect summation of a career.
- Nick Dedina]]></description>
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<title>The Hollies</title>
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<category>British Invasion</category>
<pubDate>Sun, 22 Nov 2009 10:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<description><![CDATA[The long-running and mightily adaptable Hollies are one of the most beloved bands to have emerged from the British beat-group boom that remade pop and rock in the first half of the 1960s. Though less of a songwriting force than the Beatles Â a stance that would figure into founding member Graham Nash's eventual decision to leave and throw in his lot with David Crosby and Stephen Stills Â the Hollies produced many grand singles and a number of albums that are deeply treasured by connoisseurs of the era. <br> <br> The Manchester-bred quintet's early U.K. hits were watery versions of American R&B discs such as Maurice Williams and the Zodiac's "Stay" and Doris Troy's "Just One Look." When they began melding their vocal harmonies with more thumping band sounds and songs that better reflected their distinctly English sensibility, the Hollies' records became something truly special. Writer-for-hire Graham Gouldman (who also gave "Heart Full of Soul" to the Yardbirds and later became a focal point of 10cc) provided unstoppable smashes like "Bus Stop" and "Look Through Any Window," which snugly fit in the band's repertoire alongside originals such as "Carrie Anne" and "Pay You Back With Interest." <br> <br> The Hollies' slightly fey quality perfectly fit the psychedelic-influenced pop of 1967, and they made one of the most timeless singles of that genre with "King Midas in Reverse." Nash was unhappy to see it stall at No. 18 in Britain, however, and was further disillusioned when the group rejected his "Marrakesh Express." Upon his departure, the Hollies recruited Terry Sylvester and went on to some of their biggest American successes. They introduced "He Ain't Heavy, He's My Brother," a standard on the talk show and Vegas circuits, and later hit with the 180-degree turnaround of "Long Cool Woman in a Black Dress," which repackaged Creedence's "Travelin' Band" into an anthem with an incomprehensible vocal. Their final big U.S. hit came two years later with 1974's "The Air That I Breathe," another big ballad that proved hard for listeners to resist. Personnel changes continued, with singer Allan Clarke notably in and out in the mid-'70s. Nash rejoined for one album, <I>What Comes Around,</I> in 1983; past glories, though, were hard to regain. Clarke retired in the '90s, to be replaced by Move singer Carl Wayne, who died in 2004. Though now a hobbling concern, the Hollies will forever be remembered by hardcore fans and casual admirers as the makers of a high stack of rock 'n' roll classics.
- Jaan Uhelszki]]></description>
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<title>The Animals</title>
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<category>British Invasion</category>
<pubDate>Thu, 26 Nov 2009 11:27:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<description><![CDATA[Before moving to San Francisco and turning into a hippie, and also before he "spilled the wine," Eric Burdon led one of the most powerful live British R&B acts around. Although their recordings of "House of the Rising Sun" and "We Gotta Get Outta This Place" assure them eternal permanent rotation on every Oldies station from here to Mars, the Animals were more steadfastly based in the Blues. Their blistering live performances showed Burdon had the spirit of the old blues-hollerers when he tore through songs like "See See Rider" and "Please Don't Let Me Be Misunderstood." As the decade wore on, Burdon and Co. became more lyrical and experimental as their audience grew more distant.
- Jon Pruett]]></description>
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<title>The Beatles</title>
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<category>British Invasion</category>
<pubDate>Sat, 28 Nov 2009 09:38:30 -0800</pubDate>
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<description><![CDATA[The Beatles cast such a large shadow over their contemporaries -- even the most popular of them -- that sometimes it's difficult to distinguish what they actually contributed to the world of pop music and what they simply popularized. Something they definitely did do was open the floodgates for the British Invasion of the '60s, beginning, for all intents and purposes, with Ed Sullivan's portentous introduction in the beginning of 1964: "Ladies and gentlemen, the Beatles." Popular music has never been the same; at least that's definite. They were also one of the first bands to take rock 'n' roll and merge it with other forms like popular standards, folk (with a little help from Bob Dylan), blues, etc. And although they are often derided for their weaknesses as a true-blue, hard-living, hard-rocking, parent-frightening, cooler-than-all band, one need only compare the versions of "I Wanna Be Your Man" as done by the Fab Four and by the Rolling Stones; their early days in Hamburg taught them well the rules of blistering rock 'n' roll. At least their retreat from the stage was matched by a wealth of awesome material -- everything from the "Penny Lane" / "Strawberry Fields Forever" single to what was to be the band's death knell, "The End" off of <I>Abbey Road</I>, was arguably the most advanced popular music of the time. They had the resources, the talent, the producer ("fifth Beatle" George Martin) and the desire to push the boundaries of their music. Even more amazing is that it has maintained such a grip on the public's ear and imagination.
- Will Lerner]]></description>
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<title>The Yardbirds</title>
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<category>British Invasion</category>
<pubDate>Tue, 8 Dec 2009 09:16:45 -0800</pubDate>
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<description><![CDATA[If they existed solely as the breeding ground for the soundly influential triumvirate of Page, Beck and Clapton, the Yardbirds would be still be constantly memorialized. The fact that they were, on their own, one of the few British Invasion bands that mattered makes praise absolutely essential. Known primarily for hits like "For Your Love" and "Heart Full of Soul," the Yardbirds were an amalgamation of feedback, Chicago Blues, amplification, and psychedelia. They were rock's first Hard Rock band (just listen to "Stroll On"). Of course we know Clapton split early, Beck eventually went nuts, and Page took to wearing cloaks onstage. But before all that, the Yardbirds were "Smokestack Lightning" and knowing that white boys could play the blues.
- Jon Pruett]]></description>
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<title>The Troggs</title>
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<category>Garage Rock Pioneers</category>
<pubDate>Fri, 20 Nov 2009 12:51:38 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Troggs</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5886</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5886&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5886&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The answer to many a Trivial Pursuit question, the Troggs existed on their own as wonderful pop tunesmiths and perhaps Britain's first Punk band. Known for their version of "Wild Thing" (and unwittingly creating the career of Tone Loc and boosting ocarina sales around the globe) the Troggs churned out hot-blooded Garage until the 1970s. Unjustly portrayed as unsophisticated cave men, their popularity finally seems to be growing; they've performed with R.E.M. and even played at Sting's wedding.
- Rosemary Pepper]]></description>
</item><item>
<title>Petula Clark</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42067&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Sat, 21 Nov 2009 13:43:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.42067</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Petula Clark</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42067</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42067&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42067&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA["Downtown" was the first in a long line of American swinging 1960s hits for Petula Clark, who had by that time already become Britain's biggest female singer. Her career hasn't endured in the States to the same degree that it has in her homeland but Clark has weathered the decades well and still performs extensively.
- Nick Dedina]]></description>
</item><item>
<title>Herman's Hermits</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3239&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 20 Nov 2009 12:51:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3239</guid>
<rhap:rcid xmlns:rhap="rhap">art.3239</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Herman's Hermits</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3239</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3239&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3239&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Herman's Hermits are the band you hear in between "At the Hop" and "Walk Away Renee" on your local oldies station. A laundry list of hits has secured them a permanent place in the rock 'n' roll psyche. With lead singer/faint-inducing heartthrob Peter Noone up front mewling like Oliver Twist, Herman's Hermits hit with bracingly sweet pop songs that had a skiffle-ized beat and Beatles-bandwagon harmonies. They were a more parentally palatable version of the Beatles, with tamer material and a good-boy image. "I'm Into Something Good" and the sublime "Mrs. Brown You've Got a Lovely Daughter" were followed up with the nerdily rocking "I'm Henry the VIII, I Am" -- songs destined for perpetually nostalgic rotation. These days Peter Noone spends his time making fun of himself as he hosts the occasional special on VH-1.
- Mike McGuirk]]></description>
</item><item>
<title>Manfred Mann</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2320&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Wed, 18 Nov 2009 13:05:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2320</guid>
<rhap:rcid xmlns:rhap="rhap">art.2320</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Manfred Mann</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2320</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2320&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2320&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[First of all it's "Revved up like a <I>deuce</I>, another runner in the night," so grow up already. And secondly, Bruce Springsteen wrote that song, not Manfred Mann. Third and finally, you should know that Manfred Mann was originally a mod R&B band with a hip British invasion sound by way of Georgie Fame-inspired jazz influences long before the front man (actually named Manfred Mann) went out on his own to play and record Doobie Brothers by way of Bob Seger & the Silver Bullet Band-sounding bar rock.
- Eric Shea]]></description>
</item><item>
<title>The Zombies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.566&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 20 Nov 2009 12:51:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.566</guid>
<rhap:rcid xmlns:rhap="rhap">art.566</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Zombies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.566</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.566&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.566&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Zombies' influence on popular music corresponds neither to their commercial success nor to their recorded output. With only two albums and just a handful of vaguely successful singles, among them "Tell Her No," "She's Not There" and "Time Of The Season," the group's unmistakable melodies and classically derived arrangements have nevertheless turned the Zombies into a touchstone for anyone interested in harmonious pop music. Colin Blunstone's breathy, soulful, swooning voice still remains unrivalled in its otherworldliness, and the group makes some of the most complex, ornate and stunning psychedelic pop around. Anyone who has ever spent time listening to <I>Odessey & Oracle</I> can attest to it.
- Jon Pruett]]></description>
</item><item>
<title>Cliff Richard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3093&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Teen Idols</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3093</guid>
<rhap:rcid xmlns:rhap="rhap">art.3093</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cliff Richard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3093</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3093&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3093&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Spencer Davis Group</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.856&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 20 Nov 2009 12:51:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.856</guid>
<rhap:rcid xmlns:rhap="rhap">art.856</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Spencer Davis Group</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.856</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.856&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.856&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>George Harrison</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55146&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Wed, 2 Dec 2009 11:07:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.55146</guid>
<rhap:rcid xmlns:rhap="rhap">art.55146</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">George Harrison</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.55146</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55146&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55146&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The youngest member of the Beatles, George Harrison was often considered "the shy one." In fact, his strong voice was arguably the most underrated of the four. Lennon and McCartney often passed over many of Harrison's song submissions, recording only a small selection of his masterpieces per album (including "While My Guitar Gently Weeps" and "Here Comes The Sun"). When Harrison's first solo recording, <I>All Things Must Pass</I>, was released, many music critics felt that the triple album's fruitfulness was a direct result of Lennon and McCartney's neglect. In his work with the Beatles and solo, Harrison blended earthy Roots tones with droning eastern influences and cascading melodies. Compared to Lennon's barbed and bluesy grit or McCartney's jaunty pop sensibilities, the sound was organic and blooming, huge yet worldly. His songs unfolded unpredictably and took the listener to unfamiliar sonic regions. Music enthusiasts credit him for integrating eastern sounds into western music -- Harrison introduced the sitar and Indian ragas to pop music. He also spearheaded the Concert for Bangladesh in 1971, a music festival assembled to benefit Bengali refugees of the India-Pakistan war. Harrison passed away on Nov. 29, 2001, in Los Angeles after losing a prolonged battle with cancer.]]></description>
</item><item>
<title>The Searchers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.30459&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Thu, 26 Nov 2009 11:28:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.30459</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Searchers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.30459</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30459&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30459&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Chad and Jeremy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3352&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Thu, 26 Nov 2009 11:28:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3352</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chad and Jeremy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3352</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3352&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3352&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[We sent Britain the Walker Brothers and they sent us Chad and Jeremy. This English duo benefited from the Beatles' popularity, but they were closer to Folk Pop acts such as Peter and Gordon...or Simon and Garfunkel without the brilliance. Still, their tunes offer up plenty of breezy whimsy, and the youth of today have found new interest in their work after the wonderful "Summer Song" was featured in <i>Rushmore</i>. To top off a slew of Top-10 U.S. singles, Chad and Jeremy did a hilarious guest spot on the <i>Batman</i> TV show that cleverly mocked Beatlemania.
- Nick Dedina]]></description>
</item><item>
<title>Peter and Gordon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69190&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Thu, 3 Dec 2009 22:54:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69190</guid>
<rhap:rcid xmlns:rhap="rhap">art.69190</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Peter and Gordon</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69190</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69190&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69190&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Pretty Things</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3949&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Mon, 13 Jul 2009 11:06:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3949</guid>
<rhap:rcid xmlns:rhap="rhap">art.3949</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Pretty Things</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3949</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3949&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3949&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The coolest thing about the Pretty Things -- aside from the fact that guitarist Dick Taylor was an original member of the Rolling Stones, and that the aging group is still banned from the entire country of Australia -- is that they haven't stopped playing together since 1963. Probably the most underrated British Invasion band of the '60s, the Pretty Things have been cult heroes for nearly four decades, and it's a safe claim that their style of Psychedelic/Garage Rock has always been more innovative and eclectic than many of their more well-known contemporaries. The Pretty Things' live shows span the timeline of their musical journey. From their early, gritty, R&B shuffle-punk on through their lysergically acidic, warped carousel ride <i>SF Sorrow</i> (the first full-length concept album ever recorded), the Pretty Things have experimented with anything and everything. Their 1999 release <i>Rage...Before Beauty</i> is a solid and well-rounded recording that evinces the notion that the 1990s are, in fact, the 1960s turned upside down.
- Eric Shea]]></description>
</item><item>
<title>John Mayall and the Bluesbreakers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5301916&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Blues &amp; Boogie Rock</category>
<pubDate>Fri, 4 Dec 2009 13:20:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.5301916</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">John Mayall and the Bluesbreakers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5301916</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5301916&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5301916&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mayall has been brewing up his own version of the blues for more than forty years along with a shifting lineup of Bluesbreakers. Mayall is a multi-instrumentalist and distinctive vocalist with a keening tenor who has always tried to find his own place within the blues idiom. His backup band, the Bluesbreakers, have included a veritable who's-who of musicians, including three of the best guitarists to come out of Great Britain: Eric Clapton, Peter Green, and Mick Taylor -- not to mention the legendary rhythm section of Mick Fleetwood and John McVeigh. Over the course of his career, Mayall has experimented with Acoustic Blues, Chicago Blues, Jazz Blues, and just about every other hyphenated blues hybrid imaginable.
- Mike McGuirk]]></description>
</item><item>
<title>Gerry and the Pacemakers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4378&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Fri, 20 Nov 2009 12:51:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4378</guid>
<rhap:rcid xmlns:rhap="rhap">art.4378</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gerry and the Pacemakers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4378</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4378&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4378&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Marmalade</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.57095&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Sat, 7 Nov 2009 11:26:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.57095</guid>
<rhap:rcid xmlns:rhap="rhap">art.57095</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Marmalade</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.57095</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57095&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57095&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sounding a lot like the Raspberries, Marmalade translated songs from the rock canon (especially Beatles songs) into a gentler format for mature audiences. Throughout the 1970s, they released a series of mellow, elevator-approved Vocal-Pop albums.
- Chad Driscoll]]></description>
</item><item>
<title>Small Faces</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4466&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Mod</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Small Faces</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4466&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Best remembered in America for their post-Summer of Love hit "Itchycoo Park," the Steve Marriott-era Small Faces had 11 straight Top 30 singles in Britain between 1965 and 1968. Like contemporaries the Stones, the Who and the Yardbirds, they began as bluesy journeymen; keyboardist Ian McLagan's book <I>All the Rage</I> contains his hilarious and touching recollections of backing the likes of Howlin' Wolf, Sonny Boy Williamson and Little Walter on the UK club circuit. Led by Marriott's howling vocals, the Small Faces soon earned a huge following with 45s such as "Whatcha Gonna Do About It?" (later a feature of the Sex Pistols' live set) and "All or Nothing." <br><br> After extricating itself from an onerous arrangement with English music biz strongman Don Arden, the band moved to Andrew Loog Oldham's Immediate Records, which did little for their poor financial condition. (The Small Faces' royalty situation wouldn't be corrected until the 1990s, after Marriott's death and shortly before that of writer/bassist Ronnie Lane ÃÂ and then, according to McLagan, only partially.) Their Immediate phase saw them releasing some of the most British rock records of the era, including the concept album <I>Ogden's Nut Gone Flake</I> and the delightful single "The Universal." When Marriott walked offstage on New Year's Eve 1968, headed for Humble Pie with Peter Frampton, the Small Faces might have been done. <br><br> But for Rod Stewart and Ronnie Wood (who'd recently left the Jeff Beck Group after two albums), who kept the band going. Newly signed to Warner Bros., the group made one more album under their old name before abbreviating it to Faces. As Stewart's star rose, so did the band's; by early 1972, they were an unstoppable live favorite and ruled the airwaves with "Stay With Me," a hit just months after Rod the Mod's own "Maggie May." Lane's peculiarly personal songs were mainstays of Faces albums; "Ooh La La" later achieved a second round of popularity as the closing song of the film <I>Rushmore</I> and in a car advertisement. With Stewart headed for Hollywood and Wood filling Mick Taylor's shoes in the Rolling Stones, the Faces split in late 1975. But both incarnations of the band remain beloved of musicians and fans, with everyone from Paul Weller to Paul Westerberg praising them. Their affection for one another, and for their music, continue to ring through their recordings.
- Jaan Uhelszki]]></description>
</item><item>
<title>Them</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42860&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 6 Nov 2009 12:47:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Them</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42860&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42860&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Fortunes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.47418&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 20 Nov 2009 12:51:30 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Fortunes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.47418</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47418&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47418&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Shadows</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.987&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Instrumental Rock</category>
<pubDate>Mon, 28 Sep 2009 10:33:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Shadows</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.987</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.987&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.987&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Freddie and the Dreamers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2765&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Fri, 20 Nov 2009 12:51:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2765</guid>
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<rhap:artist xmlns:rhap="rhap">Freddie and the Dreamers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2765</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2765&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2765&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Easybeats</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.22037&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Fri, 13 Nov 2009 12:39:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Easybeats</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22037&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22037&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Chris Barber</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3293&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Traditional Jazz/Dixieland</category>
<pubDate>Fri, 20 Nov 2009 12:51:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chris Barber</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3293</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3293&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3293&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trombonist and band leader Chris Barber is one of the leading lights of Britain's Traditional Jazz scene. Since the early '60s, he has been keeping Dixieland, Traditional Jazz, and swinging Big Band jazz in the forefront of the European public.
- Nick Dedina]]></description>
</item><item>
<title>The Mindbenders</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.60879&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 23 Oct 2009 16:25:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Mindbenders</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60879&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60879&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Georgie Fame</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10255&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Jazz Blues</category>
<pubDate>Sun, 25 Oct 2009 10:22:03 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.10255</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Georgie Fame</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10255</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10255&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10255&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A star in his native England, Fame's snappy organ lines and Mose Allison-style vocals mix jazz, R&B and pop into one tasty cocktail. Blossom Dearie wrote a song about him, and he has received further international attention from his work with Van Morrison. Delightful.
- Nick Dedina]]></description>
</item><item>
<title>Lonnie Donegan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4128&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Skiffle</category>
<pubDate>Thu, 5 Nov 2009 16:49:03 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lonnie Donegan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4128</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4128&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4128&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Tony Sheridan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.30659&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 29 May 2009 09:35:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tony Sheridan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.30659</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30659&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.30659&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Bachelors</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.33947&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 20 Nov 2009 12:51:04 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.33947</guid>
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<rhap:artist xmlns:rhap="rhap">The Bachelors</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.33947</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33947&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.33947&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Dave Clark Five</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1395&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Mon, 5 Oct 2009 10:16:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1395</guid>
<rhap:rcid xmlns:rhap="rhap">art.1395</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Dave Clark Five</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1395</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1395&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1395&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Dave Davies</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.21349&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Fri, 29 May 2009 09:34:53 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.21349</guid>
<rhap:rcid xmlns:rhap="rhap">art.21349</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dave Davies</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.21349</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21349&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21349&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It hasn't always been easy for Dave to share the Kinks' spotlight with brother Ray Davies. Besides having a solo career of his own, such wonderful Kinks songs as "Wait Till The Summer Comes Along" and "Living On a Thin Line" are lead guitarist Dave's creations. Check out his two CD retrospective <i>Unfinished Business</i>; it takes you on a tour from British Invasion rockers to Cheap Trick prototype rave-ups over a nearly forty-year (!) period.
- Nick Dedina]]></description>
</item><item>
<title>Ian Whitcomb</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7663&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Vintage Lounge</category>
<pubDate>Fri, 20 Nov 2009 12:51:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7663</guid>
<rhap:rcid xmlns:rhap="rhap">art.7663</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ian Whitcomb</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7663</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7663&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7663&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[British music hall aficionado had an accidental rock 'n' roll hit in 1965. Since then, he's concentrated on the type of clever, almost vaudevillian music Ray Davies just pretends to like.
- Kelly Bauman]]></description>
</item><item>
<title>nashville teens</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8595&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Tue, 8 Dec 2009 09:17:09 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">nashville teens</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8595</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8595&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8595&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Alan Price</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.50982&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Thu, 26 Nov 2009 11:27:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Alan Price</rhap:artist>
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<title>Chris Farlowe</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3295&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Blue-Eyed Soul</category>
<pubDate>Thu, 6 Aug 2009 10:39:35 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chris Farlowe</rhap:artist>
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<title>The Move</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.27752&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Psychedelic</category>
<pubDate>Fri, 23 Oct 2009 11:56:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Move</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.27752&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Before ELO, Jeff Lynne was in the Move, one of the first power-pop groups, with Bev Bevan and Roy Wood, both eventual members of ELO. Unknown in the U.S., the Move were one of the biggest bands of the '60s in Britain, from their first single, 1967's "Night of Fear," on into the early '70s. Today they are looked on by record geeks as one of the cooler, semi-obscure British bands of the '60s, and 1969's <i>Shazam</i> is one of those albums folks pay $30 for on eBay. Formed in Birmingham in 1965 by Wood and a collection of local stars, the Move took their cues from the Beach Boys, Moby Grape, the Beatles and soul music, packing slyly funny songs with startling guitar-work and vocal arrangements. The tactics used on ELO's "Roll Over Beethoven" were first employed by the Move, as "Night of Fear" was built on a motif lifted from Tchaikovsky's "1812 Overture." By the time of their 1971 album, <i>Message from the Country</i> (their last), the band (now with Lynne involved) was writing straight-up country songs and referencing Southern gospel. By then, legal issues and waning popularity ground their progress to a halt, and the sudden success of ELO put the final nail in the coffin.
- Mike McGuirk]]></description>
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<title>Billy J. Kramer and the Dakotas</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4095&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Merseybeat</category>
<pubDate>Sun, 25 Oct 2009 10:22:03 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Billy J. Kramer and the Dakotas</rhap:artist>
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<title>Sandie Shaw</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7935&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Sun, 1 Nov 2009 12:39:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sandie Shaw</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7935&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
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<title>Unit 4 + 2</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.35199&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Fri, 23 Oct 2009 16:25:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Unit 4 + 2</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35199&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
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<title>The Creation</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7792&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Mod</category>
<pubDate>Sun, 3 May 2009 08:33:13 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Creation</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7792&amp;variant=data&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Creation might be one of the most painful British near-misses of the mid-1960s. Blame it on lackluster U.K. sales, a lineup that never fully solidified and a sound that was ahead of its time: history ultimately doomed the group to be one of the British invasion's also-rans. Vocalist Kenny Pickett, guitarists Eddie Phillips and Mick Thompson, and drummer Jack Jones played together as members of the Mark Four and formed the Creation in 1966 with bassist Bob Garner. The band's early sound was a high-volume art pop, typified by its first charting U.K. single, "Makin' Time," which was released in 1966, and its most successful single, "Painter Man," from the same year. At the end of '66, Garner left and was replaced by Kim Gardner, and the band issued a series of singles in the U.K. and U.S. that weren't well received despite success in isolated parts of Europe. In '68, Pickett left the group briefly and was temporarily replaced by Ron Wood, but when Pickett returned, he dismissed both Gardner and Phillips, and the Creation were no moreÃÂ¢ÃÂÃÂ¦at least until the mid-1980s, when a short reunion included Phillips, Pickett, John Dalton (bass guitar) and Mick Avory (drums, ex-Kinks).
- Nate Cavalieri]]></description>
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<title>Dave Berry</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66076&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Wed, 25 Nov 2009 11:50:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dave Berry</rhap:artist>
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<title>Jackie Trent</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37562&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss</link>
<category>Girl Groups</category>
<pubDate>Fri, 13 Nov 2009 12:38:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=43&amp;rws=%2Foldies%2Fbritish-invasion%2Fartist-chart.rss">Top British Invasion Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jackie Trent</rhap:artist>
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