<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1067563546"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Top Oldies Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss</link><description>Top Oldies Artists on Rhapsody Online</description><category>Oldies</category><language>en</language><ttl>720</ttl><pubDate>Mon, 20 May 2013 17:35:24 +0000</pubDate><image>
<url>http://static.rhap.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Top Oldies Artists on Rhapsody Online</title>
<link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<description>Top Oldies Artists on Rhapsody Online</description>
</image><item>
<title>The Rolling Stones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.978&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Tue, 7 May 2013 17:20:27 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.978</guid>
<rhap:rcid xmlns:rhap="rhap">art.978</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Rolling Stones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.978</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.978&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.978&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Few partnerships in rock 'n' roll have been as productive as the collaboration between Mick Jagger and Keith Richards, and of course having wunderkind Brian Jones along did nothing to hinder the Rolling Stones' popularity. From the get-go, the band played the raunchy, gritty doppelganger to the Beatles' dandified Merseybeat pop. They ventured a heavier, bluesier sound than their British Invasion counterparts, taking their cues from Muddy Waters and Howlin' Wolf. The band's greatest strength, besides Charlie Watts, has always been their ability to add stylistic touches drawn from their interests in Eastern music, psychedelia, country and even disco to a blues rock chassis. It's difficult to listen to the trippy <I>Their Satanic Majesties Request</I>, the down-and-out honky-tonk of <I>Exile On Main Street</I> and the clean modernist surfaces of <I>Bridges To Babylon</I> and believe they were recorded by the same band. Of course, in some ways they weren't; the lineup changes that have dogged the Stones account for much of their musical diversity. Jagger's famous slur and Richards' sloppy guitar elegance are the two constants in the band's many life cycles that make every Stones song instantly recognizable.
- CDRISCOLL]]></description>
</item><item>
<title>Pink Floyd</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69132&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Art &amp; Progressive Rock</category>
<pubDate>Tue, 14 May 2013 08:14:10 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69132</guid>
<rhap:rcid xmlns:rhap="rhap">art.69132</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Pink Floyd</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69132</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69132&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69132&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Early Pink Floyd recordings make space travel superfluous so long as we have keyboards here on Earth. Back when enigmatic lyricist and acid-eater extraordinaire Syd Barrett skippered the ship, the Floyd sounded something like Monty Python with instruments -- quirky, trippy and weird. Barrett made Bedlam seem a reasonable price to pay for such gems as "Bike," "Lucifer Sam," and the Space Rock tour-de-force "Astronomy Domine." Upon Barrett's departure, the only marginally less maniacal Roger Waters took on singing and songwriting duties. The band dug even deeper into labyrinthine song structures, but nothing prior had prepared the world for 1973s <i>Dark Side of the Moon</i>. The concept album par excellence, <i>Moon</i> utilizes a narrative lyric structure and musical leitmotifs to give the album a sense of coherence. These compositional strategies culminated in '79s harrowing magnum opus, <i>The Wall</I>, an unflinching look at England's soul -- its educational system, its flirtations with fascism, the conservatism leading up to Thatcher. After Waters' defection, the remaining members came down with a crippling case of the blands but decided to stick it out, releasing a series of flashy (note '95's <I>Pulse</i>), nostalgic commodities that basically sounded like David Gilmour solo efforts (even if they continued to sell like genuine Pink Floyd productions). In July 2005, David Gilmour, Nick Mason, Richard Wright and Roger Waters reformed for the Live 8 charity concert. Sadly, in July 2006, Syd Barrett died at the age of 60, from complications of diabetes.
- CDRISCOLL]]></description>
</item><item>
<title>Elvis Presley</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.154&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'50s Rock 'n' Roll</category>
<pubDate>Wed, 15 May 2013 18:12:03 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.154</guid>
<rhap:rcid xmlns:rhap="rhap">art.154</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Elvis Presley</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.154</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.154&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.154&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Elvis Presley is rock 'n' roll. He sang like a dream, he was sexy enough to send girls swooning, and he exuded enough cool not to have the boys resent him. Adults worried about his rebellious nature, but they were eventually comforted by his polite, courteous manner. Yet as perfect as Presley's 1950s rock recordings are, he excelled at so much: down-home country crooning, raucous R&B belting, enraptured Gospel singing, and classic pop balladeering. Elvis wasn't a vocal chameleon: these styles seeped out of him naturally, allowing his own personality to shine through. Despite his high level of talent and achievement in his craft, it was Elvis who made rock 'n' roll the international language of pop and inspired countless kids around the world to pick up a guitar or step up to a microphone. That said, Elvis didn't have a faultless career: he starred in plenty of bad movies, sang dozens of lame songs, got fat, and wore a kitschy white suit. But so what? He forever changed pop music, recording acres of perfect material over two short decades. Elvis (deservedly) remains the King.
- NDEDINA]]></description>
</item><item>
<title>The Black Keys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44311&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Wed, 15 May 2013 07:52:23 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44311</guid>
<rhap:rcid xmlns:rhap="rhap">art.44311</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Black Keys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44311</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44311&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44311&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In an Ohio city renowned for its manufacturing of rubber and tires, it's fitting that one of Akron's greatest rock exports is a duo that plays bluesy bites of garage rock oozing with loads of blue-collar rawness. The Black Keys include singer and guitarist Dan Auerbach and drummer Patrick Carney, two college drop-outs who mowed lawns for a living before turning their love for Mississippi blues and noise rock into a lucrative music career. After Auerbach's band didn't show for a recording session in Carney's basement studio in 2001, the two began recording a demo of their own, which would lead to the release of debut album <I>The Big Come Up</I>. Almost instantly, the Keys were inundated with comparisons to the White Stripes, but their leaning toward traditional blues and Hendrix-ish psychedelia resulted in a less pop-oriented following. They went on to release <I>Thickfreakness</I> in 2003, <I>Rubber Factory</I> the following year and <I>Magic Potion</I> in 2006. Opting to finally ditch the basement for a professional studio in 2008, the two completed <I>Attack & Release</I>, a more polished yet experimentally enhanced album with the help of producer extraordinaire Danger Mouse.
- SBENSON]]></description>
</item><item>
<title>Stevie Wonder</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1967&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Wed, 15 May 2013 16:02:16 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1967</guid>
<rhap:rcid xmlns:rhap="rhap">art.1967</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stevie Wonder</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1967</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1967&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1967&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[At any given hour, on any college campus anywhere, it is possible to hear "Superstition" blaring out of a fresh-faced funk newcomer's dorm room. Despite other artists' attempts at appropriating his style, Wonder is undoubtedly one of the most individual and astounding songwriters of our time, composing on such a grand scale that albums flow with harmonious ease, incorporating jazz, reggae, fusion, rock, funk and soul. He may have seemed like just a singles artist when performing his Motown hits during his teens, but on albums like <I>Talking Book</I>, <I>Innervisions</I> and <I>Songs in the Key of Life</I> Wonder proved to be a complex and complete artist, painting colorful political, spiritual and soulful journeys with a variety of guest artists and his own multi-instrumental skills. His voice, harmonica and keyboards are as instantly recognizable as his trademark sway, able to make you laugh and boogie with joy, or cry over the unbridled emotion of his compositions. In late 2005, he released <i>A Time To Love</i>, his first new album in ten years. It was praised by critics and fans alike, further cementing his status as a musical legend who still has more magic to share.
- JTERRY]]></description>
</item><item>
<title>Bob Dylan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.831&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Mon, 6 May 2013 03:55:16 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.831</guid>
<rhap:rcid xmlns:rhap="rhap">art.831</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bob Dylan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.831</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.831&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.831&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bob Dylan is on the short list of the most influential artists of the 20th century. He coupled a love for all forms of American popular and folk music with a personal and poetic songwriting style instead of relying on professional craftsmen or standard tunes. Influenced by Woody Guthrie, Dylan proved that you didn't have to be a technically perfect singer or musician to make brilliant pop music. The songs on 1963's <I>The Freewheelin' Bob Dylan</I> catapulted the artist to stardom but he was already burning to get away from acoustic backing and match his unique vision to rock, country and blues. Dylan's music influenced a whole new generation of musicians -- such as the Beatles and Stevie Wonder -- to start crafting songs about what was important to them. While Dylan kick-started folk and country rock in his '60s studio work, the ragged home recordings he made with the Band showed that not even poorly placed microphones could stifle brilliance. Dylan still tours these days and records less often then he used to, but as albums such as 1997's <I>Time Out of Mind</I> and 2006's <I>Modern Times</I> prove, the man still has a lot to say and continues to do it in a way that no one else can.
- NDEDINA]]></description>
</item><item>
<title>The Grateful Dead</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61027&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Jam Rock</category>
<pubDate>Mon, 6 May 2013 03:55:11 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.61027</guid>
<rhap:rcid xmlns:rhap="rhap">art.61027</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Grateful Dead</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61027</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61027&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61027&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born out of the burgeoning West Coast hippie scene in San Francisco's Haight-Ashbury district during the late '60s, and inextricably linked to psychedelic experimentation, the Grateful Dead blended psychedelic folk music and a transformative live experience that grew into the largest, most devoted and longest lived cult following in the history of popular music. Deadhead culture rapidly became more ubiquitous than the music -- the Dead's friendly jams, laid-back tunes and open attitude towards bootlegging inspired a tightly knit community that followed the band around the country and traded tapes of concerts years after they'd been recorded. The Dead's concert performances live forever in the often-altered minds of those who attended show after show, and in thousands of hours of recorded material. The majority of these Dead bootlegs were recorded really well and sound like someone took the time to master and equalize them. Hardcore Deadhead classics like "Jack Straw" re-emphasize why the band's live shows were a musical phenomenon. Those who identified best with the <I>Workingman's Dead</I> and <I>American Beauty</I> LPs will be pleased to know that there is an overwhelming amount of well-recorded and downloadable live jams from that era when Jerry was younger, the songs were fresh, and the guitars sounded especially warm.
- ESHEA]]></description>
</item><item>
<title>Marvin Gaye</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2196&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sun, 12 May 2013 03:32:30 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2196</guid>
<rhap:rcid xmlns:rhap="rhap">art.2196</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Marvin Gaye</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2196</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2196&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2196&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Perhaps the pervasive element of tragedy that ruled Marvin Gaye's life accounts for the profound intimacy found in his songs. He scored dozens of hits for Motown in the 1960s both as a solo act ("How Sweet It Is (To Be Loved by You)," "I Heard it Through the Grapevine") and singing duets ("Ain't No Mountain High Enough"). A late-decade period of depression and solitude ended with <I>What's Going On?</I> (1971). That album eschewed the pop frivolity of Gaye's earlier work, grappling with such issues as the Vietnam War, poverty and the ecology. Its success allowed him to create increasingly personal records. <I>Let's Get It On</I> was perhaps the most explicitly sexual album of its era; the double LP <I>Here My Dear</I> recounted the disintegration of his marriage in such detail that his wife considered suing for privacy invasion. Gaye's final chart topper was "Sexual Healing" (1983), a luscious ballad that simmered erotically beneath Gaye's velvet-lined vocals. His unexpected death in 1984 at the hands of his father renewed interest in his life, music and legacy.
- KHOLLOWAY]]></description>
</item><item>
<title>The Beach Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44122&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sun, 5 May 2013 22:10:19 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44122</guid>
<rhap:rcid xmlns:rhap="rhap">art.44122</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Beach Boys</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44122</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44122&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44122&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the early 1960s, the Beach Boys' Brian Wilson fused innovative chord arrangements with elastic-ranged vocal harmonies onto a foundation of Chuck Berry-inspired rock 'n' roll. The resulting music, set against a backdrop of surfing, girls, and cars, was unfortunately panned by the media as America's answer to Beatlemania. By the end of 1964, Wilson had retired from live performances to focus on composing and producing the band's recordings. Desperately trying to get the sounds from his head onto tape, the Beach Boys released the epic <i>Pet Sounds</i> in May of 1966. In the liner notes of this orchestrated pop masterpiece, Wilson admits that his aim was to write a "teenage symphony to God." Generally hailed as the greatest rock 'n' roll album ever, <I>Pet Sounds</I> struggled to attain the commercial success of the band's earlier suburban hymns. Although the Beach Boys (as well as Brian Wilson) went on to make many more successful albums, they never came close to approximating the innovative genius and transcendent, childlike innocence that was <i>Pet Sounds</i>.
- ESHEA]]></description>
</item><item>
<title>Bee Gees</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1632&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Disco</category>
<pubDate>Sun, 12 May 2013 03:22:48 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1632</guid>
<rhap:rcid xmlns:rhap="rhap">art.1632</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bee Gees</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1632</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1632&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1632&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Bee Gees made whiney falsetto hip, wide polyester collars the height of high-rolling fashion, and defined cool for an entire generation. A '70s supergroup who actually began as a brothers act in 1959, the Bee Gees have proven remarkably versatile throughout their long career, unafraid to experiment with everything from country to R&B to straight pop balladry. They scored a number of hits during the 1960s and early '70s with shimmering hits like "I've Got to Get a Message to You" and "How Can You Mend a Broken Heart." Some of the Bee Gees' most memorable tracks stemmed from the height of the disco era, culminating in 1977's <i>Saturday Night Fever</i> soundtrack with tunes like "Night Fever," "How Deep is Your Love," and of course, "Stayin' Alive." Lush harmonies, symphonic arrangements, and a tendency to reinvent themselves when the going gets tough have made this band one of the longest-running pop acts around.
- SBARDEEN]]></description>
</item><item>
<title>The Temptations</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.942&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Tue, 14 May 2013 12:08:23 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.942</guid>
<rhap:rcid xmlns:rhap="rhap">art.942</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Temptations</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.942</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.942&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.942&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Supremes may have moved more product, but it was the Temptations who showed that a Motown act could do anything they set their pitch-perfect pipes to. Who else but the Temptations could release the peerless teen love ballad "My Girl" and the cinematic, psychedelic funk of "Papa Was a Rolling Stone"? They could be soft and sensual, gruff and grounded, or raw and rocking -- and pull each off beautifully. The grim reaper and drugs have not been kind to the Temptations, and only one original member carries on in their name. Their last few recordings can't match the brilliance of their 1960s to mid-1970s releases, but the band's sound remains more soulful than any young, ultraslick vocal group out there.
- NDEDINA]]></description>
</item><item>
<title>Jimi Hendrix</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44156&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Tue, 14 May 2013 03:54:04 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.44156</guid>
<rhap:rcid xmlns:rhap="rhap">art.44156</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jimi Hendrix</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44156</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44156&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44156&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It seems as if no other musician has had more posthumous music released than the mighty Jimi Hendrix. But more amazing is the stratospheric, comet-like career of the man who, more than anyone before or since, revolutionized the way the electric guitar is played. Ask any middle-aged English blues and rock guitar player from Eric Clapton to Pete Townshend, and they will each individually claim that they were Jimi's best friend -- Hendrix was known for having that kind of ingratiating effect on people. His prodigious guitar playing, his soul-saturated, swaggering vocal style, and his brother-from-outer-space aura immediately seemed to hypnotize anyone within a five-mile radius. From 1966 to his death in 1970, he breathed life into his Stratocaster, squeezing a new sonic language from the fretboard that had never been played, let alone fathomed, by any guitarist before. With drummer Mitch Mitchell and bass player Noel Redding, his power trio, the Jimi Hendrix Experience, forged a new galactic style of psychedelic blues. Nearly thirty years after his untimely death, his music remains as popular, influential, and powerful as ever.]]></description>
</item><item>
<title>Neil Diamond</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1505&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Wed, 8 May 2013 15:47:30 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1505</guid>
<rhap:rcid xmlns:rhap="rhap">art.1505</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Neil Diamond</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1505</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1505&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1505&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[OK, Neil Diamond is an easy target for parody -- voice straight outta Brooklyn, bespangled shirt straight outta Vegas. But this ex-Brill Building tunesmith crafted a batch of excellent songs during the 1960s (hits such as "Solitary Man" for himself and "I'm a Believer" for the Monkees) before emerging as a stadium superstar. His bombastic, ubermelodramatic work from the 1970s has earned him an enormous, if aging, female following who feel that Diamond tells them what their tight-lipped, big-bellied husbands never will. Today, a new generation of ironic hipster fans have swelled their ranks. Both these groups know that underneath the florid orchestrations and over-the-top emotion lies the truth. Who doesn't feel that love can go on the rocks? Who hasn't experienced a great September morning? Be it a longtime fan in too-snug polyester trousers or a smug 25-year-old in his dad's leisure suit -- both pump their fists in unison during "America." Neil Diamond, an undeserving nation thanks you for trying to put some feeling (however unsubtle) into our bored, numbed lives.
- NDEDINA]]></description>
</item><item>
<title>The Who</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.774&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Thu, 25 Apr 2013 02:36:45 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.774</guid>
<rhap:rcid xmlns:rhap="rhap">art.774</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Who</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.774</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.774&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.774&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[More than any band before them, the Who transformed rock 'n' roll into the weapon of choice for the generation gap struggles of the 1960s. Playing up tensions between young and old in teen anthems "My Generation," "The Kids Are Alright," and a cover of Eddie Cochran's "Summertime Blues," this combativeness quickly became the band's hallmark. Roger Daltrey's perilous mic-swinging, Pete Townshend's ill-tempered guitar-smashing, and Keith Moon's "gonzo" drumming all bolstered the band's thuggish, working-class youth image -- and suggested it was more than image. As Mod's heyday waned, Townshend began pushing the band in more adventurous directions, which culminated in the first proper rock opera, <I>Tommy</I> (1969). In one fell swoop, the band upgraded their standing from "average Joes" to intelligentsia. Emboldened by <I>Tommy</I>'s success, Townshend's songwriting became increasingly self-centered and confessional. While "Behind Blue Eyes" and "Love, Reign O'er Me" are simply sublime, much of the Who's '70s material is bogged down by the band's internal conflicts and Townshend's downward spiral into alcohol and drug abuse. The public began to feel that the band had simply overstayed its welcome. Fans had a hard time forgiving the spokesmen of angry youth for getting old, and the band seems to have had a difficult time forgiving themselves.
- CDRISCOLL]]></description>
</item><item>
<title>Simon &amp; Garfunkel</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1783&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Folk Pop</category>
<pubDate>Mon, 6 May 2013 03:55:03 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1783</guid>
<rhap:rcid xmlns:rhap="rhap">art.1783</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Simon &amp; Garfunkel</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1783</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1783&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1783&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With a bubbly guitar sound and hesitant, hushed vocals, Simon & Garfunkel became a defining folk duo of the '60s and '70s. Paul Simon and Art Garfunkel began collaborating in the mid-1950s. By 1965 they had their first hit with "Sounds of Silence."]]></description>
</item><item>
<title>Frankie Valli &amp; The Four Seasons</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7515017&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Tue, 23 Apr 2013 07:56:39 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7515017</guid>
<rhap:rcid xmlns:rhap="rhap">art.7515017</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Frankie Valli &amp; The Four Seasons</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7515017</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7515017&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7515017&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In 1965, when Frankie Valli left the Four Seasons to embark upon a solo career, he took the most recognizable aspect of the group with him -- his unmistakable falsetto voice. Though the Four Seasons had a number of hits throughout the 1960s, they never earned the respect other bands from the era have garnered. This trend continued with Valli's solo career. Shortly after releasing his debut solo album in 1967, Valli rejoined the Four Seasons until the early '70s, when he again broke off on his own. Though he had minor hits throughout the decade, his career more or less leveled off. Valli's '70s songs survive as prime AM radio fodder -- slow-paced, easily digestible numbers ideal for those moments in the dentist's chair while you're waiting for the Novocain to kick in.
- MMURRMANN]]></description>
</item><item>
<title>The Doors</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43266&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Wed, 15 May 2013 07:30:06 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.43266</guid>
<rhap:rcid xmlns:rhap="rhap">art.43266</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Doors</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43266</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43266&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43266&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The mania Jim Morrison elicits decades after his death is just one of the many fascinating and seemingly eternal aspects of the Doors. Lest it be forgotten, the band also recorded some of the darkest and most challenging music of their time. What is so distinctive about the Los Angeles group is how it successfully melded rock, jazz-inspired improvisation and Weill-esque angularity into dramatic settings for Morrison's haunting baritone and acid-damaged poetry. Their amazing range set them apart from their psychedelic brethren, as they moved seamlessly from the propelling rock of "Break on Through" to the breathy beauty of "Indian Summer," the manic blues of "Five to One" and the Coltrane-flavored "Light My Fire." Whether you feel that Morrison was a brilliant and complex modern-day shaman or a second-rate poet who lost it to alcohol and pills, it's impossible to deny the long-lasting impact the Doors have had on rock 'n' roll. In 2002, following a 20 year hiatus in the wake of Morrison's death, Robby Krieger and Ray Manzarek reunited, enlisting ex-Cult singer Ian Astbury on lead vocals and shamanistic behavior duties. The band now calls itself Riders On the Storm.
- WLERNER]]></description>
</item><item>
<title>White Stripes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14048&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Mon, 6 May 2013 03:54:43 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14048</guid>
<rhap:rcid xmlns:rhap="rhap">art.14048</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">White Stripes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14048</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14048&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14048&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Minimalist, stripped down, raw -- call it what you want. There's no denying the Detroit-based combination of Jack and Meg White packs an underhanded punch with their fierce, swaggering, cacophonous trash. After building a solid foundation of dedicated fans in the underground circuit, the group somehow found an audience in the mainstream, garnering radio and MTV exposure on their third album with explosive tracks like "Fell in Love With a Girl" and "Dead Leaves and the Dirty Ground." Jack White's guitar style began to grow out of the electrified, bottleneck blues style and into something more white-hot, like Jeff Beck and Jimmy Page melding into one. The group's fourth album, <I>Elephant</I>, proved to be even more of a success, with "Seven Nation Army" providing a riff that was almost instantly recognizable. Increasing critical acclaim set expectations high for their fifth album, the diverse, piano-driven <i>Get Behind Me, Satan</i>. Meg and Jack followed that up with the irresistible <i>Icky Thump</i>, a return to straightforward rock that was one of the high points of '07. The White Stripes announced their breakup in early 2011.
- JPRUETT]]></description>
</item><item>
<title>Aretha Franklin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4710&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Wed, 15 May 2013 18:22:01 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4710</guid>
<rhap:rcid xmlns:rhap="rhap">art.4710</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Aretha Franklin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4710</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4710&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4710&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[More than any other Soul performer (or such Jazz-Blues belters as Dinah Washington), Aretha Franklin brought impassioned Gospel singing to American popular music. Never as subdued as the subtler Sam Cooke, Franklin belts out profane R&B songs with enough sacred lung power to send the sound waves all the way up to the heavens. Franklin doesn't go over the top, though, always staying in the realm of good taste and sensitive delivery. As she proved during her greatest period, the late '60 Atlantic Recordings, Franklin blows the roof off your house with so much class that you don't want her to stop until she has reduced your love shack to a pile of splinters. Who else could outdo Otis Redding and turn "Respect" into an eternal anthem of racial and sexual pride that even middle-class white men embrace? Franklin's voice has weathered the decades very well but her arrangements and material are often beneath her. You can't go wrong with any of her recent Gospel recordings and 1998's <i>A Rose is Still A Rose</i> embraced hip-hop production with great success. Aretha Franklin remains a vital part of the modern music scene.
- NDEDINA]]></description>
</item><item>
<title>The Jackson 5</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39830&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Tue, 7 May 2013 07:25:45 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.39830</guid>
<rhap:rcid xmlns:rhap="rhap">art.39830</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Jackson 5</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.39830</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39830&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39830&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Jackson 5's bubblegum-flavored soul helped Motown usher in the 1970s with a string of chart toppers that included hits such as "ABC," "I Want You Back" and "The Love You Save." Raised in Gary, Indiana by devout Jehovah's Witnesses, the brothers endured the kind of strict upbringing that groomed them perfectly for the "Motown machine." And what a well-oiled machine it was! The Jackson 5's likenesses could be found on everything from lunchboxes to dolls to Saturday Morning cartoons. But by 1974, the machine showed signs of wear and tear: songs weren't charting as highly as they had previously, and demand for Jackson 5 merchandise was drying up. The machine broke down completely when, frustrated by Motown's refusal to allow the brothers to write or choose their own material, the Jackson 5 parted ways with the label and signed with Epic. Motown won a breach of contract suit, thus retaining the rights to the name Jackson 5. The brothers changed their named to the Jacksons. The Jackson 5 were inducted into the Rock and Roll hall of Fame in 1997.
- LRYAN]]></description>
</item><item>
<title>Alabama Shakes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.53592030&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Blues &amp; Boogie Rock</category>
<pubDate>Tue, 7 May 2013 17:21:17 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.53592030</guid>
<rhap:rcid xmlns:rhap="rhap">art.53592030</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Alabama Shakes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.53592030</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.53592030&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.53592030&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Alabama Shakes are a quartet specializing in a gritty and endearingly vintage blend of classic rock and Southern soul-blues.
- JFARRAR]]></description>
</item><item>
<title>Otis Redding</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69253&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Sat, 11 May 2013 22:04:28 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69253</guid>
<rhap:rcid xmlns:rhap="rhap">art.69253</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Otis Redding</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69253</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69253&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69253&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Probably <I>the</I> voice of Southern Soul music and one of the greatest vocalists of all time, Otis Redding was, and continues to be, an inspiration to any musician with a desire to move people with music (and any listener not made out of stone). Neither as smooth as Marvin Gaye or Sam Cooke nor as funky as James Brown, Redding was a big, sweaty man who put every ounce into his performances: you can hear every mistake he ever made in his voice when he cries and screams his way through "I've Been Loving You Too Long" and virtually every other song he recorded. Backed by a top form Booker T. and the MG's, his Stax recordings still crackle with the energy and fire of the South. The sad justice in his passing, shortly after leaving a sea of flush-faced hippies gawking at the Monterey Pop Festival, is that he had just unwittingly cemented his status in both the rock and Soul worlds. His passing, at a criminally young twenty-six years of age, managed to both seal the end of the Soul singer era and leave a vacant space in music that has yet to be filled.
- JPRUETT]]></description>
</item><item>
<title>Sam Cooke</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.40110&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Wed, 15 May 2013 18:04:02 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.40110</guid>
<rhap:rcid xmlns:rhap="rhap">art.40110</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sam Cooke</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40110</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40110&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.40110&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of soul's most important voices and most tragic figures, Sam Cooke was one of the early soul singers to make the transition from gospel to the secular world of soul music. Cooke was the son of a Mississippi preacher, and he spent his youth in church choirs and gospel groups. He joined the Soul Stirrers in 1950 and recorded and toured with the gospel group for six years before making his first foray into secular pop. His first big hit was the perennial (and self-penned) hit "You Send Me" -- a pop confection that shimmered with sincerity and the hint of grit that surfaced more prominently as Cooke's artistry matured. If you don't know Sam Cooke, you probably know his music: "Bring It On Home To Me," "Another Saturday Night," "Chain Gang," and the prescient "A Change Is Gonna Come." As the hits piled up, Cooke was finding himself a major crossover success, with powerful fan bases across black and white audiences alike. In 1964, at the height of his career, Cooke was killed in circumstances that were never fully explained. Theories about why he was shot to death continue but Sam Cooke's artistry remains undisputed.]]></description>
</item><item>
<title>James Brown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38470&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Wed, 15 May 2013 17:30:03 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38470</guid>
<rhap:rcid xmlns:rhap="rhap">art.38470</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">James Brown</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38470</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38470&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38470&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The interlocking drum and bass brilliance of "Funky Drummer," the exactly synchronized horns of "Cold Sweat," and the socially conscious "I'm Black and I'm Proud" all have one thing in common: repetitive perfection. The Godfather of Soul may have let loose with raw squeals, doo-wop moans, plaintive wails and commanding grunts, but the bands he led never missed a note. Intense raw energy has never been compressed as succinctly as the vacuum-sealed package making up James Brown's band. Over the years, Brown has served as a university for many of the tightest performers around -- his musical graduates include Maceo Parker, Clyde Stubblefield, Bernard Purdie, Jimmy Nolen, Fred Wesley, Bobby Byrd, Pee Wee Ellis and Bootsy Collins. His songs have crucially influenced genres like jazz (Herbie Hancock, Miles Davis), reggae (Lee Perry, Sly and Robbie) and hip-hop (hasn't every DJ sampled James Brown at one point or another?). Music hasn't been the same since. James Brown died in Atlanta, GA on Dec. 25th, 2006, at the age of 73.
- JTERRY]]></description>
</item><item>
<title>Yeah Yeah Yeahs</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56565&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'00s Alternative</category>
<pubDate>Mon, 6 May 2013 05:34:54 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.56565</guid>
<rhap:rcid xmlns:rhap="rhap">art.56565</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Yeah Yeah Yeahs</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.56565</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56565&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56565&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Yeah Yeah Yeahs formed in Brooklyn, N.Y., in 2000, after guitarist Nick Zinner and vocalist Karen O met in a bar and began writing songs on an acoustic guitar together. They brought in an old friend (Brian Chase) on the drums, and decided to forgo the bass all together in an attempt to make as much of a punked-up, glammed-up racket as possible. An EP came out in 2001, when they also made their first live appearances opening up for the White Stripes. As the touring continued, so did the press. People were drawn to Karen O's punk rock/<I>Flashdance</I>-style of dress, not to mention her vocals, which could moan and shriek with passion and suffering. The band itself ran from dance-oriented 4/4 beats toward choppy post-punk; songs are clunky, spastic and melodic. Their debut album, <I>Fever Too Tell</I>, came out in 2003 and features the hit "Maps." They followed up that success with 2006's <i>Show Your Bones</i>. For their third release, 2009's <i>It's Blitz</i>, the trio took a slightly different approach, washing their gritty guitar rock in a wave of synths and dance beats.
- JPRUETT]]></description>
</item><item>
<title>The Commodores</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2959&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Tue, 7 May 2013 17:36:29 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2959</guid>
<rhap:rcid xmlns:rhap="rhap">art.2959</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Commodores</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2959</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2959&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2959&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Led by Lionel Richie, the Commodores continued Motown's hold on popular music in the late '70s. With their mix of Funk ("Brick House") and ballad ("Three Times a Lady") hits, they were as much a part of that decade as pet rocks and guest spots on <i>Three's Company</i>.
- RPEPPER]]></description>
</item><item>
<title>Roy Orbison</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61022&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'50s Rock 'n' Roll</category>
<pubDate>Tue, 14 May 2013 22:52:14 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.61022</guid>
<rhap:rcid xmlns:rhap="rhap">art.61022</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Roy Orbison</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61022</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61022&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61022&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Texas-born singer/songwriter/guitarist Roy Orbison first came to prominence with Sun Records in the 1950s, where he was typecast as a jiving Rockabilly singer with his minor hit "Ooby Dooby." That song, along with his other material for Sun, barely hinted at the melodramatic power held in his operatic tenor voice and his near-Baroque songwriting sensibility. After working as a contract songwriter in Nashville and providing the Everly Brothers with a few hit singles, he signed to Monument Records in the early 1960s; the hits came fast and furious shortly thereafter. Orbison's most popular records sported beautiful, complex melodies, yearning lyrics, lushly orchestrated production and a tangible sense of rock 'n' roll drama brought on by his soaring, high tenor voice. The hits dried up for Orbison by the '70s, and he fell off of the radar somewhat until 1988, at which point he experienced a huge career renaissance due to his involvement with the Traveling Wilburys.
- THEYMAN]]></description>
</item><item>
<title>Jack White</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5196427&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Wed, 8 May 2013 16:48:30 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5196427</guid>
<rhap:rcid xmlns:rhap="rhap">art.5196427</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jack White</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5196427</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5196427&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5196427&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Moody Blues</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1185&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Art &amp; Progressive Rock</category>
<pubDate>Wed, 1 May 2013 04:26:05 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1185</guid>
<rhap:rcid xmlns:rhap="rhap">art.1185</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Moody Blues</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1185</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1185&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1185&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Yes, they were part of the original British Invasion. And yes, they had a substantial hit in the 1980s. But the Moody Blues will always be remembered for their marriage of rock band and orchestra as heard on <I>Days of Future Passed</I>(1967). Embraced by flower children and art rock lovers alike, the album-story winds through a prototypical day before ending with their most famous song, "Nights in White Satin." Over the top? Absolutely. Pretentious? Possibly. So, the Moodies dropped the orchestra and placed more importance on keyboardist Mike Pinder's mellotron and the rest of the group's ability as multi-instrumentalists. The streamlined sound served them well, especially on songs such as the joyous rocker "Ride My See-Saw." After making a series of albums in this vein, the band went on hiatus, only to reemerge in the late 1970s. They never again broke new ground in popular music, but they did have enjoy a few more hits, most notably "Your Wildest Dreams" (1986). The band has continued frequent touring and the sporadic release of records into the present day, with <i>Keys of the Kingdom</i>, <i>Strange Times</i> and <i>December</i> appearing in 1991, 1999 and 2003, respectively.
- WLERNER]]></description>
</item><item>
<title>Diana Ross</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4195&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Thu, 2 May 2013 03:06:06 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4195</guid>
<rhap:rcid xmlns:rhap="rhap">art.4195</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Diana Ross</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4195</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4195&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4195&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Thanks in part to a voice that could compete with Dionne Warwick on the level of pop appeal -- and let's not forget Berry Gordy's loving adoration for her -- Diana Ross not only became the lead singer of the Supremes, she became the quintessential image of the band in the public eye. What might have been had she remained part of the Supremes' backing vocal section will never be known, but the end result of Ross' being placed center stage was a later ascent to uber-diva as a solo artist. Within a year of taking leave of the Supremes in 1969, Ross already had a No. 1 song; within two years, she'd starred in a movie (<i>Lady Sings The Blues</i>) and secured an Academy Award nomination. Not bad for an acting novice and singer on her own for the first time. Over the years, Diana Ross has continued to earn film roles, chart placements, and the undying respect and admiration of drag queens the world over.
- KHOLLOWAY]]></description>
</item><item>
<title>Smokey Robinson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1524&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Tue, 7 May 2013 17:36:27 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1524</guid>
<rhap:rcid xmlns:rhap="rhap">art.1524</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Smokey Robinson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1524</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1524&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1524&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[People all over the world recognize Smokey Robinson's sweet voice within a bar or two. His deceptively light sound defines soulful romance, and it helped place his band the Miracles at the top of the charts throughout the 1960s. Robinson is also an exceptional songwriter (with such credits as the Temptations' "My Girl" under his belt) and a businessman who helped Berry Gordy build the Motown juggernaut. During the sex-mad '70s, Robinson shifted into contemporary crooner mode and his excellent hit album <I>A Quiet Storm</I> provided the name and musical template for the simmering urban love genre that has helped keep our nurseries and daycare centers full.
- NDEDINA]]></description>
</item><item>
<title>The Supremes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.896&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Tue, 7 May 2013 17:36:11 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.896</guid>
<rhap:rcid xmlns:rhap="rhap">art.896</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Supremes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.896</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.896&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.896&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Supremes basically ruled the pop charts in the 1960s and don't try to let those Beatles fans tell you otherwise. No other act on the Motown roster was as consistently brilliant on the charts or releasing such sublime pop gems. The key word here is "pop," since that's what Motown did best and that's most certainly what the juggernaut songwriting combo of Holland/Dozier/Holland did like no one before or since. There was nothing especially thought-provoking in their music, but within that glassy back-beat, aerodynamic production and Diana Ross pouring on the vocals like maple syrup, there was total perfection.
- JPRUETT]]></description>
</item><item>
<title>The Kinks</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38141&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Sun, 5 May 2013 17:26:06 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38141</guid>
<rhap:rcid xmlns:rhap="rhap">art.38141</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Kinks</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38141</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38141&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38141&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Led by singer-songwriter Ray Davies, the Kinks recorded countless songs that have proven to be both timeless and highly influential. Their slew of early singles -- from the Hard Rock prototype "You Really Got Me" to the whimsical, lackadaisical and humorous "Sunny Afternoon" -- made them one of the most popular bands of the British Invasion. However, it was Davies' singular, distinctively noncommercial vision that made their superstardom a relatively brief part of an otherwise lengthy career. Tensions between the musicians didn't help matters, as onstage fights between Ray and his guitar-playing brother Dave were notorious. Although they ostensibly mastered the singles format, the Kinks became an album-oriented band in the truest sense: between 1968 and 1977, the band released numerous concept albums that varied wildly in quality and subject matter. The most famous, and perhaps the finest of the lot, is <I>Lola vs. the Powerman & the Money-Go-Round, Part One</I> (1970). The record is a cutting, acerbic look at the music industry, and the song "Lola" put the band back on top -- and what a song to do so, as it's become the most famous song in the rock 'n' roll oeuvre to deal with gender-swapping and/or transvestism. The Kinks continued to record powerful singles and solid albums, but their fame rests firmly on their utterly unique early material.
- ESHEA]]></description>
</item><item>
<title>Carole King</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.653&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Wed, 1 May 2013 04:20:39 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.653</guid>
<rhap:rcid xmlns:rhap="rhap">art.653</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Carole King</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.653</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.653&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.653&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No self-respecting 1970s co-ed dorm was without a copy of Carole King's <i>Tapestry</i>, a mondo hit that did for female singer-songwriters what Paul Simon did for the guys. One of the main consequences of this key album was that the public got clued into all the great songs King had written -- often with Jerry Goffin -- for other artists when the Brill Building ruled '60s pop. Such wonders as "Will You Still Love Me Tomorrow" and "You've Got a Friend" are ultra-catchy, yet have a depth that is sorely missing in today's market of disposable singles. King's career was the inspiration behind the movie <i>Grace of My Heart</i>.
- NDEDINA]]></description>
</item><item>
<title>Gladys Knight</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3910&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Soul</category>
<pubDate>Wed, 15 May 2013 23:40:15 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3910</guid>
<rhap:rcid xmlns:rhap="rhap">art.3910</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gladys Knight</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3910</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3910&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3910&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gladys Knight had plenty of R&B hits during the first half of the '60s. Accompanied by her brother Bubba and cousins William and Edward, Gladys Knight took the reins with her husky voice, leading the way through the group's 1960s and '70s hits, and belting out lyrics while the Pips subtly harmonized and occasionally provided sound effects (woo! woo!). Her powerful, Gospel-enriched vocals meshed perfectly with the Pips' sophisticated soul-rock sound, but it wasn't until they signed with Motown that they crossed over to pop superstardom. Their '70s work on Buddha is just as rewarding, with "Midnight Train to Georgia" being the first in a string of big hits. Some of that magic was lost when she became a solo Adult Contemporary singer, but Knight has been re-energized recently. Whether singing her new politically-charged Gospel material or "I Heard it Through the Grapevine," her voice still sizzles.
- NDEDINA]]></description>
</item><item>
<title>The Four Tops</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1311&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Motown</category>
<pubDate>Wed, 8 May 2013 14:50:08 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1311</guid>
<rhap:rcid xmlns:rhap="rhap">art.1311</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Four Tops</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1311</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1311&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1311&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Who could have predicted that high-school vocal group the Four Aims would become one of the most beloved groups on the legendary Motown label? It took the Four Tops a good ten years of near misses before they hit with 1964's "Baby I Need Your Loving," but once the quartet got rolling, they were nearly impossible to stop. They racked up an incredible number of chart hits, including such Number 1 smashes as "I Can't Help Myself (Sugarpie Honeybunch)" and "Standing In the Shadows of Love." Levi Stubbs' soulful vocals were the perfect complement to the rich, seamless backing of the other Tops, and combined with the songwriting prowess of Holland-Dozier-Holland, the Four Tops were at the peak of their game throughout their seven-year tenure on Motown Records. The group continued to find pockets of chart success throughout the 1970s and '80s, including such post-Motown smashes as "Ain't No Woman Like the One I've Got" and the disco-flavored "When She Was My Girl." Under Stubbs' leadership, the band didn't have a single change in personnel during its 40-year career -- a rarity for the Motown roster -- and was inducted into the Rock 'N' Roll Hall of Fame in 1990. In 1997, Lawrence Payton died of liver cancer and, after a short stint as a trio, the surviving members recruited Temptation Theo Peoples to take his place. Because of illness, the group saw a handful of other Motown vets shuffle through the line-up in subsequent reunions. In October of 2008, Levi Stubbs died in his sleep in his Detroit home at the age of 72.
- LRYAN]]></description>
</item><item>
<title>The Ventures</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.60013&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Surf</category>
<pubDate>Wed, 15 May 2013 17:22:02 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.60013</guid>
<rhap:rcid xmlns:rhap="rhap">art.60013</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Ventures</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.60013</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60013&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60013&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[These days, cop show "Hawaii Five-O" may seem cheesy so far from its '70s heyday but its title tune by the Ventures hasn't aged a day. The Ventures are the biggest selling instrumental rock group of all time: they created albums rather than just collections of songs and were able to adapt their "surf guitar" sound to a wide range of styles. The solid body Fender guitar sound of the Ventures' Bob Bogle and Don Wilson worked with surf, country, spy, and psychedelic music. Who but the Ventures could pull this off? Few have even tried. Busloads of rock guitarists profess the Ventures' influence (like the Who's Pete Townshend). With well over forty million albums sold, they are the definitive (and first) "big in Japan" act. Though their following is slightly more modest everywhere else, the Ventures will be cool forever.
- NDEDINA]]></description>
</item><item>
<title>Janis Joplin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38144&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Blues &amp; Boogie Rock</category>
<pubDate>Sat, 11 May 2013 11:39:58 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38144</guid>
<rhap:rcid xmlns:rhap="rhap">art.38144</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Janis Joplin</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38144</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38144&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38144&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In one of her trademark tunes, "Piece of My Heart," Janis Joplin proclaimed, "I'm gonna show you, baby, that a woman can be tough," and she went on to prove it in her life, playing by men's rules and exercising her rather varied appetites -- musical and otherwise -- whenever the spirit moved her. Perhaps that allowed her to feel things that few white women would admit to, let alone express. <br><br> A fifth generation Texan, born in the deep water anchorage town of Port Arthur, Joplin always had one of her tiny high-heels firmly placed on the open road. A noisy and wildly talented harbinger of the burgeoning cultural revolution, she turned her back on small town life and hitchhiked to San Francisco with the equally atavistic impresario Chet Helms. With Helms' help, she hooked up with bluesy folk rock combo Big Brother and the Holding Company, sharpening their rather soft psychedelic edges and transforming the group into a firebrand outfit that would make a huge mark on the 1960s' musical landscape. <br><br> Joplin took her cues from the blues greats, grafting the sensual rhythms of Bessie Smith and the defiance of Willie Mae Thornton to a pulsating rock beat. The world noticed what the wild-haired chanteuse was up to when Big Brother performed at 1967's Monterey Pop Festival, bringing her rare and bombastic talent to that infamous stage and holding her own with Jimi Hendrix and The Who. Big Brother's second album, 1968's <I>Cheap Thrills</I>, found Joplin helping to midwife a new mode of musical expression for "chick" singers. Being a refined looker who could actually carry a tune (think Mary Hopkin, Marianne Faithfull) was no longer enough once Janis started belting with authority from her heart and deepest soul. <br><br> Unfortunately, her massive talent did not bring the peace and self-acceptance she craved. She used to bemoan her sense of isolation, remarking sadly, "Every night I make love to 25,000, but I go home alone." Ironically, she was adored by millions but had apparently lost her capacity to recognize real love when it was offered. She tried to fill the void with drugs and alcohol, and ultimately died of a heroin overdose on October 4, 1970. She looms as large in death as she did in life, encouraging subsequent generations to feel without holding back. Joplin left behind a small but tremendous legacy, including two albums with Big Brother, and two solo albums (<I>I Got Dem Ol' Kozmic Bules Again, Mama!</I>, recorded with the Kozmic Blues Band, and <I>Pearl</I>, with the Full Tilt Boogie Band, which came out a month after her death).
- juhelszki]]></description>
</item><item>
<title>Chuck Berry</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3143&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'50s Rock 'n' Roll</category>
<pubDate>Fri, 17 May 2013 01:32:14 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3143</guid>
<rhap:rcid xmlns:rhap="rhap">art.3143</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chuck Berry</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3143</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3143&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3143&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Chuck Berry is one of the true architects of rock 'n' roll music and a member of the Holy Trinity, with Little Richard seated to his left and Bo Diddley on his right. Berry's music is planted deep in the American psyche, enjoying iconographic status on a level with Elvis Presley and Jerry Lee Lewis. The trademark three-chord rhythm of songs such as "Johnny B. Goode" is the very basis of, and synonymous with, rock 'n' roll. As well as uncannily channeling the joys and frustrations of mid-1950s teenagers, Berry is a consummate blues player and has even dabbled in country music. Songs such as "Havana Moon" show an interest in the exotic rhythms of the islands. With his unmistakable, rollicking leads and duck-walking stage antics, you can't pick up a guitar without owing something to this great man.
- MMCGUIRK]]></description>
</item><item>
<title>The Byrds</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Folk-Rock</category>
<pubDate>Thu, 9 May 2013 05:52:57 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1172</guid>
<rhap:rcid xmlns:rhap="rhap">art.1172</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Byrds</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1172</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1172&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1172&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Byrds are one of rock 'n' roll's most underrated bands. There is so much more to The Byrds than the Folk Rock of "Turn! Turn! Turn! (To Everything There is A Season)" -- they were the first group to blend the harmonies and backbeat of British Invasion with the warm, lyrical blood of folk music. The sustenance to their sugar was the evocative mash of Roger McGuinn's trademark, chiming 12-string Rickenbacker, soaring, three-part, gossamer vocal harmonies, and innovative pairing of analog synthesizers with country music's elastic tonal twang provided by the Telecaster B-bender (a string-stretching device invented by the late, great Clarence White and Gene Parsons to approximate a pedal steel's fluid cry). The Byrds effortlessly flew like a feathered Lear jet through Dylan-esque musings, inner galactic Psychedelia, and Cosmic American Music soundscapes that helped bring country music to a wider audience.
- ESHEA]]></description>
</item><item>
<title>The Treblemakers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14023&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Surf Revival</category>
<pubDate>Fri, 1 Mar 2013 20:22:10 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14023</guid>
<rhap:rcid xmlns:rhap="rhap">art.14023</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Treblemakers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14023</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14023&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14023&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Laced with hi-octane rocket fuel, their ringing, explosive Surf/Space Rock instrumentals will leave you on the edge of your seat -- unless you're launched onto the dance floor.
- MMURRMANN]]></description>
</item><item>
<title>Sly &amp; the Family Stone</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1105&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Funk</category>
<pubDate>Sat, 11 May 2013 03:06:02 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1105</guid>
<rhap:rcid xmlns:rhap="rhap">art.1105</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Sly &amp; the Family Stone</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1105</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1105&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1105&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[People these days ask too many questions like, "Where is Sly Stone?" or "What has Sly Stone done for me lately?" The real question someone should ask is: "What was Sly Stone doing in 1968 that makes his music just as heavy to experience today, as it did back then?" Truth be told, Sly wasn't doing anything too complicated. He just wanted to take us higher, literally and musically. Sly and the Family Stone were formed in 1967 in San Francisco, California, where bands have a history of incorporating a multitude of cultural influences into their own rock 'n' roll melting pot. The Family Stone was no exception; their band was a sonic brew of male and female members who made psychedelically-charged political soul tempered with an intergalactic hard funk. It was this heady combination, seen best in the outrageous outfit's live shows, that helped them thrust themselves into the mainstream. From 1967's <I>Whole New Thing</I> to 1969's <I>Stand!</I>, Sly and the Family Stone sounded like they were having a party that the whole world was invited to. Outrageous horn arrangements, power soul anthems and bionic funk took the band up in the stratosphere until 1971's epic <I>There's a Riot Goin' On</I>, an album that was labeled too dark and political by critics, but respected as honest and gutsy by fans. Sly continued to record with the Family Stone until the late 1970s when his problems with substance abuse consumed him. To this day, Sly Stone has managed to stay out of the public eye except for the rare television appearance and occasional "blue moon" sighting at San Francisco's Brother-In Law's Barbecue Ribs.
- ESHEA]]></description>
</item><item>
<title>The Mamas &amp; The Papas</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.49644&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sat, 20 Apr 2013 04:35:18 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.49644</guid>
<rhap:rcid xmlns:rhap="rhap">art.49644</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Mamas &amp; The Papas</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.49644</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.49644&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.49644&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Mamas & the Papas were one of many bands to capture the zeitgeist of the 1960s counter-culture movement. Formed in New York by folkie John Phillips, the quartet moved from New York to Los Angeles in the mid-'60s, and promptly caught the ear of MCA's Lou Adler. The band's airy harmonies, supplied by Mama Cass, Michelle Philips and Denny Doherty, shimmered around John Phillips' poetic lyrics, adding just the right glow to what would become the group's signature sound. Songs such as "California Dreaming" acted like beacons in the night to disenfranchised youths, who came to the Haight-Ashbury district of San Francisco in droves. But the group's Flower Power-inspired lifestyle would contribute to their downfall, as drugs, alcohol and too much "free love" tripped its members up. The Mamas & Papas called it quits in 1971.
- LRYAN]]></description>
</item><item>
<title>The Monkees</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.36786&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>'60s Oldies</category>
<pubDate>Sat, 11 May 2013 14:47:18 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.36786</guid>
<rhap:rcid xmlns:rhap="rhap">art.36786</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Monkees</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.36786</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36786&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36786&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[They may have been prefabricated to steal pocket change from the pockmarked teen masses, but the Monkees were the best darn prefab rock band ever created by cynical cigar chompers (and counterculture director Bob Rafelson). Who cares if "Last Train to Clarksville" is an inferior rewrite of the Beatles' "Day Tripper," or if the Monkees were just an inferior, third-generation pastiche of the Fab Four? Their songs were fantastic -- from the hard-rocking drive of "(I'm Not Your) Steppin' Stone" to the dreamy Psychedelic splendor of "Porpoise Song." Could any of today's teenybopper confections release anything as brilliant as the Kinks-esque "Randy Scouse Git," which goes from sunny, British music hall to slamming Pre-Punk and back again? Despite all the nattering nabobs of negativity who say the Monkees never wrote their own tunes, they did pen a considerable number of their songs. They also relied on the talents of proven Brill Building scribes such as Goffin/King, Neil Diamond and Boyce/Hart. The TV show they were created to front remains a fun time capsule, and their bizarre, acid-drenched movie <I>Head</I> is still a creative tour de (unfocused) force. What does it say about modern pop music that the Prefab Four made better music than today's "uncompromising" artistic geniuses?
- NDEDINA]]></description>
</item><item>
<title>Tom Jones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.559&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Sun, 12 May 2013 07:37:35 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.559</guid>
<rhap:rcid xmlns:rhap="rhap">art.559</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tom Jones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.559</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.559&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.559&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Emerging from a small Welsh town like a black-haired tornado, Jones won the hearts and panties of scores of women on both sides of the Atlantic with his roguish good looks, bodybuilder's physique, impressive vocal range, impassioned and wonderfully melodramatic delivery, and those oh-so-tight pants which left nothing to the imagination. Emerging during the British Invasion of the mid-1960s, Jones had quite a bit in common with pop singers who flexed their vocal muscle over heavily orchestrated arrangements. But his classic numbers -- "It's Not Unusual," "Delilah," "She's a Lady" -- reveal a raw sexuality and primal urgency that link him more to Vegas-era Elvis than popular crooners such as Sinatra. What Jones really does best is bring his unmistakable charisma and over-the-top vocal stylings to any and all musical settings -- country, electronica, R&B and rock 'n' roll. A great example of this is his cover of Prince's "Kiss," where the Welshman sexily growls and prowls like an over-sexed uber male while Art of Noise puts the music in a quirky dance pop setting.
- WLERNER]]></description>
</item><item>
<title>Harry Nilsson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.50378&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Singer-Songwriter</category>
<pubDate>Fri, 17 May 2013 02:08:12 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.50378</guid>
<rhap:rcid xmlns:rhap="rhap">art.50378</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Harry Nilsson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.50378</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.50378&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.50378&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[By the time his first LP, <I>Pandemonium Shadow Show,</I>appeared in 1967, Harry Nilsson was a music-industry veteran. He'd quit his bank job, the story went, after hearing the Monkees' version of his "Cuddly Toy" on the radio. Soon, his inventive medley of Beatle tunes, "You Can't Do That," had caught the group's ear, if not the world's. Despite his rich variety of self-penned classicist pop gems, it wasn't until Nilsson's cover of Fred Neil's "Everybody's Talkin'" was used in the film <I>Midnight Cowboy</I> that he scored a hit. He carried his gorgeous, vaguely precious style, rife with overdubbed voices (all his), through two more albums and the beloved kids' TV special <I>The Point!</I> before leaping in another direction. Hooking up with producer Richard Perry, he recorded <I>Nilsson Schmilsson,</I> a state-of-the-art pop-rock disc that still retained every bit of the artist's strange charm. Filled with oddball touches from a solo version of Louis Jordan's "Early in the Morning" to the mock-Caribbean "Coconut" and the thunderous rock 'n' roll of "Jump Into the Fire," it ultimately became best known for its most conventional track. Badfinger's "Without You" became a standard in Nilsson's version, which spent four weeks at No. 1. A bona fide superstar for the moment, Nilsson set off on the path of self-destruction. His excesses while recording 1974's <I>Pussy Cats</I> with John Lennon at the board led to his permanently damaging his voice. He continued to make occasionally striking music afterward -- most interestingly for the soundtrack to Robert Altman's <I>Popeye</I> -- but he never had another hit. Released around the time of his death in 1994, the two-CD anthology <I>Personal Best</I> did much for Nilsson's profile. His was suddenly a hip name to drop again in circles that revered the Beach Boys' and the Zombies' artier moments. He'd no doubt appreciate the irony of being at once an easy-listening oldies staple and a favorite of twentysomething indie rockers.
- juhelszki]]></description>
</item><item>
<title>The Heavy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5286525&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Garage Rock Revival</category>
<pubDate>Mon, 6 May 2013 03:54:46 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5286525</guid>
<rhap:rcid xmlns:rhap="rhap">art.5286525</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Heavy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5286525</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5286525&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5286525&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Heavy are like The Black Keys had they grown up on rave music and rare groove instead of punk rock and Delta blues.
- JFARRAR]]></description>
</item><item>
<title>The Animals</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6300&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>British Invasion</category>
<pubDate>Mon, 22 Apr 2013 10:28:07 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6300</guid>
<rhap:rcid xmlns:rhap="rhap">art.6300</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Animals</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6300</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6300&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6300&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Before moving to San Francisco and turning into a hippie, and also before he "spilled the wine," Eric Burdon led one of the most powerful live British R&B acts around. Although their recordings of "House of the Rising Sun" and "We Gotta Get Outta This Place" assure them eternal permanent rotation on every Oldies station from here to Mars, the Animals were more steadfastly based in the Blues. Their blistering live performances showed Burdon had the spirit of the old blues-hollerers when he tore through songs like "See See Rider" and "Please Don't Let Me Be Misunderstood." As the decade wore on, Burdon and Co. became more lyrical and experimental as their audience grew more distant.
- JPRUETT]]></description>
</item><item>
<title>Cream</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39656&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Classic Rock</category>
<pubDate>Mon, 29 Apr 2013 04:32:26 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.39656</guid>
<rhap:rcid xmlns:rhap="rhap">art.39656</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cream</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.39656</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39656&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39656&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Cream is the prototypical acid rock band, formed in the late 1960s by guitar god and bored Yardbird Eric Clapton as an outlet for his growing interest in the notions of a heavier and louder take on American blues. Although bands like Blue Cheer, Deep Purple and Iron Butterfly appear to have had more of an influence on hard rock and metal than Cream, the importance of the band cannot be understated. For while Blue Cheer were playing so loud that dogs were exploding left and right at their shows and Iron Butterfly delivered what was arguably the first ill-conceived, unbearable drum solo that really mattered, they did these things before relatively small audiences, while Cream were a huge, nationally recognized band furthering the cause of loud rock music on an international stage. Much the way Jimi Hendrix's music had done before them, Cream's drug-addled, parent-horrifying records poured into suburban households all over America and England, changing the face of teenage rebellion forever. Cream's records aren't exactly the greatest rock music ever recorded, but in their best moments -- during lurching, blown-out covers of such blues standards as "Spoonful" and the blistering "Steppin' Out," for example -- the band genuinely changes the way blues can sound without losing touch with the form's roots. Cream also played with psychedelia and even pop music, with varying results.
- MMCGUIRK]]></description>
</item><item>
<title>Dionne Warwick</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3952&amp;rws=%2Foldies%2Fartist-chart.rss</link>
<category>Vocal-Pop</category>
<pubDate>Fri, 3 May 2013 12:53:19 +0000</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=4&amp;rws=%2Foldies%2Fartist-chart.rss">Top Oldies Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3952</guid>
<rhap:rcid xmlns:rhap="rhap">art.3952</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dionne Warwick</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3952</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3952&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3952&amp;variant=data&amp;rws=%2Foldies%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The Burt Bacharach resurgence proves that what the world needs now is Dionne Warwick. She was one of the links between classic pop, rock and R&B in the '60s, with hits like "Walk on By," "I Say a Little Prayer," and "Do You Know the Way to San Jose." Warwick was the singer who could handle Bacharach's deceptively complex material and make it seem simple. The rock, disco, and rap generations knew her as the host to <i>Solid Gold</i>, as Whitney Houston's aunt, and then as the mouthpiece for the Psychic Friends Network. Now these people are rediscovering her roots as a great vocalist.
- NDEDINA]]></description>
</item></channel>
</rss>