http://www.rhapsody.com/goto?rcid=art.12640549&rws=%2Fmexican-institute-of-sound%2Fmusic-videos.rssCamilo Lara may be the best dual-identity superhero in Mexico these days. His day job is no joke: he's the managing director of EMI Mexico. But when the sun goes down, this obsessive record collector becomes a DJ and producer (known as the Mexican Institute of Sound) who has released two well-received albums since 2006. The first, 2006's <I>Mejico Maxico</i>, collected songs that Lara had crafted over the course of many years as he was learning digital technology; he shared the songs on mix tapes he gave to friends. The album was a sonic pastiche dedicated to cataloguing the sounds of a country where <i>cumbia</i> and the Ramones can comfortably coexist. His 2007 follow-up, <I>Pinata</i>, was a more refined and original effort that featured emcees and slightly more discernible song structures. - Sarah BardeenLatin Rocken720Wed, 23 Dec 2009 20:26:21 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/goto?rcid=art.12640549&rws=%2Fmexican-institute-of-sound%2Fmusic-videos.rss Camilo Lara may be the best dual-identity superhero in Mexico these days. His day job is no joke: he's the managing director of EMI Mexico. But when the sun goes down, this obsessive record collector becomes a DJ and producer (known as the Mexican Institute of Sound) who has released two well-received albums since 2006. The first, 2006's <I>Mejico Maxico</i>, collected songs that Lara had crafted over the course of many years as he was learning digital technology; he shared the songs on mix tapes he gave to friends. The album was a sonic pastiche dedicated to cataloguing the sounds of a country where <i>cumbia</i> and the Ramones can comfortably coexist. His 2007 follow-up, <I>Pinata</i>, was a more refined and original effort that featured emcees and slightly more discernible song structures. - Sarah Bardeen