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<title>Playlists Featuring Merzbow on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.1817&amp;variant=artist-playlists&amp;rws=%2Fmerzbow%2Fplaylists.rss</link><description>Almost as prolific as Om Kalsoum and more dissonant than an avalanche of windowpanes, Masami Akita's Merzbow has become the most well-known name in Japanese Noise. Moving beyond Lou Reed's groundbreaking &lt;I&gt;Metal Machine Music&lt;/I&gt; and Whitehouse's Euro-aggression, he creates lightening storms of sound with incredible complexity. He looks to sources like Free Jazz for inspiration for his patently "free" sounds. Couching his music in the extreme eros of S&amp;M and B&amp;D imagery, he directs listening to a visceral level, where being a docile receptacle for sound is no longer possible. Merzbow must be listened to actively. Perhaps defensively.
- Marc Kate</description><category>Power Electronics/Noise</category><language>en</language><ttl>720</ttl><pubDate>Fri, 27 Nov 2009 04:11:35 -0800</pubDate><image>
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<description>Almost as prolific as Om Kalsoum and more dissonant than an avalanche of windowpanes, Masami Akita's Merzbow has become the most well-known name in Japanese Noise. Moving beyond Lou Reed's groundbreaking &lt;I&gt;Metal Machine Music&lt;/I&gt; and Whitehouse's Euro-aggression, he creates lightening storms of sound with incredible complexity. He looks to sources like Free Jazz for inspiration for his patently "free" sounds. Couching his music in the extreme eros of S&amp;M and B&amp;D imagery, he directs listening to a visceral level, where being a docile receptacle for sound is no longer possible. Merzbow must be listened to actively. Perhaps defensively.
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<title>Concrete Meets Electronica - Eamon</title>
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<pubDate>Sat, 24 Oct 2009 12:06:05 -0700</pubDate>
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