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<title>Music Videos by McCoy Tyner on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.59530&amp;rws=%2Fmccoy-tyner%2Fmusic-videos.rss</link><description>McCoy Tyner has always been one of the most emotionally expressive pianists in jazz. In contrast to Thelonious Monk's ironic understatements and Herbie Hancock's lush detachment, Tyner is a man possessed. Bearing the profound spiritual influence of John Coltrane, with whom he played for five solid years, Tyner's playing is pure romanticism: effusive, grandiose, explosive, yearning, pleading. His style, based in Post Bop modal jazz, features harmonic inversions and gradually climbing melodies, built up to a fever pitch and resolved in crashing pedal chords. On quieter material, he tends to employ baroque-sounding flutters, trills, and sixteenth-note decorations. Tyner's solo career reached a peak in the early Â70s; he has also thrived throughout the Â90s through a large body of recent work. His recent recorded output includes everything from big band arrangements of his classic Â60s repertoire to duets with vibraphonist Bobby Hutcherson, along with solo and small ensemble sessions as well.
- Noah Enelow</description><category>Bop</category><language>en</language><ttl>720</ttl><pubDate>Thu, 26 Nov 2009 06:55:18 -0800</pubDate><image>
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<description>McCoy Tyner has always been one of the most emotionally expressive pianists in jazz. In contrast to Thelonious Monk's ironic understatements and Herbie Hancock's lush detachment, Tyner is a man possessed. Bearing the profound spiritual influence of John Coltrane, with whom he played for five solid years, Tyner's playing is pure romanticism: effusive, grandiose, explosive, yearning, pleading. His style, based in Post Bop modal jazz, features harmonic inversions and gradually climbing melodies, built up to a fever pitch and resolved in crashing pedal chords. On quieter material, he tends to employ baroque-sounding flutters, trills, and sixteenth-note decorations. Tyner's solo career reached a peak in the early Â70s; he has also thrived throughout the Â90s through a large body of recent work. His recent recorded output includes everything from big band arrangements of his classic Â60s repertoire to duets with vibraphonist Bobby Hutcherson, along with solo and small ensemble sessions as well.
- Noah Enelow</description>
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