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<title>Music Videos by The Mars Volta on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.37340&amp;rws=%2Fmarsvolta%2Fmusic-videos.rss</link><description>At the Drive-In added another chapter to the long, rich history of Texas music. But no sooner had fourth album &lt;I&gt;Relationship of Command&lt;/I&gt; skirted the Top 100 before intra-band hassles finished the group off. Singer Cedric Bixler and guitarist Omar Rodriguez wasted little time in forming a new outfit that would build on At the Drive-In's version of the MC5's more avant-garde tendencies. Having already collaborated with Ikey Owens of the Long Beach Dub All-Stars and Jeremy Michael Ward in ATDI side project De Facto, they seemed prepared to head for new horizons after bringing them into the Mars Volta fold. The quartet released &lt;I&gt;De-Loused in the Comatorium&lt;/I&gt; in 2003. Unfortunately, Ward overdosed not long after their tour for the album. In 2005, the Mars Volta returned with their second full-length, the ambitious song-cycle &lt;I&gt;Frances the Mute,&lt;/I&gt; which, like their first CD, took its inspiration from rather gothic circumstances: Divided into five suites, it takes its subject matter from an anonymous diary found in the back of a car by their fallen compatriot, Jeremy Ward. The band continued releasing eccentric, complex material at nearly a one album per year pace: &lt;i&gt;Amputechture&lt;/i&gt; (2006), &lt;i&gt;The Bedlam in Goliath&lt;/i&gt; (2008), &lt;i&gt;Octahedron&lt;/i&gt; (2009).
- Jaan Uhelszki</description><category>Indie/Alternative</category><language>en</language><ttl>720</ttl><pubDate>Wed, 25 Nov 2009 10:36:09 -0800</pubDate><image>
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<description>At the Drive-In added another chapter to the long, rich history of Texas music. But no sooner had fourth album &lt;I&gt;Relationship of Command&lt;/I&gt; skirted the Top 100 before intra-band hassles finished the group off. Singer Cedric Bixler and guitarist Omar Rodriguez wasted little time in forming a new outfit that would build on At the Drive-In's version of the MC5's more avant-garde tendencies. Having already collaborated with Ikey Owens of the Long Beach Dub All-Stars and Jeremy Michael Ward in ATDI side project De Facto, they seemed prepared to head for new horizons after bringing them into the Mars Volta fold. The quartet released &lt;I&gt;De-Loused in the Comatorium&lt;/I&gt; in 2003. Unfortunately, Ward overdosed not long after their tour for the album. In 2005, the Mars Volta returned with their second full-length, the ambitious song-cycle &lt;I&gt;Frances the Mute,&lt;/I&gt; which, like their first CD, took its inspiration from rather gothic circumstances: Divided into five suites, it takes its subject matter from an anonymous diary found in the back of a car by their fallen compatriot, Jeremy Ward. The band continued releasing eccentric, complex material at nearly a one album per year pace: &lt;i&gt;Amputechture&lt;/i&gt; (2006), &lt;i&gt;The Bedlam in Goliath&lt;/i&gt; (2008), &lt;i&gt;Octahedron&lt;/i&gt; (2009).
- Jaan Uhelszki</description>
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