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<title>Playlists Featuring Machito on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.2378&amp;variant=artist-playlists&amp;rws=%2Fmachito%2Fplaylists.rss</link><description>Machito's contribution to the development of Afro-Cuban Jazz can not be overstated. His band, the Afro-Cuban Salseros, were the first to fuse jazz with Afro-Cuban rhythm. The band's arrangements broke new ground with their use of contrasting rhythmic figures and dynamic contrast. Musical director, lead trumpeter and cousin Mario Bauza used the band's three trumpets to achieve piercing climaxes, while the saxophone section offered lush harmonies and counterpoint. Cutting-edge solo improvisations grounded themselves in the Bop innovations of Dizzy Gillespie and Charlie Parker, both of whom served stints in the band themselves.The band maintained a rock-solid foundation in the traditional Cuban rhythmic pattern known as the "clave." Machito stood at the head of this musical juggernaut, leading the band with his maracas and rich, vibrato-laden baritone. This musical hybrid gave rise to a dance craze which was to last over a decade. Critics and fans labeled the sound "Mambo," which, in the Yoruba language, means "important matter." An important matter, indeed.
- Noah Enelow</description><category>Afro-Cuban Jazz</category><language>en</language><ttl>720</ttl><pubDate>Fri, 25 Dec 2009 17:33:59 -0800</pubDate><image>
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<title>Playlists Featuring Machito on Rhapsody Online</title>
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<description>Machito's contribution to the development of Afro-Cuban Jazz can not be overstated. His band, the Afro-Cuban Salseros, were the first to fuse jazz with Afro-Cuban rhythm. The band's arrangements broke new ground with their use of contrasting rhythmic figures and dynamic contrast. Musical director, lead trumpeter and cousin Mario Bauza used the band's three trumpets to achieve piercing climaxes, while the saxophone section offered lush harmonies and counterpoint. Cutting-edge solo improvisations grounded themselves in the Bop innovations of Dizzy Gillespie and Charlie Parker, both of whom served stints in the band themselves.The band maintained a rock-solid foundation in the traditional Cuban rhythmic pattern known as the "clave." Machito stood at the head of this musical juggernaut, leading the band with his maracas and rich, vibrato-laden baritone. This musical hybrid gave rise to a dance craze which was to last over a decade. Critics and fans labeled the sound "Mambo," which, in the Yoruba language, means "important matter." An important matter, indeed.
- Noah Enelow</description>
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<title>Afro-Cuban Anthology 3 - jamesincalifornia</title>
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<title>Latin Mix - silverhare</title>
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<title>ray's beats - rayrod</title>
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<title>AAA - The Best Charanga! - VERO</title>
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<title>Just music that I grew up with - etor</title>
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<category>Soul/R&amp;B</category>
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<title>New Master Mix Vol. 2 - Eamon</title>
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<category>World/Reggae</category>
<pubDate>Thu, 7 May 2009 09:50:55 -0700</pubDate>
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<title>New Master Mix 2 - Eamon</title>
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<category>World/Reggae</category>
<pubDate>Thu, 7 May 2009 09:50:55 -0700</pubDate>
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<title>Half a Day of Music (reissued) - Eamon</title>
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<category>Rock/Pop</category>
<pubDate>Sat, 19 Dec 2009 10:50:55 -0800</pubDate>
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<title>Half a Day of Music - Eamon</title>
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<pubDate>Sat, 19 Dec 2009 10:50:57 -0800</pubDate>
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<title>Concert in Heaven (A Playlist to Die For) - Eamon</title>
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<category>Classical</category>
<pubDate>Tue, 10 Nov 2009 10:12:51 -0800</pubDate>
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<title>The World of Afro-Cuban (68-artist mix) - Eamon</title>
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<category>Jazz</category>
<pubDate>Thu, 24 Dec 2009 13:13:16 -0800</pubDate>
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<title>Jazz Express - 148 Short Takes - Eamon</title>
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<pubDate>Sun, 13 Dec 2009 10:13:57 -0800</pubDate>
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