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<title>Music Videos by Luna on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.63468&amp;rws=%2Fluna%2Fmusic-videos.rss</link><description>In the wake of Galaxie 500's acrimonious breakup following their 1990 swansong &lt;i&gt;This Is Our Music&lt;/i&gt;, Dean Wareham formed Luna to satiate his poppermost desires. As acting guitar hero extraordinaire for the Dream Pop crowd, Wareham's vision of weightless, guitar-based pop -- as complemented by jiggling rhythms and his own signature lyrical sarcasm -- came to beautiful fruition on Luna's 1992 debut &lt;i&gt;Lunapark&lt;/i&gt;, which featured the driving "Anesthesia" and the elegiac "Goodbye." Subsequent Luna records throughout the 1990s reinforced the band's mastery of space-pop with a jarring rhythmic edge, the pinnacle of which was reached on 1995's glorious &lt;i&gt;Penthouse&lt;/i&gt;. That album's best moments -- the smooth-as-fresh-pavement "Chinatown," the ringing guitar hook on "Sideshow By The Seashore," and the arrestingly dynamic "Freakin' And Peakin'" -- portray Luna at their apogee as a most forceful, yet elegantly graceful pop outfit. Four years later, they began covering Guns N' Roses songs on record, a development that usually spells the beginning of the end for any band.
- Charles Hodgkins</description><category>Dream Pop</category><language>en</language><ttl>720</ttl><pubDate>Mon, 21 Dec 2009 00:54:16 -0800</pubDate><image>
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<description>In the wake of Galaxie 500's acrimonious breakup following their 1990 swansong &lt;i&gt;This Is Our Music&lt;/i&gt;, Dean Wareham formed Luna to satiate his poppermost desires. As acting guitar hero extraordinaire for the Dream Pop crowd, Wareham's vision of weightless, guitar-based pop -- as complemented by jiggling rhythms and his own signature lyrical sarcasm -- came to beautiful fruition on Luna's 1992 debut &lt;i&gt;Lunapark&lt;/i&gt;, which featured the driving "Anesthesia" and the elegiac "Goodbye." Subsequent Luna records throughout the 1990s reinforced the band's mastery of space-pop with a jarring rhythmic edge, the pinnacle of which was reached on 1995's glorious &lt;i&gt;Penthouse&lt;/i&gt;. That album's best moments -- the smooth-as-fresh-pavement "Chinatown," the ringing guitar hook on "Sideshow By The Seashore," and the arrestingly dynamic "Freakin' And Peakin'" -- portray Luna at their apogee as a most forceful, yet elegantly graceful pop outfit. Four years later, they began covering Guns N' Roses songs on record, a development that usually spells the beginning of the end for any band.
- Charles Hodgkins</description>
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