http://www.rhapsody.com/goto?rcid=art.57905&rws=%2Fkrzysztof-penderecki%2Fmusic-videos.rss(born 23 Nov 1933)<p> Polish composer. He was a pupil of Malawski at the Kraków Conservatory (1955-8), where he has also taught. He gained international fame with such works as Threnody for the Victims of Hiroshima for 52 strings (1960), exploiting the fierce expressive effects of new sonorities, but in the mid-1970s there came a change to large symphonic forms based on rudimentary chromatic motifs. Central to his work is the St Luke Passion (1965), with its combination of intense expressive force with a severe style with archaic elements alluding to Bach, and its sequel Utrenia, in which Orthodox chant provides musical material and at the same time a sense of mystery. His operas have been admired for their dynamic expression even if their discrete vignettes offer more opportunity for characterization than development.<p>- MUZE20th/21st Centuryen720Tue, 15 Dec 2009 19:03:37 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/goto?rcid=art.57905&rws=%2Fkrzysztof-penderecki%2Fmusic-videos.rss (born 23 Nov 1933)<p> Polish composer. He was a pupil of Malawski at the Kraków Conservatory (1955-8), where he has also taught. He gained international fame with such works as Threnody for the Victims of Hiroshima for 52 strings (1960), exploiting the fierce expressive effects of new sonorities, but in the mid-1970s there came a change to large symphonic forms based on rudimentary chromatic motifs. Central to his work is the St Luke Passion (1965), with its combination of intense expressive force with a severe style with archaic elements alluding to Bach, and its sequel Utrenia, in which Orthodox chant provides musical material and at the same time a sense of mystery. His operas have been admired for their dynamic expression even if their discrete vignettes offer more opportunity for characterization than development.<p>- MUZE