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<title>Music Videos by Juana Molina on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.6642264&amp;rws=%2Fjuana-molina%2Fmusic-videos.rss</link><description>For a woman who spent seven years entertaining Argentina -- and much of Latin America -- with a comedy show, Juana Molina's musical persona flies directly in the face of her television persona. Though she found her fame as a comedian, Molina's first passion was music. She began playing guitar at age five and was witness to her father's -- tango player Horacio Molina -- collaborations with some of the greatest Brazilian musicians of the day, and her songwriting sense is almost miraculously subtle as a result. Forced to leave Argentina with her family during the worst years of the dictatorship, Molina's six-year stint in Paris may have also influenced her sound and eclectic approach to composition. Still, listening to her third album, 2004's &lt;I&gt;Tres Cosas&lt;/I&gt;, it's hard not to feel that we're simply being given a window into the workings of an unusual mind. Her whispery voice meshes gently with a musical landscape that's deftly sketched with panoply of instruments and electronic effects.
- Sarah Bardeen</description><category>Latin Rock</category><language>en</language><ttl>720</ttl><pubDate>Wed, 16 Dec 2009 08:05:50 -0800</pubDate><image>
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<description>For a woman who spent seven years entertaining Argentina -- and much of Latin America -- with a comedy show, Juana Molina's musical persona flies directly in the face of her television persona. Though she found her fame as a comedian, Molina's first passion was music. She began playing guitar at age five and was witness to her father's -- tango player Horacio Molina -- collaborations with some of the greatest Brazilian musicians of the day, and her songwriting sense is almost miraculously subtle as a result. Forced to leave Argentina with her family during the worst years of the dictatorship, Molina's six-year stint in Paris may have also influenced her sound and eclectic approach to composition. Still, listening to her third album, 2004's &lt;I&gt;Tres Cosas&lt;/I&gt;, it's hard not to feel that we're simply being given a window into the workings of an unusual mind. Her whispery voice meshes gently with a musical landscape that's deftly sketched with panoply of instruments and electronic effects.
- Sarah Bardeen</description>
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