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<title>Music Videos by Jerry Goldsmith on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.43989&amp;rws=%2Fjerry-goldsmith%2Fmusic-videos.rss</link><description>Jerry Goldsmith has been the most consistent and consistently innovative film composer of the last four decades. He scores an average of six films a year and yet his music remains vital -- even his hack work has merit. With an equally firm grasp on classical, Avant-Garde, and jazz forms, he freely explores any avenue. His theme for &lt;i&gt;The Omen&lt;/i&gt; has been ripped off by so many of his peers that he should receive royalties. Goldsmith's combination of synthesizers with jazz soloists in &lt;i&gt;Chinatown&lt;/i&gt; still sounds timeless. Unfortunately, today's producers want him to churn out over-the-top pseudo-symphonies -- like &lt;i&gt;The Mummy&lt;/i&gt; in 1998 -- and he often doesn't get to work at the height of his powers. But with his busy schedule, he can work on a couple of pet projects per year. Listen to his score for &lt;i&gt;L.A. Confidential&lt;/i&gt;. Like most of Goldsmith's scores, it is the perfect marriage of music, character, and mood.
- Nick Dedina</description><category>Film Scores</category><language>en</language><ttl>720</ttl><pubDate>Thu, 10 Dec 2009 15:19:26 -0800</pubDate><image>
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<title>Music Videos by Jerry Goldsmith on Rhapsody Online</title>
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<description>Jerry Goldsmith has been the most consistent and consistently innovative film composer of the last four decades. He scores an average of six films a year and yet his music remains vital -- even his hack work has merit. With an equally firm grasp on classical, Avant-Garde, and jazz forms, he freely explores any avenue. His theme for &lt;i&gt;The Omen&lt;/i&gt; has been ripped off by so many of his peers that he should receive royalties. Goldsmith's combination of synthesizers with jazz soloists in &lt;i&gt;Chinatown&lt;/i&gt; still sounds timeless. Unfortunately, today's producers want him to churn out over-the-top pseudo-symphonies -- like &lt;i&gt;The Mummy&lt;/i&gt; in 1998 -- and he often doesn't get to work at the height of his powers. But with his busy schedule, he can work on a couple of pet projects per year. Listen to his score for &lt;i&gt;L.A. Confidential&lt;/i&gt;. Like most of Goldsmith's scores, it is the perfect marriage of music, character, and mood.
- Nick Dedina</description>
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