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<title>Jeff Tweedy Discography on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.57075&amp;rws=%2Fjeff-tweedy%2Fdiscography.rss</link><description>Jeff Tweedy's odyssey from smart (and smart ass) alt-country pioneer to avant-rocker who also happens to sell a lot of records demonstrates his gift for wide-ranging musical-cultural wrinkles. His early work with Uncle Tupelo helped define the alt country movement -- their &lt;I&gt;No Depression&lt;/I&gt; inspired the magazine's name -- before his tenure in Wilco saw the band move from a similar pickup-truck aesthetic to increasingly offbeat records that suggested an American Radiohead. &lt;br&gt;&lt;/br&gt; Co-fronted by Tweedy and Jay Farrar, Uncle Tupelo was a mighty force that wasn't built to last. After the release of their fourth (and first major label) album, &lt;I&gt;Anodyne&lt;/I&gt; (1993), a schism between the two split the band. With the remaining members, Tweedy founded Wilco and soon released &lt;I&gt;A.M.&lt;/I&gt; Filled with catchy rockers ("Box Full of Letters") and a few moodier tracks (the ever-so-slightly experimental "Dash 7"), it was a fine, if unsurprising, album. &lt;br&gt;&lt;/br&gt; Wilco took a left turn with its follow-up, &lt;I&gt;Being There&lt;/I&gt;, which once again boasted some tunes that radio might've embraced but also moved knowingly toward the lost, bewildered ambience of records like Big Star's &lt;I&gt;Sister Lovers.&lt;/I&gt; &lt;I&gt;Summerteeth&lt;/I&gt; continued this trend while failing to gain commercial ground. The next record tore it. Reprise turned down &lt;I&gt;Yankee Hotel Foxtrot,&lt;/I&gt; the most daring album Tweedy and co. had yet handed in. Rather than imperiling a career, however, the rejection turned into a triumph. Ultimately, &lt;I&gt;Yankee&lt;/I&gt; was issued through another arm of Warner Music Group, the arty Nonesuch subsidiary of Atlantic. The combination of intriguing music and a Davey-and-Goliath back story was irresistible; the album debuted at No. 13 in &lt;I&gt;Billboard&lt;/I&gt; and has since gone gold (as has &lt;I&gt;Being There.&lt;/I&gt;) &lt;br&gt;&lt;/br&gt;After the record's success and a lengthy round of touring, Tweedy announced in April 2004 that he was entering treatment for chemical dependency and depression. &lt;I&gt;Yankee Hotel Foxtrot&lt;/I&gt;'s sequel, &lt;I&gt;A Ghost Is Born,&lt;/I&gt; appeared in June 2004, debuting in the Top 10. Jeff Tweedy is now in rude health, and Wilco are able to count on a large audience for even their most adventurous work. The man has redefined rock stardom -- or at least his own -- on his own idiosyncratic terms.
- Jaan Uhelszki</description><category>Alt Country</category><language>en</language><ttl>720</ttl><pubDate>Mon, 23 Nov 2009 06:25:04 -0800</pubDate><image>
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<description>Jeff Tweedy's odyssey from smart (and smart ass) alt-country pioneer to avant-rocker who also happens to sell a lot of records demonstrates his gift for wide-ranging musical-cultural wrinkles. His early work with Uncle Tupelo helped define the alt country movement -- their &lt;I&gt;No Depression&lt;/I&gt; inspired the magazine's name -- before his tenure in Wilco saw the band move from a similar pickup-truck aesthetic to increasingly offbeat records that suggested an American Radiohead. &lt;br&gt;&lt;/br&gt; Co-fronted by Tweedy and Jay Farrar, Uncle Tupelo was a mighty force that wasn't built to last. After the release of their fourth (and first major label) album, &lt;I&gt;Anodyne&lt;/I&gt; (1993), a schism between the two split the band. With the remaining members, Tweedy founded Wilco and soon released &lt;I&gt;A.M.&lt;/I&gt; Filled with catchy rockers ("Box Full of Letters") and a few moodier tracks (the ever-so-slightly experimental "Dash 7"), it was a fine, if unsurprising, album. &lt;br&gt;&lt;/br&gt; Wilco took a left turn with its follow-up, &lt;I&gt;Being There&lt;/I&gt;, which once again boasted some tunes that radio might've embraced but also moved knowingly toward the lost, bewildered ambience of records like Big Star's &lt;I&gt;Sister Lovers.&lt;/I&gt; &lt;I&gt;Summerteeth&lt;/I&gt; continued this trend while failing to gain commercial ground. The next record tore it. Reprise turned down &lt;I&gt;Yankee Hotel Foxtrot,&lt;/I&gt; the most daring album Tweedy and co. had yet handed in. Rather than imperiling a career, however, the rejection turned into a triumph. Ultimately, &lt;I&gt;Yankee&lt;/I&gt; was issued through another arm of Warner Music Group, the arty Nonesuch subsidiary of Atlantic. The combination of intriguing music and a Davey-and-Goliath back story was irresistible; the album debuted at No. 13 in &lt;I&gt;Billboard&lt;/I&gt; and has since gone gold (as has &lt;I&gt;Being There.&lt;/I&gt;) &lt;br&gt;&lt;/br&gt;After the record's success and a lengthy round of touring, Tweedy announced in April 2004 that he was entering treatment for chemical dependency and depression. &lt;I&gt;Yankee Hotel Foxtrot&lt;/I&gt;'s sequel, &lt;I&gt;A Ghost Is Born,&lt;/I&gt; appeared in June 2004, debuting in the Top 10. Jeff Tweedy is now in rude health, and Wilco are able to count on a large audience for even their most adventurous work. The man has redefined rock stardom -- or at least his own -- on his own idiosyncratic terms.
- Jaan Uhelszki</description>
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