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<title>Top Vocal Jazz Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link><description>Top Vocal Jazz Artists on Rhapsody Online</description><category>Vocal Jazz</category><language>en</language><ttl>720</ttl><pubDate>Tue, 1 Dec 2009 00:29:05 -0800</pubDate><image>
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<title>Top Vocal Jazz Artists on Rhapsody Online</title>
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<title>Frank Sinatra</title>
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<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:00:56 -0800</pubDate>
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<description><![CDATA[Frank Sinatra transformed popular music. Often cited as the single finest interpreter of American standards, he influenced generations of vocalists such as Nat King Cole and Carmen McRae by focusing on phrasing and matching narrative nuance and emotional naturalism with amazing breathing control. In the 1930s, Sinatra starting bringing back "old" songs by such masters as Cole Porter while he was still a Big Band singer. He became a national institution in the '40s, and even though Ray Charles has praised the flawless technique of this Columbia period, Sinatra kept evolving. Starting in the '50s he concentrated on groundbreaking concept albums and a fresh Big Band sound with master arranger Nelson Riddle. Sinatra explored every nuance of emotion on these Capitol and Reprise albums and influenced the work of Ella Fitzgerald and Peggy Lee. Beginning in the '70s, when rock ruled, his voice and output became erratic but some brilliant work remains. Though Sinatra always viewed himself as a popular singer, jazz musicians hold his work in the highest esteem. Miles Davis and Lester Young often interpreted standards through his versions and avant-gardist John Zorn has said that in his own way, Frank Sinatra was as much a jazz improviser as Charlie Parker.
- Nick Dedina]]></description>
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<title>Diana Krall</title>
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<category>Vocal Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
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<description><![CDATA[Thanks to her maturely seductive voice, subtle piano chops, and a deep-rooted familiarity with the classic American songbook, Diana Krall is good enough to have earned the attention of older Vocal Jazz fans looking for a throwback to the good old days. But more importantly, she's also caught the collective ear of a younger audience nostalgic for a past they've never experienced. Ranging from swinging piano trios a la early Nat King Cole to the string-enhanced sophistication of 1998's Grammy-nominated <i>When I Look in Your Eyes</i>, her output drew almost entirely from a body of songs penned before she was born. That changed somewhat when she co-wrote (with husband Elvis Costello) most of the songs on <i>The Girl In the Other Room</i>. Krall gives refreshingly unmannered performances, using her vocal and piano skills to sell standards and not herself. She's now topped the traditional jazz charts longer than any other artist in history. While Krall isn't an innovator, she doesn't need to be. Diana Krall's classy take on classic material shows that jazz still speaks to modern, mainstream audiences.
- Will York]]></description>
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<title>Nat King Cole</title>
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<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:01:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Nat King Cole's great piano work with his jazz trio got overshadowed by his massive vocal success in the 1950s yet each phase of his career offers up so many riches that it proves that the lines between jazz and popular music just don't matter. Cole's easygoing vocals during the '40s matched his piano style charm for charm and his "lock-handed" approach and supple arrangements influenced everyone from Oscar Peterson to Diana Krall. But by the early 1950s, Cole weaned himself from the trio when his orchestrated and Big Band records sold in the millions. Thankfully, Cole's dreamy vocals just kept getting better and better when he didn't have the keyboard to preoccupy him and his concept albums for Capitol rank up there with Frank Sinatra's and Peggy Lee's in complete perfection. "Perfection" may just be the only word that can describe the true King's music.
- Nick Dedina]]></description>
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<title>Ella Fitzgerald</title>
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<category>Vocal Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Thought by many to be the greatest female jazz singer ever, Ella Fitzgerald enjoyed unparalleled success via such standards as "Lady be Good" and "I Get a Kick Out of You." At home fronting both large orchestras and intimate string sections, Fitzgerald's greatest strength was her stirring ability to use her voice as a virtual musical instrument in much the same way Benny Goodman controlled his clarinet or Charlie Parker played his saxophone -- notes were hit so quickly and elegantly that their accuracy boggled mind and ear alike. In a career that spanned seven decades, Ella Fitzgerald was the portrait of vocal mastery and jazz improvisation.
- Charles Hodgkins]]></description>
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<title>Billie Holiday</title>
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<category>Vocal Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Long since gone, Lady Day still casts a spell. Like her musical alter ego, Frank Sinatra, interest in her personal life threatens to overshadow her importance to jazz and pop. Forget the tragedy, listen to the music. Holiday's attention to phrasing has influenced generations of singers and players. With her trademark gardenia in her hair, she advanced the art of singing by adding personal nuance and detail to each number. She practiced a subtle craft, telling a story with each lyric...her story. But even if all you speak is Esperanto, she has enough musicianship to duet with the likes of Lester Young and Ben Webster. Like them, her music dazzles with emotion, not empty gymnastics.
- Nick Dedina]]></description>
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<title>Nina Simone</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Singer Nina Simone's music has gone from gospel to jazz to pop to R&B and blues to a raging black protest that moved her off the supper-club circuit and into political rallies and soul concerts. Known since the late '50s as the "High Priestess of Soul," she enjoyed a renaissance in her sixth decade with the publication of her autobiography and the exposure given her music in a popular American film. Taking her stage name from French actress Simone Signoret, she epitomizes the soul diva.
<br><br>
Simone began singing in church and taught herself piano and organ by the time she was seven. She took classical keyboard lessons and attended New York's Juilliard School of Music, then began playing East Coast clubs and concerts. Her first hit was a 1959 gold record of Gershwin's "I Loves You, Porgy."
<br><br>
In the '60s she moved toward R&B, recording Screamin' Jay Hawkins' "I Put a Spell on You" and "Don't Let Me Be Misunderstood" (a subsequent hit for the Animals). This led to sizable popularity in England, where she had hits with "Ain't Got No/I Got Life" (from <i>Hair</i>) in 1968 and the Bee Gees' "To Love Somebody" in 1969.
<br><br>
By then she had become a black-power activist (her first protest song, "Mississippi Goddam," mourned the death of slain civil rights leader Medgar Evers), and politically oriented tracks like "Four Women" (on an out-of-print Philips album) alienated her white audience. She became even more intense and unpredictable in concert, and despite continuing critical acclaim, she gradually lost her commercial standing. Financially, she fell upon hard times, and she divorced her manager/husband (her first marriage had also failed). In 1974 Simone quit the music business.
Leaving the States, Simone took up residence in Switzerland, Liberia, Barbados, France, and the U.K. in the mid-'70s. By 1978, however, she had returned to music, releasing <i>Baltimore</i> and touring the U.S. again. While the early '80s were a fallow period, Simone experienced a comeback in 1987 when a television commercial for Chanel No. 5 perfume used her early recording "My Baby Just Cares for Me." Her candid 1991 autobiography, <i>I Put a Spell on You</i>, and an appearance on Pete Townshend's <i>Iron Man</i> boosted her revival. In 1993, with her music featured in the film <i>Point of No Return</i> and with a new studio album, <i>A Single Woman</i>, Simone gained a new audience for her fiercely elegant fare. In 1995 Simone was ordered to pay a $4,600 fine for shooting at two teenaged boys whom she maintained were disturbing her peace while she was gardening; that year also, she was fined $5,000 for leaving the scene of a car accident that had occurred in 1993. The '90s concluded, however, on a happier note, as her music was presented again in a number of well-crafted anthologies. In 2003, Simone died at age 70 after a lengthy battle with breast cancer.]]></description>
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<title>Harry Connick, Jr.</title>
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<category>Pop-Jazz</category>
<pubDate>Sun, 29 Nov 2009 09:28:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[A gifted singer, pianist and actor, Harry Connick Jr. was poised to become one of the biggest stars of the 1990s. While that didn't quite happen, Connick <I>is</I> big -- both as an performer and actor. A native of New Orleans, he was a child prodigy who fell in love with jazz piano, and the rich musical legacy of his hometown has always informed his work. After moving to New York City, the handsome and charismatic Connick took a friend's advice and threw on some retro duds, he quickly landed a major recording contract. Connick's first two albums were jazz piano affairs, but when his pseudo-soundtrack for <I>When Harry Met Sally</I> (done in Frank Sinatra's patented 1950s <I>Swingin' Lovers</I> style) became a surprise smash hit that stayed atop the jazz charts for years, Connick kept the Sinatra thing going for a while. Then came an ill-advised but heartfelt New Orleans R&B detour. His old school R&B wasn't embarrassing, but since he'd always incorporated the feel of the city into much of his work, it did feel a bit redundant. When Connick returned to jazz-based pop music with 1997's <I>To See You</I>, one could hear his renewed enthusiasm - in fact, his recordings from this point on are often better and more exciting than some of his earlier, better-selling releases. Many critics have failed to see (or hear) how much Connick's singing, songwriting and piano playing have matured over the years. His single greatest development may be in the unheralded field of arrangements; his imaginative band charts on albums such as <I>Come By Me</I> and <I>Songs I Heard</I> show an originality and spark that would earn him acclaim in the jazz world if he weren't a pop star. At the same time, Connick take pains to strip all the other instruments away and show off his uncompromising jazz piano playing, often on Branford Marsalis' label. In 2007, he returned to New Orleans for <i>Oh, My Nola</i>, an album that contains all the verve and fire that his earlier efforts in the style sometimes lacked.
- Nick Dedina]]></description>
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<title>Madeleine Peyroux</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:01 -0800</pubDate>
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<description><![CDATA[Madeleine Peyroux's sultry mix of acoustic blues, swing and country is more otherworldly than old school and has helped the Georgia native sidestep the "retro" label completely. Discovered as an American street performer raised in Paris, Peyroux cut <I>Dreamland</I>, her major label debut, and showcased an ageless voice that belied the fact that she was a fresh-faced 22 year old at the time. The album earned rave reviews, and coupled with strong word of mouth from fans, the album moved from the top of the jazz world to the pop/rock charts without the aid of any radio play or TV exposure. Believe it or not (actually, believe it), this wasn't good enough for the major label that she was signed to, so Peyroux went back to performing on Parisian streets only to return in 2004 on Rounder Records, the famed independent roots label. <I>Careless Love</I> took off where Peyroux left off, even improving on her debut and quickly went to the top of the jazz charts before starting to sell to mainstream pop rock audiences.
- Nick Dedina]]></description>
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<title>Chet Baker</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Thu, 12 Nov 2009 19:09:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Chet Baker, more than ten years after his mysterious death, is more popular than ever. Baker was an extremely handsome young man and this, coupled with his reckless, drug-addled life, earned him the tag the James Dean of Jazz. But even after he lost his looks, Baker's trumpet and vocals continued to spellbind. Jazz snobs like to forget that Charlie Parker chose Baker to be his West Coast foil or that it was Dizzy Gillespie who talked Baker into returning to the trumpet in the '70s after his teeth were knocked out. Baker hit the big time at a very young age, with Gerry Mulligan's groundbreaking piano-less quartet that made a name for West Coast jazz. Baker's trumpet style owed a lot to Miles Davis (though, Baker never used a mute and was ashamed when he beat out Clifford Brown in jazz polls) and his pleasant, thin vocals were just as introspective and well-phrased.
- Nick Dedina]]></description>
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<title>Sarah Vaughan</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Sarah Vaughan first amazed Bop musicians and the public when she was a teenager singing with Billie Eckstine's big band. She earned the nickname "Sassy" for her salty tongue, but Vaughan quickly became known as the "Divine One" for her awe-inspiring vocal abilities. Vaughan had a multi-octave range that she could employ with (seemingly) wild abandon or with surgical precision to get at the core of a song and during the 1950s and '60s she cut a remarkable mix of trio, Big Band and orchestral albums for the Mercury label. Whether Vaughan reconfigured the melody of a standard, sang a show tune straight, or slowed a ballad down to a crawl, the song became her own. She had the same struggles as other star vocalists when jazz was bumped from the pop scene in the mid-1960s but she rebounded nicely in the '70s with a great string of recordings on the Pablo label. While Sarah Vaughan remains one of the most influential singers in jazz and pop history -- Anita Baker, Dianne Reeves and others still carry her torch -- no one has ever topped her at her own game.
- Nick Dedina]]></description>
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<title>Al Jarreau</title>
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<category>Vocal Jazz</category>
<pubDate>Sat, 28 Nov 2009 09:38:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Al Jarreau</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3846&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3846&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Al Jarreau's career mirrors George Benson's -- both are complex jazz artists who draw from a plethora of influences and both have found so much success in the R&B field that it has taken them away from the jazz idioms they have mastered. If Jarreau had started his career earlier he would probably be a respected -- and broke -- jazz singer. But he has learned to slip in a few masterful improvisatory pieces in with his Adult Contemporary and R&B bread and butter. Thankfully, his commercial material is very good, but hip-hop has somewhat impacted the popularity of many solid Soul singers and Jarreau has concentrated on doing more jazz material during the last few years. 1994's <i>Tenderness</i> is a breathtaking mainstream document of an artist at the top of his game. Jarreau continues to spellbind audiences at jazz festivals around the world.
- Nick Dedina]]></description>
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<title>Peggy Lee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61239&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:00:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Peggy Lee</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61239&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61239&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Peggy Lee gives everybody "Fever." She brought a certain sizzle to her Big Band canary days with Benny Goodman, and attained star status while on Decca and Capitol Records in the '50s. Lee continued as the reigning cult goddess of vocal jazz and pop until her death in 2002.
- Nick Dedina]]></description>
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<title>Nancy Wilson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69335&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 28 Nov 2009 09:38:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Nancy Wilson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69335&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69335&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan. Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s. She released a couple of very respectable LPs with star arranger Billy May but actually crossed over to radio and the pop charts with two small group jazz platters with her bestselling label mates (one with George Shearing (<I>The Swinging's Mutual</I>) and the other with Cannonball Adderley). Catapulted to the pop stratosphere, Wilson was the bestselling artist on Capitol Records' roster (beating out everyone from Nat King Cole to the Beach Boys) until the Beatles crossed the pond and eclipsed everything and everybody in their culture-changing wake. Other fine albums from this '60s period include <I>Yesterday's Love Songs, Today's Blues</I> and <I>But Beautiful</I>, a jazz ballad set led by pianist Hank Jones. In the '70s and '80s, Nancy Wilson slowly made the transition from pop star to adult contemporary soul singer. From the 1990s to the present day, Wilson returned to alternating jazz standards, quiet storm and adult contemporary ballads, while putting on a sensational jazz show in concert. The longevity of Wilson's career and the continuing strength of her voice are almost unheard of in modern pop music, though her career -- and her affinity with jazz, blues and soul -- shares many parallels with one-time Capitol labelmate Lou Rawls.
- Nick Dedina]]></description>
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<title>Rosemary Clooney</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61145&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:01:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rosemary Clooney</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61145</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61145&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61145&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Rosemary Clooney carries on the interpretive jazz singing tradition of Billie Holiday and Frank Sinatra. Clooney may have been forced to record plenty of Mitch Miller-produced corn during the 1950s, but she also released acres of great material during this period. Besides being the first major vocal star to do an album with Duke Ellington (and <i>Blue Rose</i> is amazing), Clooney also recorded with such heavyweights as Benny Goodman, Harry James and (her secret love) Nelson Riddle. After a complete breakdown, Clooney resurfaced to great critical acclaim in the mid-'70s on the Concorde jazz label -- accent on the jazz. Now Clooney is free to concentrate on great standards instead of silly tunes and crossover material. While her once pure, perfect voice has aged, Clooney's sense of swing, nuance, and emotion has only grown richer over the years.
- Nick Dedina]]></description>
</item><item>
<title>Julie London</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9491&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:00:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Julie London</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9491</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9491&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9491&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Steve Tyrell</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.52710&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 15 Oct 2009 11:00:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Steve Tyrell</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.52710&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.52710&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Manhattan Transfer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62114&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.62114</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Manhattan Transfer</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62114&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62114&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Often thought of as the biggest vocal group in jazz, Manhattan Transfer actually excel at just about every kind of popular music. The band started in the late 1960s and had little national success until member Tim Hauser stepped up and took artistic control of the group. Hauser upped the jazz quotient considerably (often using the bop vocal act Lambert, Hendricks and Ross as his template) while still leaving plenty of room for nostalgic doo-wop and gentler musical styles. In the early '70s, the band had a Top 10 hit with the Sha Na Na-esque "The Boy From New York City," and then had almost equal success with an ode to the jazz mecca Birdland, based on a Weather Report instrumental. Manhattan Transfer specialize in the somewhat odd art of "vocalese," which is tied to the bop era when jazz singers would add lyrics to famous jazz solos and tunes. Seeing the Transfer perform vocalese and other jazz styles live can be an amazing experience, and their reputation as an impressive concert act has helped to keep their albums on the charts over the decades, even as their studio work can be hit or miss. Their best albums include 1985's <I>Vocalese</I> (a collaboration with mentor Jon Hendricks and a host of jazz greats), 1986's <I>Brasil</I>, 1997's <I>Swing</I>, and 2000's <I>The Spirit of St. Louis</I> (although the sainted one they toast on this album is Louis Armstrong, not the city famous for its arch). Manhattan Transfer can even surprise on a mixed bag like 1991's <I>The Offbeat of Avenues</I>, on which they suddenly drop the programmed beats and dig deep into the moody Miles Davis classic "Blues for Pablo." All of Manhattan Transfer are superb vocalists in their own right, but Janis Siegel has had the greatest success as a solo artist.
- Nick Dedina]]></description>
</item><item>
<title>Mel Torme</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55039&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mel Torme</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55039&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55039&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The bobby socks generation knows him as the Velvet Fog for his light, smoky voice. The children of television recognize him from appearances on <I>Night Court</I> and <I>Sienfeld</I>. Jazz fans know Mel Torme as the singer who best exemplified the Cool West Coast sound. A child prodigy, Torme entered show biz at the age of three. A short stint as a big band drummer left him with a firm grasp of complex rhythms and he enjoyed a brief period as a crooning teen idol in the 1940s (film roles included). During the 1950s, Torme began a collaboration with arranger/pianist Marty Paich, and together they brought the Miles Davis/Gerry Mulligan "Birth of the Cool" sound to popular music on a series of classic albums. These remain his finest recordings, but Torme was popular during the '80s, where sold-out concert crowds were dazzled by his high-flying scat abilities and razor wit. Torme also wrote many songs, including the standard "Stranger in Town," penned when he was fifteen years old, as well as "The Christmas Song" ("...chestnuts roasting on an open fire").
- Nick Dedina]]></description>
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<title>Karrin Allyson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38095&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Karrin Allyson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38095</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38095&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38095&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Karrin Allyson is one of the best young jazz singers on the scene today. She may have a feeling for lyrics that recalls Susannah McCorkle, but Allyson mixes in Post Bop jazz leanings and even touches of Blue-Eyed Soul (think of Dusty Springfield or Shelby Lynne learning from Miles and 'Trane). Allyson also knows how to mix modern tunes (by such talents as Randy Newman) with classic standards. The way she discovers new insights into material both old and new puts her ahead of most of her peers. On <i>From Rio to Paris</i>, Allyson shows that she doesn't even have to sing in English to get at the heart of a song, though it was <i>Ballads: Remembering John Coltrane</i> (2001) that finally broke this talent to most jazz audiences. With a hit album under her belt, Allyson looks like someone who could actually receive the kind of reception with the general public that Diana Krall enjoys.
- Nick Dedina]]></description>
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<title>Holly Cole</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3265&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Holly Cole</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3265&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3265&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Holly Cole's take on moody standards and noir-ish torch songs have been embraced by alternative rockers, but her sound goes all the way back to such dark '50s canaries as Julie London and June Christy. Cole's slow, dreamy piano vamps and Cool vocal stylings create a dark whirlpool of emotion around standards like "Losing My Mind" and "Don't Smoke in Bed" -- think of a modernistic Shirley Horn who grew up on R&B instead of jazz. Cole concentrates on standards, but her album <i>Temptation</i> is an excellent peek into Tom Waits' considerable catalogue and proves to Generation X that good songs gain new life when interpreted by intelligent artists. If you have a date coming over, put on Diana Krall; but if the evening doesn't turn out well, it is Holly Cole who will ease the soul.
- Nick Dedina]]></description>
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<title>Dianne Reeves</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2402&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 12 Nov 2009 09:55:20 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dianne Reeves</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2402</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2402&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2402&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dianne Reeves has never been willing to stick to a single genre and she often combines elements of R&B, pop, and African-influenced Worldbeat into her jazz foundation. Her robust alto voice comes from deep in the throat and soars to feverish climaxes.
- Noah Enelow]]></description>
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<title>Cassandra Wilson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68163&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cassandra Wilson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68163&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68163&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When Cassandra Wilson became a crossover sensation in the early 1990s, she had already been a well-respected jazz singer for years. What's more surprising is that she achieved such a high level of success while continuing to experiment with her voice, in her choice of material and with her musical backings. Wilson was part of the experimental New York jazz scene when she signed with a major label and released <I>Blue Light Till Dawn</I> in 1993. The album lived up to its title by combining her serious jazz chops with a bluesy, nocturnal feeling on ancient tunes and modern pop classics that don't usually appear on vocal albums (only the lead off track, "You Don't Know What Love Is," can be considered a standard). <I>Blue Light</I> established Wilson as a star, sailed to the No. 1 spot on the jazz charts, and stayed in the top 20 for two years. Her follow-up album, 1995's <I>New Moon Daughter</I>, was even more successful and won a Grammy for best jazz vocal. Promoting these smashes may well have slowed Wilson's recording of more solo projects; in the interim, the more traditional Diana Krall replaced her as the nation's young jazz singer of choice. But that break seems to have done Wilson well: her subsequent albums have contained even greater strains of country blues, experimental rock and world music, and they've all hit the No. 2 spot on the jazz charts (behind Krall or Norah Jones).
- Nick Dedina]]></description>
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<title>Regina Belle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.63597&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Tue, 24 Nov 2009 09:38:15 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Regina Belle</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.63597&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.63597&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[R&B songstress Regina Belle started her recording career in 1987, a real juncture for a soul singer. At this time hip-hop was beginning to creep into urban pop and a new fleet of urban divas (led by Whitney Houston) were highlighting vocal pyrotechnics over nuance. Given that, it means something that Belle could build and maintain a strong career during this era. A gifted quiet storm balladeer who sprinkles pillow talk tenderness with classic gospel toughness, Regina Belle has had numerous urban hit singles throughout the years and her 1989 album, <I>Stay With Me</I>, went all the way to the No. 1 spot on <I>Billboard</I>'s R&B charts. In 2004, Belle released <I>Lazy Afternoon,</I> an album that uses jazz standards as a springboard for a superior set of bedroom soul vamps.
- Nick Dedina]]></description>
</item><item>
<title>Jane Monheit</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.34686&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sun, 25 Oct 2009 10:21:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jane Monheit</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.34686&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jane Monheit was one of many young jazz and classic pop based vocalists to benefit from the rise of Diana Krall in the 1990s. An old world beauty raised on Long Island, the 20 year-old Monheit first came to the public's attention at a prestigious jazz competition that was attended by a bevy of musical legends. Monheit possesses a beautiful, crystal clear tone that sets her apart from most modern singers, in or out of the jazz world. Her chops are more powerful than those of musician/singers such as Diana Krall or Peter Cincotti and she is more approachable in her use of jazz improvisation. Monheit signed with the indie label N-coded and released her debut, <I>Never Never Land</I>, in 2000, kicking off the set with the self-deprecating "Please Be Kind." Monheit needn't have worried, since the CD was a big hit, shooting up to the No. 2 spot in the jazz charts and reaching No. 3 in the then-new Internet sales chart. Her 2001 follow-up did even better, going to the top spot in the jazz charts and featuring a cover of Joni Mitchell's "A Case of You" that shows that Monheit could've easily entered the Sarah McLachlan pop realm if she had wished to. <I>In the Sun</I>, released in 2002, grafted lush string arrangements onto a small-group jazz palette, while the next year's <I>Live at the Rainbow</I> surprisingly had more of an old-fashioned, Streisand-in-the-1960s vocal feel to it than her studio albums. Monheit signed to Sony in 2004 and released <I>Taking a Chance On Love</I>, a run-through of the standards originally written for MGM films. Another mix of small-group and orchestral numbers, the album returned Monheit to No. 1 in the jazz charts and showcased her strengths as both a jazz and classic pop vocalist.
- Nick Dedina]]></description>
</item><item>
<title>Jo Stafford</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2415&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:00:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jo Stafford</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2415&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2415&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Lena Horne</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61144&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:01:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lena Horne</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61144&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61144&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lena Horne has always been a wonderful popular singer who knows how to swing or get the blues. A raging beauty in a racist country, she was known for singing standards in a defiant, borderline angry tone. You can often hear a vinegar sting in Horne's delivery, but that element of her tone has been overstated by critics -- she can sound like a wounded lamb as well as a snarling lioness. Horne began at the Cotton Club, singing with numerous top Swing bands. While much of her time was wasted on a contract with MGM, she spent decades recording and touring the world with her husband and musical director, Lennie Hayton. Horne made a series of outstanding records on RCA during the 1950s and early '60s, on which she was often backed by the charts of such Cool Jazz modernists as Marty Paich and Shorty Rogers. Horne's recent recordings with Blue Note are well worth hearing and stand up to her best material.
- Nick Dedina]]></description>
</item><item>
<title>Bobby McFerrin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4042&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>A Cappella</category>
<pubDate>Mon, 31 Aug 2009 09:49:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bobby McFerrin</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4042&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4042&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The monumentally gifted Bobby McFerrin will forever be known for his 1988 hit "Don't Worry, Be Happy," which featured the multi-tracked singer accompanying himself. However, his vocal chords are as limber as a rubber band, and he doesn't need any studio wizardry to astound you. Instead of following up that on success, McFerrin started a large choir -- his Voicestra -- and concentrated on work that has generally been outside of either the pop or jazz worlds. While it is gratifying to see a public figure so interested in academic pursuits, it's somewhat baffling that McFerrin doesn't always display his most apparent talent: solo singing. The wondrously unique <I>Circlesongs</I> (1997) did away with intelligible language all together while still utilizing the group format. Meanwhile, the world waits for McFerrin to return as a solo performer in his own right.
- Nick Dedina]]></description>
</item><item>
<title>Johnny Hartman</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2229&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Johnny Hartman</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2229&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2229&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[On the shortlist of the greatest jazz singers of all time, Johnny Hartman possessed a beautiful voice, good looks and an engaging stage presence, yet the crossover fame he richly deserved eluded him during his lifetime. Hartman's lush baritone was similar to Billy Eckstine's, but less mannered; Hartman always cited Frank Sinatra and Nat "King" Cole as his primary influences. You can hear it in his naturalistic phrasing and attention to the narrative detail of a lyric. While Hartman sadly recorded infrequently over a four decade career (especially in comparison to his peers), <I>Songs From the Heart</I> (1955), <I>I Just Dropped By to Say Hello</I> and <I>John Coltrane & Johnny Hartman</I> (both 1963) easily rank alongside the greatest jazz albums ever, vocals or no vocals. <I>Esquire</I> magazine even chose his collaboration with Coltrane as the greatest album ever made, and while rock fans would argue that point, the masterpiece is certainly one of the most exquisitely beautiful ever recorded. Although a select group of loyal fans and (especially) jazz musicians loved these albums, by the late-1960s Hartman was working primarily in Japan and Australia (where he even starred in his own TV specials). By the late-'70s Hartman was working back in the States, where he earned a Grammy nomination in 1980. Then, just as his career was taking off again, he developed cancer and died in 1983. In the mid-'90s, longtime fan Clint Eastwood included a handful of Hartman tracks in his darkly romantic adaptation of <I>The Bridges of Madison County</I>. The film introduced Hartman to a whole new generation of listeners, and the resulting soundtrack CD, as well as two re-issued Hartman albums, quickly sold more than any of his work had during his lifetime.
- Nick Dedina]]></description>
</item><item>
<title>Sophie Milman</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7527450&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 8 Oct 2009 11:45:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sophie Milman</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7527450&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7527450&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Carmen McRae</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.55034&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:12 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Carmen McRae</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.55034</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55034&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.55034&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[McRae was one of the great jazz singers, a refined vocalist who worked hard at making it all seem so natural and easy. Though influenced by Billie Holiday and Frank Sinatra, McRae brought an emotional and stylistic coolness to the party -- a style which even surfaces in her amazing scats. Some of her deserving 1950s albums are finally surfacing on the GRP and Verve labels, and McRae's 1980s Concord sessions are widely available.
- Nick Dedina]]></description>
</item><item>
<title>Lizz Wright</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.65891&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lizz Wright</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65891&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.65891&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Rachelle Ferrell</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.42122&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Contemporary R&amp;B</category>
<pubDate>Thu, 12 Nov 2009 19:09:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rachelle Ferrell</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.42122</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42122&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.42122&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ferrell is a gifted vocalist whose recordings have found her playing two separate roles: contemporary jazz pianist/vocalist and sophisticated R&B chanteuse. The latter style has gained her far more fame, but it's with the former that her fluid, multi-octave voice is free to stretch out. Her unusual scatting puts a fresh spin on a sometimes familiar style. It took a lot of hard work for Ferrell to break out in the Urban and Smooth Jazz markets, but it paid off with the success of 2000's <i>Individuality (Can I Be Me?)</i>.
- Nick Dedina]]></description>
</item><item>
<title>Shirley Horn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1698&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sun, 25 Oct 2009 10:22:04 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shirley Horn</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1698&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1698&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Few people in jazz or pop know how to stretch out a ballad the way that Shirley Horn did. What made her music special was how her piano playing relied on what she sang, and visa-versa. Horn's piano filled in just the right amount of space around her vocals, with the silences being essential to her unique sound. That spare, distilled, often-glacial quality owed a lot to the cool 1950s musical world of Ahmad Jamal, Bill Evans and Miles Davis. And while it was Davis who first championed Horn's work, his enthusiasm was soon matched by Quincy Jones, who both arranged and produced sessions for her. Even though the quality of Horn's small group and orchestral sets during this time was top-shelf, she never really caught on with the public during the 1960s, mainly because her laid-back, spare and sophisticated style was slightly out of place during an era when black America was embracing tougher, more R&B-fueled jazz. Then, when Horn became a parent, she stopped touring and would only play dates in her native Washington, D.C. During this period, Miles Davis always had her open for him whenever he came to town, and when her children left the nest, it was Davis who helped reintroduce Horn to the jazz community. She went on to cut a series of well-regarded albums for the boutique label Steeple Chase until Verve Records came calling in 1987. Miles Davis backed Horn on the title track to that year's <I>You Won't Forget Me</I>, resulting in her first No. 1 jazz album. Davis died before the two could cut an entire album together,
but Horn would continue racking up No. 1 jazz poll positions and Grammy awards for Verve. While originally Horn had to fight to be able to accompany herself on piano, her finest album may be <I>Here's to Life</I> (1991), an orchestral set she recorded with master arranger/composer Johnny Mandel. Though Shirley Horn could do up-tempo swingers with the best of them, the ballad "Quietly There," from <I>Here's to Life,</I> may best sum up her approach. Shirley Horn valiantly kept performing and recording even as her body was being attacked by diabetes and cancer. Severe illness kept her from playing the piano for her final album, <I>May the Music Never End</I> (2003), a powerful but typically clear-eyed look at love, regret and mortality. Horn passed away in 2005, but not before influencing such followers as Roberta Flack, Diana Krall and Norah Jones, giving her far greater impact on modern music than name recognition would imply.
- Nick Dedina]]></description>
</item><item>
<title>Blossom Dearie</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62122&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Cabaret</category>
<pubDate>Sun, 4 Oct 2009 09:42:39 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Blossom Dearie</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62122</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62122&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62122&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Anita O'Day</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5666&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Wed, 25 Nov 2009 11:50:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5666</guid>
<rhap:rcid xmlns:rhap="rhap">art.5666</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Anita O'Day</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5666</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5666&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5666&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This dizzy dame can scat like a woman possessed, then turn right around and quietly perform a perfect torch song. Hitting the big time with Gene Krupa, O'Day origianally sounded like Billie Holiday and unfortunately, shared her bad habits. But right off the bat, she had her own goofy sense of humor and a loose, improvisational style that was fresh and by the time Stan Kenton signed her up, O'Day was completely unique. From there, she went solo and recorded a great series of records on Verve. Whether with big bands, West Coast innovators or small groups, her vocal prowess dazzled. She's still at it today and has been embraced by a whole new swing generation.
- Nick Dedina]]></description>
</item><item>
<title>Susannah McCorkle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39683&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 6 Jun 2009 08:29:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Susannah McCorkle</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39683&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39683&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There are many excellent young jazz singers out there, but Susannah McCorkle is one of the few who could hold up to comparisons with the great singers of the past. This California native didn't get into jazz until after college in the late 1960s, but she must have swing in her blood because soon she was sharing the stage with everyone from Ben Webster to Dexter Gordon. An excellent lyricist and writer herself, McCorkle had the knack that Billie Holiday and Sinatra had for marrying the musical with the narrative; instead of going for flashy vocal pyrotechnics, McCorkle communicated with nuance. She also had a great feeling for material and has unearthed many a buried treasure that deserve to be standards. All of her releases on the Concord label are winners, and <i>From Broken Hearts to Blue Skies</i> (1999) may just be her finest release. Tragically, McCorkle was a longtime sufferer of deep depression. She committed suicide in 2001.
- Nick Dedina]]></description>
</item><item>
<title>Joe Williams</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.60158&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.60158</guid>
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<rhap:artist xmlns:rhap="rhap">Joe Williams</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.60158</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60158&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60158&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the few great male jazz singers in history, Williams got his start in the late 1930s in Chicago. But it wasn't until the '40s, and his sessions with renowned vibraphonist Lionel Hampton, that he rose to national stardom. In the '50s, Williams sang for Count Basie's big band, where he recorded his first hit, "Every Day I Have the Blues," in 1951. Unlike his flute-voiced predecessor in Basie's band, Jimmy Rushing, Williams sang in a buttery-smooth, dark baritone. His naturalistic phrasing -- inspired by Frank Sinatra -- combined with his subtle slides in pitch make his voice sound warm and comfortable. And his vibrato states its presence without dominating. Williams' greatness stems in part from his versatility as a singer. Tunes such as "Boogie Woogie (I May Be Wrong)" showcase his considerable talent as a blues singer. His scatting on "How High the Moon" reveals a keen, bebop-influenced sense of melody, while "Getting Some Fun Out of Life" demonstrates his understated yet sensitive treatment of ballads.
- Noah Enelow]]></description>
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<title>Keely Smith</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2075&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:00:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2075</guid>
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<rhap:artist xmlns:rhap="rhap">Keely Smith</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2075&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2075&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The wonderful Louis Prima lived up to his leering stage persona by discovering the teenage, swimsuit-clad Keely Smith. Luckily for us, Smith had a voice as beautiful as anything seen on the beach that day. She played "straight man" to Prima during his wild stage shows and was given plenty of solo opportunities to spellbind audiences with her pure but swinging voice -- comparisons to the hipper side of Doris Day or a non-scatting Ella are apt. When Prima signed with Capitol records, Smith started on her solo career. Capitol gave Smith the full glamour treatment without exploiting her Native American heritage like other labels did. Smith sailed to the top of the charts by recording excellent albums with Sinatra's main Big Band arrangers Nelson Riddle and Billy May. "I Wish You Love," a French tune she liked, became a smash and went on to become a standard. While a couple of her post-Capitol albums are beneath her, Keely has started recording and performing again with sterling jazz and big band backing.
- Nick Dedina]]></description>
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<title>Gil Scott-Heron</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.38396&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Fri, 27 Nov 2009 10:25:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.38396</guid>
<rhap:rcid xmlns:rhap="rhap">art.38396</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gil Scott-Heron</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.38396</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38396&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.38396&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jazz and R&B-infused street poet Gil Scott-Heron is considered to be one of the godfathers of rap but while his impressive baritone adds weight to his often politically charged poems, he's also able to kick in with a robust, Lou Rawls-style singing voice. Heron's early albums with Brian Jackson were Jazz-Funk affairs that had a greater connection to the radical FM rock of the early 1970s than to most R&B of the day. But by the middle of that decade, Heron's voice and material were strong enough to get airtime on urban airwaves, and he scored hits with "The Bottle" and "Johannesburg." Heron has only recorded once during the '90s, but his original, multigenre mix of songs and spoken word has been embraced by the British Acid Jazz generation but serious personal demons have waylaid his career.
- Nick Dedina]]></description>
</item><item>
<title>June Christy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2201&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:39:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2201</guid>
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<rhap:artist xmlns:rhap="rhap">June Christy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2201</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2201&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2201&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The beatnik Doris Day, June Christy combined a sunny "girl-next door" appeal with darkly melancholic songs and an independent streak that meshed perfectly with the free-thinking coffeehouse crowd of the 1950s. Often associated with the West Coast jazz movement, Christy's ties to the style go back to its roots in the Boyd Raeburn and Stan Kenton big bands. June Christy quickly became a star with Kenton, and was renowned for deftly handling the experimental musical curveballs he would throw at her. After numerous hits as Kenton's featured singer, Christy left his orchestra and joined Capitol Records, <I>the</I> label for jazz singers in the 1950s. She recorded <I>Something Cool</I>, her brilliant debut L.P, in 1953 with her old Kenton cohort Pete Rugolo and a host of the West Coast's best cool jazz musicians (including her husband, saxophonist Bob Cooper). <I>Something Cool</I> was a major success and instantly became one the biggest sellers of its time. At once accessible and challenging, the album became a benchmark for the rest of her career. It showcased her knack for finding offbeat and often bleak tunes (the famed title track, for instance, is about a lonely, deluded woman who scares away a potential pick-up at a bar). After that artistic and commercial high-water mark, Christy was given free rein at Capitol and split her time between orchestral albums with Rugolo and small group jazz sessions, often with her husband. Even though she was a popular concert draw, Christy never enjoyed touring; when rock supplanted classic pop in the album charts in the mid-'60s, she called it a day, coming out of retirement occasionally to sing with the old cool jazz crowd until her death in 1990.
- Nick Dedina]]></description>
</item><item>
<title>Laura Fygi</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.47517&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Sun, 2 Aug 2009 08:58:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.47517</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Laura Fygi</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.47517</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47517&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47517&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Diane Schuur</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4196&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 4 Sep 2009 17:19:14 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4196</guid>
<rhap:rcid xmlns:rhap="rhap">art.4196</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Diane Schuur</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4196</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4196&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4196&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Equally influenced by jazz, blues and pop, Diane Schuur is a vocal powerhouse who's recorded with everyone from Stan Getz to B.B. King to Barry Manilow. Schuur's ability to soar through standards -- changing tempo and octaves as she goes -- isn't always matched by an equally thoughtful attention to the lyric. Nonetheless, she's a multiple Grammy winner and has topped the jazz charts numerous times during the 1980s, '90s and beyond.
- Nick Dedina]]></description>
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<title>Mark Murphy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6196&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 21 Aug 2009 10:04:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6196</guid>
<rhap:rcid xmlns:rhap="rhap">art.6196</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mark Murphy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6196</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6196&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6196&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mark Murphy has managed to weather every change in music since the mid-1950s without ever compromising who he is nor what he does (he's not a snob, he just plays to his strengths) and by doing so he has remained the same, exceptional, jazz singer for forty-five years. Murphy comes on like a militant Mel Torme; he's witty and will scat endlessly, but can sing a ballad "straight"; he loves experimenting with different styles and song form itself, but he never really tried to appeal to a mass audience with Disco or soft rock. Based in San Francisco until recently, Murphy has had an adventurous recording career, check out his album "Bop for Kerouac" where he inserted the author's passages in the middle of standards to excellent effect. Whether at a sleek nightclub or coming out of your stereo, Mark Murphy will not disappoint.
- Nick Dedina]]></description>
</item><item>
<title>Stacey Kent</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.25213&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.25213</guid>
<rhap:rcid xmlns:rhap="rhap">art.25213</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Stacey Kent</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.25213</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25213&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25213&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Henri Salvador</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.15721&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>French Pop</category>
<pubDate>Fri, 20 Nov 2009 12:51:38 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.15721</guid>
<rhap:rcid xmlns:rhap="rhap">art.15721</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Henri Salvador</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.15721</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15721&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.15721&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Erin Bode</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6596956&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 3 Oct 2009 10:44:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6596956</guid>
<rhap:rcid xmlns:rhap="rhap">art.6596956</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Erin Bode</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6596956</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6596956&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6596956&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Billy Eckstine</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62124&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:38:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62124</guid>
<rhap:rcid xmlns:rhap="rhap">art.62124</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Billy Eckstine</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62124</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62124&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62124&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Those bearded hepcats like to remember legendary jazz vocalist Billy Eckstine just for his groundbreaking big band that brought Bop into the world with Diz, "Bird" and most every other great jazz nickname on board. But Eckstine was more than that. He was the first male African-American romantic idol, arguably the most popular singer in America in the late 40s, and the owner of a distinctively beautiful voice. The middle-class Eckstine hated the blues and work songs that Louis Armstrong and Jimmy Rushing sang in the early 40s. Eckstine's lush, deep baritone was as sophisticated as his sense of style, and although his star waned in the early 50s, he continued to record great albums with the likes of Count Basie, Quincy Jones and Pete Rugolo.
- Nick Dedina]]></description>
</item><item>
<title>Luciana Souza</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68793&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Wed, 14 Oct 2009 12:07:23 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68793</guid>
<rhap:rcid xmlns:rhap="rhap">art.68793</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Luciana Souza</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68793</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68793&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68793&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[You'd think Luciana Souza would have it all for major jazz stardom. This Brazilian singer combines the perfect pitch and sensitive feel of Elis Regina with the Post Bop jazz explorations of Cassandra Wilson. To top it all off, her natural beauty is a marketer's dream. Perhaps Souza's deep understanding of Brazilian and North American musical forms hurts her, as does all the space she allows for her (always excellent) musicians to solo. Like the often overlooked Joyce, she has more of an overt improvisatory edge than most artists associated with Bossa Nova. Forget about labels, Souza proves that cutting edge music can be beautiful music -- and the music she makes is seldom less than beautiful.
- Nick Dedina]]></description>
</item><item>
<title>Kay Starr</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5558&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</link>
<category>Pop Standards</category>
<pubDate>Mon, 30 Nov 2009 10:01:10 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=24&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss">Top Vocal Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5558</guid>
<rhap:rcid xmlns:rhap="rhap">art.5558</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kay Starr</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5558</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5558&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5558&amp;variant=data&amp;rws=%2Fjazz%2Fvocal-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Starr was a Big Band canary who went on to a major pop career ("Wheel of Fortune"). She mixes in burning hunks of the Blues and Country with her jazz.
- Nick Dedina]]></description>
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<title>The Swingle Singers</title>
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<category>A Cappella</category>
<pubDate>Fri, 13 Nov 2009 12:38:16 -0800</pubDate>
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