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<title>Top Pop-Jazz Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link><description>Top Pop-Jazz Artists on Rhapsody Online</description><category>Pop-Jazz</category><language>en</language><ttl>720</ttl><pubDate>Wed, 23 Dec 2009 03:48:31 -0800</pubDate><image>
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<title>Top Pop-Jazz Artists on Rhapsody Online</title>
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<description>Top Pop-Jazz Artists on Rhapsody Online</description>
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<title>Norah Jones</title>
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<category>Pop-Jazz</category>
<pubDate>Mon, 21 Dec 2009 09:57:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[This young singer and pianist has so much talent that she can't be
contained by one genre of music. The American-born, Texas-bred daughter of
Indian music legend Ravi Shankar has after-hours jazz, soul, country,
blues and folk music at her command, and combines each with natural,
dreamy ease. It's almost as if Rickie Lee Jones or Diana Krall were
recording for an absinthe-soaked 4AD label that specialized in Americana. Some of our greatest artists
-- from Frank Sinatra to Ray Charles, from Elvis to the Beatles -- were
genres onto themselves, and it's refreshing to see a performer as young as
Jones craft her own sound and style. Blue Note Records signed her in hopes
of slowly building her into the kind of crossover jazz success that the
Verve label has enjoyed with Diana Krall and Cassandra Wilson. But it
didn't turn out quite that way: the buzz around Jones's debut, 2002's
<I>Come Away With Me</I>, was so enthusiastic that the album eventually
became one of the biggest sellers of the new millennium. Blue Note wisely
chose not to <I>try</I> to make her even more successful and left Jones
and her band to their own devices for 2004's <I>Feels Like Home</I>, a
slightly darker return to the sophisticated but comforting acoustic sound
of her debut. Jones and her band avoided the sophomore slump with the
album, which hit the gates as a massive hit and further secured her career
in music. In early 2007, Jones released <i>Not Too Late</i>, her first all self-penned set. She also performs regularly with other bands and musicians, including the Little Willies, Peter Malick (she appears on every track of his <I>New York City</I>album), jazz guitarist Charlie Hunter, electronica band Wax Poetic, and a number of her heroes, among them Ray Charles, Willie Nelson, and the Dirty Dozen Brass Band.
- Nick Dedina]]></description>
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<title>Sade</title>
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<category>Quiet Storm</category>
<pubDate>Fri, 4 Dec 2009 13:20:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Sade hit the Day-Glo mid-1980s like a cool, monochromatic breeze. The singer updated the classic continental style of Audrey Hepburn and married it with a vocal approach that was more whisper than growl. It's always worked, though, since Sade's icy vocal style brings out the stoic yet emotionally scarred nature of her well-crafted torch songs. Much of the credit goes to her ever-tight, streamlined band, who have a knack for seamlessly mixing smooth jazz and soul styles. After a fine debut and the excellent <I>Promise</I> (1985), her approach shifted as she began to mix overly repetitive light funk workouts with darker mood pieces; so while <I>Stronger Than Pride</I> and <I>Love Deluxe</I> each contain a bit of filler, strong tracks abound. <I>Lover's Rock</I> (2000) is her best since <I>Promise</I>, and it proves that Sade doesn't have to compete with changing fashion or styles. She is a genre of one.
- Nick Dedina]]></description>
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<title>Chris Botti</title>
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<category>Smooth Jazz</category>
<pubDate>Tue, 22 Dec 2009 10:24:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[If Kenny G ruled the smooth jazz roost during the 1980s and '90s, Chris Botti claimed the modern instrumental throne during the 2000s. Botti is a solid musician who possesses a real feel for jazz, but the key to his success probably lies in the cool purity of his trumpet playing. While making plain his admiration for Miles Davis and Chet Baker, Botti's first album combined elements of smooth jazz and atmospheric light rock rather than cool-toned bop. Botti kept refining that approach when, in 2003, he released <i>A Thousand Kisses Deep</i>, which successfully brought elements of downtempo into the mix. He next cut the stripped-down string set <i>When I Fall in Love</i>, which went from being a contemporary best-seller to a pop sensation after Oprah endorsed it. Botti has since followed its winning formula, recording standards and a few modern romantic tunes with different ensembles and guest vocalists. Critics may be surprised to learn that he got his start playing for bop veterans Woody Shaw and George Coleman (who played with Miles Davis). A listen to his live readings of "My Funny Valentine" or "Why Not" (from 2006) lets you see why even old jazzers heard potential in the young Botti.
- Nick Dedina]]></description>
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<title>Kenny G</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1834&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Jazz Instrumental Pop</category>
<pubDate>Sat, 19 Dec 2009 10:51:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kenny G</rhap:artist>
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<description><![CDATA[Kenny G has single-handedly transformed jazz into a genre that actually sells records in numbers normally associated with modern pop stars (over 30 million sold so far). Unlike such Smooth Jazz pioneers as Grover Washington Jr. and David Sanborn, however, Kenny G only concentrates on what the mass public likes and doesn't branch out from what is expected of him. His melodies are of the most gentle breed, churning out endless hits and assisting in the conception of many children. A master of the ancient art of circular breathing, Kenny G also holds the record for holding a single note longer than any other musician.
- Jessy Terry]]></description>
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<title>Tony Bennett</title>
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<category>Pop Standards</category>
<pubDate>Mon, 21 Dec 2009 09:57:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tony Bennett</rhap:artist>
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<description><![CDATA[The resurgence of Tony Bennett to the top of the charts was one of the most gratifying surprises of the 1990s. Bennett was a (very big) cog in the <I>Columbia</I> hit machine of the '50s and '60s and he had to fight Mitch Miller tooth and nail to do the jazz albums and classy material he loved. He toured extensively with Duke Ellington and become the first white star to record with Count Basie. The cream of this era is collected on the exceptional <I>Jazz</I>, a compilation which also features Art Blakey, Stan Getz, and Bennett's main ivory tinkler, Ralph Sharon. A few years after "I Left My Heart in San Francisco," Bennett got knocked down during the acid rock wave of the late '60s but he answered back with his own label, <I>Improv</I> and cut two great albums with Bill Evans. Always a warm and good-humored singer, age and experience took the brassy edge off Bennett's voice and he decided to stick with jazz accompaniment. In the late '80s he recorded with Dexter Gordon, Dizzy Gillespie and George Benson, and slowly rebuilt his base. The '90s MTV generation took to Bennett's music and his unruffled cool personality in a very big way. His music is timeless.
- Nick Dedina]]></description>
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<title>George Benson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6351&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Sun, 20 Dec 2009 09:42:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[George Benson is a stunning guitarist whose jazz work is too far out for pop audiences and whose pop work is often too mainstream for jazz fans. Benson was a child prodigy who hit the professional circuit at age 8 with a homemade guitar (any jazz snob who questions his future pop output didn't grow up poor) and a pure Soul voice. He consumed the different styles of Charlie Christian, Wes Montgomery and Grant Green, put his own spin on them and was noted for often scatting over his guitar lines as he solos. He went on to record with Jack McDuff, Jimmy Smith, Miles Davis and Herbie Hancock before hitting it big with a series of top-shelf Fusion jazz albums on CTI. His vocal on "This Masquerade" and his guitar instrumental "Breezin'" both became deserving mega-hits in the 1970s. After a period in the '80s as an R&B star, Benson moved into position as a Smooth Jazz elder statesman. It's a position he holds to this day, but Benson still displays his "pure" jazz chops in concert and increasingly on his albums.
- Nick Dedina]]></description>
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<title>Harry Connick, Jr.</title>
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<category>Pop-Jazz</category>
<pubDate>Tue, 22 Dec 2009 10:24:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[A gifted singer, pianist and actor, Harry Connick Jr. was poised to become one of the biggest stars of the 1990s. While that didn't quite happen, Connick <I>is</I> big -- both as an performer and actor. A native of New Orleans, he was a child prodigy who fell in love with jazz piano, and the rich musical legacy of his hometown has always informed his work. After moving to New York City, the handsome and charismatic Connick took a friend's advice and threw on some retro duds, he quickly landed a major recording contract. Connick's first two albums were jazz piano affairs, but when his pseudo-soundtrack for <I>When Harry Met Sally</I> (done in Frank Sinatra's patented 1950s <I>Swingin' Lovers</I> style) became a surprise smash hit that stayed atop the jazz charts for years, Connick kept the Sinatra thing going for a while. Then came an ill-advised but heartfelt New Orleans R&B detour. His old school R&B wasn't embarrassing, but since he'd always incorporated the feel of the city into much of his work, it did feel a bit redundant. When Connick returned to jazz-based pop music with 1997's <I>To See You</I>, one could hear his renewed enthusiasm - in fact, his recordings from this point on are often better and more exciting than some of his earlier, better-selling releases. Many critics have failed to see (or hear) how much Connick's singing, songwriting and piano playing have matured over the years. His single greatest development may be in the unheralded field of arrangements; his imaginative band charts on albums such as <I>Come By Me</I> and <I>Songs I Heard</I> show an originality and spark that would earn him acclaim in the jazz world if he weren't a pop star. At the same time, Connick take pains to strip all the other instruments away and show off his uncompromising jazz piano playing, often on Branford Marsalis' label. In 2007, he returned to New Orleans for <i>Oh, My Nola</i>, an album that contains all the verve and fire that his earlier efforts in the style sometimes lacked.
- Nick Dedina]]></description>
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<title>Anita Baker</title>
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<category>Quiet Storm</category>
<pubDate>Tue, 22 Dec 2009 10:24:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Anita Baker was one of the defining talents of the '80s, a singer who stepped outside the current of the pop mainstream and rose to the top of the charts with a combination of good songwriting, lovely production, and a highly distinctive vocal style. A Detroit legal secretary-cum-chanteuse, Baker layered her seductive, rich voice over highly relaxed accompaniment, creating songs that defined the best of mid-'80s Quiet Storm. Baker's voice is enough to keep you awake, though, and songs such as "Rapture" and "Sweet Love" offer plenty to this day.
- Sarah Bardeen]]></description>
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<title>Pat Metheny</title>
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<category>Pop-Jazz</category>
<pubDate>Thu, 22 Oct 2009 11:12:25 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Pat Metheny is one of the most bipolar of modern musicians, jumping from gentle Crossover Jazz with smooth synthesizers to wild Free Jazz explorations. Metheny is unafraid of taking chances. After a string of Latin-influenced, synth-heavy hits that filled concert halls, he released <i>Zero Tolerance for Silence</i>, an album featuring forty minutes of feedback noise. As a soloist, Metheny is among the top modern guitarists, using his lightly chorused electric guitar to play startlingly original chromatic lines with exceptionally tasteful phrasing. He has worked with countless artists, but collaborations with Jaco Pastorius, Herbie Hancock, Gary Burton and Ornette Coleman stand out as noteworthy. Metheny may also be responsible for fusing Heavy Metal and jazz -- at least in terms of his hairstyle decisions.
- Jessy Terry]]></description>
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<title>The Rippingtons</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59176&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Mon, 2 Nov 2009 10:53:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Soaring Instrumental Pop featuring tight and funky rhythms combined with a Latin-tinged electrified classical guitar keeps the drummer busy in this expert pop fusion band. The result is a relaxing journey to exotic musical soundscapes.]]></description>
</item><item>
<title>Madeleine Peyroux</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Madeleine Peyroux's sultry mix of acoustic blues, swing and country is more otherworldly than old school and has helped the Georgia native sidestep the "retro" label completely. Discovered as an American street performer raised in Paris, Peyroux cut <I>Dreamland</I>, her major label debut, and showcased an ageless voice that belied the fact that she was a fresh-faced 22 year old at the time. The album earned rave reviews, and coupled with strong word of mouth from fans, the album moved from the top of the jazz world to the pop/rock charts without the aid of any radio play or TV exposure. Believe it or not (actually, believe it), this wasn't good enough for the major label that she was signed to, so Peyroux went back to performing on Parisian streets only to return in 2004 on Rounder Records, the famed independent roots label. <I>Careless Love</I> took off where Peyroux left off, even improving on her debut and quickly went to the top of the jazz charts before starting to sell to mainstream pop rock audiences.
- Nick Dedina]]></description>
</item><item>
<title>Boney James</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3940&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Tue, 22 Dec 2009 10:24:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Boney James</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3940&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3940&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Boney James has become a star by adding a touch of R&B muscle to the patented Kenny G saxophone style. James has yet to cut a solo album on par with the best of Grover Washington Jr. or Dave Sanborn, but his collaborations with Rick Braun rank among the finest Smooth Jazz being cut today.
- Nick Dedina]]></description>
</item><item>
<title>Peter White</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69153&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Tue, 1 Dec 2009 09:48:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69153</guid>
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<rhap:artist xmlns:rhap="rhap">Peter White</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69153&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69153&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[While most smooth jazz guitarists use George Benson as their model, Englishman Peter White has learned more from Earl Klugh's easygoing, less R&B-focused approach. White can lay down webs of fluid flamenco one moment, and then pluck perfectly chosen solitary notes the next. His albums usually do well on the contemporary jazz charts, and he's also an in-demand sideman who regularly records with Rick Braun, Richard Elliot and Basia.
- Nick Dedina]]></description>
</item><item>
<title>Melody Gardot</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.18492842&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:52:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Melody Gardot</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18492842&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18492842&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Melody Gardot's life story is so movie-of-the-week that it would dominate her music if her work wasn't so strong. At age 19, Gardot barely survived a hit-and-run accident that left her permanently disabled, ultra-sensitive to light and noise (thus the dark glasses and earplugs) and in constant pain. (She also uses a cane, has special seating and wears a TENS device, which helps with nerve pain.) The music therapy she underwent not only helped her regain her memory, language and fine motors skills (she learned to play guitar while lying flat in bed), it also made her realize an unshakable passion. Her first EP came out while she was still in the hospital and her first full-length was released soon after. <I>Worrisome Heart</I> was a solid addition to the jazzy singer-songwriter revival. Gardot occupies a comfortable middle ground between Norah Jones' mellow jazz, Inara George's whimsical indie pop and Tom Waits' early beatnik retro vibe. Her follow-up, <I>My One and Only Thrill</I>, was an even greater leap forward. A ravishing torch set, the album proved the singer-songwriter to be an old world talent for the 21st century.
- Nick Dedina]]></description>
</item><item>
<title>Acoustic Alchemy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.377&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Contemporary Instrumental</category>
<pubDate>Wed, 30 Sep 2009 10:29:18 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.377</guid>
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<rhap:artist xmlns:rhap="rhap">Acoustic Alchemy</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.377</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.377&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.377&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Since its inception as a duo in the '80s, the jazz-heavy, new age-focused act Acoustic Alchemy has undergone a number of lineup changes. Based in the U.K., Acoustic Alchemy is an Adult Contemporary favorite celebrated for making casually sophisticated tunes with a pleasing organic feel.
- Melissa Piazza]]></description>
</item><item>
<title>Grover Washington, Jr.</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3516&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:20:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Grover Washington, Jr.</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3516&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3516&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Despite what many people say, Grover Washington, Jr. can never be accused of the assaults on musical dignity that have taken place since the arrival of Kenny G. Though Washington helped lead the crossover sax sounds dominating Smooth Jazz radio, he's also got enough chops and soul to stand up next to the best Bop and Soul Jazz players. Washington's tenor and soprano sax (among other instruments) headed up many excellent jazz tracks in the 1970s, working with keyboardist Bob James' light, funky arrangements and guitarist Eric Gale's slick lines; the work posed a yin to the harder yang promoted by many Fusion artists of the day. The classic album <I>Mister Magic</I> features a bearded Washington rocketing from a pool, emerging like the lofty lines he blew, covered in a lush coating of keyboard and strings. "Just the Two of Us" with Bill Withers solidified his status as a major star -- and recently brought Washington back to attention with a series of sampled remakes. In Philadelphia he's bigger than Ben Franklin, and his soaring notes have been missed since his death in 1999.
- Jessy Terry]]></description>
</item><item>
<title>Earl Klugh</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3625&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Jazz Instrumental Pop</category>
<pubDate>Thu, 10 Dec 2009 10:52:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Earl Klugh</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3625&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3625&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This acoustic guitarist instantly became one of the top artists in contemporary and smooth jazz with his debut album in 1976. Earl Klugh's style: supple, flowing, Spanish-tinged, hasn't changed through the years but that isn't a bad thing since he lets his backing tracks absorb the styles of the times while he spins out his signature guitar lines. Klugh's recordings continue to sell to pop audiences while older jazz fans still remember first hearing Klugh's beautiful acoustic guitar work on George Benson's excellent <I>White Rabbit</I>.
- Nick Dedina]]></description>
</item><item>
<title>Jamie Cullum</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5290837&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:19:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jamie Cullum</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5290837&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5290837&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Already the biggest selling British jazz artist of all time, Jamie Cullum quickly crossed over into the pop world with a sound that marries superior piano chops with an upbeat variation on confessional 1970s singer-songwriter material. Unlike the stereotype of introspective singer-songwriters, Jamie Cullum's extroverted personality marries high energy, old-fashioned showmanship with breezy English wit. A professional since his formative years, he learned to captivate diffident pub and pizza joint audiences with a frenetic: "Look over here! I'll do anything to entertain you!" performing style. This works because the pianist actually has the talent to pull just about anything off and a self-deprecating wit that stops him from looking like a show-off. While he is a kinetic swing-to-bop pianist, he's developed a vocal style that recalls Billy Joel more than Frank Sinatra, which helps distinguish him from the post-Harry Connick Jr. pack of retro-pianists and crooners. Seeing his pop potential, Universal signed Cullum to a deal that promised to promote him outside of the jazz ghetto. The gamble quickly paid off as his major label debut <I>Twentysomething</I> -- a mix of original tunes and standards -- instantly conquered the British jazz charts and continued sailing up to the top of the pop charts in 2003. <I>Twentysomething</I> is an easy album to like, and its multigenerational appeal coupled with the musician's heavy touring schedule has helped it sell around the world. The follow-up <I>Catching Tales</I> saw Cullum boldly recruit the likes of Dan The Automator and move from covering the Doves to delivering a fresh take on Harry Warren's "I Only Have Eyes For You," while still managing to keep the Essex-born, Wiltshire-raised Brit's voice and piano at the heart of affairs.
- Nick Dedina]]></description>
</item><item>
<title>Rick Braun</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69006&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Thu, 24 Sep 2009 09:49:13 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rick Braun</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69006</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69006&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69006&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter Rick Braun stands out in a smooth jazz landscape littered with sax players who sound very much alike, and his non-saccharine approach has helped to make him one of the biggest selling smooth jazz artists of all time. While his funky backing tracks are often standard issue, he isn't a brassy player, and his introspective and mellow horn style, along with his tendency to lay behind the beat, make him closer in spirit-- if not in style -- to Miles Davis, Chet Baker and Mark Isham than to most of his peers. Braun is also part of the supergroup BWB, which gets its name from the initials of Braun, (Kirk) Whalum and (Norman) Brown.
- Nick Dedina]]></description>
</item><item>
<title>Al Jarreau</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3846&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Thu, 17 Dec 2009 10:45:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3846</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Al Jarreau</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3846</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3846&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3846&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Al Jarreau's career mirrors George Benson's -- both are complex jazz artists who draw from a plethora of influences and both have found so much success in the R&B field that it has taken them away from the jazz idioms they have mastered. If Jarreau had started his career earlier he would probably be a respected -- and broke -- jazz singer. But he has learned to slip in a few masterful improvisatory pieces in with his Adult Contemporary and R&B bread and butter. Thankfully, his commercial material is very good, but hip-hop has somewhat impacted the popularity of many solid Soul singers and Jarreau has concentrated on doing more jazz material during the last few years. 1994's <i>Tenderness</i> is a breathtaking mainstream document of an artist at the top of his game. Jarreau continues to spellbind audiences at jazz festivals around the world.
- Nick Dedina]]></description>
</item><item>
<title>Quincy Jones</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6257&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Big Band</category>
<pubDate>Fri, 18 Dec 2009 12:08:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Quincy Jones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6257</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6257&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6257&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Many today just know Quincy Jones as a recording industry powerhouse, but in the 1950s and '60s he was an in-demand jazz arranger as well as the man who blazed a path for future African Americans in the movie studios and record companies. Jones grew up in Seattle and learned how to read music from the blind (!) Ray Charles as a teen. He went on to play trumpet and write arrangements for the orchestras of Lionel Hampton, Dizzy Gillespie, Count Basie and Ray Charles. In 1957, French record company Barclay records snatched him up as an executive and from there he went on to the Mercury label. At the same time, he recorded with the awesome Quincy Jones Big Band. It contained the finest musicians and combined the streamlined swing of Count Basie with the sounds of Hard Bop. Jones was all over the place during this period, working with many artists and singers such as Sarah Vaughan and Frank Sinatra. Jones started working on film and television soundtracks to great success. In the '70s he got funky (like everybody else) and slowly withdrew to the business side of music. But every once in a while, he comes back out. Today, his work shows the common threads found in jazz, Funk, pop, and rap.
- Nick Dedina]]></description>
</item><item>
<title>Marc Antoine</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.18336&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Jazz Instrumental Pop</category>
<pubDate>Wed, 30 Sep 2009 10:29:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.18336</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Marc Antoine</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.18336</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18336&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.18336&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Antoine specializes in feather-light, Latin-tinged background jazz. His melodious guitar playing is generally accompanied by low-key dance/hip-hop beats and romantic synth atmospheres, while his records feature appearances by pop-jazz stars such as Jeff Golub, Peter White, and Rick Braun.
- Will York]]></description>
</item><item>
<title>David Sanborn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2528&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Mon, 2 Nov 2009 10:53:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.2528</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">David Sanborn</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2528</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2528&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2528&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Michael Franks</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1896&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Sun, 9 Aug 2009 08:39:45 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1896</guid>
<rhap:rcid xmlns:rhap="rhap">art.1896</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Michael Franks</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1896</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1896&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1896&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Michael Franks defined white collar jazz pop during the time when brands such as Blue Nunn were favored over vintage wines. Many of his witty songs are very engaging and one of his earliest hits, "Popsicle Toes," has become a favorite of jazz performers.
- Nick Dedina]]></description>
</item><item>
<title>Brian Culbertson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14350&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Sun, 20 Dec 2009 09:42:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.14350</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Brian Culbertson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14350</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14350&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14350&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This keyboardist came out of nowhere in 1994, when his independent label debut, <I>Long Night Out</I>, went to the upper reaches of the contemporary jazz charts and crossed over with pop audiences. Since then, Culbertson has preferred the band approach and regularly works with such smooth jazz stars as Richard Elliot, Gerald Albright and Rick Brian. Culbertson can play lush New Age-tinged piano instrumentals or lay down funky, 1970s-inspired workouts with equal ease. He also occasionally solos on the trombone.
- Nick Dedina]]></description>
</item><item>
<title>Dave Koz</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2608&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Tue, 1 Dec 2009 09:47:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2608</guid>
<rhap:rcid xmlns:rhap="rhap">art.2608</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dave Koz</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2608</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2608&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2608&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Take Kenny G, add a bit of David Sanborn's soulful sound, and you have Dave Koz's lightly bouncing saxophone instrumentals. A consistent chart-topper, his sales are the envy of every jazz musician, and much of his music is funkier and brighter than what often plays on Smooth Jazz radio. Koz is also a popular, award winning disc jockey.
- Nick Dedina]]></description>
</item><item>
<title>Basia</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4388&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Adult Contemporary</category>
<pubDate>Sat, 3 Oct 2009 10:44:45 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4388</guid>
<rhap:rcid xmlns:rhap="rhap">art.4388</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Basia</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4388</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4388&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4388&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Polish beauty's had a string of pearly smooth jazz and adult contemporary hits throughout the late 1980s and early '90s. Basia's strongly accented, but pleasant vocals were first heard with the English sophisti-pop act Matt Bianco in the '80s. Basia and her band mate, Danny White used the same "American soul meets lite Latin jazz" template for her solo career. After major successes throughout the first Bush presidential term, Basia's 1994 release <I>Sweetest Illusion</I> didn't sell as well as her early albums and her career started stalling. Like so many artists, Basia now only has a record deal in Japan, where both she and the reformed Matt Bianco continue to experience major sales. Though it sounds vaguely exotic to American ears, Basia is a common moniker in Poland, but the spelling of her last name -- Trzetrzelewska -- helps explain why she's known exclusively on a first name basis.
- Nick Dedina]]></description>
</item><item>
<title>Fourplay</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4641&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Thu, 26 Nov 2009 11:27:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4641</guid>
<rhap:rcid xmlns:rhap="rhap">art.4641</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Fourplay</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4641</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4641&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4641&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A Smooth Jazz supergroup fronted by Bob James, Fourplay has been wildly successful in the 1990s. Larry Carlton has replaced Lee Ritenour, but the easygoing group sound remains the same. Fourplay bring tight group dynamics and tasty solos to the aural Prozac of modern instrumental radio.
- Nick Dedina]]></description>
</item><item>
<title>Kirk Whalum</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1739&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:21:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1739</guid>
<rhap:rcid xmlns:rhap="rhap">art.1739</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kirk Whalum</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1739</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1739&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1739&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's too easy to call Whalum the Kenny G. of inspirational or gospel jazz, but the description fits; he's one of his generation's most inspirational and accomplished jazz instrumentalists. However, his talent's more than just saxophone deep. Even with all the remarkable notches on his resume -- he's played on projects for Whitney Houston, Vince Gill, Barbra Streisand, Quincy Jones and other legends -- Whalum's creative passions run deepest in his gospel creations.
- Amy Bartlett]]></description>
</item><item>
<title>Beegie Adair</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.60154&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Wed, 4 Nov 2009 12:13:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.60154</guid>
<rhap:rcid xmlns:rhap="rhap">art.60154</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Beegie Adair</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.60154</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60154&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.60154&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Smooth Jazz Allstars</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14435570&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Sat, 14 Nov 2009 11:48:49 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.14435570</guid>
<rhap:rcid xmlns:rhap="rhap">art.14435570</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Smooth Jazz Allstars</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14435570</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14435570&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14435570&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Norman Brown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.45861&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Sun, 30 Aug 2009 09:01:19 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.45861</guid>
<rhap:rcid xmlns:rhap="rhap">art.45861</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Norman Brown</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.45861</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45861&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45861&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like George Benson, his primary musical influence, Norman Brown combines soul jazz, funk and modern R&B into one sleek package. But unlike many of his peers also reared on FM radio, Brown created later recordings (such as <I>Just Chillin'</I> (2002) and <I>Celebration</I> (1999)) that were leaner and earthier instead of sterile and produced. This knack for putting real muscle into a highly accessible sound makes Brown one of the more exciting smooth jazz stars currently on the scene.
- Nick Dedina]]></description>
</item><item>
<title>Bob James</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17728&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:19:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.17728</guid>
<rhap:rcid xmlns:rhap="rhap">art.17728</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bob James</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.17728</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17728&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17728&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bob James' popularity as a smooth jazz pianist has sometimes obscured the fact that he's also a fine bop and fusion musician. James was discovered by Quincy Jones while he was still a college student and his 1962 debut <I>Bold Conceptions</I> shows how well versed he is in hard bop. He quickly went on to become Sarah Vaughan's piano accompanist but during this same period he started breaking ground in the world of electronic music by combining (then) new computer technology with jazz. While his releases from the 1960s were critically well received, in the early '70s, James cut a series fusion albums on which he usually played the Rhodes, Clavinet or other electric keyboards. The albums <I>One</I>, <I>Two</I>, and <I>Three</I> combined solid jazz musicianship, with a breezy funk vibe and clever easy listening arrangements. While they were considered jazz sellouts at the time of release, these discs have aged very well and often show up as hip-hop and electronica samples. By the late 1970's, James was one the top-selling artists in jazz when his melancholy theme song and incidental music for the excellent sitcom <I>Taxi</I> brought his music to a whole new audience. James has become more and more mainstream as the decades have progressed but that partly stems from the fact that he helped create the sonic template and textures for smooth jazz. James currently divides most of his time between cutting very commercial instrumentals and R&B heavy smooth jazz (often with his all-star band Fourplay) but he still keeps his hand in the acoustic jazz world. His superb 1996 release <I>Straight Up</I> proved that his more exploratory albums can actually sell just as well as his more commercial products. Besides his soundtrack work on <I>Taxi</I>, James has also recorded film scores for director Sidney Lumet.
- Nick Dedina]]></description>
</item><item>
<title>Swing Out Sister</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1934&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Blue-Eyed Soul</category>
<pubDate>Wed, 30 Sep 2009 10:30:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1934</guid>
<rhap:rcid xmlns:rhap="rhap">art.1934</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Swing Out Sister</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1934</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1934&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1934&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>David Benoit</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2642&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Jazz Instrumental Pop</category>
<pubDate>Wed, 4 Nov 2009 12:14:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.2642</guid>
<rhap:rcid xmlns:rhap="rhap">art.2642</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">David Benoit</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2642</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2642&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2642&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though David Benoit is a master at warm, friendly, jazz-tinged new age piano, he is also one of the few Contemporary Instrumental chart toppers to constantly change his musical setting to challenge his blissed-out listeners. He has recorded everything from lush Orchestral Pop to stripped down lite jazz, and even new agey Americana. While much of this material is in questionable taste, like Bob James, Benoit has the ability to pull out the stops when he wants to -- he just rarely does. He will never be as hip as Vince Guaraldi, even though he's taken over for the sorely missed Fu Manchu'd one on more recent <i>Peanuts</i> cartoon specials.
- Nick Dedina]]></description>
</item><item>
<title>Richard Elliot</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.68996&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Sun, 6 Dec 2009 09:55:41 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.68996</guid>
<rhap:rcid xmlns:rhap="rhap">art.68996</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Richard Elliot</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.68996</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68996&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.68996&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A former Tower of Power member and Blue Note recording artist, Elliot seduces Smooth Jazz fans with his R&B-flavored bedroom sax soliloquies. His recordings tend to be big productions, enlisting instrumentalists, programmers, strapping male vocalists, and a whole lotta reverb.
- Will York]]></description>
</item><item>
<title>Jeff Lorber</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43283&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Wed, 16 Dec 2009 11:55:28 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.43283</guid>
<rhap:rcid xmlns:rhap="rhap">art.43283</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jeff Lorber</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.43283</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43283&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43283&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Keyboardist Jeff Lorber helped pioneer the contemporary light Funk sounds of Smooth Jazz in the late 1970s, introducing relaxing melodies and toning down Fusion -- not to mention showcasing a new talent by the name of Kenny "G" Gorelick.
- Jessy Terry]]></description>
</item><item>
<title>Spyro Gyra</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1423&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Fri, 11 Dec 2009 11:41:02 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1423</guid>
<rhap:rcid xmlns:rhap="rhap">art.1423</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Spyro Gyra</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1423</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1423&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1423&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Najee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1412&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Smooth Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.1412</guid>
<rhap:rcid xmlns:rhap="rhap">art.1412</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Najee</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1412</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1412&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1412&amp;variant=data&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though he's not quite on the plane of Kenny G, Najee still ranks among the most popular of the post-Grover Washington, Jr. Smooth Jazz sax players. He hit on a commercially successful formula with his 1987 debut <I>Najee's Theme</I> and has stuck closely to it ever since. His recordings are full-scale productions, employing large casts of drum programmers, vocalists, and keyboardists to back up his vapory soprano sax and flute melodies. His 1995 recording <I>Songs From the Key of Life</I> was something of an exception, as it added a little more muscle as well as a few touches of improvisation and some relatively creative string and horn arrangements. In general though, he likes to keep things smooth, polished and predictable, and that's why he's sold so many records over the years.
- Will York]]></description>
</item><item>
<title>Joe Sample</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67022&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss</link>
<category>Pop-Jazz</category>
<pubDate>Thu, 10 Dec 2009 10:52:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joe Sample</rhap:artist>
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<description><![CDATA[Along with Grover Washington Jr. and George Benson, Joe Sample helped keep jazz part of mainstream popular music while retaining his musical integrity and deeply felt soul underpinnings. Sample came to fame with his excellent Los Angeles-based hard bop and soul jazz group the Jazz Crusaders, which morphed into the Crusaders when it was clear that the public would keep buying instrumental music if it didn't know it was listening to jazz and thought it was rock or funk. Hugely successful, the Crusaders remain an on-again/off-again act, while Sample has gone on to an equally rewarding solo career. Whether he's playing smooth FM radio jazz or gritty soul jazz and chicken shack funk (he constantly moves back and forth between the three styles), Sample's lean, rhythmic keyboard playing is a hallmark of both his solo wotk and the Crusaders. His 1978 smash, <I>Carmel</I>, still sounds good today, and the much-sampled Crusaders continue to spread their R&B-drenched gospel to younger listeners who have discovered jazz through the club scene.
- Nick Dedina]]></description>
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<title>The Manhattan Transfer</title>
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<category>Vocal Jazz</category>
<pubDate>Sat, 19 Dec 2009 10:51:14 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">The Manhattan Transfer</rhap:artist>
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<description><![CDATA[Often thought of as the biggest vocal group in jazz, Manhattan Transfer actually excel at just about every kind of popular music. The band started in the late 1960s and had little national success until member Tim Hauser stepped up and took artistic control of the group. Hauser upped the jazz quotient considerably (often using the bop vocal act Lambert, Hendricks and Ross as his template) while still leaving plenty of room for nostalgic doo-wop and gentler musical styles. In the early '70s, the band had a Top 10 hit with the Sha Na Na-esque "The Boy From New York City," and then had almost equal success with an ode to the jazz mecca Birdland, based on a Weather Report instrumental. Manhattan Transfer specialize in the somewhat odd art of "vocalese," which is tied to the bop era when jazz singers would add lyrics to famous jazz solos and tunes. Seeing the Transfer perform vocalese and other jazz styles live can be an amazing experience, and their reputation as an impressive concert act has helped to keep their albums on the charts over the decades, even as their studio work can be hit or miss. Their best albums include 1985's <I>Vocalese</I> (a collaboration with mentor Jon Hendricks and a host of jazz greats), 1986's <I>Brasil</I>, 1997's <I>Swing</I>, and 2000's <I>The Spirit of St. Louis</I> (although the sainted one they toast on this album is Louis Armstrong, not the city famous for its arch). Manhattan Transfer can even surprise on a mixed bag like 1991's <I>The Offbeat of Avenues</I>, on which they suddenly drop the programmed beats and dig deep into the moody Miles Davis classic "Blues for Pablo." All of Manhattan Transfer are superb vocalists in their own right, but Janis Siegel has had the greatest success as a solo artist.
- Nick Dedina]]></description>
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<title>Keiko Matsui</title>
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<category>Contemporary Instrumental</category>
<pubDate>Wed, 30 Sep 2009 10:29:17 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Keiko Matsui</rhap:artist>
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<description><![CDATA[Popular with both New Age and smooth jazz fans, keyboardist Keiko Matsui is one of the few Japanese jazz artists to make a significant impression on a mass American audience. All of her albums have sold exceptionally well in the U.S., particularly 2001's <I>Deep Blue</I>, which topped the contemporary jazz charts and also scored with pop audiences. Matsui's alternately dreamy and dramatic soundscapes touch upon Asian motifs, but European film soundtracks seem to be her heavier influence. She's married to Kazu Matsui, who has a rewarding New Age career of his own.
- Nick Dedina]]></description>
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<title>Ramsey Lewis</title>
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<category>Jazz Piano</category>
<pubDate>Sun, 22 Nov 2009 10:09:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ramsey Lewis</rhap:artist>
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<description><![CDATA[By the 1960s most jazz performers were elevated -- or demoted, depending on your point of view -- into the rarified air of highbrow culture. Only a few artists managed to get onto the pop charts the way Ramsey Lewis did during the height of Beatlemania. His earthy and funky piano sounded great in a posh nightclub or in a hot discotheque: the hepcats dug how Lewis vamped off of his beefy grooves on the hit version of "The In Crowd," while the kids just knew a hot dance tune when they heard one. While his late '50s and '60s albums are a tasty combination of Vince Guaraldi and Ray Charles, much of Lewis' later recording were closer to Earth, Wind and Fire (his hit album <i>Sun Goddess</i> was recorded with the band and it still sounds great). He went through a bland, faceless fusion period but things are looking up once again and <I>Appassionata</I> (1999) finds him performing mellow but beautiful mainstream jazz. Lewis' funky piano style has been embraced by a young generation of Acid Jazz fans. Many of these youngsters try to ape his groove, but few (if any) can reach his level of funkified artistry. He's recorded a lot of crap, but the choice stuff stands out -- and will kickstart any party outside of the Utah state lines as quickly as the cast of <I>Baywatch</I> suggesting a game of Twister.
- Nick Dedina]]></description>
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<title>Wes Montgomery</title>
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<category>Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[It's impossible to speak of jazz guitar without mentioning the great Wes Montgomery. Montgomery picked up where Charlie Christian left off, in developing the electric guitar as a jazz instrument. From 1958 until a decade later, Montgomery was the consummate Hard Bop guitar player. He blended the lightning-quick runs of Bop with an earthy, bluesy tone. His playing featured a folksy thumb-picking style, and he would often solo in octaves, both effects making his tone rounder and fuller. Montgomery composed two jazz standards, Four on Six and West Coast Blues, and recorded dozens of Bop albums. In the mid-'60s, Montgomery began playing more commercial jazz, recording instrumental versions of pop hits and enjoying considerable financial success. During his commercial period, he also began laying the groundwork for Fusion; unfortunately, he died in 1968, before Fusion ever hit its stride. Montgomery's influence is still felt in many areas of jazz.
- Noah Enelow]]></description>
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<title>George Duke</title>
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<category>Smooth Jazz</category>
<pubDate>Tue, 17 Nov 2009 09:07:25 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">George Duke</rhap:artist>
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<description><![CDATA[George Duke is a jazz pianist who played with everyone from Cannonball Adderley to Frank Zappa before finding success as a smooth jazz keyboardist and session producer. In an interesting twist, many of the numbers Duke cuts with vocalists have stronger jazz charts and keyboard solos than his instrumental cuts. While Duke's pop recordings often find him on electric keyboards, he's featured extensively on the acoustic piano on <I>Muir Woods Suite</I>. This lovely classical-meets-acoustic-jazz suite is a nice change of pace -- even for a man who constantly changes pace.
- Nick Dedina]]></description>
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<title>Lee Ritenour</title>
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<category>Pop-Jazz</category>
<pubDate>Tue, 15 Dec 2009 10:30:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<title>Gerald Albright</title>
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<category>Smooth Jazz</category>
<pubDate>Wed, 16 Dec 2009 11:55:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gerald Albright</rhap:artist>
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<description><![CDATA[While <I>Live at Birdland West</I> (1991) proves that Albright can play straight-ahead jazz with verve and passion most of his releases stick to the Smooth Jazz format. Simplifying his R&B-rooted approach on alto and tenor saxophone, he's released a number of popular efforts in the Smooth Jazz/Quiet Storm realm. Lite Funk rhythms, slick production, cooing background vocalists and easy melodies are the key components of his candlelight-beckoning seduction soundtracks.
- Will York]]></description>
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<title>Tommy Emmanuel</title>
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<category>Pop-Jazz</category>
<pubDate>Sun, 14 Jun 2009 07:50:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tommy Emmanuel</rhap:artist>
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<title>Jane Monheit</title>
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<category>Vocal Jazz</category>
<pubDate>Sun, 25 Oct 2009 10:21:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[Jane Monheit was one of many young jazz and classic pop based vocalists to benefit from the rise of Diana Krall in the 1990s. An old world beauty raised on Long Island, the 20 year-old Monheit first came to the public's attention at a prestigious jazz competition that was attended by a bevy of musical legends. Monheit possesses a beautiful, crystal clear tone that sets her apart from most modern singers, in or out of the jazz world. Her chops are more powerful than those of musician/singers such as Diana Krall or Peter Cincotti and she is more approachable in her use of jazz improvisation. Monheit signed with the indie label N-coded and released her debut, <I>Never Never Land</I>, in 2000, kicking off the set with the self-deprecating "Please Be Kind." Monheit needn't have worried, since the CD was a big hit, shooting up to the No. 2 spot in the jazz charts and reaching No. 3 in the then-new Internet sales chart. Her 2001 follow-up did even better, going to the top spot in the jazz charts and featuring a cover of Joni Mitchell's "A Case of You" that shows that Monheit could've easily entered the Sarah McLachlan pop realm if she had wished to. <I>In the Sun</I>, released in 2002, grafted lush string arrangements onto a small-group jazz palette, while the next year's <I>Live at the Rainbow</I> surprisingly had more of an old-fashioned, Streisand-in-the-1960s vocal feel to it than her studio albums. Monheit signed to Sony in 2004 and released <I>Taking a Chance On Love</I>, a run-through of the standards originally written for MGM films. Another mix of small-group and orchestral numbers, the album returned Monheit to No. 1 in the jazz charts and showcased her strengths as both a jazz and classic pop vocalist.
- Nick Dedina]]></description>
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<title>Roy Ayers</title>
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<category>Jazz-Funk</category>
<pubDate>Fri, 4 Dec 2009 13:19:34 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=266&amp;rws=%2Fjazz%2Fpop-jazz%2Fartist-chart.rss">Top Pop-Jazz Artists on Rhapsody Online</source>
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<description><![CDATA[This superb vibraphonist crafted a winning mix of soul, world music and jazz that rode high on the jazz and R&B charts throughout the 1970s and '80s. Roy Ayers started out as a solid hard bop musician, but he quickly upped the soul and disco elements of his sound, and his sophisticated music became an uptown pop staple of disco-era black America. Even while Ayers was gaining attention for such R&B hits as "Running Away," "Hot" and "In the Dark," his overall reputation kept growing, particularly in the U.K., and he's now considered a pioneer of Britain's acid jazz movement. His work is also widely sampled by American hip-hop producers, and his juicy crossover albums are now as widely available as his soul jazz efforts should be. Ayers has earned his place in pop history as one of the few modern jazz musicians who blueprinted a pop sound with his band, not with his instrument.
- Nick Dedina]]></description>
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