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<title>Top Cool Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link><description>Top Cool Artists on Rhapsody Online</description><category>Cool</category><language>en</language><ttl>720</ttl><pubDate>Wed, 2 Dec 2009 14:30:15 -0800</pubDate><image>
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<title>Top Cool Artists on Rhapsody Online</title>
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<title>Miles Davis</title>
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<category>Bop</category>
<pubDate>Mon, 30 Nov 2009 10:00:40 -0800</pubDate>
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<description><![CDATA[Arguably, no single artist has changed the face of modern music so profoundly, and so many times, as Miles Davis. As Charlie "Yardbird" Parker was busy revolutionizing the jazz world with his stripped-down, freewheeling style called Bop, he invited the young Davis to join him in the mid-1940s. Miles played with Bird for three years before going on to wage his own Cool Jazz revolution, fronting a nine-piece ensemble and creating lush, orchestral arrangements for <I>Birth of the Cool</I>. Due to drug addiction, a fallow period ensued in the early '50s, but Davis returned to the fore with renewed vigor and a new quintet in 1954. The Miles Davis Quintet, including John Coltrane on tenor sax, set new standards for what jazz could represent, achieving a popularity previously thought unattainable in the eclectic realm of jazz. Further milestones lay ahead for Davis -- his groundbreaking orchestral work with his musical soul mate Gil Evans, the recording of the most popular jazz album ever (<I>Kind of Blue</I>), further endeavors with another pivotal quintet in the '60s and finally, the fathering of the Free Improvisation and Funk-tinged riffs and grooves of the Fusion age with <I>Bitches Brew</I>. Through it all, Davis was the consummate professional and master innovator, never pausing to look back while constantly building upon his notoriously irrepressible momentum.
- Noah Enelow]]></description>
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<title>Dave Brubeck</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Tue, 24 Nov 2009 09:38:11 -0800</pubDate>
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<description><![CDATA[With his unique piano style and songwriting abilities, Dave Brubeck earned the respect of such lofty peers as Miles Davis, Charles Mingus and Cecil Taylor. During much of his career the jazz snobs have been less kind, but they're coming around to the fact that this snubbing was never really about Brubeck's music. As a matter of fact, most of the negative jazz press he received was due to the fact that Brubeck found fame and fortune by taking jazz from the nightclub to the college campus, and because he openly embraced avant-garde classical structure in his pieces. The fact that Brubeck made it onto the cover of <I>Time</I> before Armstrong or Ellington didn't help, but Brubeck's career is clearly long overdue for a re-evaluation. Whether playing lyrical standards, composing complex extended works or jamming with his peers, Brubeck has always taken the artistic high road and done it his way. He shared a special bond with his sublime sax player Paul Desmond, and their tune "Take Five" from his milestone album <I>Time Out</I> became a surprise hit single and remains a standard to this day.
- Nick Dedina]]></description>
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<title>Stan Getz</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:42 -0800</pubDate>
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<description><![CDATA[So unique was Stan Getz's saxophone sound that his solo on "Early Autumn" catapulted him to stardom in 1948 (his tone was so unique that he was nicknamed "The Sound" and even Coltrane wished he could play like him). Getz was at first influenced by Lester Young (and he was deservedly famous for the way he played ballads) but he quickly fell under bop's spell and his disarming versatility that enabled him to shine in Swing, Cool, or Avant-Garde jazz contexts. Just as his popularity was beginning to wane in the early 1960s, he scored massive hits with his Bossa Nova work, introducing the sultry South American-derived rhythms to a global audience. Getz remained on top for the rest of his life.
- Nick Dedina]]></description>
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<title>Chet Baker</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Thu, 12 Nov 2009 19:09:58 -0800</pubDate>
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<description><![CDATA[Chet Baker, more than ten years after his mysterious death, is more popular than ever. Baker was an extremely handsome young man and this, coupled with his reckless, drug-addled life, earned him the tag the James Dean of Jazz. But even after he lost his looks, Baker's trumpet and vocals continued to spellbind. Jazz snobs like to forget that Charlie Parker chose Baker to be his West Coast foil or that it was Dizzy Gillespie who talked Baker into returning to the trumpet in the '70s after his teeth were knocked out. Baker hit the big time at a very young age, with Gerry Mulligan's groundbreaking piano-less quartet that made a name for West Coast jazz. Baker's trumpet style owed a lot to Miles Davis (though, Baker never used a mute and was ashamed when he beat out Clifford Brown in jazz polls) and his pleasant, thin vocals were just as introspective and well-phrased.
- Nick Dedina]]></description>
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<title>Bill Evans</title>
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<category>Jazz Piano</category>
<pubDate>Tue, 24 Nov 2009 09:38:14 -0800</pubDate>
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<description><![CDATA[Bill Evans somehow learned to distill beauty from the air and make it pure. His crystalline, impressionistic touch on the piano produced ballads to dive into deeply. Though he could be a mainstream, swinging jazz pianist, his faster pieces are often less accessible, jagged and angular. Evans was an in-demand sideman in the late 1950s and the main creative catalyst behind Miles Davis' <I>Kind of Blue</I> album. He preferred to work with his own trio (his piano/bass/drums recordings are among the most influential in modern jazz), but he also recorded stellar albums with Jim Hall, Stan Getz, and Tony Bennett. On his own, he multi-tracked <I>Conversations with Myself</I>, yet another milestone. Despite his scholarly image, Evans was plagued with drug addiction for the majority of his adult life. His "NYC's No Lark" depicts some of the pain he experienced he saw and should keep everyone hooked exclusively on Bill Evans' music.
- Nick Dedina]]></description>
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<title>Paul Desmond</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Wed, 7 Oct 2009 12:12:52 -0700</pubDate>
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<description><![CDATA[Paul Desmond was widely quoted as saying that he wanted his saxophone to sound like a dry martini. That quote could apply to the man himself: he was urbane, witty, sophisticated, and the music he made was intoxicating. San Francisco native Desmond hit the big time with pianist Dave Brubeck, forming an unbeatable musical team in which his incredible improvisatory sax flights remained lyrically and emotionally grounded, while Brubeck applied advanced musical theory on the keys. Desmond wrote "Take Five" in order to have a smoke during the drum solo, and it became a surprise hit single that remains a jazz standard to this day. He went on to record a series of stellar albums with guitarist Jim Hall, Gerry Mulligan and Chet Baker. Desmond later died of lung cancer, but not before donating all "Take Five" royalties to the International Red Cross.
- Nick Dedina]]></description>
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<title>Cal Tjader</title>
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<category>Afro-Cuban Jazz</category>
<pubDate>Tue, 24 Nov 2009 09:38:13 -0800</pubDate>
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<description><![CDATA[Cal Tjader, the mild-mannered Clark Kent of jazz, became Superman onstage. He combined cool West Coast jazz with Latin rhythms in such a way that pleased both general and jazz publics. Tjader began as a drummer and vibes player with Dave Brubeck and while in New York with George Shearing, he began going to Latin clubs. He sat in with Tito Puente in San Francisco and the audience reaction was so positive that they played to SRO crowds for weeks. Tjader's Mambo albums on Fantasy sold much better than his straight jazz records (e.g. his work with Stan Getz, as well as his own quartet dates). But regardless of the setting he was a fine soloist whose vibe work recalled that of Milt Jackson. In the mid-60s, Tjader began to experiment with his sound, delving into small group, Big Band and even Asian/Latin jazz. From this period, "Soul Sauce" remains one of only a handful of jazz hit singles to ever hit the marketplace. When he died during a concert in 1982, Cal Tjader was at the height of his powers
- Nick Dedina]]></description>
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<title>Ahmad Jamal</title>
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<category>Jazz Piano</category>
<pubDate>Tue, 10 Nov 2009 10:13:19 -0800</pubDate>
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<title>Anita O'Day</title>
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<category>Vocal Jazz</category>
<pubDate>Wed, 25 Nov 2009 11:50:35 -0800</pubDate>
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<description><![CDATA[This dizzy dame can scat like a woman possessed, then turn right around and quietly perform a perfect torch song. Hitting the big time with Gene Krupa, O'Day origianally sounded like Billie Holiday and unfortunately, shared her bad habits. But right off the bat, she had her own goofy sense of humor and a loose, improvisational style that was fresh and by the time Stan Kenton signed her up, O'Day was completely unique. From there, she went solo and recorded a great series of records on Verve. Whether with big bands, West Coast innovators or small groups, her vocal prowess dazzled. She's still at it today and has been embraced by a whole new swing generation.
- Nick Dedina]]></description>
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<title>Carmen McRae</title>
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<category>Vocal Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:12 -0800</pubDate>
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<description><![CDATA[McRae was one of the great jazz singers, a refined vocalist who worked hard at making it all seem so natural and easy. Though influenced by Billie Holiday and Frank Sinatra, McRae brought an emotional and stylistic coolness to the party -- a style which even surfaces in her amazing scats. Some of her deserving 1950s albums are finally surfacing on the GRP and Verve labels, and McRae's 1980s Concord sessions are widely available.
- Nick Dedina]]></description>
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<title>George Shearing</title>
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<category>Jazz Piano</category>
<pubDate>Sun, 15 Nov 2009 11:03:42 -0800</pubDate>
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<description><![CDATA[When George Shearing came to New York from London in the late '40s, he had a problem: how to stand out from hordes of great jazz pianists. His answer was to create the GS Quintet. Shearing's distinctive mix of vibes, guitar, and piano became hugely popular and much imitated (even today, listen to the <I>Frasier</I> TV show theme). His lyrical piano combined bop, Latin and classical touches with swing. Likewise, Shearing brought jazz chops to his highly successful series of "mood music" albums on Capitol. His shimmering keyboard work conjures up images of New York penthouses and the club he celebrated in his standard "Lullaby of Birdland."
- Nick Dedina]]></description>
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<title>Gerry Mulligan</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:39:21 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Gerry Mulligan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5762&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5762&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With his white sidewalls crewcut and short-sleeved shirts, Gerry Mulligan was a 50s icon. Mulligan's pianoless quartet with Chet Baker caused an immediate sensation in 1952 and put West Coast Jazz on the map. Mulligan had already been working on his trademark relaxed, Cool Jazz sound with his arrangements for Claude Thornhill and Miles Davis. Besides his writing skills, Mulligan's mastery of the baritone sax had much to do with his success. In most hands, the deep, throaty instrument can sound like a baby tuba, but Mulligan treated the beast like the kind of tenor sax that Ben Webster played. He employed that fluid style with his equally influential quartets, tentets, and big bands. He died in 1996, still at the height of his powers, after complications from minor knee surgery (he was an avid runner). Undeniably, one of the true giants of jazz.
- Nick Dedina]]></description>
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<title>Modern Jazz Quartet</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6127&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Thu, 12 Nov 2009 19:09:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Modern Jazz Quartet</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6127&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[These innovative cool jazzers, who in their forty years of ensemble playing never enlisted a regular horn player, focused on thematic development through classically influenced writing. They also wrote several important jazz standards, including "Django" and "Bags' Groove." Bags was the nickname of vibraphonist Milt Jackson, who adapted Bebop styles to the vibes. But the most original jazz concepts in the group came from the group's pianist, arranger, and bandleader, John Lewis. Lewis was a student of European chamber music, and in his arrangements he attempted to blend classical counterpoint and fugue with jazz improvisation. The band even released an album of compositions by J.S. Bach. Like many classical composers, Lewis enjoyed writing music on themes from traditional theater, composing a series of sketches of the stock characters from the Commedia dell'Arte. The Modern Jazz Quartet captivated jazz and classical audiences until the death of drummer Connie Kay in 1994.
- Noah Enelow]]></description>
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<title>Lester Young</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5862&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:38:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lester Young</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5862&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5862&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When Lester Young joined Count Basie's band in the '30s, he instantly attained star status. Young's unique tenor saxophone style was magnificently laid-back, and his feathery tone influenced the formation of Bop and Cool Jazz. Rather than setting a clear separation point between melody and improvisation, his incredible improvisations kept focused on the melody, and "the Pres" loved singers like Billie Holiday and Frank Sinatra -- he even made his sidemen memorize lyrics -- and he staunchly believed that the most important thing to communicate in music was emotion. Though his career was often erratic, Young left an indelible mark on jazz with his deeply evocative, adventurous playing, his hipster vocabulary, his sense of style, and even the way he held his saxophone.
- Nick Dedina]]></description>
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<title>Herbie Mann</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6178&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Herbie Mann</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6178&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6178&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The two words jazz flute usually conjure up an image of the eternally whiskered Herbie Mann. At first a disciple of the cool school, Mann switched from sax to flute in the late 50s and turned heads with his accessible, swinging Bop. His complex rhythmic sense coupled with his understanding of harmony lines came to fruition in the early 60s when Mann took up Afro-Cuban and Bossa Nova music to massive success as he recorded with the likes of Antonio Carlos Jobim, Willie Bobo and, in a change of pace, Bill Evans. His albums from this period mesh with both solitary listening and parties (<i>Memphis Underground</i> may be his biggest album). In the 70s, he switched gears again and put out a series of Fusion and pop/reggae/Disco albums. When the hits finally stopped, Mann returned to mainstream jazz but continued to use his position to explore all avenues of world music until he passed away in 2004.
- Nick Dedina]]></description>
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<title>Milt Jackson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6325&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Milt Jackson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6325&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6325&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Milt Jackson's approach to the vibes is so perfect that every player to come after him (most notably Cal Tjader and Bobby Hutcherson) has used his basic approach. Even the instrument's previous innovators, Red Norvo and Lionel Hampton, were changed by him. Jackson turned what was most often used as a percussive instrument or a frenzied showstopper into a focal, improvising instrument. He slowed down the playing, allowing the notes to hang and vibrate in the air, while keeping the Swing foundation alive. Jackson was part of Dizzy Gillespie's Bop revolution before jumping ship to join the Modern Jazz Quartet, where he added his blues touch to their cool brand of chamber jazz. The MJQ continue to be a widely popular group, but Jackson has had plenty of chances to shine with a diverse array of artists including Ray Charles, Wes Montgomery, John Coltrane, and Paul Desmond.
- Nick Dedina]]></description>
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<title>Barney Kessel</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62130&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Fri, 16 Oct 2009 11:00:01 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Barney Kessel</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62130&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62130&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Following the death of Charlie Christian and prior to the rise of Wes Montgomery, Barney Kessel was <I>the</I> jazz guitarist, and like nearly every other jazz guitarist, he used Christian's advances as a template. Kessel was a strong improvisor blessed with a deep sense of Swing, yet he still consumed the idioms of Bop and Cool whole. He could jam endlessly or build upon slow ballads, letting his notes drift in the air. Kessel dominated the jazz polls throughout the Â50s and early Â60s, and was a major figure in the West Coast jazz scene of the era. A studio mainstay, he played with practically every big name on the map: Oscar Peterson, Billie Holiday, Lester Young, and Frank Sinatra, to name a few. Kessel could work with each of these artists without ever altering or losing his own voice Â- he was the chameleon who didn't need to change colors to fit in.
- Nick Dedina]]></description>
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<title>Marty Paich</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5568&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Mon, 20 Jul 2009 09:34:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marty Paich</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5568&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Zoot Sims</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6195&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Thu, 5 Nov 2009 12:40:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Zoot Sims</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6195&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6195&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Besides having just about the coolest jazz name imaginable, John "Zoot" Sims never blew a false note. Part of the Lester Young-inspired West Coast school, Sims swung with constant abandon while managing to keep the trademark relaxed Cool approach. Sims hit the big time in the late '40s as one of Woody Herman's Four (sax) Brothers, and from there led his own groups and worked with just about every big band, Cool jazz artist and vocalist on the jazz landscape, including Benny Goodman, Miles Davis and Ella Fitzgerald. Finally in 1953, Gerry Mulligan tapped Sims as lead soloist in his own progressive take on the Big Band sound. After 1956, Sims led his own groups (often with the like-minded sax of Al Cohn) and continued to add his talents to many sessions until his death in 1985.
- Nick Dedina]]></description>
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<title>Jim Hall</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2547&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Fri, 30 Oct 2009 12:04:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jim Hall</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2547&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2547&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wes Montgomery came up with such a tantalizing blueprint for guitar players in the 1960s that many fans forget there is more than one way to pluck a string. The freethinking Jim Hall has continued to follow his own impressionistic lead for the past forty years. Always a subtle and introspective player, Hall first came to public attention on the 1950s West Coast Cool scene with Chico Hamilton and Jimmy Guiffre, moving into the '60s with Paul Desmond's sublime quartet. Hall could turn the heat up with Sonny Rollins or Quincy Jones' funky big band, but as his suberb duets with Bill Evans show, he shared a special bond with introspective players. Since then Hall has continued to thrive, and <I>Concierto</I>, with Desmond and Chet Baker, was a mainstream acoustic jazz landmark in the Fusion-mad '70s. Many of today's elite guitarists, such as Pat Metheny and Bill Frisell, are highly influenced by Hall's risk-taking -- showing that there is never just one blueprint for anything, least of all music.
- Nick Dedina]]></description>
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<title>Mark Murphy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6196&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Fri, 21 Aug 2009 10:04:31 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mark Murphy</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6196&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6196&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mark Murphy has managed to weather every change in music since the mid-1950s without ever compromising who he is nor what he does (he's not a snob, he just plays to his strengths) and by doing so he has remained the same, exceptional, jazz singer for forty-five years. Murphy comes on like a militant Mel Torme; he's witty and will scat endlessly, but can sing a ballad "straight"; he loves experimenting with different styles and song form itself, but he never really tried to appeal to a mass audience with Disco or soft rock. Based in San Francisco until recently, Murphy has had an adventurous recording career, check out his album "Bop for Kerouac" where he inserted the author's passages in the middle of standards to excellent effect. Whether at a sleek nightclub or coming out of your stereo, Mark Murphy will not disappoint.
- Nick Dedina]]></description>
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<title>Lee Konitz</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3213&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Mon, 30 Nov 2009 10:01:08 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lee Konitz</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3213&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3213&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Like many jazz musicians associated with the 1950s Cool jazz scene, saxophonist Lee Konitz's beautiful tone has often blinded critics to his innovative spirit, though he quickly earned the notice of his peers in the late '40s from his work with Lennie Tristano and Miles Davis. These sides were not immediately popular, but the public quickly caught on to them in the '50s. The sense of adventure on these recordings kept Konitz on his toes, and he went on to work with such disparate iconoclasts as Stan Kenton, Jimmy Guiffre, Bill Evans, and Joe Henderson. He has kept up a consistent level of excellence throughout the decades, recording pieces that challenge the mind without assaulting the ears. He and a series of spectacular guests chart the entire history of jazz, from New Orleans jams to Avant-Garde free-form explorations on his 1967 <I>Duets</I> album.
- Nick Dedina]]></description>
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<title>Art Farmer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5793&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Fri, 27 Nov 2009 10:25:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Farmer</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5793&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5793&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Look on the back of any jazz record from the '50s onward and the odds are pretty good that Art Farmer is on it. In 1945, Farmer blazed a trail the minute he set foot in Los Angeles: he improvised like a demon yet still managed to be melodic on trumpet and flugelhorn. Farmer's playing enlivened the bands of Benny Carter, Lionel Hampton, and Quincy Jones. In New York, he worked with Horace Silver, Gerry Mulligan, and Benny Golsen, among countless others. He led his own groups from the early '60s on and released dozens of superb solo albums, but continued to drop in on friends' sessions. His sound was so appealing that even during the dark '70s, he had major label deals. What was his secret? Whatever it was, Farmer carried it to the grave in 1999 but we can still search for the answers in his music.
- Nick Dedina]]></description>
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<title>Johnny Smith</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5933&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Thu, 22 Oct 2009 13:23:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Johnny Smith</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5933&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5933&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Johnny Smith was a cool-toned jazz guitarist whose light touch and melodic solos were matched by a deep technical mastery of his instrument. This winning combination gave Smith a unique sound and endeared him to the public and his fellow musicians alike, placing him on the shortlist of lead guitar pioneers, along with Charlie Christian, Django Reinhardt, Les Paul and Barney Kessel. Smith, with Stan Getz's help, landed a big chart hit in 1953 with his take on the standard "Moonlight In Vermont." Even though he went on to enjoy success throughout the decade, by the 1960s he tired of the jazz life and went into teaching, popping up occasionally to cut a new album. He also wrote "Walk, Don't Run," which became a huge hit for The Ventures, one of many 1960s rock bands to name the introspective musician as an inspiration for exploring what can be achieved on the guitar.
- Nick Dedina]]></description>
</item><item>
<title>Chris Connor</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16559&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Vocal Jazz</category>
<pubDate>Sat, 29 Aug 2009 10:21:48 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chris Connor</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16559</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16559&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16559&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There were two jazz queens of coffeehouse Cool during the 1950s. While June Christy ruled the West Coast with complex material, Chris Connor was throned in a New York expresso bar. We give the edge to Christy, but there is always room for nobility in our jazz mansion. Besides, if they sound similar it was Christy who handpicked Connor to take her spot with the Stan Kenton band. A master of musical and emotional subtlety, Connor quickly became one of Atlantic Records' biggest stars during the '50s. Working with a constantly shifting cavalcade of musical giants -- Milt Jackson, Herbie Mann, Maynard Ferguson -- her Atlantic albums offer a plethora of riches that are rooted to Connor's "less is more" approach. Like so many popular jazz-based artists, she had a hard time during the tumultuous '60s, but she has come back strong, amassing a large cult following. The bargain priced <i>Warm Cool</i> compilation creams her Atlantic years into one swell, two-CD set.
- Nick Dedina]]></description>
</item><item>
<title>Helen Merrill</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6138&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Thu, 15 Oct 2009 11:00:11 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Helen Merrill</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6138</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6138&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6138&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Till Bronner</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.19705&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Crossover Jazz</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.19705</guid>
<rhap:rcid xmlns:rhap="rhap">art.19705</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Till Bronner</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.19705</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19705&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.19705&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Tal Farlow</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.17136&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Bebop</category>
<pubDate>Sun, 2 Aug 2009 08:58:48 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.17136</guid>
<rhap:rcid xmlns:rhap="rhap">art.17136</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Tal Farlow</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.17136</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17136&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.17136&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Tal Farlow was a brilliant Bop guitarist who became a jazz sensation in 1949 when he joined the same forward-looking Red Norvo Trio that brought Charles Mingus back into the music business. His own solo albums were wonderful, with Farlow equally comfortable with Bop and Cool musicians. However, much like West Coast guitarist Laurindo Almeida, he hated life on the road and retired from the limelight for a fifteen-year stretch. In 1975, he began releasing a string of winning albums on the Concord label that were just as hot as the ones he made for Verve in the '50s. If Tal Farlow ever played a mediocre solo, it seems to have never been recorded.
- Nick Dedina]]></description>
</item><item>
<title>Lennie Tristano</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2893&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Sun, 15 Nov 2009 11:03:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lennie Tristano</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2893</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2893&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2893&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Shorty Rogers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5448&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 23 Oct 2009 11:55:40 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.5448</guid>
<rhap:rcid xmlns:rhap="rhap">art.5448</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Shorty Rogers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5448</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5448&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5448&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Shorty Rogers was an agile trumpet player with a light and always swinging style, but his largest contributions to jazz came from his wondrous arranging and composing abilities. The Giants, his popular West Coast ensemble, kept fluctuating from a small group to a mid-sized outfit to a full big band, and his music was featured in such quintessential 1950s films as <I>The Wild Ones</I> and <I>The Man With the Golden Arm</I>. He had a rare instrumental hit single in 1962 with "Martians, Go Home" but by the middle of that decade, Rogers had abandoned jazz for full-time studio and movie work. In 1983 he returned to his first love, playing and recording regularly until his death in 1994.
- Nick Dedina]]></description>
</item><item>
<title>Jim Tomlinson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.35159&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Fri, 23 Oct 2009 16:25:08 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.35159</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jim Tomlinson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.35159</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35159&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35159&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Bob Brookmeyer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62119&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Wed, 12 Aug 2009 09:28:27 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.62119</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bob Brookmeyer</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62119</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62119&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62119&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A valve trombonist and ace arranger, Bob Brookmeyer's Cool, but warm, tone has been a major part of the jazz scene for almost fifty years. After getting tapped by Stan Getz in 1953, he went on to Jimmy Giuffre's unique chamber jazz trio with Jim Hall, and then started his long association with Gerry Mulligan. Brookmeyer's solo records from this period are real finds, but most people have heard his complex, melodic work with Mulligan, Chet Baker, and on two excellent duet albums with Bill Evans. Like so many of these collaborators, his style meshed perfectly with 1960s Bossa Nova, and Brookmeyer recorded an engaging collaboration with Lalo Schifrin called <I>Samba Para Dos</I> that will please serious jazz and Lounge fans alike. Brookmeyer has become another jazz treasure that America has lost to Europe, but luckily his big band and small group recordings are widely available. The only constant you will find in his diverse body of work is excellence.
- Nick Dedina]]></description>
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<title>Bud Shank</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6136&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Sat, 22 Aug 2009 09:35:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6136</guid>
<rhap:rcid xmlns:rhap="rhap">art.6136</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bud Shank</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6136</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6136&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6136&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bud Shank's footprints on jazz and popular music are far deeper than his name recognition with the general public. Shank was part of the L.A.'s West Coast scene in the 50s and his sly sax sound was alive with a breezy sense of swing. Shank also brought his flute along to sessions and really put that instrument on the map in jazz and popular music. In 1953, he got together with guitarist Laurindo Almeida and their album of Cool/Brazilian music was a great inspiration to the young Antonio Carlos Jobim and the creation of Bossa Nova. Since his salad days, Shank's sound has gotten increasingly more aggressive and experimental, and he now sounds more like an angry young man than a sentimental senior.
- Nick Dedina]]></description>
</item><item>
<title>Gil Evans</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6470&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Tue, 17 Mar 2009 20:34:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gil Evans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6470</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6470&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6470&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Canadian-born, but raised in California's agricultural Central Valley, Gil Evans' tonal colors are unique with an eerie, disquieting quality. His laid-back charts for Claude Thornhill in the '40s helped lay the foundation for Cool jazz, and his apartment was a meeting place for like-minded moderns such as Gerry Mulligan, Miles Davis, and John Lewis. They all got together on the classic <I>Birth of the Cool</I> LP. That Miles Davis album was a popular bust but was hugely influential and Evans went on to record three stunning albums with Davis in the late '50s and he started recording his own big band throughout this period. His solo albums and collaborations with Kenny Burrell and Astrud Gilberto in the '60s are equally impressive and carry his unmistakable sound. Evans got into electronics and continued experimenting in the '70s, but most of this later work lacks focus (excluding his surprisingly good tribute to Jimi Hendrix in '74).
- Nick Dedina]]></description>
</item><item>
<title>Gene Bertoncini</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.45554&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 21 May 2009 12:58:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.45554</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gene Bertoncini</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.45554</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45554&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.45554&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bertoncini is a master of understated jazz guitar performed with a light touch. With his nylon-string and longtime bassist Michael Moore at his side, he's performed everything from scintillating Post Bop to Bossa Nova inspired by Antonio Carlos Jobim.
- Jessy Terry]]></description>
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<title>Claude Thornhill</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44169&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Classic Swing</category>
<pubDate>Fri, 13 Nov 2009 12:39:19 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Claude Thornhill</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44169&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44169&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[No other Swing era band sounded quite like Claude Thornhill's. This pianist favored moody, flowing charts that didn't get hot or fit in with the slow dancing sweet bands of the '40s. Gil Evans crafted many of the band's arrangements and Thornhill, who embraced Bop influences and soloists -- chief among them are Gerry Mulligan and Lee Konitz -- knew how to combine commercial and artistic instincts in his gauzy, absinthe drenched sound. Miles Davis loved this band and his interactions with Evans, Mulligan, and Konitz resulted in the <i>Birth if the Cool</i> sessions. Thornhill's theme song, "Snow Fall," is one of the dreamiest of all jazz standards.
- Nick Dedina]]></description>
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<title>Jack Sheldon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8647&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:39:21 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jack Sheldon</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8647</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8647&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8647&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jack Sheldon is one of the great jazz trumpet players. Besides leading his own groups, he was a busy session player with just about every West Coast musician and vocalist and on a series of Tom Waits records. He mastered the cool approach of Miles Davis and Chet Baker but was always more of a free-wheeling swinger and he excelled at Hard Boppers. He is a very funny performer, often singing and doing ribald monologues, and for a time he even had his own sitcom in the '60s. His latest recordings on the Concord label hold up to his best work of four decades ago.
- Nick Dedina]]></description>
</item><item>
<title>Al Cohn</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6485&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Fri, 11 Sep 2009 10:25:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Al Cohn</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6485&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Al Cohn was a tenor saxophonist who came about in the early 50s heavily influenced by the swinging sound of Lester Young. Also recognized as a fine composer, Cohn played straight jazz with a cool sound not too different from Zoot Sims (with whom he shared a band). His sound grew more somber as he continued recording until the 80s, but it never lost its' relaxed, warm intensity.
- Nick Dedina]]></description>
</item><item>
<title>Buddy Collette</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3642&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Thu, 2 Jul 2009 13:50:40 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Buddy Collette</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3642&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3642&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Teddy Charles</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.20364&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Fri, 15 May 2009 11:39:55 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Teddy Charles</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.20364&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.20364&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>John Pisano</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10397&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Thu, 22 Oct 2009 13:23:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Pisano</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10397&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10397&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pisano's a very unselfish guitarist, happy to take the backseat as accompanist for Joe Pass and Chico Hamilton, among others. His playing is light and alternately bluesy or spacious.
- Jessy Terry]]></description>
</item><item>
<title>Jack Wilkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7038&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Wed, 29 Apr 2009 15:31:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jack Wilkins</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7038&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7038&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Over brisk, understated swing backbeats, Jack Wilkins plays the blues faster than Wes Montgomery on the Concorde going east. His Bop lines approach light speed as the rhythm section calmly carries on.
- Michael Ansaldo]]></description>
</item><item>
<title>Tom Harrell</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.58314&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Wed, 7 Oct 2009 12:12:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.58314&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.58314&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It can't be easy to be tagged a musician's musician. While fans buy albums and concert tickets, artists expect everything for free. Horn player Tom Harrell has been a musician's favorite for years; he combines a lyrical Cool style with a deep understanding of Hard and Post Bop structures. Like Art Farmer, he fits into a diverse range of ensembles: from the impressionistic Bill Evans to the funky Horace Silver, from the bombastic Stan Kenton Orchestra to the hard-swinging Woody Herman Herd. Besides his stellar sideman gigs, Harrell's own recordings keep getting better. Recent RCA releases show off his compositional and arranging skills as well as his trumpet and flugelhorn chops. Though Harrell's tone is close to Chet Baker's, he adds offbeat artists like the frenzied Dewey Redman to his ensembles and can help the divergent sounds make sense together. Though Harrell has received some press about his positive life as a diagnosed schizophrenic, his consistently rewarding work deserves a wider audience.
- Nick Dedina]]></description>
</item><item>
<title>Pepper Adams</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44171&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Tue, 17 Mar 2009 20:32:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Pepper Adams</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44171&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44171&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There have been precious few virtuoso baritone saxophone players in the history of jazz. Pepper Adams is one of them, redefining the instruments capabilities with his deep-swinging, Hard Bop growl. Unlike the romantic, satin-and-sandpaper tone of Harry Carney or the cool-jazz fluidity of Gerry Mulligan, Adams had a gruff, no-nonsense tone, playing with the lightning speed and harmonic density usually associated with tenor or alto sax players. His most prolific period occurred from 1958-1963, when he made several notable recordings as a bandleader, including a full album of Charles Mingus tunes. He was also a highly prolific sideman, recording important sessions with John Coltrane, Johnny Griffin, Lee Morgan, Chet Baker, and Donald Byrd. Adamss hard-edged playing paved the way for such Post Bop and Avant-Garde baritone giants as Hamiett Bluiett, James Carter, and Alex Harding.
- Noah Enelow]]></description>
</item><item>
<title>Mel Lewis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6226&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Wed, 24 Jun 2009 23:39:22 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mel Lewis</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6226&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6226&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A favorite of Gerry Mulligan, Dizzy Gillespie, and Johnny Mandel, Lewis is a crackingly good drummer who was a major player on the modernist West Coast scene prior to taking over the Thad Jones Orchestra. Whether Cool or Bop, he keeps the beat swinging.
- Nick Dedina]]></description>
</item><item>
<title>Bill Perkins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12463&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Sat, 22 Aug 2009 09:35:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bill Perkins</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12463&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12463&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jimmy Raney</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10399&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Cool</category>
<pubDate>Fri, 10 Jul 2009 12:20:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jimmy Raney</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10399&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10399&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jimmy Raney had some of the most seamless, stunningly developed Bebop lines of any of jazz guitarist. Though electric hollow-body guitars traditionally have a mellow sound, Raney's pointed rhythms and perfect choice of notes gave his archtop an edge. As a sideman, Raney worked with Woody Herman and Artie Shaw, as well as recording some exceptional collaborations with Stan Getz. Seminal guitarist Wes Montgomery cited Raney as one of his primary influences -- both had an incredible fluidity and touch to their playing. Whether softly rendering a solo standard, or burning through a set of changes, Raney was one of the best.
- Jessy Terry]]></description>
</item><item>
<title>Jimmy Rowles</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6345&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>West Coast Jazz</category>
<pubDate>Fri, 10 Jul 2009 12:20:36 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jimmy Rowles</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6345&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6345&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jimmy Rowles makes great artists sound even better. His pianos crisp, relaxed combination of Swing and Bop made Rowles a staple of the West Coast Jazz scene in the '40s, '50s and '60s. Rowles played regularly with name bands, musicians, and singers such as Billie Holiday, Lester Young, Peggy Lee and Henry Mancini, and rarely got a chance to shine on his own. All that changed when he moved to New York in 1973. Though he continued to work with peers like Stan Getz and Ella Fitzgerald, he started recording prolifically under his own name. His tune The Peacocks has become a standard and was featured in the film <I>Round Midnight</I>. Rowles, a powerful vocalist and stalwart ivory tinkler, was jazz vocalist Diana Kralls teacher and she spreads his Gospel wherever she goes.
- Nick Dedina]]></description>
</item><item>
<title>Marlon Jordan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7876&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Wed, 17 Jun 2009 08:23:55 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marlon Jordan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7876&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7876&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Marlon Jordan is a young Big Easy native who is quickly making a name for himself with his energized take on the classic Miles Davis Quintet sound. His style is less introspective than his hero's allowing his vitality to grab hold immediately. Think of a Miles on steroids, and with a sunnier disposition.
- Nick Dedina]]></description>
</item><item>
<title>Frank Wess</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12729&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</link>
<category>Big Band</category>
<pubDate>Sat, 11 Jul 2009 12:20:35 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=109&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss">Top Cool Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Frank Wess</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12729&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12729&amp;variant=data&amp;rws=%2Fjazz%2Fcool-west-coast-jazz%2Fcool%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If they handed out MVP awards for jazz musicians, Frank Wess would have a trophy-lined fireplace. A great Cool-toned sax player, Wess actually earned a name for himself playing flute for the "atomic" period of the 1950s Basie band. Between band duties and a busy session schedule, he also found the time to record dozens of swingin' solo records over the latter half of the twentieth century. Unlike Bud Shank, an equally fine woodwind master, Wess doesn't seem to have a chip on his shoulder about giving equal time to the flute and tenor sax. Lend a listen to his current work on the ever classy Concord label -- Wess' sound is as delightful as ever.
- Nick Dedina]]></description>
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