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<title>Top Hard Bop Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link><description>Top Hard Bop Artists on Rhapsody Online</description><category>Hard Bop</category><language>en</language><ttl>720</ttl><pubDate>Sun, 6 Dec 2009 16:52:26 -0800</pubDate><image>
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<title>Top Hard Bop Artists on Rhapsody Online</title>
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<title>Miles Davis</title>
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<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:53:44 -0800</pubDate>
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<description><![CDATA[Arguably, no single artist has changed the face of modern music so profoundly, and so many times, as Miles Davis. As Charlie "Yardbird" Parker was busy revolutionizing the jazz world with his stripped-down, freewheeling style called Bop, he invited the young Davis to join him in the mid-1940s. Miles played with Bird for three years before going on to wage his own Cool Jazz revolution, fronting a nine-piece ensemble and creating lush, orchestral arrangements for <I>Birth of the Cool</I>. Due to drug addiction, a fallow period ensued in the early '50s, but Davis returned to the fore with renewed vigor and a new quintet in 1954. The Miles Davis Quintet, including John Coltrane on tenor sax, set new standards for what jazz could represent, achieving a popularity previously thought unattainable in the eclectic realm of jazz. Further milestones lay ahead for Davis -- his groundbreaking orchestral work with his musical soul mate Gil Evans, the recording of the most popular jazz album ever (<I>Kind of Blue</I>), further endeavors with another pivotal quintet in the '60s and finally, the fathering of the Free Improvisation and Funk-tinged riffs and grooves of the Fusion age with <I>Bitches Brew</I>. Through it all, Davis was the consummate professional and master innovator, never pausing to look back while constantly building upon his notoriously irrepressible momentum.
- Noah Enelow]]></description>
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<title>John Coltrane</title>
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<category>Post Bop</category>
<pubDate>Fri, 4 Dec 2009 13:20:09 -0800</pubDate>
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<description><![CDATA[John Coltrane's recording career took off with his work with Miles Davis' Quintet in 1955 and in '56, he began recording his first solo material. He began a serious investigation of harmony, which culminated in his seminal '59 LP <I>Giant Steps</I>. Coltrane's warp-speed sonic attack on this album was called by the critics but his playing kept evolving. In '61, he solidified the lineup of a new quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Their playing was largely modal, based on the approach Coltrane had learned with Miles Davis. In the years that followed, the group began pushing towards total freedom. At the same time, Coltrane began to tackle more spiritual themes, which one can hear on the two suites <I>A Love Supreme</I> and <I>Meditations</I>. By his untimely death in 1967, Coltrane had moved entirely into free-form improvisation; yet even in his most chaotic playing one senses a higher purpose. John Coltrane was both a deeply spiritual person and a relentless stylistic innovator, who demolished the boundaries of jazz in search of transcendence.
- Noah Enelow]]></description>
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<title>Herbie Hancock</title>
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<category>Jazz Piano</category>
<pubDate>Thu, 3 Dec 2009 22:53:34 -0800</pubDate>
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<description><![CDATA[Just out of knee-pants, Hancock hit the jazz world after performing Mozart with the Chicago Symphony at age eleven. Hancock's piano became a fixture of the New York club and studio scene after he graduated with degrees in music and electrical engineering. His first solo albums at age twenty-one embraced Soul, gospel-infused Hard Bop, and cerebral Post Bop (Hancock is the kind of artist who can pen the groovy club hit "Watermelon Man" and turn around and record the sweeping album <i>Maiden Voyage</i> without seeming to break a sweat). He joined Eric Dolphy and Miles Davis, released groundbreaking soundtrack work like <i>Blow Up</i>, established the Electro-Funk template with <i>Head Hunters</i>, and won an Academy Award for his work on <i>Round Midnight</i>. Today, Hancock continues to look to the future while celebrating music from several centuries and cultures.
- Nick Dedina]]></description>
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<title>Grover Washington, Jr.</title>
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<category>Pop-Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:20:21 -0800</pubDate>
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<description><![CDATA[Despite what many people say, Grover Washington, Jr. can never be accused of the assaults on musical dignity that have taken place since the arrival of Kenny G. Though Washington helped lead the crossover sax sounds dominating Smooth Jazz radio, he's also got enough chops and soul to stand up next to the best Bop and Soul Jazz players. Washington's tenor and soprano sax (among other instruments) headed up many excellent jazz tracks in the 1970s, working with keyboardist Bob James' light, funky arrangements and guitarist Eric Gale's slick lines; the work posed a yin to the harder yang promoted by many Fusion artists of the day. The classic album <I>Mister Magic</I> features a bearded Washington rocketing from a pool, emerging like the lofty lines he blew, covered in a lush coating of keyboard and strings. "Just the Two of Us" with Bill Withers solidified his status as a major star -- and recently brought Washington back to attention with a series of sampled remakes. In Philadelphia he's bigger than Ben Franklin, and his soaring notes have been missed since his death in 1999.
- Jessy Terry]]></description>
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<title>Thelonious Monk</title>
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<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:24 -0800</pubDate>
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<description><![CDATA[Thelonious Sphere Monk was an iconoclast of the jazz community, a brilliant composer/pianist whose relentlessly quirky music has been putting smiles on people's faces long after his death. While he played with many groups through the 1940s, it wasn't until '47 that Monk began his solo odyssey. Outside the Bebop mainstream, Monk was busy concocting his own brew of witty, angular melodies with unorthodox and difficult chord progressions, and deeply swinging, Stride-influenced rhythm. In larger combos, Monk was a brilliant, if erratic, accompanist. His approach was wildly diverse, encompassing harmonically dense riffing, startlingly dissonant counterpoint, and complete silence. He was even known to get up and dance around the piano during his bandmates' solos. Monk was also a master at choosing sidemen; on his 1957 recording <I>Monk's Music</I>, he placed the passionate Post Bop explorations of John Coltrane alongside the gruff proto-Swing of Coleman Hawkins. A genius of modern music, indeed.
- Noah Enelow]]></description>
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<title>Wes Montgomery</title>
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<category>Bop</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
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<description><![CDATA[It's impossible to speak of jazz guitar without mentioning the great Wes Montgomery. Montgomery picked up where Charlie Christian left off, in developing the electric guitar as a jazz instrument. From 1958 until a decade later, Montgomery was the consummate Hard Bop guitar player. He blended the lightning-quick runs of Bop with an earthy, bluesy tone. His playing featured a folksy thumb-picking style, and he would often solo in octaves, both effects making his tone rounder and fuller. Montgomery composed two jazz standards, Four on Six and West Coast Blues, and recorded dozens of Bop albums. In the mid-'60s, Montgomery began playing more commercial jazz, recording instrumental versions of pop hits and enjoying considerable financial success. During his commercial period, he also began laying the groundwork for Fusion; unfortunately, he died in 1968, before Fusion ever hit its stride. Montgomery's influence is still felt in many areas of jazz.
- Noah Enelow]]></description>
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<title>Wayne Shorter</title>
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<category>Post Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:01 -0800</pubDate>
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<description><![CDATA[It's hard to overstate Wayne Shorter's influence as a saxophonist and composer -- he has rightfully earned a place as a jazz legend. His tenor playing draws on the enhanced Bebop virtuosity of John Coltrane, minus the brittle edge; Shorter's playing has such a flowing feel that he almost seems to be composing heads to a tune in real-time when he improvises. He was groomed to be perfect in any setting. As a featured soloist and music director in Art Blakey's Jazz Messengers, he mastered the raw, bluesy feel of Hard Bop, moving on to Post Bop in 1964 after joining Miles Davis's influential late '60s quintet. He then helped to pioneer jazz-rock Fusion when he formed Weather Report in 1970. Many of his songs are required learning for aspiring jazz musicians, such as the bluesy "Footprints." But it doesn't take a musician to understand the expansive beauty of a ballad like "Fall." Both songs exhibit his innovations: with one foot in the blues, Shorter expanded the scope of a jazz composition and added complexity to its chords -- but he did it with such melodic perfection that he didn't leave listeners behind, as many of his contemporaries in the '60s did.
- Jessy Terry]]></description>
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<title>Jimmy Smith</title>
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<category>Organ Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Jimmy Smith</rhap:artist>
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<description><![CDATA[Funk, R&B, and rock 'n' roll all owe an enormous debt to organist Jimmy Smith. It was Smith who popularized the Hammond B-3 organ sound that made its way into every corner of American music by the '60s. He was also a deeply swinging Bop player, with blazing chops that recalled the great pianist Bud Powell. He could spin out blistering runs of sixteenth notes while simultaneously playing juicy chords with his left hand and basslines with his feet. After gigging around New York through the '50s, he got his big break with Blue Note Records in 1957. In 1963, Smith signed with Verve, recorded a number of crossover hits, and toured extensively. After a decade-long retirement beginning in the '70s, Smith started touring again. He's gone back to his roots, playing blazing Hard Bop and down-home Jazz-Funk. His latest recordings have featured many young, up-and-coming masters.
- Noah Enelow]]></description>
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<title>Kenny Burrell</title>
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<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
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<description><![CDATA[Kenny Burrell caught Dizzy Gillespie's attention with his fluid guitar mix of cool-toned Bop and blues on a visit to Detroit in 1951. With a tip of the hat from the master, he moved to NYC and has never looked back. Even when he spits out fiery guitar lines, Burrell never appears to break a sweat. A melodic player whose sound fits in with Stan Getz, the Gil Evans Orchestra, or John Coltrane, Burrell has had a long partnership with Hammond B-3 master Jimmy Smith. His clean, bluesy guitar works exceptionally well over Smith's gritty organ riffs. Even though he resisted Fusion guitar and refused to adopt it into his style, Burrell has remained popular to this day.
- Nick Dedina]]></description>
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<title>Grant Green</title>
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<category>Soul Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
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<description><![CDATA[Among the top jazz guitarists of all time, Grant Green's influence has been strongly felt in many genres, from hip-hop to Acid Jazz. His funky, natural, single-note runs and repetitive, double-stop blues stylings are instantly recognizable -- few other guitarists have claimed such a distinct sound. From his early days as a sideman with Lou Donaldson and Jack McDuff, Green always helped make even the corniest standards groove to his rhythmic playing, though he shone brightest when allowed to expand his improvisation in a live setting. From his Hard Bop of the early 1960s to his laid-back Funk of the '70s, Green's influence was so far-reaching that modern artists like A Tribe Called Quest have sampled his licks, helping to bring his soulful sounds to new audiences decades after their first appearance.
- Jessy Terry]]></description>
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<title>Stanley Turrentine</title>
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<category>Soul Jazz</category>
<pubDate>Thu, 3 Dec 2009 22:53:34 -0800</pubDate>
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<description><![CDATA[Along with Hank Crawford, Stanley Turrentine put Soul Jazz saxophone on the map. Turrentine has a big, robust sound that excelled with both the Bop approach of Max Roach and the chicken-shack groove of Jimmy Smith. Turrentine spent the '60s as sideman for Herbie Hancock and Horace Silver, cutting solo albums for Blue Note, and in musical partnership with his (former) wife, organist Shirley Scott. In the early '70s, Turrentine's honey-drenched sound became big with the Âludes-in-the-jacuzziÂ crowd, while his first Crossover albums (such as the deeply bluesy <I>Sugar</I>) were also well-received. Luckily, Turrentine's tenor saxophone has always retained its dignity no matter what the company, and he continued to record with the finest jazz musicians and vocalists until he died of a stroke in 2000.
- Nick Dedina]]></description>
</item><item>
<title>Cannonball Adderley</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5883&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cannonball Adderley</rhap:artist>
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<description><![CDATA[Cannonball Adderley's warm, inviting tone and soulful, melodic Bebop playing made him one of the most accessible and appealing saxophonists in jazz. He moved to New York from Florida in 1955 and started his own quintet. In 1957, he began playing with the Miles Davis Sextet, and was featured on the immortal <I>Kind of Blue</I>. Adderley's playing with the Davis quintet is pure, effortless, breezy Bebop -- a sweeter and lighter Charlie Parker. He conveys feelings of breathlessness, joy and wonder, all tinged with teasing flirtation. The Davis quintet also shows him stretching his lightning chops to their limit. By contrast, with his own group he delves deep into Blues and church music, giving birth to the style called Soul Jazz. In 1966, Adderley recorded his first and only pop hit, "Mercy, Mercy, Mercy," which brought together jazz with R&B and gained a wider audience for his music.
- Noah Enelow]]></description>
</item><item>
<title>Dexter Gordon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61444&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dexter Gordon</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61444&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A widely reproduced photograph of Dexter Gordon sums up jazz in a single image -- the great saxophonist is lost in the music, with his instrument at rest and a stream of smoke rising from his cigarette. Gordon's own music always created the same state of reverie, mixing Lester Young's cool lyricism with Charlie Parker's bop innovations; forming his own unique sound in the process. Like Paul Desmond, Gordon quoted different songs -- as well as bits of other artists' solos -- at strategic spots during both his frenzied swingers and devastating ballads. He spent most of the '50s in jail on narcotics charges before releasing a series of stunning albums on Blue Note in the '60s. Gordon caught the acting bug in prison and later received an Academy Award nomination for his leading role in <i>Round Midnight</i>. Consumed with illness at the time, his playing was in serious decline but still held flashes of its former brilliance.
- Nick Dedina]]></description>
</item><item>
<title>Joe Pass</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6190&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Fri, 15 May 2009 11:39:55 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joe Pass</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6190&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6190&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Joe Pass was a guitarist of exquisite taste who recorded his best work in the '70s and '80s. Pass (born Joseph Anthony Passalaqua) got hooked on drugs at the start of his professional career in the late '40s and subsequently spent most of the '50s in jail. Maybe Pass spent some time in solitary because his beautifully toned guitar had the ability to be quiet yet sound like a full orchestra all by itself. His career started to gain some steam in the '60s, and when he joined Pablo Records in 1973 he quickly became a star. Pass was a favorite of both the public and fellow musicians (like George Shearing and Oscar Peterson). Ella Fitzgerald loved working with him and her best later albums are duets with just Pass' guitar.
- Nick Dedina]]></description>
</item><item>
<title>Donald Byrd</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6259&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Donald Byrd</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6259&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6259&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though never quite a member of jazz's vanguard, trumpeter Donald Byrd has always changed with the times. In the 1950s, his star rose when he gained a prestigious spot in Art Blakey's Jazz Messengers, after which he began recording his own albums. But Byrd was not to remain true to the conventions of Hard Bop. Throughout the Â60s, soul, Gospel, and contemporary pop began to influence his music: his album <I>A New Perspective</I> made use of a Gospel choir; he would later enlist a pair of Afro-Brazilian percussionists for his 1970 album, <I>Kofi</I>. By 1974, he was right in the center of the Fusion pack, releasing the highly influential Jazz-Funk album <I>Blackbyrd</I>. This slick, studio-produced album sold over a million copies, and was influential in forming the genre known today as Acid Jazz. Finally, when jazz and hip-hop began to intermingle, Byrd was there as well, contributing solo work to Guru's initial <I>Jazzmatazz</I> project.
- Noah Enelow]]></description>
</item><item>
<title>Sonny Rollins</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6166&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6166&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sonny Rollins just might possess the sharpest wit in all of jazz. He came of age musically in the early '50s, developing a style that combined the gruff-toned swing of Coleman Hawkins with the Bebop innovations of Charlie Parker. But while Parker's melodic flights tapped into an emotional core of expression, Rollins' endless permutations convey an ironic sensibility. On tunes such as the Broadway hit "There's No Business Like Show Business," he worked with cliches from Bop, Swing, and Show Tunes, turning them inside out, upside down, and backwards -- partly as a search for the limit of melodic and rhythmic possibility and partly as a joking commentary on the cliches themselves. In his search for new possibilities, his playing will sometimes express an aesthetic minimalism. On his own "St. Thomas" -- now a standard -- he works the same two notes back and forth through a dizzying labyrinth of phrasings. Few improvisers can match the depth of Rollins' craft.
- Noah Enelow]]></description>
</item><item>
<title>Branford Marsalis</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62131&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Fri, 20 Nov 2009 12:50:54 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Branford Marsalis</rhap:artist>
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<description />
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<title>Art Blakey</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61131&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Blakey</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61131&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If jazz were a university, drummer Art Blakey would be the chair of his own department. A consummate bandleader, Blakey brought dozens of excellent jazz players to national attention, helping launch countless brilliant solo careers. He also pioneered an aggressive, almost tribal style of jazz drumming which formed the backbone of Hard Bop. Blakey started out on the Big Band circuit in the 1930s, before moving to Bebop in the late 1940s and finally forming the Jazz Messengers with Horace Silver in 1954. Starting in 1955, he devoted most of his playing time to that band, which in its three-and-a-half decades featured such luminaries as Lee Morgan, Jackie McLean, Cedar Walton, Freddie Hubbard, Wayne Shorter, and Wynton Marsalis. The featured soloists wrote the majority of the tunes, a raucous blend of blues, Afro-Latin, and hard driving Bop, for which Blakey's fierce polyrhythmic attack provided the backbone.
- Noah Enelow]]></description>
</item><item>
<title>Art Pepper</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6199&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:38:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Pepper</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6199&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6199&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Art Pepper may not be a recognizable figure to the general public, but he is a bright shining star in the jazz world. Pepper, of San Pedro, California was a child prodigy who fell in love with the music of Lester Young. As a teen, he was featured in Lee Young's (Lester's brother) band and with the great Benny Carter. Segregation forbade his touring with them so he joined Stan Kenton's group and quickly became a featured soloist. Pepper shared Stan Getz's good looks and an ability to fit into any musical situation yet retain his own voice, and became an in-demand session player and a solo star. Heroin claimed Pepper for well over a decade and he spent a substantial part of his life in and out of jail and recovery homes. In the '70s he picked his career up and released a string of excellent albums showing a new, tougher style. His biting autobiography, "Straight Life," is closer to literature than the usual celebrity tell-all; it may be the most self-critical, least flattering autobiography ever written.
- Nick Dedina]]></description>
</item><item>
<title>Freddie Hubbard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6419&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:01 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Freddie Hubbard</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6419&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6419&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Graduate of the Hard Bop school, trumpet master Freddie Hubbard possesses a quicksilver playing style that's always masterfully phrased, like that of a balladeer. In the late '50s, he played with Wes Montgomery and Sonny Rollins to little public acclaim, but his career took off in the early part of the following decade when both Quincy Jones featured him often in his orchestra and Oliver Nelson tapped him for the stunning <I>The Blues and the Abstract Truth</I>. Following mid-'60s sessions with Art Blakey, John Coltrane and Herbie Hancock, Hubbard caught the Fusion bug, later adding Funk and soul to his mix. Hubbard ultimately returned to his straight Hard Bop roots in the 1980s.
- Nick Dedina]]></description>
</item><item>
<title>Horace Silver</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:53:44 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Horace Silver</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6107&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Horace Silver grafted Bop's advances with more accessible Gospel and blues-derived sounds, helping to create Hard Bop in the process. Silver is an ace songwriter and an accomplished pianist who was discovered by Stan Getz at age 22, later getting together with drummer Art Blakey and forming the Jazz Messengers -- "The Preacher" and "Doodlin'" from this period were juke joint staples and have become jazz standards. Silver has had an exceptional career leading his own groups and the album <I>Song For My Father</I> is only one of his classics -- its joyous celebration of life and overall sensitive mood remain staples in Silver's work.
- Nick Dedina]]></description>
</item><item>
<title>Gene Harris</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.36000&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gene Harris</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36000&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.36000&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mose Allison</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6126&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz Blues</category>
<pubDate>Wed, 18 Nov 2009 13:05:45 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mose Allison</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6126&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6126&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mose Allison is a fine, Bop-influenced pianist with a light, thin voice who happens to be a crackerjack songwriter and performer -- think of Loudon Wainwright III fronting the Nat Cole Trio. Allison comes on like a cocktail mixture of down home southerner and penthouse sophisticate: he's a mint juleped martini and he's managed to keep his career going for decades, despite not quite fitting into any one category. Allison's a (very) white bluesman, with humor too biting for the sensitive Singer-Songwriter set, and despite starting out playing with Stan Getz, he's considered too "commercial" by some small-minded jazz fans. Luckily, such rock era artists as Tom Waits, Pete Townshend, Bonnie Raitt, and especially Van Morrison (who has recorded a whole album of his tunes) have kept royalties in Allison's pocket and his name in the public eye. Allison's latest albums have confronted life and love in old age with equal doses of wit and sadness. Generations who once thought they "hope they die before they get old" will be scooping them up very soon.
- Nick Dedina]]></description>
</item><item>
<title>Lee Morgan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61716&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lee Morgan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61716&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61716&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter Lee Morgan's rip-roaring, funky style conveyed a brash, larger-than-life attitude that knew no equal in the jazz universe. He combined dazzling virtuosity with a startlingly bright tone. Morgan joined Dizzy Gillespie's big band in 1956, also recording his first solo album that same year. In 1963, Morgan virtually defined Hard Bop with his shuffling blues, "The Sidewinder," and over the next four years he recorded eight solid albums for Blue Note. Though he was a virtuoso, Morgan was not experimental during this period: he found a formula and stuck to it. Later in his career, Morgan began branching out in a modal direction, leaning toward the avant-garde. Morgan was killed in 1972 before he had a chance to fully develop his new musical personality.]]></description>
</item><item>
<title>Eddie Harris</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6248&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Thu, 26 Nov 2009 11:27:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Eddie Harris</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6248&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6248&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Jazz has had a few notable eccentrics, to say the least, and tenor saxophonist Eddie Harris is up there with the quirkiest. His innovations paved the way for huge developments in contemporary jazz. In the '60s, while most jazzers remained deaf to the burgeoning rock 'n' roll scene, Harris embraced it by experimenting with electric saxophones and down-home Jazz-Funk tunes (such as the unforgettable "Cold Duck Time") that pointed toward the Fusion explosion to come. During those years, Harris was also highly successful commercially, landing the hit single "Theme from Exodus" in 1961. As the '60s wore on, Harris changed his format and style so many times that his fans simply could not keep up, rapidly switching between Post Bop, Funk, and Big Band. Later in his career, he began fronting more conventional jazz quartets, but his playing retained its trademark mixture of avant-garde innovations with roots firmly planted in Bop and Blues.]]></description>
</item><item>
<title>Art Farmer</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5793&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Fri, 27 Nov 2009 10:25:07 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Farmer</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5793&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5793&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Look on the back of any jazz record from the '50s onward and the odds are pretty good that Art Farmer is on it. In 1945, Farmer blazed a trail the minute he set foot in Los Angeles: he improvised like a demon yet still managed to be melodic on trumpet and flugelhorn. Farmer's playing enlivened the bands of Benny Carter, Lionel Hampton, and Quincy Jones. In New York, he worked with Horace Silver, Gerry Mulligan, and Benny Golsen, among countless others. He led his own groups from the early '60s on and released dozens of superb solo albums, but continued to drop in on friends' sessions. His sound was so appealing that even during the dark '70s, he had major label deals. What was his secret? Whatever it was, Farmer carried it to the grave in 1999 but we can still search for the answers in his music.
- Nick Dedina]]></description>
</item><item>
<title>Mark Whitfield</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9326&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Sun, 2 Aug 2009 08:58:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mark Whitfield</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9326&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9326&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A gifted guitarist versed in funky Soul Jazz and steaming Hard Bop, Mark Whitfield's fingers dance across his warm-toned hollow body guitar, disregarding technical limitations with an ear for tasty Bop phrasing. Like his mentor George Benson (who helped him get his breakthrough gig with organist Jack McDuff), he's got chops galore. But, thankfully, he hasn't sold out. His albums <I>True Blue</I> and <I>7th Ave. Stroll</I> are excellent examples of modern, straight-ahead jazz and distinctly New York-flavored Hard Bop, as shown in his beautiful rendition of "Harlem Nocturne." Session work keeps Whitfield busy between solo albums: He's played spots on Jimmy Smith releases, collaborated with new lions Christian McBride and Nicholas Payton, contributed band work on Robert Altman's film <I>Kansas City</I>, and even performed studio work with R&B singer D'Angelo.
- Jessy Terry]]></description>
</item><item>
<title>McCoy Tyner</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.59530&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">McCoy Tyner</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59530&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.59530&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[McCoy Tyner has always been one of the most emotionally expressive pianists in jazz. In contrast to Thelonious Monk's ironic understatements and Herbie Hancock's lush detachment, Tyner is a man possessed. Bearing the profound spiritual influence of John Coltrane, with whom he played for five solid years, Tyner's playing is pure romanticism: effusive, grandiose, explosive, yearning, pleading. His style, based in Post Bop modal jazz, features harmonic inversions and gradually climbing melodies, built up to a fever pitch and resolved in crashing pedal chords. On quieter material, he tends to employ baroque-sounding flutters, trills, and sixteenth-note decorations. Tyner's solo career reached a peak in the early Â70s; he has also thrived throughout the Â90s through a large body of recent work. His recent recorded output includes everything from big band arrangements of his classic Â60s repertoire to duets with vibraphonist Bobby Hutcherson, along with solo and small ensemble sessions as well.
- Noah Enelow]]></description>
</item><item>
<title>Rahsaan Roland Kirk</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6427&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Tue, 24 Nov 2009 09:38:13 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rahsaan Roland Kirk</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6427&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6427&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Rahsaan Roland Kirk could rightfully be awarded the title of Clown Prince of Jazz. His startling, funky, raucous, anarchic music was often comic, often unsettling, and full of both jazz history and biting social commentary. His arrangements took their inspiration from Dixieland, Swing, Bop, R&B, and the Avant-Garde; the effect was a freewheeling musical gumbo. Kirk also pioneered some unusual effects. Through the technique of circular breathing, he would often play several saxophones at once, creating a one-man horn "section!" He played two saxophone-like relics, the manzello and the strich, originally from Spanish military bands, that virtually no other jazz musician has ever played. And he used whistles, sirens, and other unusual sounds to punctuate his unorthodox compositions. Many jazz purists in the '60s dismissed all these effects as pure gimmick. But Kirk maintained that they were essential parts of his music, and listening to him, it's hard to disagree.]]></description>
</item><item>
<title>Michel Camilo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10260&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Wed, 8 Jul 2009 13:08:00 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Michel Camilo</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10260&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10260&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A highly trained pianist with exemplary technique, Dominican Michel Camilo plays an energetic brand of Latin jazz. Playing in a small group highlights his dynamic interaction with the rhythm section and propels him to dizzying flights across the ivories.
- Robert Leaver]]></description>
</item><item>
<title>Milt Jackson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6325&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Milt Jackson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6325&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6325&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Milt Jackson's approach to the vibes is so perfect that every player to come after him (most notably Cal Tjader and Bobby Hutcherson) has used his basic approach. Even the instrument's previous innovators, Red Norvo and Lionel Hampton, were changed by him. Jackson turned what was most often used as a percussive instrument or a frenzied showstopper into a focal, improvising instrument. He slowed down the playing, allowing the notes to hang and vibrate in the air, while keeping the Swing foundation alive. Jackson was part of Dizzy Gillespie's Bop revolution before jumping ship to join the Modern Jazz Quartet, where he added his blues touch to their cool brand of chamber jazz. The MJQ continue to be a widely popular group, but Jackson has had plenty of chances to shine with a diverse array of artists including Ray Charles, Wes Montgomery, John Coltrane, and Paul Desmond.
- Nick Dedina]]></description>
</item><item>
<title>Christian McBride</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9833&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Fri, 20 Nov 2009 12:50:56 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Christian McBride</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9833&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9833&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Joe Henderson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5835&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Fri, 4 Dec 2009 13:20:14 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joe Henderson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5835</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5835&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5835&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Joe Henderson was one of tenor saxophone's strongest voices and gratifyingly received great acclaim late in his career. His playing incorporates blues shouts and Bebop licks into freewheeling modal improvisation, with a dash of avant-garde anarchism. Yet he can also tackle standards with grace and aplomb. Henderson's solo career began in the mid-1960s with a series of seminal Hard Bop LPs for Blue Note. Meanwhile, during his stint as a sideman with Post Bop genius Andrew Hill, his playing approached the avant-garde while remaining melodic and elegantly phrased. When Fusion came along in the '70s, Henderson appeared as a sideman on Freddie Hubbard's <I>Red Clay</I> and even served a stint in Blood, Sweat & Tears! Later in his career, he delved into the songbooks of such diverse earlier masters as Billy Strayhorn, Miles Davis, Antonio Carlos Jobim and Thelonious Monk. Henderson enjoyed a godfather-like status in the world of jazz until complications from emphysema ended his life in 2001.]]></description>
</item><item>
<title>Clifford Brown</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5985&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Clifford Brown</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5985&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5985&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Clifford Brown was the Golden Boy of jazz, bursting onto the national scene with such fanfare that despite his tragically brief career, he soon became the one of the most influential trumpeters and bandleaders in all of Bop. Brown began touring internationally in 1953. The following year, he started a band with pioneering Bop drummer Max Roach. In the mere two years of his band's existence, they released eight recordings and became Jazz gurus of sorts, penning several standards and developing a sprightly, rhythmically dense style that retained a warmth and sincerity that became the template for countless imitators. Brown's trumpet style was particularly influential -- his crisp, melodic phrasing and bright, burnished-gold tone attracted the admiration of musicians and jazz theorists worldwide. His tragic death in a car accident in 1956 dealt an enormous blow to the Jazz world. Many have imitated him, but none have replaced him.
- Noah Enelow]]></description>
</item><item>
<title>Terence Blanchard</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1675&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 3 Dec 2009 22:53:22 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Terence Blanchard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1675</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1675&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1675&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Joshua Redman</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2102&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joshua Redman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.2102</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2102&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2102&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Perhaps it's unfair to stick Joshua Redman in the stiff-collared "neo-Bop" category just because he's not shrieking and honking his way to salvation in the basement of the Knitting Factory. The man is simply a Hard Bopper through and through but one who has increasingly taken chances over the years. He's always stuck fairly closely to traditional Bop tonalities while taking certain liberties with his rhythms, spicing up blues-based tunes with Latin and Funk grooves. His improvisation over Funk vamps is particularly masterful: he's able to blend the emotionally reaching qualities of Coltrane with the on-the-one earthiness of Maceo Parker. This combination has made him one of the most accessible and, indeed, commercially successful artists in modern jazz -- deservedly so.]]></description>
</item><item>
<title>J.J. Johnson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3012&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bebop</category>
<pubDate>Fri, 13 Nov 2009 12:38:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3012</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">J.J. Johnson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3012</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3012&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3012&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[J.J. Johnson became a star by being the first slide trombonist to bring Bop innovations to his unwieldy instrument. He played with the Benny Carter and Count Basie bands during the 1940s, but developed a lightning-quick style while working with Charlie Parker and Dizzy Gillespie. He led many of his own groups, the most successful of which was a unique partnership with Kai Winding, his fellow trombonist and annual competitor for the top spot in year-end jazz polls. Johnson still records prolifically and is such a skilled arranger -- doing charts for many albums and films on which he does not play -- that even if he never mastered the trombone, he would still be a major figure in jazz history.
- Nick Dedina]]></description>
</item><item>
<title>Ron Carter</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6108&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 27 Aug 2009 09:54:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ron Carter</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6108</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6108&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6108&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Since he rose to stardom in the '60s, it's likely that Ron Carter has been in greater demand for session work than any other bass player. Given the man's lyrical genius, Carter has elevated the role of the upright bass beyond that of a mere time-keeper and harmonic foundation, to an instrument that provides both counterpoint and rhythmic variation. Carter rose to national prominence as a member of Miles Davis' second quintet along with Wayne Shorter, Herbie Hancock and Tony Williams. Much of the quintet's brilliance originated from the rhythm section's ability to navigate quick tempo/meter changes, swinging solidly all the while. Carter's solo work includes dazzling Post Bop arrangements featuring the great Eric Dolphy on clarinet, full-scale Fusion combos, solo bass compositions and piano duets. He's toured and recorded with artists as diverse as Miles Davis, Cedar Walton and Eric Dolphy. To this day, the ubiquitous Ron Carter remains an unshakable pillar of modern jazz.
- Noah Enelow]]></description>
</item><item>
<title>Lou Donaldson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43839&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Soul Jazz</category>
<pubDate>Thu, 3 Dec 2009 22:54:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lou Donaldson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43839&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43839&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Lou Donaldson was a long respected Bop saxophonist throughout the 1950s, but his career really took off (and helped define) the swinging '60s. Donaldson was steeped in Bop and his sax style brimmed over with the blues and what became known as Funk. Any social setting except a funeral will benefit from any of his '60s hip shakers, though <i>Alligator Boogaloo</i> and <i>Midnight Creeper</i> (with the young George Benson) may just be the best of the lot. Donaldson's great for the quiet times too: <i>Lush Life</i> is a flawless romantic ballad release that showcases Donaldson's sentimental side. Fans of Art Blakey or Horace Silver-style Hard Bop should also check out Donaldson's '50s sides -- they burn with a different kind of passion, but they burn nevertheless.]]></description>
</item><item>
<title>Kyle Eastwood</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.22033&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Crossover Jazz</category>
<pubDate>Thu, 11 Jun 2009 09:45:18 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kyle Eastwood</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22033&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.22033&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Gene Ammons</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6237&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Soul Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:38:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gene Ammons</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6237</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6237&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6237&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Chicago-born Gene Ammons began as a sax player in the late 40s in vocalist Billy Eckstines big band. Blessed with a hugely expressive tenor sound, he later began recording tenor duels with both Dexter Gordon and Sonny Stitt. His sprawling sound was used to maximum effect on the soulful jazz combos he played with throughout the '50s, and his aggressively bluesy wails seemed to echo the turmoil caused by his narcotics addiction, which often landed him in prison. Nonetheless, Ammons Hammond-soaked jam sessions always resonated with a passion for both Bebop and R&B.
- Jon Pruett]]></description>
</item><item>
<title>Hank Mobley</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6295&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:17 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Hank Mobley</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6295&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6295&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the 1950s, when most Hard Boppers were busy trying to outdo each other in speed, complexity and intensity, the quietly masterful Hank Mobley was concentrating on his big, warm tenor tone and thoughtful phrasing, making every note he played count. He burst onto the jazz scene in 1951, playing with Max Roach; three years later, he began playing with the Horace Silver Quintet. Then began his solo career. His most popular LP, <I>Soul Station</I>, contained the memorable tune This I Dig of You, which soon became a Hard Bop standard. Mobleys sensitive, introverted understatements made him an ideal counterpart to Miles Davis, with whom he played in 1961-2. Drug convictions cut short his stint with Davis, but Mobley soon returned to the jazz scene. Beginning in 1965, he recorded a string of albums for Blue Note, as well as recording and touring with various bands. Mobley retired from jazz in 1975.]]></description>
</item><item>
<title>The Three Sounds</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44576&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Soul Jazz</category>
<pubDate>Mon, 20 Jul 2009 09:34:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Three Sounds</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44576&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44576&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Roy Hargrove</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.57721&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Fri, 20 Nov 2009 12:50:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Roy Hargrove</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.57721</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57721&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57721&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Benny Golson</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62125&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Fri, 20 Nov 2009 12:50:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Benny Golson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62125&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62125&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Benny Golson has always been one of the most versatile figures in jazz, playing tenor saxophone with Art Blakey and Clifford Brown, scoring film and television soundtracks, and even writing arrangements for the Animals. Both his playing and writing combine the sounds of the Swing era with a Hard Bop edge. Perhaps best known for his haunting elegy to his former boss, I Remember Clifford, as well as the irresistibly funky Killer Joe, Golson began arranging for Dizzy Gillespie in the 40s, and by the mid-60s was up to his neck in session work. Golson's sophisticated Hard Bop has enjoyed a well-deserved popularity resurgence in the 90s.
- Nick Dedina]]></description>
</item><item>
<title>Shirley Scott</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10315&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Organ Jazz</category>
<pubDate>Wed, 18 Mar 2009 11:01:14 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shirley Scott</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10315</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10315&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10315&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Scott is justifiably renown for her hard swinging, Jimmy Smith-style organ work with (ex-husband) Stanley Turrentine. Her equally adept piano playing needs to be just as widely heard.
- Nick Dedina]]></description>
</item><item>
<title>Wynton Kelly</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6284&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Sun, 25 Oct 2009 10:21:29 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wynton Kelly</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6284</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6284&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6284&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Wynton Kelly is primary known for his piano work with Miles Davis and Wes Montgomery in the late Â50s and early Â60s. Jamiacan native Kelly played Bop blues piano with a crisp, light touch, always taking care to implement his warm sense of Swing into both his session work and his own material. His ballad work is particularly affecting.
- Nick Dedina]]></description>
</item><item>
<title>Monty Alexander</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.44170&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 24 Sep 2009 09:49:06 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Monty Alexander</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.44170</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44170&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.44170&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Kingston-born Monty Alexander came to New York in the early '60s, inspired by the Calypso music of home and the fluidity of jazz pianist Oscar Peterson. An exciting Bop pianist, he became known for his speed and grace; and his compelling live performances were best witnessed in trio form. After a period as Milt Jackson's sideman, Alexander began incorporating his lively West Indian roots into his music. Later records saw him adding steel drums for a more swinging Caribbean flavor.]]></description>
</item><item>
<title>Kenny Barron</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6241&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Wed, 7 Oct 2009 12:12:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kenny Barron</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6241</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6241&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6241&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Critics and the general jazz public are finally figuring out what Kenny Barron's peers have known for years -- he is one of the best jazz pianists of any era. Barron has played with just about every major talent there is, but really shined with Dizzy Gillespie in the 1960s and Stan Getz in the '80s and '90s. Barron's style is like a combination of a less flashy Oscar Peterson, McCoy Tyner, and Hank Jones. He helps you see that such genre distinctions as swing, bop, and cool are ultimately meaningless. Kenny Barron is a great pianist, period.
- Nick Dedina]]></description>
</item><item>
<title>Tommy Flanagan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6319&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Tue, 10 Nov 2009 10:13:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=107&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss">Top Hard Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tommy Flanagan</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6319</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6319&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6319&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fhard-bop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[In the world of Bop, there are stars and there are stalwarts -- noble sidemen who may play a hundred sessions a year, but almost never lead their own bands. Pianist Tommy Flanagan has worn both hats in his lengthy career. He's played alongside almost everyone, but his own brand of delicate and sophisticated Bop has led to considerable success as a soloist and bandleader. Flanagan's career duality began in 1957 with the release of three albums. In the 1960s, however, he played the role of accompanist almost exclusively, backing up singers Ella Fitzgerald and Tony Bennett. The rebirth of Flanagan's solo career in 1975 gave him room to branch out from straight-ahead Bop and into both modal Post Bop and free improvisation. Yet as he looked forward, he also looked back toward the music's origins, recording an album of Harold Arlen standards, as well as a tribute to Charlie Parker.
- Noah Enelow]]></description>
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