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<title>Top Bop Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link><description>Top Bop Artists on Rhapsody Online</description><category>Bop</category><language>en</language><ttl>720</ttl><pubDate>Tue, 15 Dec 2009 17:16:57 -0800</pubDate><image>
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<title>Top Bop Artists on Rhapsody Online</title>
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<title>Miles Davis</title>
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<category>Bop</category>
<pubDate>Mon, 14 Dec 2009 10:05:34 -0800</pubDate>
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<description><![CDATA[Arguably, no single artist has changed the face of modern music so profoundly, and so many times, as Miles Davis. As Charlie "Yardbird" Parker was busy revolutionizing the jazz world with his stripped-down, freewheeling style called Bop, he invited the young Davis to join him in the mid-1940s. Miles played with Bird for three years before going on to wage his own Cool Jazz revolution, fronting a nine-piece ensemble and creating lush, orchestral arrangements for <I>Birth of the Cool</I>. Due to drug addiction, a fallow period ensued in the early '50s, but Davis returned to the fore with renewed vigor and a new quintet in 1954. The Miles Davis Quintet, including John Coltrane on tenor sax, set new standards for what jazz could represent, achieving a popularity previously thought unattainable in the eclectic realm of jazz. Further milestones lay ahead for Davis -- his groundbreaking orchestral work with his musical soul mate Gil Evans, the recording of the most popular jazz album ever (<I>Kind of Blue</I>), further endeavors with another pivotal quintet in the '60s and finally, the fathering of the Free Improvisation and Funk-tinged riffs and grooves of the Fusion age with <I>Bitches Brew</I>. Through it all, Davis was the consummate professional and master innovator, never pausing to look back while constantly building upon his notoriously irrepressible momentum.
- Noah Enelow]]></description>
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<title>Stan Getz</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:42 -0800</pubDate>
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<description><![CDATA[So unique was Stan Getz's saxophone sound that his solo on "Early Autumn" catapulted him to stardom in 1948 (his tone was so unique that he was nicknamed "The Sound" and even Coltrane wished he could play like him). Getz was at first influenced by Lester Young (and he was deservedly famous for the way he played ballads) but he quickly fell under bop's spell and his disarming versatility that enabled him to shine in Swing, Cool, or Avant-Garde jazz contexts. Just as his popularity was beginning to wane in the early 1960s, he scored massive hits with his Bossa Nova work, introducing the sultry South American-derived rhythms to a global audience. Getz remained on top for the rest of his life.
- Nick Dedina]]></description>
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<title>Herbie Hancock</title>
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<category>Jazz Piano</category>
<pubDate>Sun, 13 Dec 2009 10:14:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[Just out of knee-pants, Hancock hit the jazz world after performing Mozart with the Chicago Symphony at age eleven. Hancock's piano became a fixture of the New York club and studio scene after he graduated with degrees in music and electrical engineering. His first solo albums at age twenty-one embraced Soul, gospel-infused Hard Bop, and cerebral Post Bop (Hancock is the kind of artist who can pen the groovy club hit "Watermelon Man" and turn around and record the sweeping album <i>Maiden Voyage</i> without seeming to break a sweat). He joined Eric Dolphy and Miles Davis, released groundbreaking soundtrack work like <i>Blow Up</i>, established the Electro-Funk template with <i>Head Hunters</i>, and won an Academy Award for his work on <i>Round Midnight</i>. Today, Hancock continues to look to the future while celebrating music from several centuries and cultures.
- Nick Dedina]]></description>
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<title>Chet Baker</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[Chet Baker, more than ten years after his mysterious death, is more popular than ever. Baker was an extremely handsome young man and this, coupled with his reckless, drug-addled life, earned him the tag the James Dean of Jazz. But even after he lost his looks, Baker's trumpet and vocals continued to spellbind. Jazz snobs like to forget that Charlie Parker chose Baker to be his West Coast foil or that it was Dizzy Gillespie who talked Baker into returning to the trumpet in the '70s after his teeth were knocked out. Baker hit the big time at a very young age, with Gerry Mulligan's groundbreaking piano-less quartet that made a name for West Coast jazz. Baker's trumpet style owed a lot to Miles Davis (though, Baker never used a mute and was ashamed when he beat out Clifford Brown in jazz polls) and his pleasant, thin vocals were just as introspective and well-phrased.
- Nick Dedina]]></description>
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<title>John Coltrane</title>
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<category>Post Bop</category>
<pubDate>Mon, 14 Dec 2009 10:05:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[John Coltrane's recording career took off with his work with Miles Davis' Quintet in 1955 and in '56, he began recording his first solo material. He began a serious investigation of harmony, which culminated in his seminal '59 LP <I>Giant Steps</I>. Coltrane's warp-speed sonic attack on this album was called by the critics but his playing kept evolving. In '61, he solidified the lineup of a new quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Their playing was largely modal, based on the approach Coltrane had learned with Miles Davis. In the years that followed, the group began pushing towards total freedom. At the same time, Coltrane began to tackle more spiritual themes, which one can hear on the two suites <I>A Love Supreme</I> and <I>Meditations</I>. By his untimely death in 1967, Coltrane had moved entirely into free-form improvisation; yet even in his most chaotic playing one senses a higher purpose. John Coltrane was both a deeply spiritual person and a relentless stylistic innovator, who demolished the boundaries of jazz in search of transcendence.
- Noah Enelow]]></description>
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<title>Oscar Peterson</title>
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<category>Jazz Piano</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Oscar Peterson</rhap:artist>
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<description><![CDATA[The bright, tittering twinkle of Peterson's blindingly fast, liquid lines is on par with Art Tatum, and has made him one of the greatest of all jazz pianists. As one of Verve's house musicians, Peterson has backed a who's who of jazz for producer Norman Granz. He also set the standard for piano trio playing, originally forming a group with equally gifted and tasteful bassist Ray Brown and guitarists Barney Kessel and Herb Ellis. He later replaced guitar with drums (often played by Ed Thigpen), and Peterson's sound was copied by countless pianists with varying degrees of success. Equally at home in a solo setting or with an orchestra, Peterson filled any session in which he participated with effervescent joy and abundant technique -- coating everything in his sparkling, romantic and immutable manner of playing.
- Jessy Terry]]></description>
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<title>Bill Evans</title>
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<category>Jazz Piano</category>
<pubDate>Sun, 13 Dec 2009 10:14:03 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bill Evans</rhap:artist>
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<description><![CDATA[Bill Evans somehow learned to distill beauty from the air and make it pure. His crystalline, impressionistic touch on the piano produced ballads to dive into deeply. Though he could be a mainstream, swinging jazz pianist, his faster pieces are often less accessible, jagged and angular. Evans was an in-demand sideman in the late 1950s and the main creative catalyst behind Miles Davis' <I>Kind of Blue</I> album. He preferred to work with his own trio (his piano/bass/drums recordings are among the most influential in modern jazz), but he also recorded stellar albums with Jim Hall, Stan Getz, and Tony Bennett. On his own, he multi-tracked <I>Conversations with Myself</I>, yet another milestone. Despite his scholarly image, Evans was plagued with drug addiction for the majority of his adult life. His "NYC's No Lark" depicts some of the pain he experienced he saw and should keep everyone hooked exclusively on Bill Evans' music.
- Nick Dedina]]></description>
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<title>Grover Washington, Jr.</title>
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<category>Pop-Jazz</category>
<pubDate>Fri, 4 Dec 2009 13:20:21 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[Despite what many people say, Grover Washington, Jr. can never be accused of the assaults on musical dignity that have taken place since the arrival of Kenny G. Though Washington helped lead the crossover sax sounds dominating Smooth Jazz radio, he's also got enough chops and soul to stand up next to the best Bop and Soul Jazz players. Washington's tenor and soprano sax (among other instruments) headed up many excellent jazz tracks in the 1970s, working with keyboardist Bob James' light, funky arrangements and guitarist Eric Gale's slick lines; the work posed a yin to the harder yang promoted by many Fusion artists of the day. The classic album <I>Mister Magic</I> features a bearded Washington rocketing from a pool, emerging like the lofty lines he blew, covered in a lush coating of keyboard and strings. "Just the Two of Us" with Bill Withers solidified his status as a major star -- and recently brought Washington back to attention with a series of sampled remakes. In Philadelphia he's bigger than Ben Franklin, and his soaring notes have been missed since his death in 1999.
- Jessy Terry]]></description>
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<title>Wynton Marsalis</title>
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<category>Post Bop</category>
<pubDate>Tue, 15 Dec 2009 10:31:00 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[Wynton Marsalis is the most important and influential jazz musician of the modern age. He is sometimes seen as a controversial figure because of his outspoken views on what jazz should be, what it isn't and how popular culture and modern society have both generally gone to hell in a hand basket. But for all of his talk (and he's a good talker), Marsalis is also a monumentally gifted trumpet player with a quicksilver musical mind and a pure tone that would have made him a jazz star in any decade. His many critics (usually boho noise-jazzers, aged rockers and diaper-wearing electronica types) tag him as being musically conservative, yet he constantly finds new avenues and styles to explore. This restless creative energy is both Marsalis' strength and one of his major weaknesses. Like Dave Brubeck (or Woody Allen wanting to make "serious" movies instead of comedies), Marsalis sometimes undercuts his own musical strengths in order to stretch himself artistically in just about every direction â classical music, extended orchestral jazz compositions, socio-political explorations, film composition and education. While not everything Marsalis has done has been equally successful, he rarely (if ever) takes the easy road and he brings unflagging energy (and often rarely acknowledged humor) to everything he does. His trumpet playing was hit hard by medical issues in the 2000s but even that didn't slow him down â he now leads the Jazz At Lincoln Center Orchestra in addition to his many other projects. Marsalis comes from a family of New Orleans jazz musicians and his brother, Branford, is a brilliant saxophone player in his own right.
- Nick Dedina]]></description>
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<title>Bill Frisell</title>
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<category>Avant Garde Jazz</category>
<pubDate>Wed, 25 Nov 2009 11:50:50 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<description><![CDATA[It's rare that such an artistic maverick as Bill Frisell should be such a soft spoken and humble man. He's never one to sing his own praises, yet this truly gifted jazz guitarist has always followed his own muse, quietly gaining more and more fans with each passing year by combining avant garde improvisational jazz with bluegrass, folk and rock. It's to Frisell's credit that his music never sounds like a fusion of styles but seems completely natural and organic. He can bombard the listener with sound or stretch out with soft melodic tunes but that naturalness runs through all his work and may be the key to his success. It's gratifying that the public has embraced Frisell's music -- there is still room for excellence and experimentation in mainstream America after all.]]></description>
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<title>Beegie Adair</title>
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<category>Post Bop</category>
<pubDate>Wed, 4 Nov 2009 12:13:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<title>Keith Jarrett</title>
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<category>Post Bop</category>
<pubDate>Fri, 4 Dec 2009 13:20:15 -0800</pubDate>
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<description><![CDATA[Jarrett is one of the most influential pianists of the last thirty-five years. With an expressive chordal style and deft stylistic versatility, Jarrett's early stint with Charles Lloyd put his name in the jazz spotlight. His awe-inspiring solos -- including shimmering Post Bop work -- and textural mastery ranged in sound from bellowed grunts to percussive solos where Jarrett struck the inside of the piano. His move to Miles Davis' band in the late 1960s (following Herbie Hancock's departure) took him into the electric age, with notably remarkable results on <I>Live/Evil</I> (1970) and other recordings opposite Chick Corea. After swearing off the electric piano and organ, Jarrett proceeded to set the jazz world on its ear with his melodically masterful straight-ahead jazz dates and solo performances. In the legendary <I>The Koln Concert</I> (1975), he set the stage for a new breed of jazz that organically developed outside the realm of Bop -- though unfortunately a great number of new age pianists have butchered Jarrett's entrancing, rhythmic style. These days he tours sporadically, performing both classical and jazz music when not suffering from chronic fatigue syndrome.
- Noah Enelow]]></description>
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<title>Thelonious Monk</title>
<link>http://www.rhapsody.com/goto?rcid=art.5901&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Mon, 14 Dec 2009 10:05:32 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thelonious Monk</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5901&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5901&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Thelonious Sphere Monk was an iconoclast of the jazz community, a brilliant composer/pianist whose relentlessly quirky music has been putting smiles on people's faces long after his death. While he played with many groups through the 1940s, it wasn't until '47 that Monk began his solo odyssey. Outside the Bebop mainstream, Monk was busy concocting his own brew of witty, angular melodies with unorthodox and difficult chord progressions, and deeply swinging, Stride-influenced rhythm. In larger combos, Monk was a brilliant, if erratic, accompanist. His approach was wildly diverse, encompassing harmonically dense riffing, startlingly dissonant counterpoint, and complete silence. He was even known to get up and dance around the piano during his bandmates' solos. Monk was also a master at choosing sidemen; on his 1957 recording <I>Monk's Music</I>, he placed the passionate Post Bop explorations of John Coltrane alongside the gruff proto-Swing of Coleman Hawkins. A genius of modern music, indeed.
- Noah Enelow]]></description>
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<title>Wes Montgomery</title>
<link>http://www.rhapsody.com/goto?rcid=art.6390&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wes Montgomery</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6390&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6390&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's impossible to speak of jazz guitar without mentioning the great Wes Montgomery. Montgomery picked up where Charlie Christian left off, in developing the electric guitar as a jazz instrument. From 1958 until a decade later, Montgomery was the consummate Hard Bop guitar player. He blended the lightning-quick runs of Bop with an earthy, bluesy tone. His playing featured a folksy thumb-picking style, and he would often solo in octaves, both effects making his tone rounder and fuller. Montgomery composed two jazz standards, Four on Six and West Coast Blues, and recorded dozens of Bop albums. In the mid-'60s, Montgomery began playing more commercial jazz, recording instrumental versions of pop hits and enjoying considerable financial success. During his commercial period, he also began laying the groundwork for Fusion; unfortunately, he died in 1968, before Fusion ever hit its stride. Montgomery's influence is still felt in many areas of jazz.
- Noah Enelow]]></description>
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<title>Charlie Parker</title>
<link>http://www.rhapsody.com/goto?rcid=art.5828&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:04 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlie Parker</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5828</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5828&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5828&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Alto saxophone giant Charlie Parker can rightfully be considered the father of modern jazz. Originally from Kansas City, Charlie Parker moved to New York permanently in 1940, playing with Jay McShann's big band, then with Earl Hines and Billy Eckstine. During this period, however, something else was brewing. Parker began playing in the small clubs on 52nd Street, where a handful of musicians led by trumpeter Dizzy Gillespie were breaking new ground. Rather than dealing primarily with compositions and arrangements, the beboppers focused on improvisation. Playing in small groups at blistering tempos, Parker and his cohorts began relentlessly innovating jazz harmony and rhythm. But Parker's playing doesn't sound experimental; instead, it sounds graceful, exuberant, warm, and melodic. Though many traditionalists denounced it, Parker's music captivated the jazz world. After Bebop, jazz came to be played primarily in small groups, and the Bebop innovations have become the fundamental techniques of modern jazz improvisation.
- Noah Enelow]]></description>
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<title>John Scofield</title>
<link>http://www.rhapsody.com/goto?rcid=art.38501&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Thu, 3 Dec 2009 22:53:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John Scofield</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38501&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.38501&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Throughout his days as a guitarist with Jazz-Funk pioneer Billy Cobham, his 1980s Fusion classics with Miles Davis, and his later solo career, John Scofield has developed an extremely individual sound, bolstered by many top-notch sidemen. He's simplified his style over the years, opting for a bluesy, funkier vibe compared to his earlier, more complex songwriting. While many guitarists express themselves with endless streams of eighth notes, Scofield makes his mark by expertly finding the notes that carry over from chord to chord -- though to be fair, Scofield can blaze a fast Bebop run with unbelievable ease. His distinct, behind-the-beat rhythmic phrasing, trademark chorus, and semi-hollowbody sound have influenced thousands of guitarists.]]></description>
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<title>Chick Corea</title>
<link>http://www.rhapsody.com/goto?rcid=art.37788&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Tue, 15 Dec 2009 10:30:58 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Chick Corea</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37788&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.37788&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Chick Corea's career path mirrors the history of jazz since the 1960s and has had a huge impact on his peers. Working Latin-tinged and straight-ahead jazz dates, Corea's piano style began as a rich mixture of his influences (Bill Evans, Herbie Hancock, McCoy Tyner). After joining Miles Davis's group in the late '60s as Hancock's gradual replacement, Corea began to utilize synthesizers and electric keyboards, becoming a critical practitioner on these instruments. In the early '70s, Corea formed Return to Forever, merging rock, jazz, and Brazilian sounds into what became one of the most influential Jazz Fusion groups ever. Later work with his Elektric and Akoustik bands, as well as Post Bop and modern classical experimentations, has set a high precedent for modern pianists.
- Jessy Terry]]></description>
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<title>Paul Horn</title>
<link>http://www.rhapsody.com/goto?rcid=art.4471&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Ethnic Fusion</category>
<pubDate>Tue, 1 Dec 2009 09:48:01 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Paul Horn</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4471&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4471&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Ahmad Jamal</title>
<link>http://www.rhapsody.com/goto?rcid=art.39679&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Tue, 15 Dec 2009 10:30:57 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ahmad Jamal</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.39679</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.39679&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.39679&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Donald Byrd</title>
<link>http://www.rhapsody.com/goto?rcid=art.6259&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Donald Byrd</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6259&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6259&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though never quite a member of jazz's vanguard, trumpeter Donald Byrd has always changed with the times. In the 1950s, his star rose when he gained a prestigious spot in Art Blakey's Jazz Messengers, after which he began recording his own albums. But Byrd was not to remain true to the conventions of Hard Bop. Throughout the Â60s, soul, Gospel, and contemporary pop began to influence his music: his album <I>A New Perspective</I> made use of a Gospel choir; he would later enlist a pair of Afro-Brazilian percussionists for his 1970 album, <I>Kofi</I>. By 1974, he was right in the center of the Fusion pack, releasing the highly influential Jazz-Funk album <I>Blackbyrd</I>. This slick, studio-produced album sold over a million copies, and was influential in forming the genre known today as Acid Jazz. Finally, when jazz and hip-hop began to intermingle, Byrd was there as well, contributing solo work to Guru's initial <I>Jazzmatazz</I> project.
- Noah Enelow]]></description>
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<title>George Shearing</title>
<link>http://www.rhapsody.com/goto?rcid=art.5688&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Sun, 15 Nov 2009 11:03:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">George Shearing</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5688&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5688&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[When George Shearing came to New York from London in the late '40s, he had a problem: how to stand out from hordes of great jazz pianists. His answer was to create the GS Quintet. Shearing's distinctive mix of vibes, guitar, and piano became hugely popular and much imitated (even today, listen to the <I>Frasier</I> TV show theme). His lyrical piano combined bop, Latin and classical touches with swing. Likewise, Shearing brought jazz chops to his highly successful series of "mood music" albums on Capitol. His shimmering keyboard work conjures up images of New York penthouses and the club he celebrated in his standard "Lullaby of Birdland."
- Nick Dedina]]></description>
</item><item>
<title>Grant Green</title>
<link>http://www.rhapsody.com/goto?rcid=art.3691&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Soul Jazz</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Grant Green</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3691</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3691&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3691&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Among the top jazz guitarists of all time, Grant Green's influence has been strongly felt in many genres, from hip-hop to Acid Jazz. His funky, natural, single-note runs and repetitive, double-stop blues stylings are instantly recognizable -- few other guitarists have claimed such a distinct sound. From his early days as a sideman with Lou Donaldson and Jack McDuff, Green always helped make even the corniest standards groove to his rhythmic playing, though he shone brightest when allowed to expand his improvisation in a live setting. From his Hard Bop of the early 1960s to his laid-back Funk of the '70s, Green's influence was so far-reaching that modern artists like A Tribe Called Quest have sampled his licks, helping to bring his soulful sounds to new audiences decades after their first appearance.
- Jessy Terry]]></description>
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<title>Sonny Rollins</title>
<link>http://www.rhapsody.com/goto?rcid=art.6166&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sonny Rollins</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6166&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6166&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Sonny Rollins just might possess the sharpest wit in all of jazz. He came of age musically in the early '50s, developing a style that combined the gruff-toned swing of Coleman Hawkins with the Bebop innovations of Charlie Parker. But while Parker's melodic flights tapped into an emotional core of expression, Rollins' endless permutations convey an ironic sensibility. On tunes such as the Broadway hit "There's No Business Like Show Business," he worked with cliches from Bop, Swing, and Show Tunes, turning them inside out, upside down, and backwards -- partly as a search for the limit of melodic and rhythmic possibility and partly as a joking commentary on the cliches themselves. In his search for new possibilities, his playing will sometimes express an aesthetic minimalism. On his own "St. Thomas" -- now a standard -- he works the same two notes back and forth through a dizzying labyrinth of phrasings. Few improvisers can match the depth of Rollins' craft.
- Noah Enelow]]></description>
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<title>Art Blakey</title>
<link>http://www.rhapsody.com/goto?rcid=art.61131&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Mon, 14 Dec 2009 10:05:36 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Blakey</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61131</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61131&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61131&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If jazz were a university, drummer Art Blakey would be the chair of his own department. A consummate bandleader, Blakey brought dozens of excellent jazz players to national attention, helping launch countless brilliant solo careers. He also pioneered an aggressive, almost tribal style of jazz drumming which formed the backbone of Hard Bop. Blakey started out on the Big Band circuit in the 1930s, before moving to Bebop in the late 1940s and finally forming the Jazz Messengers with Horace Silver in 1954. Starting in 1955, he devoted most of his playing time to that band, which in its three-and-a-half decades featured such luminaries as Lee Morgan, Jackie McLean, Cedar Walton, Freddie Hubbard, Wayne Shorter, and Wynton Marsalis. The featured soloists wrote the majority of the tunes, a raucous blend of blues, Afro-Latin, and hard driving Bop, for which Blakey's fierce polyrhythmic attack provided the backbone.
- Noah Enelow]]></description>
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<title>Charles Mingus</title>
<link>http://www.rhapsody.com/goto?rcid=art.62112&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Avant Garde Jazz</category>
<pubDate>Sun, 13 Dec 2009 10:14:07 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charles Mingus</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62112</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62112&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62112&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bassist, composer, pianist, bandleader, and poet, Charles Mingus was a creative whirlwind. He began his career as a Bop and Cool Jazz player in New York City, before forming the Jazz Composer's Workshop in 1952. In 1955, Mingus started his own group, known as the Charles Mingus Jazz Workshop. A year later, Mingus enlisted drummer Dannie Richmond, who was to become his lifelong partner in rhythm. And thus began Mingus's creative explosion. He wrote a series of tunes that featured Gospel-inflected shouts, raucous blues, and Ellington-esque arrangements, showcased on the albums <I>Blues and Roots</I>, <I>Mingus Ah Um</I>, and <I>Mingus, Mingus, Mingus, Mingus, Mingus</I>. He enlisted a big band and recorded a masterpiece of modern music, <I>The Black Saint and the Sinner Lady</I>. He also toured Europe with a quintet, featuring the great Eric Dolphy. In 1977, after a short retirement and before his death, he recorded two more small combo albums, both entitled <I>Changes</I>. A virtuoso bassist and composer, Mingus irrevocably changed the face of jazz.]]></description>
</item><item>
<title>Kenny Burrell</title>
<link>http://www.rhapsody.com/goto?rcid=art.60104&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:07 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kenny Burrell</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.60104&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.60104&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Kenny Burrell caught Dizzy Gillespie's attention with his fluid guitar mix of cool-toned Bop and blues on a visit to Detroit in 1951. With a tip of the hat from the master, he moved to NYC and has never looked back. Even when he spits out fiery guitar lines, Burrell never appears to break a sweat. A melodic player whose sound fits in with Stan Getz, the Gil Evans Orchestra, or John Coltrane, Burrell has had a long partnership with Hammond B-3 master Jimmy Smith. His clean, bluesy guitar works exceptionally well over Smith's gritty organ riffs. Even though he resisted Fusion guitar and refused to adopt it into his style, Burrell has remained popular to this day.
- Nick Dedina]]></description>
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<title>Jimmy Smith</title>
<link>http://www.rhapsody.com/goto?rcid=art.6194&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Organ Jazz</category>
<pubDate>Mon, 30 Nov 2009 10:00:42 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jimmy Smith</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6194&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6194&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Funk, R&B, and rock 'n' roll all owe an enormous debt to organist Jimmy Smith. It was Smith who popularized the Hammond B-3 organ sound that made its way into every corner of American music by the '60s. He was also a deeply swinging Bop player, with blazing chops that recalled the great pianist Bud Powell. He could spin out blistering runs of sixteenth notes while simultaneously playing juicy chords with his left hand and basslines with his feet. After gigging around New York through the '50s, he got his big break with Blue Note Records in 1957. In 1963, Smith signed with Verve, recorded a number of crossover hits, and toured extensively. After a decade-long retirement beginning in the '70s, Smith started touring again. He's gone back to his roots, playing blazing Hard Bop and down-home Jazz-Funk. His latest recordings have featured many young, up-and-coming masters.
- Noah Enelow]]></description>
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<title>Dizzy Gillespie</title>
<link>http://www.rhapsody.com/goto?rcid=art.6172&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Mon, 14 Dec 2009 10:05:38 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dizzy Gillespie</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6172&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6172&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Everything about Dizzy Gillespie was original -- his bullfrog cheeks, his bent trumpet, his music, his soul. Along with Charlie "Yardbird" Parker, John Birks "Dizzy" Gillespie spearheaded the revolutionary Bop movement of the '40s. Both played with intense sophistication, but while Bird sax soundalikes started coming out of the woodwork, Dizzy trumpet clones were few and far between. Both giants became a Bop University of sorts, teaching others and spreading the word of the new jazz. Gillespie's unique combination of musical ideas, range, curiosity and, best of all, his joy of life could not be duplicated. Indeed, much like his forebear Louis Armstrong, Diz was a showman and an entertainer who captivated a wide audience. Gillespie's big bands and small groups brought Bop, Bossa Nova, and Afro-Cuban rhythms to the world. Gillespie's influence looms long and large over the course of Jazz history.
- Nick Dedina]]></description>
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<title>Brad Mehldau</title>
<link>http://www.rhapsody.com/goto?rcid=art.6902&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 12 Nov 2009 19:09:52 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Brad Mehldau</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6902&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6902&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Neo-classical jazz pianist Brad Mehldau has risen to stardom in the jazz community largely through impeccably elegant versions of well-known standards. Unlike most young players, Mehldau's strength is in his ballads; he's a player of extraordinary sensitivity and dynamics. He's certainly capable of blowing everyone away with his Bop virtuosity, but he knows when to keep it in check. For instance, on one song he repeats a dirge-like theme several times, altering it just a little bit each time before embarking on a solo flight. The effect is to emphasize the mournful quality of the theme itself, rather than view the theme as an afterthought for the solo statement. As well as being a top-flight soloist, Mehldau's an accomplished composer with a wide repertoire of original tunes.
- Noah Enelow]]></description>
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<title>Stanley Turrentine</title>
<link>http://www.rhapsody.com/goto?rcid=art.6365&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Soul Jazz</category>
<pubDate>Thu, 3 Dec 2009 22:53:34 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Stanley Turrentine</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6365&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6365&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Along with Hank Crawford, Stanley Turrentine put Soul Jazz saxophone on the map. Turrentine has a big, robust sound that excelled with both the Bop approach of Max Roach and the chicken-shack groove of Jimmy Smith. Turrentine spent the '60s as sideman for Herbie Hancock and Horace Silver, cutting solo albums for Blue Note, and in musical partnership with his (former) wife, organist Shirley Scott. In the early '70s, Turrentine's honey-drenched sound became big with the Âludes-in-the-jacuzziÂ crowd, while his first Crossover albums (such as the deeply bluesy <I>Sugar</I>) were also well-received. Luckily, Turrentine's tenor saxophone has always retained its dignity no matter what the company, and he continued to record with the finest jazz musicians and vocalists until he died of a stroke in 2000.
- Nick Dedina]]></description>
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<title>Charlie Byrd</title>
<link>http://www.rhapsody.com/goto?rcid=art.6356&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bossa Nova</category>
<pubDate>Fri, 4 Dec 2009 13:19:33 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlie Byrd</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6356&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6356&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charlie Byrd played jazz guitar with Django Reinhardt during his World War II army stint in France prior to studying classical music with Andres Segovia. He then applied these classical techniques to jazz for a uniquely academic approach to the instrument. In 1961, he toured Brazil, turning Stan Getz on to that country's swaying Bossa Nova rhythms. The album they recorded together, <I>Jazz Samba</I>, was an instant smash, ultimately setting off the Bossa Nova craze in the U.S. Byrd's solo albums in the '60s often straddle the fence between jazz and easy listening, but his technique always dazzles. In the '80s, he recorded fine albums with his fellow classical-jazz guitarist, Laurindo Almeida.
- Nick Dedina]]></description>
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<title>Charlie Hunter</title>
<link>http://www.rhapsody.com/goto?rcid=art.875&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz-Funk</category>
<pubDate>Sun, 6 Dec 2009 09:55:48 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlie Hunter</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.875&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.875&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[If you could take John Scofield and stuff him in the back of a Hammond B3 console you might get something like the sounds Charlie Hunter coaxes from his guitar. (Actually, you'd probably end up with a broken organ and an injured musician, but you get the point.) Hunter is so good he can make other guitar players cry with envy, throw down their axes and switch to some lesser instrument, such as the bass. But he's got that covered, too! Originally transcribing the fancy-footwork basslines of organists like Jack McDuff, Hunter applied them to his custom 8-string guitar, and after what must have been years of practice came up with a way to play bass, rhythm and lead guitar lines all at once. His basslines may not be the most complex, but they're an entirely tasteful backing for his Leslie-effected, organ-like rhythm guitar and his stellar chromatic solos. The band performs groove-oriented jazz, with hints of funk, spicy Latin, and even reggae (Hunter's best work may have been his cover of Bob Marley's album, <i>Natty Dread</i>). A must-see live, Hunter's style keeps getting more and more diverse, while his albums get better and better.
- Jessy Terry]]></description>
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<title>Cannonball Adderley</title>
<link>http://www.rhapsody.com/goto?rcid=art.5883&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cannonball Adderley</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5883&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5883&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Cannonball Adderley's warm, inviting tone and soulful, melodic Bebop playing made him one of the most accessible and appealing saxophonists in jazz. He moved to New York from Florida in 1955 and started his own quintet. In 1957, he began playing with the Miles Davis Sextet, and was featured on the immortal <I>Kind of Blue</I>. Adderley's playing with the Davis quintet is pure, effortless, breezy Bebop -- a sweeter and lighter Charlie Parker. He conveys feelings of breathlessness, joy and wonder, all tinged with teasing flirtation. The Davis quintet also shows him stretching his lightning chops to their limit. By contrast, with his own group he delves deep into Blues and church music, giving birth to the style called Soul Jazz. In 1966, Adderley recorded his first and only pop hit, "Mercy, Mercy, Mercy," which brought together jazz with R&B and gained a wider audience for his music.
- Noah Enelow]]></description>
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<title>Marian McPartland</title>
<link>http://www.rhapsody.com/goto?rcid=art.16341&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Wed, 25 Nov 2009 11:50:05 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Marian McPartland</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16341</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16341&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.16341&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[On the surface it wouldn't seem as if Marian McPartland fit into smoky jazz clubs. After all, she's an upstanding, refined English woman with a gentle manner that suggests Mary Poppins hanging out on 52nd Street. To be sure, her music is always tasteful, but McPartland always swings and she had to be one tough bird to survive and prosper in the American jazz scene of the 1940s, '50s, and '60s. While she's recorded prolifically, many people know McPartland from her radio show, <i>Piano Jazz</i>. A weekly delight, this show gives her the opportunity to talk and jam with the best jazz musicians and vocalists around. (The series is so good that many programs have since been released on CD.) She may be of British origin, but McPartland has long been an American treasure.
- Nick Dedina]]></description>
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<title>Gene Harris</title>
<link>http://www.rhapsody.com/goto?rcid=art.36000&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Jazz Piano</category>
<pubDate>Mon, 30 Nov 2009 10:00:46 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gene Harris</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.36000&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.36000&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Freddie Hubbard</title>
<link>http://www.rhapsody.com/goto?rcid=art.6419&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:01 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Freddie Hubbard</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6419</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6419&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6419&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Graduate of the Hard Bop school, trumpet master Freddie Hubbard possesses a quicksilver playing style that's always masterfully phrased, like that of a balladeer. In the late '50s, he played with Wes Montgomery and Sonny Rollins to little public acclaim, but his career took off in the early part of the following decade when both Quincy Jones featured him often in his orchestra and Oliver Nelson tapped him for the stunning <I>The Blues and the Abstract Truth</I>. Following mid-'60s sessions with Art Blakey, John Coltrane and Herbie Hancock, Hubbard caught the Fusion bug, later adding Funk and soul to his mix. Hubbard ultimately returned to his straight Hard Bop roots in the 1980s.
- Nick Dedina]]></description>
</item><item>
<title>Lee Morgan</title>
<link>http://www.rhapsody.com/goto?rcid=art.61716&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:02 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Lee Morgan</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61716&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61716&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter Lee Morgan's rip-roaring, funky style conveyed a brash, larger-than-life attitude that knew no equal in the jazz universe. He combined dazzling virtuosity with a startlingly bright tone. Morgan joined Dizzy Gillespie's big band in 1956, also recording his first solo album that same year. In 1963, Morgan virtually defined Hard Bop with his shuffling blues, "The Sidewinder," and over the next four years he recorded eight solid albums for Blue Note. Though he was a virtuoso, Morgan was not experimental during this period: he found a formula and stuck to it. Later in his career, Morgan began branching out in a modal direction, leaning toward the avant-garde. Morgan was killed in 1972 before he had a chance to fully develop his new musical personality.]]></description>
</item><item>
<title>Mark Isham</title>
<link>http://www.rhapsody.com/goto?rcid=art.6742&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Non-Orchestral</category>
<pubDate>Thu, 10 Dec 2009 10:52:28 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mark Isham</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6742&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Mark Isham's versatility has earned him a place as one of Hollywood's finest film composers, as well as keeper of the Cool Jazz flame. He plays trumpet in the muted, introspective style of '50s-era Miles Davis, he's been an innovator in the use of electronics in jazz, and he's handled arrangements for cult stars Scott Walker and David Sylvian. His straight jazz, Chamber Music, or electronica-based soundtracks are excellent, and he has forged working relationships with such iconoclastic directors as Alan Rudolph, Robert Redford, Carroll Ballard, and Robert Altman. For jazz buffs, Isham is a top improviser <I>and</I> a first rate tunesmith (a rare combination -- refer to Gerry Mulligan and Horace Silver). During live performances, his tunes often depart wildly from their recorded versions, yet he never loses his West Coast cool.
- Nick Dedina]]></description>
</item><item>
<title>Horace Silver</title>
<link>http://www.rhapsody.com/goto?rcid=art.6107&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Thu, 3 Dec 2009 22:53:44 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Horace Silver</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6107&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Horace Silver grafted Bop's advances with more accessible Gospel and blues-derived sounds, helping to create Hard Bop in the process. Silver is an ace songwriter and an accomplished pianist who was discovered by Stan Getz at age 22, later getting together with drummer Art Blakey and forming the Jazz Messengers -- "The Preacher" and "Doodlin'" from this period were juke joint staples and have become jazz standards. Silver has had an exceptional career leading his own groups and the album <I>Song For My Father</I> is only one of his classics -- its joyous celebration of life and overall sensitive mood remain staples in Silver's work.
- Nick Dedina]]></description>
</item><item>
<title>Brian Bromberg</title>
<link>http://www.rhapsody.com/goto?rcid=art.12826&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Fusion</category>
<pubDate>Thu, 23 Jul 2009 13:16:11 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Brian Bromberg</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12826&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12826&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Dexter Gordon</title>
<link>http://www.rhapsody.com/goto?rcid=art.61444&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 13 Dec 2009 10:14:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dexter Gordon</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61444&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.61444&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A widely reproduced photograph of Dexter Gordon sums up jazz in a single image -- the great saxophonist is lost in the music, with his instrument at rest and a stream of smoke rising from his cigarette. Gordon's own music always created the same state of reverie, mixing Lester Young's cool lyricism with Charlie Parker's bop innovations; forming his own unique sound in the process. Like Paul Desmond, Gordon quoted different songs -- as well as bits of other artists' solos -- at strategic spots during both his frenzied swingers and devastating ballads. He spent most of the '50s in jail on narcotics charges before releasing a series of stunning albums on Blue Note in the '60s. Gordon caught the acting bug in prison and later received an Academy Award nomination for his leading role in <i>Round Midnight</i>. Consumed with illness at the time, his playing was in serious decline but still held flashes of its former brilliance.
- Nick Dedina]]></description>
</item><item>
<title>Joe Pass</title>
<link>http://www.rhapsody.com/goto?rcid=art.6190&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Fri, 15 May 2009 11:39:55 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Joe Pass</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6190&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6190&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Joe Pass was a guitarist of exquisite taste who recorded his best work in the '70s and '80s. Pass (born Joseph Anthony Passalaqua) got hooked on drugs at the start of his professional career in the late '40s and subsequently spent most of the '50s in jail. Maybe Pass spent some time in solitary because his beautifully toned guitar had the ability to be quiet yet sound like a full orchestra all by itself. His career started to gain some steam in the '60s, and when he joined Pablo Records in 1973 he quickly became a star. Pass was a favorite of both the public and fellow musicians (like George Shearing and Oscar Peterson). Ella Fitzgerald loved working with him and her best later albums are duets with just Pass' guitar.
- Nick Dedina]]></description>
</item><item>
<title>Charlie Haden</title>
<link>http://www.rhapsody.com/goto?rcid=art.3251&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Wed, 7 Oct 2009 12:12:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Charlie Haden</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3251&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3251&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Charlie Haden, a key jazz musician of the modern age, was on the ground floor of the free jazz and avant-garde movement before gaining a wider audience as a keeper of the bop flame. He was born into a musical family and started yodeling as a toddler. After a bout with polio weakened Haden's vocal chords, he switched over to the bass.
Haden was already into jazz when he moved to Los Angeles in 1957 and started playing with such West Coast stars as Art Pepper before he became the bassist in Ornette Coleman's revolutionary free jazz band. Haden continued paving the way for avant-garde jazz, playing long stints with Keith Jarrett, Dewey Redman and drummer Paul Motian. He also trailblazed with his Liberation Music Orchestra. By the late '80s he had formed Quartet West with Kiwi pianist and arranger Alan Broadbent, Ernie Watts (sax) and Lawrence Marable (drums). The group's second Verve album, 1991's <i>Haunted Heart</i>, was Haden's first mainstream hit and reintroduced him as a master of ballads and romantic material. He kept recording with Quartet West while cutting solo sets. In 2008, he recorded <i>Friends & Family: Rambling Boy</i>, a pitch-perfect look back at the folk music of his youth.
- Nick Dedina]]></description>
</item><item>
<title>Wayne Shorter</title>
<link>http://www.rhapsody.com/goto?rcid=art.4342&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Thu, 3 Dec 2009 22:54:01 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Wayne Shorter</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4342&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4342&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's hard to overstate Wayne Shorter's influence as a saxophonist and composer -- he has rightfully earned a place as a jazz legend. His tenor playing draws on the enhanced Bebop virtuosity of John Coltrane, minus the brittle edge; Shorter's playing has such a flowing feel that he almost seems to be composing heads to a tune in real-time when he improvises. He was groomed to be perfect in any setting. As a featured soloist and music director in Art Blakey's Jazz Messengers, he mastered the raw, bluesy feel of Hard Bop, moving on to Post Bop in 1964 after joining Miles Davis's influential late '60s quintet. He then helped to pioneer jazz-rock Fusion when he formed Weather Report in 1970. Many of his songs are required learning for aspiring jazz musicians, such as the bluesy "Footprints." But it doesn't take a musician to understand the expansive beauty of a ballad like "Fall." Both songs exhibit his innovations: with one foot in the blues, Shorter expanded the scope of a jazz composition and added complexity to its chords -- but he did it with such melodic perfection that he didn't leave listeners behind, as many of his contemporaries in the '60s did.
- Jessy Terry]]></description>
</item><item>
<title>Art Pepper</title>
<link>http://www.rhapsody.com/goto?rcid=art.6199&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:38:17 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Art Pepper</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6199&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Art Pepper may not be a recognizable figure to the general public, but he is a bright shining star in the jazz world. Pepper, of San Pedro, California was a child prodigy who fell in love with the music of Lester Young. As a teen, he was featured in Lee Young's (Lester's brother) band and with the great Benny Carter. Segregation forbade his touring with them so he joined Stan Kenton's group and quickly became a featured soloist. Pepper shared Stan Getz's good looks and an ability to fit into any musical situation yet retain his own voice, and became an in-demand session player and a solo star. Heroin claimed Pepper for well over a decade and he spent a substantial part of his life in and out of jail and recovery homes. In the '70s he picked his career up and released a string of excellent albums showing a new, tougher style. His biting autobiography, "Straight Life," is closer to literature than the usual celebrity tell-all; it may be the most self-critical, least flattering autobiography ever written.
- Nick Dedina]]></description>
</item><item>
<title>John McLaughlin</title>
<link>http://www.rhapsody.com/goto?rcid=art.4171&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Fusion</category>
<pubDate>Fri, 23 Oct 2009 11:56:11 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">John McLaughlin</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4171&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Not many people have a Miles Davis track named after them, but guitarist John McLaughlin earned that honor for his raw jazz-based soloing which held together Davis' monumental <I>Bitches Brew</I>. McLaughlin's versatility and stylistic mastery is unmatched; he's worn many hats through the years, helping to invent Fusion with his combination of jazz virtuosity and blistering rock 'n' roll aggression. His playing is layered and tasteful, floating from full speed improvisation to open-sounding chords and chameleon-like variations. He began as a session player in England, jamming with Clapton, Hendrix and Jimmy Page, and worked his way up to a brilliant Post Bop debut <I>Extrapolation</I>. McLaughlin moved on to join Tony Williams' Lifetime and Miles Davis' bands, before founding the Mahavishnu Orchestra in the early '70s. Dissatisfied with the limitations of playing a single genre, McLaughlin joined tabla master Zakir Hussain to form Shakti, an innovative and exceptional combination of Indian classical music and jazz. His intense, fruitful collaborations are also numerous: over the years McLaughlin has recorded outstanding albums with Carlos Santana, Buddy Miles, Billy Cobham, Paco De Lucia and Al Dimeola, and many more.
- Jessy Terry]]></description>
</item><item>
<title>Bud Powell</title>
<link>http://www.rhapsody.com/goto?rcid=art.6462&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bebop</category>
<pubDate>Sun, 13 Dec 2009 10:14:09 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bud Powell</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6462&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Bud Powell virtually invented Bop piano. A native New Yorker, he began hanging out around the local jazz scene during his teenage years, witnessing the birth of Bop in the small clubs in Harlem and later, on 52nd Street. Powell landed a coveted spot as a regular member of Charlie Parker's band in the mid-40s, where his innovations formed the piano's equivalent of Parker's groundbreaking saxophone work. He introduced the same harmonic extensions, but phrased them in descending arpeggios and darting runs that changed direction at a breakneck rate, usually accompanied by sparse left-hand stabs. Such elements would become the stylistic bread and butter of many Bop pianists to follow. Powell's brilliant career was marred by numerous mental and physical health problems; he was committed to a mental hospital in 1951, fell ill with tuberculosis in 1962, and passed away four years later.
- Noah Enelow]]></description>
</item><item>
<title>Kurt Elling</title>
<link>http://www.rhapsody.com/goto?rcid=art.13025&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Sat, 19 Sep 2009 12:58:26 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Kurt Elling</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13025&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>Maynard Ferguson</title>
<link>http://www.rhapsody.com/goto?rcid=art.2169&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Crossover Jazz</category>
<pubDate>Fri, 27 Nov 2009 10:25:13 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Maynard Ferguson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2169&amp;variant=play&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.2169&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Maynard Ferguson's amazing high-register trumpet work made him a star with the Stan Kenton Orchestra at the dawn of the 1950s, and his elastic range and boundless energy have kept him up there for almost fifty years. Though he kills on Big Band and Bop flag wavers, Ferguson can be a downright sensitive player when not wowing the crowd with (admittedly impressive) trumpet gymnastics.
- Nick Dedina]]></description>
</item><item>
<title>Herbie Mann</title>
<link>http://www.rhapsody.com/goto?rcid=art.6178&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=84&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss">Top Bop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Herbie Mann</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6178&amp;variant=data&amp;rws=%2Fjazz%2Fbop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The two words jazz flute usually conjure up an image of the eternally whiskered Herbie Mann. At first a disciple of the cool school, Mann switched from sax to flute in the late 50s and turned heads with his accessible, swinging Bop. His complex rhythmic sense coupled with his understanding of harmony lines came to fruition in the early 60s when Mann took up Afro-Cuban and Bossa Nova music to massive success as he recorded with the likes of Antonio Carlos Jobim, Willie Bobo and, in a change of pace, Bill Evans. His albums from this period mesh with both solitary listening and parties (<i>Memphis Underground</i> may be his biggest album). In the 70s, he switched gears again and put out a series of Fusion and pop/reggae/Disco albums. When the hits finally stopped, Mann returned to mainstream jazz but continued to use his position to explore all avenues of world music until he passed away in 2004.
- Nick Dedina]]></description>
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