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<title>Top Modern Big Band Artists on Rhapsody Online</title><link>http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link><description>Top Modern Big Band Artists on Rhapsody Online</description><category>Modern Big Band</category><language>en</language><ttl>720</ttl><pubDate>Tue, 24 Nov 2009 02:37:09 -0800</pubDate><image>
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<title>Top Modern Big Band Artists on Rhapsody Online</title>
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<title>Duke Ellington</title>
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<category>Big Band</category>
<pubDate>Sat, 21 Nov 2009 13:43:18 -0800</pubDate>
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<description><![CDATA[The contributions Edward Kennedy "Duke" Ellington has made to American music cannot be overstated. Ellington led an earthshaking big band with musicians that helped shape jazz and his charts influenced countless arrangers. He wrote dozens of what are now considered standards while he continued to explore and experiment with longer suites. Ellington could produce a great swing song, then a ballad, and then follow it up with an avant-garde orchestral piece -- all of equal quality. On his own, Ellington was a powerhouse who used members of his orchestra like a painter uses colors and optimized the talents and sounds of each musician. When Billy Strayhorn joined him as a co-arranger, songwriter and piano player, their combined talents led the orchestra to even greater heights. When Duke Ellington was asked to define jazz he replied, "there are only two kinds of music, good and bad." The Duke just may have created more "good" music than anyone in history.
- Nick Dedina]]></description>
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<title>Quincy Jones</title>
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<category>Big Band</category>
<pubDate>Sun, 15 Nov 2009 11:03:43 -0800</pubDate>
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<description><![CDATA[Many today just know Quincy Jones as a recording industry powerhouse, but in the 1950s and '60s he was an in-demand jazz arranger as well as the man who blazed a path for future African Americans in the movie studios and record companies. Jones grew up in Seattle and learned how to read music from the blind (!) Ray Charles as a teen. He went on to play trumpet and write arrangements for the orchestras of Lionel Hampton, Dizzy Gillespie, Count Basie and Ray Charles. In 1957, French record company Barclay records snatched him up as an executive and from there he went on to the Mercury label. At the same time, he recorded with the awesome Quincy Jones Big Band. It contained the finest musicians and combined the streamlined swing of Count Basie with the sounds of Hard Bop. Jones was all over the place during this period, working with many artists and singers such as Sarah Vaughan and Frank Sinatra. Jones started working on film and television soundtracks to great success. In the '70s he got funky (like everybody else) and slowly withdrew to the business side of music. But every once in a while, he comes back out. Today, his work shows the common threads found in jazz, Funk, pop, and rap.
- Nick Dedina]]></description>
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<title>Charles Mingus</title>
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<category>Avant Garde Jazz</category>
<pubDate>Sun, 15 Nov 2009 11:03:45 -0800</pubDate>
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<description><![CDATA[Bassist, composer, pianist, bandleader, and poet, Charles Mingus was a creative whirlwind. He began his career as a Bop and Cool Jazz player in New York City, before forming the Jazz Composer's Workshop in 1952. In 1955, Mingus started his own group, known as the Charles Mingus Jazz Workshop. A year later, Mingus enlisted drummer Dannie Richmond, who was to become his lifelong partner in rhythm. And thus began Mingus's creative explosion. He wrote a series of tunes that featured Gospel-inflected shouts, raucous blues, and Ellington-esque arrangements, showcased on the albums <I>Blues and Roots</I>, <I>Mingus Ah Um</I>, and <I>Mingus, Mingus, Mingus, Mingus, Mingus</I>. He enlisted a big band and recorded a masterpiece of modern music, <I>The Black Saint and the Sinner Lady</I>. He also toured Europe with a quintet, featuring the great Eric Dolphy. In 1977, after a short retirement and before his death, he recorded two more small combo albums, both entitled <I>Changes</I>. A virtuoso bassist and composer, Mingus irrevocably changed the face of jazz.]]></description>
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<title>Dizzy Gillespie</title>
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<category>Bop</category>
<pubDate>Fri, 20 Nov 2009 12:51:32 -0800</pubDate>
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<description><![CDATA[Everything about Dizzy Gillespie was original -- his bullfrog cheeks, his bent trumpet, his music, his soul. Along with Charlie "Yardbird" Parker, John Birks "Dizzy" Gillespie spearheaded the revolutionary Bop movement of the '40s. Both played with intense sophistication, but while Bird sax soundalikes started coming out of the woodwork, Dizzy trumpet clones were few and far between. Both giants became a Bop University of sorts, teaching others and spreading the word of the new jazz. Gillespie's unique combination of musical ideas, range, curiosity and, best of all, his joy of life could not be duplicated. Indeed, much like his forebear Louis Armstrong, Diz was a showman and an entertainer who captivated a wide audience. Gillespie's big bands and small groups brought Bop, Bossa Nova, and Afro-Cuban rhythms to the world. Gillespie's influence looms long and large over the course of Jazz history.
- Nick Dedina]]></description>
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<title>Gerry Mulligan</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 13 Nov 2009 12:39:21 -0800</pubDate>
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<description><![CDATA[With his white sidewalls crewcut and short-sleeved shirts, Gerry Mulligan was a 50s icon. Mulligan's pianoless quartet with Chet Baker caused an immediate sensation in 1952 and put West Coast Jazz on the map. Mulligan had already been working on his trademark relaxed, Cool Jazz sound with his arrangements for Claude Thornhill and Miles Davis. Besides his writing skills, Mulligan's mastery of the baritone sax had much to do with his success. In most hands, the deep, throaty instrument can sound like a baby tuba, but Mulligan treated the beast like the kind of tenor sax that Ben Webster played. He employed that fluid style with his equally influential quartets, tentets, and big bands. He died in 1996, still at the height of his powers, after complications from minor knee surgery (he was an avid runner). Undeniably, one of the true giants of jazz.
- Nick Dedina]]></description>
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<title>Maynard Ferguson</title>
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<category>Crossover Jazz</category>
<pubDate>Thu, 12 Nov 2009 09:55:25 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Maynard Ferguson</rhap:artist>
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<description><![CDATA[Maynard Ferguson's amazing high-register trumpet work made him a star with the Stan Kenton Orchestra at the dawn of the 1950s, and his elastic range and boundless energy have kept him up there for almost fifty years. Though he kills on Big Band and Bop flag wavers, Ferguson can be a downright sensitive player when not wowing the crowd with (admittedly impressive) trumpet gymnastics.
- Nick Dedina]]></description>
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<title>Dave Pell</title>
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<category>Cool/West Coast Jazz</category>
<pubDate>Sat, 14 Feb 2009 13:01:15 -0800</pubDate>
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<description><![CDATA[Saxophonist Dave Pell led one of the coolest of the West Coast Cool bands. His light, floating octet featured superior musicians such as Zoot Sims, Paul Smith and Benny Carter playing the charts of Shorty Rogers, Marty Paich and Bill Holman. His own saxophone style was appealing, but when L.A. started treating jazz like the silent screen starlet of <i>Sunset Boulevard</i>, Pell joined the ranks of sunglass-sporting rock producers. He returned to jazz in the late '70s, balancing bop and cool with the big band swing he started with.
- Nick Dedina]]></description>
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<title>Stan Kenton</title>
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<category>Big Band</category>
<pubDate>Tue, 10 Nov 2009 10:13:23 -0800</pubDate>
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<description><![CDATA[Stan Kenton led one of the most successful big bands from the end of the Swing era through the counterculture revolution of the 1960s. Kenton's vision was unique and he often favored bombast and experimentation over the pulse of Swing. Oddly, the musicians he hired were the swingin'est around. Art Pepper, Anita O'Day, Shelly Manne, Shorty Rogers, Maynard Ferguson, June Christy and countless others all became stars with Kenton and went on to successful solo careers. If pretension often got the best of him, much of Kenton's music was great. Songs like "23 Degrees North - 82 Degrees West," -- which incorporated Latin rhythms without conga drums -- are still amazingly vital, while such albums as <I>City of Glass</I> remain cutting edge Third Stream works. Kenton's reputation suffered at the hands of latter day critics who complained that his music wasn't "black" enough. Today, people are waking up to the fact that his music was special because it sounded like no one else's.
- Nick Dedina]]></description>
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<title>J.J. Johnson</title>
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<category>Bebop</category>
<pubDate>Fri, 13 Nov 2009 12:38:17 -0800</pubDate>
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<description><![CDATA[J.J. Johnson became a star by being the first slide trombonist to bring Bop innovations to his unwieldy instrument. He played with the Benny Carter and Count Basie bands during the 1940s, but developed a lightning-quick style while working with Charlie Parker and Dizzy Gillespie. He led many of his own groups, the most successful of which was a unique partnership with Kai Winding, his fellow trombonist and annual competitor for the top spot in year-end jazz polls. Johnson still records prolifically and is such a skilled arranger -- doing charts for many albums and films on which he does not play -- that even if he never mastered the trombone, he would still be a major figure in jazz history.
- Nick Dedina]]></description>
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<title>Buddy Rich</title>
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<category>Modern Big Band</category>
<pubDate>Sun, 1 Nov 2009 12:39:40 -0800</pubDate>
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<description><![CDATA[Buddy Rich, a child prodigy, was a marvel on the drums. Rich was propelled to stardom in the Swing era while playing with the Artie Shaw and Tommy Dorsey big bands -- where he and Sinatra sometimes came to blows on stage -- before backing just about every Swing and Bop musician of the 1950s. Rich then went on to beat the rock 'n' roll odds by fronting a popular big band from the late '60s until his death in 1987. He even hosted an episode of <i>The Muppet Show</i>.
- Nick Dedina]]></description>
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<title>Art Farmer</title>
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<category>Hard Bop</category>
<pubDate>Sat, 24 Oct 2009 12:07:11 -0700</pubDate>
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<description><![CDATA[Look on the back of any jazz record from the '50s onward and the odds are pretty good that Art Farmer is on it. In 1945, Farmer blazed a trail the minute he set foot in Los Angeles: he improvised like a demon yet still managed to be melodic on trumpet and flugelhorn. Farmer's playing enlivened the bands of Benny Carter, Lionel Hampton, and Quincy Jones. In New York, he worked with Horace Silver, Gerry Mulligan, and Benny Golsen, among countless others. He led his own groups from the early '60s on and released dozens of superb solo albums, but continued to drop in on friends' sessions. His sound was so appealing that even during the dark '70s, he had major label deals. What was his secret? Whatever it was, Farmer carried it to the grave in 1999 but we can still search for the answers in his music.
- Nick Dedina]]></description>
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<title>Bob Brookmeyer</title>
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<category>Cool</category>
<pubDate>Wed, 12 Aug 2009 09:28:27 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Bob Brookmeyer</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62119&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62119&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A valve trombonist and ace arranger, Bob Brookmeyer's Cool, but warm, tone has been a major part of the jazz scene for almost fifty years. After getting tapped by Stan Getz in 1953, he went on to Jimmy Giuffre's unique chamber jazz trio with Jim Hall, and then started his long association with Gerry Mulligan. Brookmeyer's solo records from this period are real finds, but most people have heard his complex, melodic work with Mulligan, Chet Baker, and on two excellent duet albums with Bill Evans. Like so many of these collaborators, his style meshed perfectly with 1960s Bossa Nova, and Brookmeyer recorded an engaging collaboration with Lalo Schifrin called <I>Samba Para Dos</I> that will please serious jazz and Lounge fans alike. Brookmeyer has become another jazz treasure that America has lost to Europe, but luckily his big band and small group recordings are widely available. The only constant you will find in his diverse body of work is excellence.
- Nick Dedina]]></description>
</item><item>
<title>Matthew Herbert</title>
<link>http://www.rhapsody.com/goto?rcid=art.58392&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Electronica/Dance</category>
<pubDate>Wed, 28 Oct 2009 10:43:43 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Matthew Herbert</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58392&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58392&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[London's Matthew Herbert is an anomaly in electronic music: while he got his start crafting Chicago-inspired house tracks for the more discerning ravers of the '90s, the bulk of his career has been defined by his conceptual bent and political activism. Herbert's music was always unconventional, but his move away from the dance-floor status quo came with his Personal Contract for the Composition of Music, a manifesto dictating the hows and whys behind his use of samplers and synthesizers. At heart an ethical approach in defiance of the increasing ease of electronic-music production, the P.C.C.O.M. led Herbert in a more activist direction as he began to move from the sounds of the personal (a beating heart or clattering toothbrush) to the political (an oil tank being filled, or a Big Mac thrown against a wall). Still, deep house and downtempo fans won't be thrown off by the intimacy of albums like <I>Around the House</I> or <I>Bodily Functions</I>. In addition to the side projects Doctor Rockit and Radioboy, Herbert also conducts the Herbert Big Band Orchestra, a modern-day take on the classic big bands of the '30s and '40s.
- Philip Sherburne]]></description>
</item><item>
<title>Rob McConnell</title>
<link>http://www.rhapsody.com/goto?rcid=art.55010&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Sun, 5 Apr 2009 17:22:00 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rob McConnell</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.55010&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.55010&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Unless you're Brian Setzer, it doesn't pay to keep an orchestra together in the modern age, but Rob McConnell has been beating the odds since the 1960s. His Swing-meets-Bop Big Band features the hottest Canadian jazz veterans, including guitarist Ed Bickert (a favorite of Paul Desmond) and McConnell himself, who is a fine valve trombonist. Perfect for those who love the hard hitting sounds of Woody Herman, Thad Jones, Gerald Wilson, and Atomic-era Count Basie.
- Nick Dedina]]></description>
</item><item>
<title>Tom Harrell</title>
<link>http://www.rhapsody.com/goto?rcid=art.58314&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Wed, 7 Oct 2009 12:12:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Tom Harrell</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.58314</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58314&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.58314&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It can't be easy to be tagged a musician's musician. While fans buy albums and concert tickets, artists expect everything for free. Horn player Tom Harrell has been a musician's favorite for years; he combines a lyrical Cool style with a deep understanding of Hard and Post Bop structures. Like Art Farmer, he fits into a diverse range of ensembles: from the impressionistic Bill Evans to the funky Horace Silver, from the bombastic Stan Kenton Orchestra to the hard-swinging Woody Herman Herd. Besides his stellar sideman gigs, Harrell's own recordings keep getting better. Recent RCA releases show off his compositional and arranging skills as well as his trumpet and flugelhorn chops. Though Harrell's tone is close to Chet Baker's, he adds offbeat artists like the frenzied Dewey Redman to his ensembles and can help the divergent sounds make sense together. Though Harrell has received some press about his positive life as a diagnosed schizophrenic, his consistently rewarding work deserves a wider audience.
- Nick Dedina]]></description>
</item><item>
<title>Oliver Nelson</title>
<link>http://www.rhapsody.com/goto?rcid=art.6547&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Post Bop</category>
<pubDate>Sat, 15 Aug 2009 11:04:36 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Oliver Nelson</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6547&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6547&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Oliver Nelson was such a good saxophone player that he could shine with the mainstream Quincy Jones Orchestra or with the far-out Eric Dolphy. However, his exceptional arranging and composing skills eventually pushed his playing to the sidelines. Nelson arranged big band and string sessions for the likes of Nancy Wilson, Cal Tjader, Jimmy Smith and Wes Montgomery. <i>The Blues and the Abstract Truth</I>, released under his own name, features his sax with such cohorts as Dolphy and Bill Evans. This classic contains his best known song, "Stolen Moments," and is a sophisticated celebration of the blues. By the end of the '60s, Nelson had retreated to the movie and television studios. He died young in 1975.
- Nick Dedina]]></description>
</item><item>
<title>Shorty Rogers</title>
<link>http://www.rhapsody.com/goto?rcid=art.5448&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Cool/West Coast Jazz</category>
<pubDate>Fri, 23 Oct 2009 11:55:40 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Shorty Rogers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.5448</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5448&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.5448&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Shorty Rogers was an agile trumpet player with a light and always swinging style, but his largest contributions to jazz came from his wondrous arranging and composing abilities. The Giants, his popular West Coast ensemble, kept fluctuating from a small group to a mid-sized outfit to a full big band, and his music was featured in such quintessential 1950s films as <I>The Wild Ones</I> and <I>The Man With the Golden Arm</I>. He had a rare instrumental hit single in 1962 with "Martians, Go Home" but by the middle of that decade, Rogers had abandoned jazz for full-time studio and movie work. In 1983 he returned to his first love, playing and recording regularly until his death in 1994.
- Nick Dedina]]></description>
</item><item>
<title>Carla Bley</title>
<link>http://www.rhapsody.com/goto?rcid=art.3427&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Sun, 25 Oct 2009 10:21:35 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Carla Bley</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3427</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3427&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.3427&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Max Roach</title>
<link>http://www.rhapsody.com/goto?rcid=art.6089&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Wed, 29 Jul 2009 11:27:28 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Max Roach</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6089</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6089&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6089&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Drummer Max Roach has been a vital force in shaping jazz music, for he alone bridges the Swing, Bop, and Avant Garde eras. In 1942, at the age of eighteen, he was already playing with the Duke Ellington orchestra; soon afterward, he met trumpeter Dizzy Gillespie and went on to forge some of the first Bebop rhythms. Roach pioneered the use of polyrhythms, or multiple interlocking rhythms with different meters that share the same pulse and thus may be played simultaneously. In 1954, Roach formed his own quintet with trumpet virtuoso Clifford Brown which thrived until Brown and pianist Richie Powell were killed in a car accident. Roach has since led countless bands and worked with dozens of Post Bop and avant-garde players. He's tackled political themes in his music, led an all-percussion ensemble, and worked in multimedia with dancers and video artists. His latest combo often plays alongside a string quartet.]]></description>
</item><item>
<title>Thad Jones</title>
<link>http://www.rhapsody.com/goto?rcid=art.6228&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Big Band</category>
<pubDate>Thu, 15 Oct 2009 11:00:18 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Thad Jones</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6228</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6228&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6228&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter/arranger Thad Jones began his career auspiciously, joining Count Basie's band in 1954, where he arranged many Basie compositions and wrote several charts. But Jones was a powerful soloist as well. The same year he joined the Basie band, the great bassist Charles Mingus recorded several small-group sessions with Jones. These sessions became the album <I>The Fabulous Thad Jones</I>, which featured a mix of standards and compositions showcasing Jones' virtuosic trumpet and cornet playing. In 1963, Jones formed his own big band with drummer Mel Lewis, becoming one of the most popular and successful big bands in jazz history. Their unit featured tight horn arrangements, bright tunes, and punchy energy. Jones eventually left Lewis and started another big band, Eclipse, which retained much of the energy and verve of the older band. Jones died in 1986.
- Nick Dedina]]></description>
</item><item>
<title>Gil Evans</title>
<link>http://www.rhapsody.com/goto?rcid=art.6470&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Tue, 17 Mar 2009 20:34:34 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gil Evans</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6470</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6470&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6470&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Canadian-born, but raised in California's agricultural Central Valley, Gil Evans' tonal colors are unique with an eerie, disquieting quality. His laid-back charts for Claude Thornhill in the '40s helped lay the foundation for Cool jazz, and his apartment was a meeting place for like-minded moderns such as Gerry Mulligan, Miles Davis, and John Lewis. They all got together on the classic <I>Birth of the Cool</I> LP. That Miles Davis album was a popular bust but was hugely influential and Evans went on to record three stunning albums with Davis in the late '50s and he started recording his own big band throughout this period. His solo albums and collaborations with Kenny Burrell and Astrud Gilberto in the '60s are equally impressive and carry his unmistakable sound. Evans got into electronics and continued experimenting in the '70s, but most of this later work lacks focus (excluding his surprisingly good tribute to Jimi Hendrix in '74).
- Nick Dedina]]></description>
</item><item>
<title>Gerald Wilson</title>
<link>http://www.rhapsody.com/goto?rcid=art.40394&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Wed, 18 Mar 2009 11:02:07 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gerald Wilson</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40394</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40394&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40394&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Don Ellis</title>
<link>http://www.rhapsody.com/goto?rcid=art.40824&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Wed, 25 Mar 2009 21:07:17 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Don Ellis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.40824</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40824&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.40824&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Although his playing could command a free and piercing (yet musical) performance, Don Ellis' mark was made on the outstanding large ensembles he assembled in the 1970s. Multiple horns mixed with a large woodwind section and surreptitious strings over throbbing rhythms. Ellis' orchestra relied heavily on odd time signatures to drive their grooves, but their sound was always fresh and exciting, rather than forced. Ellis himself experimented with different sounds for his trumpet, inventing a four-valve instrument which could play quarter tones and using effects in a fashion similar to Miles Davis. He gained valuable experience and influence working with Charles Mingus, George Russell and Eric Dolphy; his music similarly managed to be innovative and unstructured at times, but never long enough to alienate a listener.
- Jessy Terry]]></description>
</item><item>
<title>Bob Belden</title>
<link>http://www.rhapsody.com/goto?rcid=art.62118&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Sat, 27 Jun 2009 13:30:11 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bob Belden</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62118&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.62118&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Big Phat Band</title>
<link>http://www.rhapsody.com/goto?rcid=art.10850089&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 27 Nov 2008 12:01:20 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.10850089</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Big Phat Band</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10850089</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10850089&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10850089&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Mel Lewis</title>
<link>http://www.rhapsody.com/goto?rcid=art.6226&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Wed, 24 Jun 2009 23:39:22 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6226</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Mel Lewis</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6226</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6226&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.6226&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A favorite of Gerry Mulligan, Dizzy Gillespie, and Johnny Mandel, Lewis is a crackingly good drummer who was a major player on the modernist West Coast scene prior to taking over the Thad Jones Orchestra. Whether Cool or Bop, he keeps the beat swinging.
- Nick Dedina]]></description>
</item><item>
<title>Bill Holman</title>
<link>http://www.rhapsody.com/goto?rcid=art.4359&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 18 Jun 2009 09:08:13 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4359</guid>
<rhap:rcid xmlns:rhap="rhap">art.4359</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bill Holman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4359</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4359&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4359&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Chico O'Farrill</title>
<link>http://www.rhapsody.com/goto?rcid=art.10355&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Afro-Cuban Jazz</category>
<pubDate>Sat, 6 Dec 2008 14:06:13 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10355</guid>
<rhap:rcid xmlns:rhap="rhap">art.10355</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Chico O'Farrill</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10355</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10355&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10355&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[O'Farrill is one of the finest writers and arrangers for Latin big bands. He led his own group during the '50s, but his work with Charlie Parker, Cal Tjader and particularly Count Basie is more well-known. He has recorded a pair of sizzling albums during the '90s.
- Nick Dedina]]></description>
</item><item>
<title>Muhal Richard Abrams</title>
<link>http://www.rhapsody.com/goto?rcid=art.7061&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Sun, 30 Aug 2009 09:01:26 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.7061</guid>
<rhap:rcid xmlns:rhap="rhap">art.7061</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Muhal Richard Abrams</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7061</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7061&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.7061&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Perhaps most widely noted for his contributions to Chicago's Association for the Advancement of Creative Musicians (AACM), pianist/composer Abrams has long been respected by fellow musicians. His recorded output (more than twenty albums) reinforces notions of him as a quiet experimentalist rather than a flashy attention-seeker. Often challenging and cerebral, his compositions draw on a broad historical and stylistic scope -- from Ragtime to modern classical to Free Jazz -- without resorting to superficial pastichery. His large ensemble albums, including <I>Blu, Blu, Blu</I> and <I>One Line, Two Views</I>, may best exemplify what he's all about, showcasing his trademark dense harmonies and thoughtful arrangements, as well as his ability to weave elements of the blues, Swing, Hard Bop and the avant-garde into a cohesive style of his own.
- Will York]]></description>
</item><item>
<title>Patrick Williams</title>
<link>http://www.rhapsody.com/goto?rcid=art.33245&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Sat, 16 May 2009 12:06:20 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.33245</guid>
<rhap:rcid xmlns:rhap="rhap">art.33245</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Patrick Williams</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.33245</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.33245&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.33245&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Toshiko Akiyoshi</title>
<link>http://www.rhapsody.com/goto?rcid=art.404&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 22 Oct 2009 13:23:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.404</guid>
<rhap:rcid xmlns:rhap="rhap">art.404</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Toshiko Akiyoshi</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.404</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.404&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.404&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An engaging pianist whose crisp, forceful attacks take off from Bud Powell territory but go well beyond mere imitation, Akiyoshi is also a skilled composer-arranger and ranks as one of the more acclaimed figures in the Bop-based Modern Big Band field. Her work in the latter category blends swinging, Gil Evans-esque arrangements with occasional Eastern influences, spotlighting top-notch soloists such as tenor saxophonist/flautist Lew Tabackin.
- Will York]]></description>
</item><item>
<title>Bob Florence</title>
<link>http://www.rhapsody.com/goto?rcid=art.4006&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Wed, 21 Oct 2009 11:04:50 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4006</guid>
<rhap:rcid xmlns:rhap="rhap">art.4006</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Bob Florence</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4006</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4006&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.4006&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Pianist and arranger Bob Florence has worked with Randy Newman, Ann Margaret, and Julie Andrews, but one of his first gigs was with the modernist Stan Kenton Orchestra. It's that last association that sticks to Florence's big band charts. He gives musicians, like perennially underrated saxophonist Bob Cooper, plenty of opportunity to solo on his complex, ultrahard-swinging arrangements. This is Modern Big Band music; raucous and rowdy, Florence must have the <i>Spinal Tap</i> amp that goes to eleven hard-wired to his heart.
- Nick Dedina]]></description>
</item><item>
<title>Gigi Gryce</title>
<link>http://www.rhapsody.com/goto?rcid=art.10356&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Fri, 15 May 2009 11:40:27 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10356</guid>
<rhap:rcid xmlns:rhap="rhap">art.10356</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Gigi Gryce</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10356</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10356&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10356&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Gryce was a stellar alto saxophone player and composer who left the jazz world for academia before making a real name for himself. Beside recording on his own, he worked with Lionel Hampton, Clifford Brown, and Thelonius Monk.
- Nick Dedina]]></description>
</item><item>
<title>Django Bates</title>
<link>http://www.rhapsody.com/goto?rcid=art.10649&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 5 Nov 2009 12:40:14 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.10649</guid>
<rhap:rcid xmlns:rhap="rhap">art.10649</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Django Bates</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10649</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10649&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10649&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Hard to pin down due to its stylistic unpredictability, keyboardist Bates' music ranges from revisionist Ragtime solo piano to jazz standard reworkings that sound like Avant-Garde Smooth Jazz (e.g., <I>Quiet Nights</I>). He's probably best known for his eccentric Big Band work, which incorporates elements of circus music and near progressive rock while showcasing his melodic skills and witty, very English sense of humor.
- Will York]]></description>
</item><item>
<title>Calvin Owens</title>
<link>http://www.rhapsody.com/goto?rcid=art.8025&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 22 Oct 2009 13:23:57 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.8025</guid>
<rhap:rcid xmlns:rhap="rhap">art.8025</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Calvin Owens</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8025</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8025&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.8025&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter/arranger Calvin Owens adds a jazz-fueled dimension to his raucous R&B. Great guest spots and amazing solos from B.B. King (for whom Owens primarily arranges), sax great David "Fathead" Newman, and singer B.J. Scott.
- Nick Dedina]]></description>
</item><item>
<title>Either/Orchestra</title>
<link>http://www.rhapsody.com/goto?rcid=art.12875&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 22 Oct 2009 13:23:51 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.12875</guid>
<rhap:rcid xmlns:rhap="rhap">art.12875</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Either/Orchestra</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12875</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12875&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.12875&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Massachusetts-based ten-piece performs adventurous Modern Big Band compositions influenced by the work of Charles Mingus. All players are excellent, and the overall sound is dominated by a seven-horn frontline.
- Jessy Terry]]></description>
</item><item>
<title>Joel Harrison Octet</title>
<link>http://www.rhapsody.com/goto?rcid=art.11062&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 22 Oct 2009 13:23:52 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.11062</guid>
<rhap:rcid xmlns:rhap="rhap">art.11062</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Joel Harrison Octet</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.11062</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11062&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.11062&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Intelligently written, well played jazz in the post-Charles Mingus tradition -- though Harrison and Co. are a little less boisterous than Mingus typically was. The guitarist's carefully arranged pieces range from sophisticated Post Bop to snappy, odd-metered Funk, finding a good balance between structure and spontaneity.
- Will York]]></description>
</item><item>
<title>Claus Ogerman</title>
<link>http://www.rhapsody.com/goto?rcid=art.28368&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Third Stream</category>
<pubDate>Sat, 25 Apr 2009 17:59:09 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.28368</guid>
<rhap:rcid xmlns:rhap="rhap">art.28368</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Claus Ogerman</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.28368</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.28368&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.28368&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Michael Ray &amp; the Cosmic Krewe</title>
<link>http://www.rhapsody.com/goto?rcid=art.13286&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Avant Garde Jazz</category>
<pubDate>Thu, 22 Oct 2009 13:23:53 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.13286</guid>
<rhap:rcid xmlns:rhap="rhap">art.13286</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Michael Ray &amp; the Cosmic Krewe</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13286</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13286&amp;variant=play&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.13286&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Trumpeter Michael Ray honed his chops in major (if wildly different) groups -- Kool & the Gang and the Sun Ra Arkestra. His own band melds many styles together into a colorful blend, incorporating Funk, hip-hop, Latin and Bop jazz, and especially a large dose of spaced-out, big band, Avant Garde madness.
- Jessy Terry]]></description>
</item><item>
<title>Frank Foster</title>
<link>http://www.rhapsody.com/goto?rcid=art.7236&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Fri, 30 Oct 2009 12:04:42 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Frank Foster</rhap:artist>
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<description><![CDATA[Frank Foster is a superlative sax player and arranger renowned for bringing a Bop edge to the Count Basie Orchestra. His small group solo recordings are as strong as his Big Band swingers.
- Michael Ansaldo]]></description>
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<title>Jim Self</title>
<link>http://www.rhapsody.com/goto?rcid=art.15111&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Hard Bop</category>
<pubDate>Sat, 11 Apr 2009 14:13:32 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jim Self</rhap:artist>
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<description><![CDATA[Self is a talented jazz tuba player who uses his unorthodox instrument to great effect. He generally performs with a larger combo, using the tuba for deft arrangements in addition to bassy solos.
- Jessy Terry]]></description>
</item><item>
<title>Boyd Raeburn Orchestra</title>
<link>http://www.rhapsody.com/goto?rcid=art.68901&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Big Band</category>
<pubDate>Fri, 23 Oct 2009 16:25:15 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Boyd Raeburn Orchestra</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.68901&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[There wasn't a more "far out" big band during the Swing Era than Boyd Raeburn Orchestra. They were hard swinging and embraced dissonance, while nevertheless retaining links to the mainstream; picture Count Basie hallucinating on some bad whiskey while studying Avant-Garde classical theory and you get an idea of how fun Raeburn's music is. Musicians Serge Chaloff, Roy Elderidge, and Buddy DeFranco kept jazz geeks happy, while ever underrated vocalists Dave Allyn and Ginnie Powell kept mainstream audiences looking to dance from running for the exits. Much of the band's uniqueness came from its arrangers: George Handy crafted eccentric charts, Johnny Richards' talent eventually led him to Stan Kenton's band, and a young Johnny Mandel ended up with Count Basie before going on to compose for feature films. There was only so much room for big bands during the 1940s, and Stan Kenton was the sole winner. Whatever its head-turning effect held back in the day, the BRO's merit as bringers of good music remains today.
- Nick Dedina]]></description>
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<title>Benny Bailey</title>
<link>http://www.rhapsody.com/goto?rcid=art.10980&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Bop</category>
<pubDate>Thu, 1 Oct 2009 11:36:49 -0700</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Benny Bailey</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=art.10980&amp;variant=data&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A dazzling trumpet player, Benny Bailey keeps the Bop fires burning while fitting into most any small group or big band setting. He played an important role in the Dizzy Gillespie and Lionel Hampton outfits of the 1940s and early '50s before he left the United States for Europe. Although he played regularly with many of the top visiting and expatriate jazz musicians (Stan Getz, for instance), many in the U.S. forgot about Bailey until Quincy Jones composed a spotlight for him entitled "Meet Benny Bailey." He remains a big name in Europe and regularly records there.
- Nick Dedina]]></description>
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<title>Gary Mcfarland</title>
<link>http://www.rhapsody.com/goto?rcid=art.14644&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss</link>
<category>Modern Big Band</category>
<pubDate>Thu, 29 Jan 2009 12:04:25 -0800</pubDate>
<source url="http://www.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=379&amp;rws=%2Fjazz%2Fbig-band%2Fmodern-big-band%2Fartist-chart.rss">Top Modern Big Band Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Gary Mcfarland</rhap:artist>
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