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<title>Playlists Featuring Jamie Lidell on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.55578&amp;variant=artist-playlists&amp;rws=%2Fjamie-lidell%2Fplaylists.rss</link><description>Justin Timberlake can cut a rug like nobody's business, and Maroon 5 know their Chic inside and out. Yet arguably the funkiest blue-eyed soul man since Daryl Hall lives across the pond. Much like the legendary Arthur Russell and later Matthew Dear, Lidell is a pop singer with a background in esoteric dance music; he and Cristian Vogel, under the name Super Collider, released two albums of quasi-ambient electronica in the late '90s. The Brit approaches soul music more like a producer meticulously constructing sonic collages than a traditional frontman. Although his debut &lt;i&gt;Muddlin Gear&lt;/i&gt; was a continuation of his interest in pure sound, Lidell turned into a straight-up crooner for 2005's &lt;i&gt;Multiply&lt;/i&gt;. In addition to a host of standard, non-electronic instruments, the album features him making a clutch of sounds -- from the punchy percussion to the falsetto backup singers -- with just his voice (a feat he wowed audiences with when he toured in support of the album). But while that's a novel trick, Lidell clearly understands soul's vast history. He is as well versed in the post-'70s era (Prince, D'Angelo) as he is in the classics of both Northern and Southern soul. Then again, soul is a shadowy quality that lives somewhere beyond knowledge and skill. Some folks have it; some don't. And Lidell certainly does.
- Justin Farrar</description><category>Blue-Eyed Soul</category><language>en</language><ttl>720</ttl><pubDate>Mon, 23 Nov 2009 08:14:56 -0800</pubDate><image>
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<description>Justin Timberlake can cut a rug like nobody's business, and Maroon 5 know their Chic inside and out. Yet arguably the funkiest blue-eyed soul man since Daryl Hall lives across the pond. Much like the legendary Arthur Russell and later Matthew Dear, Lidell is a pop singer with a background in esoteric dance music; he and Cristian Vogel, under the name Super Collider, released two albums of quasi-ambient electronica in the late '90s. The Brit approaches soul music more like a producer meticulously constructing sonic collages than a traditional frontman. Although his debut &lt;i&gt;Muddlin Gear&lt;/i&gt; was a continuation of his interest in pure sound, Lidell turned into a straight-up crooner for 2005's &lt;i&gt;Multiply&lt;/i&gt;. In addition to a host of standard, non-electronic instruments, the album features him making a clutch of sounds -- from the punchy percussion to the falsetto backup singers -- with just his voice (a feat he wowed audiences with when he toured in support of the album). But while that's a novel trick, Lidell clearly understands soul's vast history. He is as well versed in the post-'70s era (Prince, D'Angelo) as he is in the classics of both Northern and Southern soul. Then again, soul is a shadowy quality that lives somewhere beyond knowledge and skill. Some folks have it; some don't. And Lidell certainly does.
- Justin Farrar</description>
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<title>MG soul mix - V1 - Bubba101</title>
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<category>Soul/R&amp;B</category>
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<title>temp - rebeccag</title>
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