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<title>Top Tracks by Guillaume de Machaut on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link><description>Machaut, Guillaume de (b. Reims, c. 1300; d. there, 13 April 1377). &lt;br /&gt;
French composer and poet. Probably educated in Reims, he entered the service of John of Luxembourg, King of Bohemia, as a royal secretary, c.1323. The king helped him to procure a canonry in Reims, which was confirmed in 1335; Machaut settled there c.1340, although he continued in royal service until the king's death (1346). He then served various members of the French high nobility, including John, Duke of Berry, his later years being dedicated to the MS compilation of his works.&lt;br /&gt;
With his prolific output of motets and songs, Machaut was the single most important figure of the French Ars Nova. He followed and developed the guidelines of Philippe de Vitry's treatise Ars nova and, in particular, observed Vitry's unprecedented advocation of duple time in many of his works, even in his setting of the Ordinary of the Mass. Only in some of his lais and virelais and the Hoquetus David did he consistently adhere to 13th-century rhythmic patterns and genres. His own rhythmic style is novel in its use of variety and motivic interest, particularly through syncopation, and in his development of isorhythmic techniques (which he often extended to all voices): all but three of his 23 motets, and four of the movements of the Messe de Nostre Dame, are isorhythmic. The mass is one of the earliest polyphonic settings of the Mass Ordinary; the four isorhythmic movements are based on Gregorian tenors, while the Gloria and Credo are freely constructed. &lt;br /&gt;
In secular music, Machaut set a wide range of poetic forms, all of which are illustrated in his long narrative poem, the Remede de Fortune (probably an early work). While the relationship between text and music is most closely observed in the monophonic lais and virelais, a highly flexible approach is adopted in the three-voice motets so that the subtle treatment of the text avoids the symmetricality of complete isorhythm. His inventive approach to isorhythm resulted in freely-constructed introductions to five of his Latin motets. More progressive features of Machaut's style - an increased awareness of tonality, the use of unifying rhythmic motifs - are found in his polyphonic settings of rondeaux and ballades, while melodic considerations are to the fore in his virelais. Typical of Machaut's compositional flair and imagination is the rondeau Ma fin est mon commencement in which the text provides the key to an ingenious canon.
- MUZE</description><category>Early</category><language>en</language><ttl>720</ttl><pubDate>Mon, 23 Nov 2009 08:57:02 -0800</pubDate><image>
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<description>Machaut, Guillaume de (b. Reims, c. 1300; d. there, 13 April 1377). &lt;br /&gt;
French composer and poet. Probably educated in Reims, he entered the service of John of Luxembourg, King of Bohemia, as a royal secretary, c.1323. The king helped him to procure a canonry in Reims, which was confirmed in 1335; Machaut settled there c.1340, although he continued in royal service until the king's death (1346). He then served various members of the French high nobility, including John, Duke of Berry, his later years being dedicated to the MS compilation of his works.&lt;br /&gt;
With his prolific output of motets and songs, Machaut was the single most important figure of the French Ars Nova. He followed and developed the guidelines of Philippe de Vitry's treatise Ars nova and, in particular, observed Vitry's unprecedented advocation of duple time in many of his works, even in his setting of the Ordinary of the Mass. Only in some of his lais and virelais and the Hoquetus David did he consistently adhere to 13th-century rhythmic patterns and genres. His own rhythmic style is novel in its use of variety and motivic interest, particularly through syncopation, and in his development of isorhythmic techniques (which he often extended to all voices): all but three of his 23 motets, and four of the movements of the Messe de Nostre Dame, are isorhythmic. The mass is one of the earliest polyphonic settings of the Mass Ordinary; the four isorhythmic movements are based on Gregorian tenors, while the Gloria and Credo are freely constructed. &lt;br /&gt;
In secular music, Machaut set a wide range of poetic forms, all of which are illustrated in his long narrative poem, the Remede de Fortune (probably an early work). While the relationship between text and music is most closely observed in the monophonic lais and virelais, a highly flexible approach is adopted in the three-voice motets so that the subtle treatment of the text avoids the symmetricality of complete isorhythm. His inventive approach to isorhythm resulted in freely-constructed introductions to five of his Latin motets. More progressive features of Machaut's style - an increased awareness of tonality, the use of unifying rhythmic motifs - are found in his polyphonic settings of rondeaux and ballades, while melodic considerations are to the fore in his virelais. Typical of Machaut's compositional flair and imagination is the rondeau Ma fin est mon commencement in which the text provides the key to an ingenious canon.
- MUZE</description>
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<title>Toute Flour - Guillaume De Machaut</title>
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<title>Rondelet: Dame Mon Cuer En Vous Remaint - Guillaume De Machaut</title>
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<title>Ballade 32: Plourez dames - Guillaume de Machaut</title>
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<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<description><![CDATA[Ballade 32: Plourez dames - Guillaume de Machaut]]></description>
</item><item>
<title>Rondeau: Rose Liz - Guillaume De Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2106756&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Sat, 1 Jan 1994 00:00:00 -0800</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album xmlns:rhap="rhap">Remede De Fortune</rhap:album>
<rhap:album-rcid xmlns:rhap="rhap">alb.197667</rhap:album-rcid>
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<description><![CDATA[Rondeau: Rose Liz - Guillaume De Machaut]]></description>
</item><item>
<title>Credo - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698197&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album xmlns:rhap="rhap">La Messe de Nostre Dame/ Le Voir Dit</rhap:album>
<rhap:album-rcid xmlns:rhap="rhap">alb.128142</rhap:album-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=tra.2698197&amp;variant=data&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</rhap:data-href>
<description><![CDATA[Credo - Guillaume de Machaut]]></description>
</item><item>
<title>Chanson Balladee: Dame A Vous - Guillaume De Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2106754&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Sat, 1 Jan 1994 00:00:00 -0800</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Guillaume de Machaut</rhap:artist>
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<rhap:album xmlns:rhap="rhap">Remede De Fortune</rhap:album>
<rhap:album-rcid xmlns:rhap="rhap">alb.197667</rhap:album-rcid>
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<rhap:album-release-date xmlns:rhap="rhap">1994-01-01 00:00:00.0</rhap:album-release-date>
<rhap:album-original-release-date xmlns:rhap="rhap">1994-01-01 00:00:00.0</rhap:album-original-release-date>
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<description><![CDATA[Chanson Balladee: Dame A Vous - Guillaume De Machaut]]></description>
</item><item>
<title>Sanctus - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698198&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Guillaume de Machaut</rhap:artist>
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<rhap:album-rcid xmlns:rhap="rhap">alb.128142</rhap:album-rcid>
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<rhap:album-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-release-date>
<rhap:album-original-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-original-release-date>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=tra.2698198&amp;variant=data&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</rhap:data-href>
<description><![CDATA[Sanctus - Guillaume de Machaut]]></description>
</item><item>
<title>Rondeau 4: Sans cuer dolens - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698203&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Guillaume de Machaut</rhap:artist>
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<rhap:album-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-release-date>
<rhap:album-original-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-original-release-date>
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<rhap:track xmlns:rhap="rhap">Rondeau 4: Sans cuer dolens</rhap:track>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=tra.2698203&amp;variant=data&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</rhap:data-href>
<description><![CDATA[Rondeau 4: Sans cuer dolens - Guillaume de Machaut]]></description>
</item><item>
<title>Rondeau 18: Puis qu'en oubli - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698205&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-release-date>
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<description><![CDATA[Rondeau 18: Puis qu'en oubli - Guillaume de Machaut]]></description>
</item><item>
<title>Lai 13: Le lay de bonne esperance - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698204&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-release-date>
<rhap:album-original-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-original-release-date>
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<description><![CDATA[Lai 13: Le lay de bonne esperance - Guillaume de Machaut]]></description>
</item><item>
<title>Ballade 33: Nes qu'on porriot - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698202&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album-rcid xmlns:rhap="rhap">alb.128142</rhap:album-rcid>
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<rhap:data-href xmlns:rhap="rhap">http://www.rhapsody.com/goto?rcid=tra.2698202&amp;variant=data&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</rhap:data-href>
<description><![CDATA[Ballade 33: Nes qu'on porriot - Guillaume de Machaut]]></description>
</item><item>
<title>Ite missa est - Guillaume de Machaut</title>
<link>http://www.rhapsody.com/goto?rcid=tra.2698200&amp;variant=play&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss</link>
<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
<source url="http://www.rhapsody.com/goto?rcid=art.61046&amp;rws=%2Fguillaume-de-machaut%2Ftop-tracks.rss">Top Tracks by Guillaume de Machaut on Rhapsody Online</source>
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<rhap:album xmlns:rhap="rhap">La Messe de Nostre Dame/ Le Voir Dit</rhap:album>
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<rhap:album-release-date xmlns:rhap="rhap">1996-10-04 00:00:00.0</rhap:album-release-date>
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<title>Rondeau 14: Ma fin est mon commencement (arr. N. Imai and M. Miki) - Guillaume De Machaut</title>
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<category>Early</category>
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<title>Rondeau 17: Dis et sept cinq - Guillaume de Machaut</title>
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<category>Early</category>
<pubDate>Fri, 4 Oct 1996 00:00:00 -0700</pubDate>
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<title>Liement Me Deport - Guillaume De Machaut</title>
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<category>Early</category>
<pubDate>Sat, 1 Jan 1994 00:00:00 -0800</pubDate>
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<title>Flos filius eius (Organum) - Motett (Dance Song) - Ballad (Machaut) - Guillaume De Machaut</title>
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<category>Early</category>
<pubDate>Fri, 2 Oct 2009 08:05:36 -0700</pubDate>
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<title>LAI: Qui N'aroit Autre Deport - Guillaume De Machaut</title>
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<category>Early</category>
<pubDate>Sat, 1 Jan 1994 00:00:00 -0800</pubDate>
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<title>Chant Royal: Joie, Plaisance - Guillaume De Machaut</title>
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<category>Early</category>
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<title>Sanctus - Guillaume de Machaut</title>
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<category>Early</category>
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