<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1354060131"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Music Videos by Foetus on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.63394&amp;rws=%2Ffoetus%2Fmusic-videos.rss</link><description>Sonic mayhem. Ambuscades of acidic aural assaults. Foetus mastermind Jim Thirwell is a man of many musical disguises: Clint Ruin, Scraping Foetus off the Wheel, Wiseblood, etc. Whatever shape he assumes, however, his work is consistently aggressive and experimental -- all his recordings feature Industrial tape loops and guitar rock squall coming together in dense pastiches of post-modern Musique Concrete. Anyone who thinks "I want to f*ck you like an animal" is the very zenith of songwriting for the Industrial genre is hereby advised to give a close listen to Thirwell's cryptic, culturally cross-pollinated ruminations on the socio-sexual pathologies of the Information Age. They offer a heady -- even literary -- alternative to dime a dozen Industrial acts valuing beats over ideas.
- Chad Driscoll</description><category>Industrial</category><language>en</language><ttl>720</ttl><pubDate>Tue, 1 Dec 2009 21:09:59 -0800</pubDate><image>
<url>http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Music Videos by Foetus on Rhapsody Online</title>
<link>http://www.rhapsody.com/goto?rcid=art.63394&amp;rws=%2Ffoetus%2Fmusic-videos.rss</link>
<description>Sonic mayhem. Ambuscades of acidic aural assaults. Foetus mastermind Jim Thirwell is a man of many musical disguises: Clint Ruin, Scraping Foetus off the Wheel, Wiseblood, etc. Whatever shape he assumes, however, his work is consistently aggressive and experimental -- all his recordings feature Industrial tape loops and guitar rock squall coming together in dense pastiches of post-modern Musique Concrete. Anyone who thinks "I want to f*ck you like an animal" is the very zenith of songwriting for the Industrial genre is hereby advised to give a close listen to Thirwell's cryptic, culturally cross-pollinated ruminations on the socio-sexual pathologies of the Information Age. They offer a heady -- even literary -- alternative to dime a dozen Industrial acts valuing beats over ideas.
- Chad Driscoll</description>
</image></channel>
</rss>