Elvis Costello Discography on Rhapsody Online

Elvis Costello Discography on Rhapsody Onlinehttp://www.rhapsody.com/goto?rcid=art.1123&rws=%2Felvis-costello%2Fdiscography.rssElvis Costello exploded on the late-1970s music scene as part of a new wave of brash singer/songwriters who reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk. Early in his career, Costello listed "revenge and guilt" as his primary motivations, but what really counted was the construction of his songs, which set densely layered wordplays in an ever-expanding repertoire of styles. Since Costello's melodic instincts were as sure as his gifts as a lyricist, his musical experiments generally drew kudos, enhancing his reputation as a quintessential critics' favorite. (Rock singer David Lee Roth once remarked that critics liked the bespectacled, nerdy Costello because they all looked liked him.) Granted, some members of the pop intelligentsia never forgave Costello for moving beyond the brazen minimalist urgency of his early seminal albums; but it's just this progress that has allowed the singer to remain a relevant, respected artist. Elvis Costello's (b. Declan Patrick MacManus, August 25th, 1954, Paddington, London) father was a successful big-band singer and trumpet player. While attending Catholic school in working-class London, Costello tried playing violin and several other instruments before discovering the guitar at 15, at which point he was already interested in songwriting. Soon after, he moved to Liverpool to live with his mother, who had divorced his father. In the early 1970s, he and his high school sweetheart married and had a son, settling in London. There, Costello continued to write, record demos, and perform (sometimes under the name D.C. Costello, his mother's maiden name), while supporting his family as a computer operator. In 1975 he quit his job, became a roadie for Brinsley Schwarz, and became friendly with their bass player, Nick Lowe. Stiff Records signed Costello in 1976 on the advice of staff producer Lowe; one of the label's owners, Jake Riviera, became his manager and rechristened him Elvis Costello. Costello's first single, "Less Than Zero," was released in April 1977 and later included on his phenomenal Lowe-produced debut My Aim Is True. Soon Top 20 in England, Aim (Number 32 U.S.) made Costello a major British cult star and attracted critical kudos in the U.S. The now-classic album, which included one of popular music's best-ever heartbreak songs in "Alison," as well as the haunting "Watching the Detectives, and the melodically-addictive "(The Angels Wanna Wear My) Red Shoes" was recorded with the Northern California band Clover — a group that would form the basis of Huey Lewis and the News — and made in six sessions for under $2,000. Costello then assembled the Attractions: keyboardist Steve "Nieve" Nason, drummer Pete Thomas, and bassist Bruce Thomas. Bolstered by his new cohorts on This Year's Model (Number 30, 1978), he rocked harder, while maintaining his distinctively wounded, clipped vocal delivery. Meanwhile, his "angry young man" image was amplified by punk-friendly habits like onstage rudeness, brief sets, and an aversion to the press. His next release, the Top 10 Armed Forces (originally titled Emotional Facism), repeatedly equated love affairs with military maneuvers ("Oliver's Army"). By then Costello's style encompassed lush, Beatlesque arrangements and more diverse influences. While he toured the U.S. to promote Armed Forces in 1979, Costello's onstage contrariness and dark moods — sometimes induced by drinking — reached alarming proportions. In Columbus, Ohio, that March, a minor but much-publicized conflict with American singers Bonnie Bramlett and Stephen Stills occurred in a hotel bar after an inebriated Costello reportedly disparaged Ray Charles with a racial epithet. Besides tainting his work with the Rock Against Racism organization, this outburst brought the wrath of the previously supportive press — though he subsequently issued a formal apology. Costello lay low for a while, producing the Specials' 1979 debut and appearing at the Concert for Kampuchea. Trust (Number 28, 1981) brought Costello back to frontline duty with a more piano-based songs and an accompanying American tour that revealed an uncharacteristically polite and reserved stage manner, as if experience had mellowed the performer, who was still in his mid-20s. His touring partners were Squeeze, a critically acclaimed pop band whose 1981 LP East Side Story Costello co-produced. Later that same year Costello released Almost Blue (Number 50), an album of country & western covers recorded in Nashville that got mixed reviews. (A C&W aficionado, Costello later re-covered a version of his "Stranger in the House" with George Jones, while Costello's songs have been covered by Dave Edmunds and Linda Ronstadt.) Imperial Bedroom (Number 30, 1982), in contrast, earned raves. Full of wry, elegant, haunted ballads, the extraordinary album marked Costello's most sophisticated pop craftsmanship yet, garnering comparisons to such pre-rock bards as Cole Porter and Rodgers and Hart. With 1983's Punch the Clock (Number 24), Costello continued to move beyond the punk minimalism of his early work, serving up soulful, accessible pop ("Everyday I Write the Book," a Top 40 U.S hit and "Everyday I Write the Book with Daryl Hall.) and serious balladry (the politically astute "Shipbuilding"). While less consistent, 1984's Goodbye Cruel World (Number 35) also found him diversifying in this vein. Costello's personal life was also undergoing changes. Estranged from his wife, he struck up a relationship with the Pogues' bassist Caitlin O'Riordan while the Irish band toured with him in the fall of 1984. (Costello also produced the Pogues' 1985 album, Rum, Sodomy & the Lash.) Costello divorced his wife in 1985 and married O'Riordan in 1986. Also in 1986, Costello temporarily traded in the Attractions for a pickup band he called the Confederates — former Elvis Presley musicians guitarist James Burton, drummer Ronnie Tutt, and bassist Jerry Scheff — who appeared with him on all but one cut (on which the Attractions appeared) on the lushly melodic King of America (Number 39). Later that same year, Costello reenlisted the Attractions for the more raucous Blood and Chocolate (Number 84). The tour to promote both these albums alternated between sets featuring the Attractions, the Confederates, and Costello performing solo, acoustically. In addition, Costello designed the Spinning Songbook, a device through which audience members could "choose," by luck of the draw, songs from his vast repertoire. In 1987 Costello co-wrote a bunch of songs with Paul McCartney, several of which materialized two years later on Spike (Number 32). Costello's 1989 album — which also included support from Roger McGuinn, Chrissie Hynde, and the Dirty Dozen Brass Band — produced a Top 20 hit in the McCartney-Costello collaboration "Veronica" (Number 19, 1989) and went gold. Some critics found Spike inconsistent, though, preferring the subsequent collection Girls Girls Girls, on which Costello chronicled his career thus far with his own favorite material. Much like Spike, 1991's Mighty Like a Rose (Number 55) was made without the Attractions, and was perceived as lacking focus. In 1993, though, Costello found a new sense of direction in perhaps his most ambitious project yet: The Juliet Letters (Number 125), a song cycle he wrote and performed with the string players in England's Brodsky Quartet, inspired by an article about letters sent to Shakespeare's character Juliet Capulet, received by a Veronese academic. The album and subsequent tour drew wild praise from some, while baffling or putting off others. Meanwhile, in the 1990s, Rykodisc began releasing the early Costello albums on compact disc, with extra tracks consisting of live and previously unreleased recordings. In 1994 Costello reunited with the Attractions for Brutal Youth (which also featured Nick Lowe); the maturely rocking results garnered almost unanimous acclaim, and the album climbed to Number 34. That summer, Costello began touring with the Attractions, marking a reconciliation between Costello and bassist Bruce Thomas, whose published memoirs had enraged the singer. In 1995 Costello was back on his own (with some help from Attractions drummer Pete Thomas and a handful of studio musicians) with Kojak Variety (Number 102), a cover album featuring songs by Screamin' Jay Hawkins and Bob Dylan, among others. The following year Costello covered himself on All This Useless Beauty (Number 53), which highlighted several original Costello songs that had been recorded by other artists. Also in 1996 the cynical Costello surprised critics and fans by collaborating with '60s love-song composer Burt Bacharach for the soundtrack to the film Grace of My Heart. Their co-written effort, "God Give Me Strength," was featured in the movie, nominated for a Grammy, and paved the way for the duo to write enough songs to record their own album, Painted From Memory (1998). A track from that album, "I Still Have That Other Girl," won the pair a Grammy for Best Pop Collaboration With Vocals. Costello and Bacharach became so well known as artistic partners that they appeared together in a cameo as themselves in the comedy Austin Powers: The Spy Who Shagged Me in 1999. Costello lightened up enough to appear as himself in the Spice Girls movie Spice World (1997) and the 1980s nostalgia flick 200 Cigarettes (1999). Costello continues to tour, sometimes as a duo with Attractions keyboardist Nieve. He has recorded with his son Matthew and Supergrass drummer Danny Goffrey. In the late 1990s and 2000, he contributed original songs to movie soundtracks and returned to dabbling in classical music: He played on classical saxophonist John Harle's 1997 album Terror & Magnificence and in 2000 produced songs for Swedish mezzo-soprano Anne Sofie von Otter. In 2001, Rhino Records began an ambitious overhaul of the singer's catalog up to 1996, reissuing all of his albums with each set containing extensive liner notes written by Costello and an extra disc of rare tracks. That same year, he got a residency to teach music at the University of California in Los Angeles. He also teamed up with old pals Thomas and Nieve on a new album, When I Was Cruel, released in 2002 on Island Records. The following year, Costello released an album of pop ballads, North. In 2004, he was extremely prolific, collaborating with his new wife, jazz singer Diana Krall, on her album The Girl in the Other Room, and releasing two discs of his own: Il Sogno, an orchestral work based on Shakespeare's A Midsummer Night's Dream, and a more straight-ahead roots-rock album, The Delivery Man. The latter featured his new group the Imposters – the Attractions with a different bass player, Davey Faragher, formerly of Cracker. In 2005, Costello was commissioned to write a chamber opera for the Danish Royal Opera. In 2006, Costello released a live album with a jazz orchestra and collaborated with New Orleans music legend Allen Toussaint on an R&B album inspired by the devastation of Hurricane Katrina. In late 2007, Costello reunited with Clover, the backing band on his debut album My Aim is True, for a benefit show at San Francisco's Great American Music Hall. It was their first live performance. In 2008 Costello began taping episodes for a forthcoming talk and music show entitled Spectacle: Elvis Costello with...! for the Sundance Channel featuring diverse music guests such as Smokey Robinson, Rufus Wainwright, Kristofferson, Herbie Hancock, and Jenny Lewis.Pub Rocken720Mon, 23 Nov 2009 10:57:17 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif Elvis Costello Discography on Rhapsody Online http://www.rhapsody.com/goto?rcid=art.1123&rws=%2Felvis-costello%2Fdiscography.rss Elvis Costello exploded on the late-1970s music scene as part of a new wave of brash singer/songwriters who reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk. Early in his career, Costello listed "revenge and guilt" as his primary motivations, but what really counted was the construction of his songs, which set densely layered wordplays in an ever-expanding repertoire of styles. Since Costello's melodic instincts were as sure as his gifts as a lyricist, his musical experiments generally drew kudos, enhancing his reputation as a quintessential critics' favorite. (Rock singer David Lee Roth once remarked that critics liked the bespectacled, nerdy Costello because they all looked liked him.) Granted, some members of the pop intelligentsia never forgave Costello for moving beyond the brazen minimalist urgency of his early seminal albums; but it's just this progress that has allowed the singer to remain a relevant, respected artist. Elvis Costello's (b. Declan Patrick MacManus, August 25th, 1954, Paddington, London) father was a successful big-band singer and trumpet player. While attending Catholic school in working-class London, Costello tried playing violin and several other instruments before discovering the guitar at 15, at which point he was already interested in songwriting. Soon after, he moved to Liverpool to live with his mother, who had divorced his father. In the early 1970s, he and his high school sweetheart married and had a son, settling in London. There, Costello continued to write, record demos, and perform (sometimes under the name D.C. Costello, his mother's maiden name), while supporting his family as a computer operator. In 1975 he quit his job, became a roadie for Brinsley Schwarz, and became friendly with their bass player, Nick Lowe. Stiff Records signed Costello in 1976 on the advice of staff producer Lowe; one of the label's owners, Jake Riviera, became his manager and rechristened him Elvis Costello. Costello's first single, "Less Than Zero," was released in April 1977 and later included on his phenomenal Lowe-produced debut My Aim Is True. Soon Top 20 in England, Aim (Number 32 U.S.) made Costello a major British cult star and attracted critical kudos in the U.S. The now-classic album, which included one of popular music's best-ever heartbreak songs in "Alison," as well as the haunting "Watching the Detectives, and the melodically-addictive "(The Angels Wanna Wear My) Red Shoes" was recorded with the Northern California band Clover — a group that would form the basis of Huey Lewis and the News — and made in six sessions for under $2,000. Costello then assembled the Attractions: keyboardist Steve "Nieve" Nason, drummer Pete Thomas, and bassist Bruce Thomas. Bolstered by his new cohorts on This Year's Model (Number 30, 1978), he rocked harder, while maintaining his distinctively wounded, clipped vocal delivery. Meanwhile, his "angry young man" image was amplified by punk-friendly habits like onstage rudeness, brief sets, and an aversion to the press. His next release, the Top 10 Armed Forces (originally titled Emotional Facism), repeatedly equated love affairs with military maneuvers ("Oliver's Army"). By then Costello's style encompassed lush, Beatlesque arrangements and more diverse influences. While he toured the U.S. to promote Armed Forces in 1979, Costello's onstage contrariness and dark moods — sometimes induced by drinking — reached alarming proportions. In Columbus, Ohio, that March, a minor but much-publicized conflict with American singers Bonnie Bramlett and Stephen Stills occurred in a hotel bar after an inebriated Costello reportedly disparaged Ray Charles with a racial epithet. Besides tainting his work with the Rock Against Racism organization, this outburst brought the wrath of the previously supportive press — though he subsequently issued a formal apology. Costello lay low for a while, producing the Specials' 1979 debut and appearing at the Concert for Kampuchea. Trust (Number 28, 1981) brought Costello back to frontline duty with a more piano-based songs and an accompanying American tour that revealed an uncharacteristically polite and reserved stage manner, as if experience had mellowed the performer, who was still in his mid-20s. His touring partners were Squeeze, a critically acclaimed pop band whose 1981 LP East Side Story Costello co-produced. Later that same year Costello released Almost Blue (Number 50), an album of country & western covers recorded in Nashville that got mixed reviews. (A C&W aficionado, Costello later re-covered a version of his "Stranger in the House" with George Jones, while Costello's songs have been covered by Dave Edmunds and Linda Ronstadt.) Imperial Bedroom (Number 30, 1982), in contrast, earned raves. Full of wry, elegant, haunted ballads, the extraordinary album marked Costello's most sophisticated pop craftsmanship yet, garnering comparisons to such pre-rock bards as Cole Porter and Rodgers and Hart. With 1983's Punch the Clock (Number 24), Costello continued to move beyond the punk minimalism of his early work, serving up soulful, accessible pop ("Everyday I Write the Book," a Top 40 U.S hit and "Everyday I Write the Book with Daryl Hall.) and serious balladry (the politically astute "Shipbuilding"). While less consistent, 1984's Goodbye Cruel World (Number 35) also found him diversifying in this vein. Costello's personal life was also undergoing changes. Estranged from his wife, he struck up a relationship with the Pogues' bassist Caitlin O'Riordan while the Irish band toured with him in the fall of 1984. (Costello also produced the Pogues' 1985 album, Rum, Sodomy & the Lash.) Costello divorced his wife in 1985 and married O'Riordan in 1986. Also in 1986, Costello temporarily traded in the Attractions for a pickup band he called the Confederates — former Elvis Presley musicians guitarist James Burton, drummer Ronnie Tutt, and bassist Jerry Scheff — who appeared with him on all but one cut (on which the Attractions appeared) on the lushly melodic King of America (Number 39). Later that same year, Costello reenlisted the Attractions for the more raucous Blood and Chocolate (Number 84). The tour to promote both these albums alternated between sets featuring the Attractions, the Confederates, and Costello performing solo, acoustically. In addition, Costello designed the Spinning Songbook, a device through which audience members could "choose," by luck of the draw, songs from his vast repertoire. In 1987 Costello co-wrote a bunch of songs with Paul McCartney, several of which materialized two years later on Spike (Number 32). Costello's 1989 album — which also included support from Roger McGuinn, Chrissie Hynde, and the Dirty Dozen Brass Band — produced a Top 20 hit in the McCartney-Costello collaboration "Veronica" (Number 19, 1989) and went gold. Some critics found Spike inconsistent, though, preferring the subsequent collection Girls Girls Girls, on which Costello chronicled his career thus far with his own favorite material. Much like Spike, 1991's Mighty Like a Rose (Number 55) was made without the Attractions, and was perceived as lacking focus. In 1993, though, Costello found a new sense of direction in perhaps his most ambitious project yet: The Juliet Letters (Number 125), a song cycle he wrote and performed with the string players in England's Brodsky Quartet, inspired by an article about letters sent to Shakespeare's character Juliet Capulet, received by a Veronese academic. The album and subsequent tour drew wild praise from some, while baffling or putting off others. Meanwhile, in the 1990s, Rykodisc began releasing the early Costello albums on compact disc, with extra tracks consisting of live and previously unreleased recordings. In 1994 Costello reunited with the Attractions for Brutal Youth (which also featured Nick Lowe); the maturely rocking results garnered almost unanimous acclaim, and the album climbed to Number 34. That summer, Costello began touring with the Attractions, marking a reconciliation between Costello and bassist Bruce Thomas, whose published memoirs had enraged the singer. In 1995 Costello was back on his own (with some help from Attractions drummer Pete Thomas and a handful of studio musicians) with Kojak Variety (Number 102), a cover album featuring songs by Screamin' Jay Hawkins and Bob Dylan, among others. The following year Costello covered himself on All This Useless Beauty (Number 53), which highlighted several original Costello songs that had been recorded by other artists. Also in 1996 the cynical Costello surprised critics and fans by collaborating with '60s love-song composer Burt Bacharach for the soundtrack to the film Grace of My Heart. Their co-written effort, "God Give Me Strength," was featured in the movie, nominated for a Grammy, and paved the way for the duo to write enough songs to record their own album, Painted From Memory (1998). A track from that album, "I Still Have That Other Girl," won the pair a Grammy for Best Pop Collaboration With Vocals. Costello and Bacharach became so well known as artistic partners that they appeared together in a cameo as themselves in the comedy Austin Powers: The Spy Who Shagged Me in 1999. Costello lightened up enough to appear as himself in the Spice Girls movie Spice World (1997) and the 1980s nostalgia flick 200 Cigarettes (1999). Costello continues to tour, sometimes as a duo with Attractions keyboardist Nieve. He has recorded with his son Matthew and Supergrass drummer Danny Goffrey. In the late 1990s and 2000, he contributed original songs to movie soundtracks and returned to dabbling in classical music: He played on classical saxophonist John Harle's 1997 album Terror & Magnificence and in 2000 produced songs for Swedish mezzo-soprano Anne Sofie von Otter. In 2001, Rhino Records began an ambitious overhaul of the singer's catalog up to 1996, reissuing all of his albums with each set containing extensive liner notes written by Costello and an extra disc of rare tracks. That same year, he got a residency to teach music at the University of California in Los Angeles. He also teamed up with old pals Thomas and Nieve on a new album, When I Was Cruel, released in 2002 on Island Records. The following year, Costello released an album of pop ballads, North. In 2004, he was extremely prolific, collaborating with his new wife, jazz singer Diana Krall, on her album The Girl in the Other Room, and releasing two discs of his own: Il Sogno, an orchestral work based on Shakespeare's A Midsummer Night's Dream, and a more straight-ahead roots-rock album, The Delivery Man. The latter featured his new group the Imposters – the Attractions with a different bass player, Davey Faragher, formerly of Cracker. In 2005, Costello was commissioned to write a chamber opera for the Danish Royal Opera. In 2006, Costello released a live album with a jazz orchestra and collaborated with New Orleans music legend Allen Toussaint on an R&B album inspired by the devastation of Hurricane Katrina. In late 2007, Costello reunited with Clover, the backing band on his debut album My Aim is True, for a benefit show at San Francisco's Great American Music Hall. It was their first live performance. In 2008 Costello began taping episodes for a forthcoming talk and music show entitled Spectacle: Elvis Costello with...! for the Sundance Channel featuring diverse music guests such as Smokey Robinson, Rufus Wainwright, Kristofferson, Herbie Hancock, and Jenny Lewis. Live At The El Mocambo - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.30191010&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 29 Sep 2009 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.30191010 alb.30191010 Elvis Costello

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Extreme Honey: The Very Best Of The Warner Brothers Years - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.29227176&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 28 Jul 2009 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.29227176 alb.29227176 Elvis Costello

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Secret, Profane & Sugarcane - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.28380370&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 2 Jun 2009 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.28380370 alb.28380370 Elvis Costello

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Elvis Costello: The Rhapsody Interview - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.9558043&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Fri, 31 Mar 2006 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.9558043 alb.9558043 Elvis Costello

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Costello: My Flame Burns Blue - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.9364442&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 28 Feb 2006 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.9364442 alb.9364442 Elvis Costello

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18.99 Costello: My Flame Burns Blue

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Kojak Variety - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.108703&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 21 Apr 2009 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.108703 alb.108703 Elvis Costello

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9.99 Kojak Variety

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The Juliet Letters - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.26197902&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 3 Mar 2009 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.26197902 alb.26197902 Elvis Costello

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12.99 The Juliet Letters

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The Delivery Man (Deluxe Edition) - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.7046209&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 Mar 2005 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.7046209 alb.7046209 Elvis Costello

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10.99 The Delivery Man (Deluxe Edition)

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The Delivery Man - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.6479233&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 21 Sep 2004 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.6479233 alb.6479233 Elvis Costello

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9.99 The Delivery Man

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Il Sogno - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.6489017&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 21 Sep 2004 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.6489017 alb.6489017 Elvis Costello

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10.99 Il Sogno

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Il Sogno - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.6479205&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 7 Sep 2004 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.6479205 alb.6479205 Elvis Costello

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North - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.297768&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 23 Sep 2003 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.297768 alb.297768 Elvis Costello

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Still - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.15098877&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 9 Sep 2003 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.15098877 alb.15098877 Elvis Costello

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Cruel Smile - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.121547&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 Oct 2002 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.121547 alb.121547 Elvis Costello

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When I Was Cruel - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.106676&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 23 Apr 2002 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.106676 alb.106676 Elvis Costello

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9.99 When I Was Cruel

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The Very Best of Elvis Costello - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.275377&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 17 Apr 2001 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.275377 alb.275377 Elvis Costello

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0.0 The Very Best of Elvis Costello

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For The Stars - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.192556&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 10 Apr 2001 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.192556 alb.192556 Elvis Costello

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9.99 For The Stars

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Painted From Memory - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.320196&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 29 Sep 1998 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.320196 alb.320196 Elvis Costello

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9.99 Painted From Memory

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Extreme Honey: The Very Best of Warner Brothers Years - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.159491&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 2 Sep 1997 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.159491 alb.159491 Elvis Costello

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0.0 Extreme Honey: The Very Best of Warner Brothers Years

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All This Useless Beauty - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.24052644&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 11 Nov 2008 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.24052644 alb.24052644 Elvis Costello

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9.99 All This Useless Beauty

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All This Useless Beauty - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.112057&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 21 Aug 2001 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.112057 alb.112057 Elvis Costello

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0.0 All This Useless Beauty

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13 Steps Lead Down - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.108702&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Elvis Costello Discography on Rhapsody Online alb.108702 alb.108702 Elvis Costello

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Brutal Youth - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.24016534&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 11 Nov 2008 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.24016534 alb.24016534 Elvis Costello

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9.99 Brutal Youth

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Brutal Youth - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.152391&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 19 Feb 2002 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.152391 alb.152391 Elvis Costello

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The Very Best Of Elvis Costello And The Attractions 1977-86 - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.227942&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Sat, 1 Jan 1994 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.227942 alb.227942 Elvis Costello

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0.0 The Very Best Of Elvis Costello And The Attractions 1977-86

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2? Years - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.191588&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 12 Oct 1993 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.191588 alb.191588 Elvis Costello

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0.0 The Juliet Letters

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The Juliet Letters - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.9468219&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 21 Mar 2006 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.9468219 alb.9468219 Elvis Costello

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0.0 The Juliet Letters

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Mighty Like A Rose: Deluxe Edition - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.167816&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 19 Nov 2002 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.167816 alb.167816 Elvis Costello

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0.0 Mighty Like A Rose: Deluxe Edition

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Spike - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.118619&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 8 Feb 2005 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.118619 alb.118619 Elvis Costello

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Girls Girls Girls - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.132118&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Sun, 1 Jan 1989 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.132118 alb.132118 Elvis Costello

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Out Of Our Idiot - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.23067374&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 16 Sep 2008 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.23067374 alb.23067374 Elvis Costello

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10.99 Out Of Our Idiot

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Blood And Chocolate - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936208&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936208 alb.14936208 Elvis Costello

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9.99 Blood And Chocolate

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King Of America - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936004&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936004 alb.14936004 Elvis Costello

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9.99 King Of America

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King Of America - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.229026&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 8 Aug 1995 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.229026 alb.229026 Elvis Costello

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0.0 King Of America

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The Best of Elvis Costello & the Attractions - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.262371&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 Jan 1985 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.262371 alb.262371 Elvis Costello

art.1123

0.0 The Best of Elvis Costello & the Attractions

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Goodbye Cruel World - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936201&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936201 alb.14936201 Elvis Costello

art.1123

9.99 Goodbye Cruel World

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Goodbye Cruel World - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.289723&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 7 Mar 1995 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.289723 alb.289723 Elvis Costello

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0.0 Goodbye Cruel World

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Punch The Clock - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.106448&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 7 Mar 1995 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.106448 alb.106448 Elvis Costello

art.1123

0.0 Punch The Clock

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Punch The Clock - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936198&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936198 alb.14936198 Elvis Costello

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9.99 Punch The Clock

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Imperial Bedroom - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.188533&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 30 Aug 1994 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.188533 alb.188533 Elvis Costello

art.1123

0.0 Imperial Bedroom

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Imperial Bedroom - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936200&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936200 alb.14936200 Elvis Costello

art.1123

9.99 Imperial Bedroom

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Almost Blue - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936210&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936210 alb.14936210 Elvis Costello

art.1123

9.99 Almost Blue

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Trust - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.296977&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 26 Apr 1994 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.296977 alb.296977 Elvis Costello

art.1123

0.0 Trust

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Trust - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14935995&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14935995 alb.14935995 Elvis Costello

art.1123

9.99 Trust

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Get Happy!! - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.191591&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 26 Apr 1994 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.191591 alb.191591 Elvis Costello

art.1123

0.0 Get Happy!!

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Get Happy - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936205&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936205 alb.14936205 Elvis Costello

art.1123

9.99 Get Happy

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Taking Liberties - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.87407&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 16 Sep 2008 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.87407 alb.87407 Elvis Costello

art.1123

10.99 Taking Liberties

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Armed Forces - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936209&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936209 alb.14936209 Elvis Costello

art.1123

9.99 Armed Forces

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This Year's Model - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936002&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936002 alb.14936002 Elvis Costello

art.1123

9.99 This Year's Model

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This Year's Model (Deluxe Edition 2008) - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.18704849&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 4 Mar 2008 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.18704849 alb.18704849 Elvis Costello

art.1123

14.99 This Year's Model (Deluxe Edition 2008)

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My Aim Is True - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.14936199&variant=play&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Tue, 1 May 2007 00:00:00 -0700 Elvis Costello Discography on Rhapsody Online alb.14936199 alb.14936199 Elvis Costello

art.1123

9.99 My Aim Is True

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My Aim Is True - Elvis Costello http://www.rhapsody.com/goto?rcid=alb.207810&rws=%2Felvis-costello%2Fdiscography.rss Pub Rock Wed, 1 Jan 1986 00:00:00 -0800 Elvis Costello Discography on Rhapsody Online alb.207810 alb.207810 Elvis Costello

art.1123

0.0 My Aim Is True

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