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<title>Top Electropop Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link><description>Top Electropop Artists on Rhapsody Online</description><category>Electropop</category><language>en</language><ttl>720</ttl><pubDate>Sun, 29 Nov 2009 06:28:24 -0800</pubDate><image>
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<title>Top Electropop Artists on Rhapsody Online</title>
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<title>Owl City</title>
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<category>Electropop</category>
<pubDate>Tue, 24 Nov 2009 09:38:14 -0800</pubDate>
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<description><![CDATA[Minnesota's Adam Young is a study in contradictions. Citing musical inspiration from the likes of Boards of Canada, Prefuse 73 and Sigur Ros, the vegetarian insomniac also claims God, G-rated movies and optimism as real-world influences. Left unsaid in either list are both Postal Services -- the government agency that delivers mail, and the group featuring Ben Gibbard and Dntel. But the latter's lush, electronic emo is a definitive influence on Owl City's own brightly hued, shiver-inducing electro-pop ditties, while the former symbolizes Young's epistolary approach, with every song sounding like a page ripped from his journal and zipped cross-country to a lovelorn crush. On Owl City's debut EP, <I>Of June</I>, Young sang of floating in space in a set that referenced cruise ships, airplanes and nonstop modern motion, sounding at once thrilled with distance and nostalgic for a simpler, stay-at-home lifestyle. He came into his own style with <I>Maybe I'm Dreaming</I>, which found him fleshing out his delicate, catchy sound with acoustic guitars and more intricate songwriting. This is the sound of being young, in love and 110% alive.
- Philip Sherburne]]></description>
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<title>3OH!3</title>
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<category>Electropop</category>
<pubDate>Tue, 10 Nov 2009 10:13:19 -0800</pubDate>
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<description><![CDATA[While Denver's Flobots were crafting organic, conscious hip-hop, their state-mates in the duo 3OH!3 had a different inspiration in mind: crunk. You might never have suspected that the style reached all the way to Colorado, but the dudes in 3OH!3 -- Sean Foreman and Nathaniel Motte -- clearly have established a Dirty South outpost up in the Rockies. 3OH!3's name reps their 303 area code, but it might also reference the famous Roland TB-303 bass synthesizer. Overdriven analog gear abounds in their music, which folds together electro, emo and hip-hop to create a high-intensity fusion that, in retrospect, was almost inevitable.
<P>
3OH!3's big break came at the Denver stop of 2007's Warped Tour; their strong showing got them booked to play the entire nationwide tour in 2008. The same year, they signed to the Atlantic subsidiary Photo Finish and released their debut album, <I>Want</I>. For all the aggression in their songs, there's a wink and a smile behind the sneer, which makes sense given their punk roots: punks don't take anything too seriously, after all. Not even crunk.
</P>]]></description>
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<title>Depeche Mode</title>
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<category>Synth Pop</category>
<pubDate>Sat, 21 Nov 2009 13:42:45 -0800</pubDate>
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<description><![CDATA[Depeche Mode will forever be '80s icons thanks to their role in helping invent synth-pop as we know it. But unlike so many of their peers, they've remained both active and relevant. From their earliest days with Vince Clarke (before he left for Yaz, then Erasure), Depeche Mode took a spindly, synth-pop sound and filled it out with touches of techno, industrial, Americana and modern rock. Principal songwriter Martin Gore and his bandmates fuse classic pop songcraft with productions that keep pace with advances in music technology; lead singer Dave Gahan's dramatic delivery, meanwhile, has helped their songs of loss and redemption become pop-culture touchstones, covered by everyone from Tori Amos to Marilyn Manson. It's easy to chart the overall arc of the band's career, from its minimalist, electro-pop beginnings to the swelling pop yearning of <I>Music for the Masses</I> and on to the dark extravagance of albums like <I>Violator</I> and <I>Exciter</I>. But an abundance of alternate versions and remixes has produced a messy canon. For many fans, that's half the fun: Depeche Mode's B-sides make for a fascinating alternative history of these alt-rock heroes.
- Philip Sherburne]]></description>
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<title>MGMT</title>
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<category>Electropop</category>
<pubDate>Sat, 28 Nov 2009 09:38:26 -0800</pubDate>
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<description><![CDATA[MGMT (pronounced Management) are a restless electronic-rock duo. The two members -- Andrew VanWyngarden and Ben Goldwasser -- came together in 2002 while attending Wesleyan University in Connecticut as art students. In 2005, they released the catchy synth scrum "Time to Pretend," which became an underground hit and led to their being signed by Columbia Records. Their debut, <i>Oracular Spectacular</i>, a collection of sweeping, electronic Flaming Lips-style noise-pop songs, was released in 2007. Critical and popular accolades for the band reached a high at the CMJ Music Marathon a few weeks after the album's release. A tour alongside Of Montreal and a remix from Justice helped the band continue to merge its twin tendencies towards psychedelic pop and electro.
- Philip Sherburne]]></description>
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<title>The Ting Tings</title>
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<category>Alt Dance</category>
<pubDate>Sun, 22 Nov 2009 10:09:50 -0800</pubDate>
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<description><![CDATA[Glitzy and sassy with a DIY spin, the Ting Tings are for hipsters who aren't ashamed to unfold their arms, clap along and bust a move. Based at Islington Mill, a former cotton spinning mill near Manchester turned art and recording space, the Brit twosome of Katie White and Jules De Martino started playing off-the-cuff performances for their friends. Word spread, and their impromptu sessions became the hottest ticket in Manchester. Major labels quickly took notice, and they were signed to Columbia Records. Even before releasing their debut album, <I>We Started Nothing</I>, in May 2008, the Ting Tings got a boost of exposure from an iTunes ad featuring the song "Shut Up and Let Me Go." With White providing a feisty bite of snotty shouts and sharp guitar and De Martino offering an inventive mix of chopped beats and quirky effects, the two unite a sound that draws from indie party bands such as Bloc Party and CSS while taking cues from garage rock groups like the Yeah Yeah Yeahs and the Kills.
- Stephanie Benson]]></description>
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<title>M.I.A.</title>
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<category>Electronica/Dance</category>
<pubDate>Sat, 28 Nov 2009 09:38:25 -0800</pubDate>
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<description><![CDATA[When she was little, Maya Arulpragasam, aka M.I.A., probably had no idea she'd grow up to become an underground dancehall sensation. Her father was a resistance figure in the Sri Lankan independence struggle, and Arulpragasam's family was forced to leave Sri Lanka -- for their safety -- when she was nine years old. But after growing up in a London housing estate and studying film, Arulpragasam's life changed when she picked up a Roland MC-505 for the first time and started composing songs. Skillfully weaving street slang with geo-politics, nonsense rhymes with low-tech dancehall riddims, Arulpragasam's angular, low-tech sound has struck a chord. Her debut, <i>Arular</i>, was released in 2005.
- Sarah Bardeen]]></description>
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<title>The Postal Service</title>
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<category>Indie/Alternative</category>
<pubDate>Fri, 20 Nov 2009 12:50:52 -0800</pubDate>
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<description><![CDATA[As crazy as it sounds, the two creative minds behind the Postal Service (Jimmy Tamborello and Ben Gibbard) never met before working together. It seems Tamborello, a Death Cab For Cutie fan, asked its lead singer to come to L.A. and record vocals for his Dntel project, and Gibbard did! Of course, it probably helped that Tamborello's roomie is Pedro Benito from the Jealous Sound; either way, this initial meeting of musical minds was the genesis of the Postal Service. The two continued to collaborate for the better part of ten months, each mailing the other songs to add parts to, until all ten tracks for their debut album were completed. Inspired by their creative process, the duo dubbed themselves the Postal Service. Sub Pop released the 1980s-influenced fruits of their labor under the title <I>Give Up</I> in early 2003.
- Linda Ryan]]></description>
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<title>Passion Pit</title>
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<category>Electropop</category>
<pubDate>Mon, 9 Nov 2009 11:46:45 -0800</pubDate>
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<description><![CDATA[Tripped-out samples culled from around the world and then sped up, high-register vocals that recall the Danielson Famile, the whole spectrum of electronic percussion, fat club synthesizers, a subtle but undeniable prog-rock feel -- Passion Pit are damn near the weirdest band ever to come out of Cambridge, Mass. Formed in 2007, the five-piece electronic dance-pop subversives made an immediate splash in critics' polls on the strength of the inescapably fun, oddly exotic "Sleepyhead" and "Better Things," which takes the giddy happiness of Stevie Wonder's "Sir Duke" and presumably shoves steroids down its throat. The band debuted on wax in 2008 with the <i>Chunk of Change</i> EP. A full-length, <i>Manners</i>, followed a year later, with Passion Pit making the successful crossover into the world of TV ads (PlayStation) and appearances (in the U.K., anyway).]]></description>
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<title>Shiny Toy Guns</title>
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<category>Synth Pop</category>
<pubDate>Fri, 13 Nov 2009 12:38:52 -0800</pubDate>
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<description><![CDATA[Los Angeles' Shiny Toy Guns are part of a new wave of electropop acts, like Cut Copy and She Wants Revenge, updating classic '80s pop with touches of emo and modern rock. Founded in 2002 by keyboardist Jeremy Dawson and vocalist/guitarist Chad Petree -- former bandmates from the Shawnee, Okla., scene -- they rounded out the lineup in 2004 with drummer Mikey Martin and vocalist Carah Faye Charnow. An early MySpace success story, they toured the U.S. in 2005 in support of their debut album, <I>We Are Pilots</I>, initially released on Stormwest International. Perhaps the landing gear wasn't working, because later that year Shiny Toy Guns re-recorded the album, this time for SideCho Records. But listeners along for the ride didn't unbuckle their seatbelts until 2006, when the band once again redid the album for its major-label debut on Universal. Though it only climbed to No. 90 on the <I>Billboard</I> 200, the album earned them a Grammy nomination for Best Electronic/Dance Album and landed three songs -- including "Le Disko," a sassy blast of punk-spirited electro -- in the upper quarter of <I>Billboard</I>'s Modern Rock charts.
- Philip Sherburne]]></description>
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<title>Royksopp</title>
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<category>Downtempo</category>
<pubDate>Wed, 25 Nov 2009 11:49:23 -0800</pubDate>
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<description><![CDATA[There was a time when A-Ha carried the mantle of globally-successful Norwegian bands, but the arrival of Royksopp's Torbjorn Brundtland and Svein Berge inspired a whole new generation of melodic electronica, making Norway, and Scandinavia in general, the go-to place for hopeful A&R scouts looking for a new sound. And what a sound: gorgeous pop melodies layered over long-forgotten bits of old electronic equipment (no doubt chipped free from the very ice floes that influenced Royksopp's intimate yet sparse soundscapes). <br><br> Torbjorn and Svein met at the age of 12, and began their musical career performing Kraftwerk covers for friends. Naming themselves Aedena Cycle, they started creating their own ambient sounds reflecting their love for King Crimson, Brian Eno and the Orb -- influences that would continue to show as their production capabilities matured. Briefly joining Those Norwegians, Torbjorn sharpened his house sensibilities, and then the two friends formed Royksopp, releasing "So Easy" and signed soon thereafter by Wall of Sound. Their debut album, <I>Melody AM</I>, was a slow-burner that generated huge word of mouth and massive sales until even your postman could be heard whistling "Poor Leno" and "Eple." The music was a curious combination of electronica, downtempo, folk and pop -- catchy melodies and fun, uplifting beats that were especially needed in the overly po-faced prog house days at the beginning of the millennium. Global tours followed, accompanied by a number of award-winning and highly creative videos. Remixing requests started to come in, and soon it was possible to detect a specific Royksopp sound: the warmth of a good melody combined with a sparse clinical and washy Arctic rhythmic backdrop. Clearly not wanting to be pigeonholed, their next release, 2005's <I>The Understanding</I>, had a different feel and employed new vocalists (even using their own on some tracks), but their love of prog rock, especially the Alan Parsons Project, could still be clearly detected on tracks like "Alpha Male."
- Nicholas Baker]]></description>
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<title>Santigold</title>
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<category>Electropop</category>
<pubDate>Sun, 22 Nov 2009 10:09:55 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Santigold</rhap:artist>
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<description><![CDATA[Santogold, nee Santi White, has quite the curriculum vitae. Born and raised in Philadelphia, but based out of Bed-Stuy, Brooklyn, she was an African-drum-playing music major at Wesleyan University, a Sony A&R underling, and ska-punk band Stiffed's leading lady before evolving into an avant-garde mash-up artist and critical darling. And even though she's spent the majority of her career in the deep underground, she's definitely got some friends in high places: she's toured with friend and artistic peer M.I.A.; opened for Bjork; worked with Spank Rock; penned and produced for R&B siren Res; and has written for the GZA, Lily Allen and Ashlee Simpson. Master craftsmen like Mark Ronson, Switch, Diplo, Jon Hill (her partner in Stiffed) and the late Disco D produced her self-titled debut album. <i>Santogold</i>, which reflects influences like Bad Brains, Tina Turner, Devo, the Smiths, Cocteau Twins and many more, is a stunning display of hipster pastiche -- it's ear candy loaded with brain food of a subversive flavor.
- Angela Bruno]]></description>
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<title>Goldfrapp</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39810&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Baroque Pop</category>
<pubDate>Mon, 26 Oct 2009 16:41:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Goldfrapp</rhap:artist>
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<description><![CDATA[The sultry vocals of Alison Goldfrapp are the centerpiece of this gorgeous trip-hop from Goldfrapp and composer Will Gregory. Ms. Goldfrapp, who contributes vocals on tracks by Tricky and Orbital, lets her breathy vocals work their magic alongside lush strings and intricate production.
- Tim Pratt]]></description>
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<title>Ratatat</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5278368&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Leftfield/IDM</category>
<pubDate>Tue, 15 Sep 2009 10:27:00 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ratatat</rhap:artist>
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<description><![CDATA[Arena rock built byte-by-byte: Ratatat has sonic ambitions way beyond their two-dude-in-a-bedroom setup. Brooklynites Evan Mast and Mike Stroud got their break in 2002 when their first single, "17 Years," released on Mast's own Audiodregs label, gained attention from DJs across the U.S. With Mast on beat production and bass and Stroud -- a sought-after guitarist who also plays in Dashboard Confessional's touring lineup -- ripping up various looped six-strings, Ratatat released its self-titled debut in 2003 and opened for a slew of major indie acts. Their stripped down, amped up sound appealed to rockers and rappers enough that they self-released a CD of their own compositions backing a cappella tracks by Jay-Z, Missy Elliot, Raekwon and more. Their official sophomore album, 2006's <i>Classics</i>, was mostly recorded in upstate New York and substantially broadened their style. Ask 'em and Ratatat will try to convince you that small is the new big.
- Jonathan Zwickel]]></description>
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<title>The Human League</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3209&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>New Romantic</category>
<pubDate>Thu, 26 Nov 2009 11:27:30 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Human League</rhap:artist>
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<description><![CDATA[One of the highlights of British Synth Pop is in fact not simple synthesizer melodies, but attention to vocal harmonies. This is especially true for the Human League. The charm of their first hit, 1981's "Don't You Want Me," lies mostly in its unforgettable, highly emotional narrative delivered through deadpan vocals that harmonize like the Beach Boys. Even when the subject matter was desperate, their male and female vocal exchanges always maintained either a New Romantic cool or the emotional distance of a Godard character. But this is not to give their instrumentation short shrift: at their peak, their driving basslines, post-Disco beats and keyboard symphonics were unmatched and a perfect match for their vocal depth.
- Marc Kate]]></description>
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<title>MSTRKRFT</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9178727&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Thu, 5 Nov 2009 16:48:57 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">MSTRKRFT</rhap:artist>
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<description><![CDATA[Sprung from the loins of Death from Above 1979, MSTRKRFT are rockers on a disco mission. Beginning in 2004, the duo -- comprised of DFA1979's Jesse Keeler and the group's producer Al-P (Al Puoudziukas) -- started earning notoriety for its remixes of bands like Panthers, the Kills and the Gossip; in 2006 MSTRKRFT moved into original productions with the album <I>The Looks</I> and related singles. Their frequent DJ gigs -- including a tour with John Digweed -- have confirmed their commitment to the dance floor, while their many remix credits (for Bloc Party, Justice, Chromeo D.I.M., even Usher and Kylie Minogue) have confirmed their stature in the "blog-house" scene. In 2008, they continued to expand their sound with "Bounce," featuring the rapper N.O.R.E.. The single, a thuggish crunk-up of grinding electro-house, came with remixes from Bloody Beetroots and Felix Cartal.
- Philip Sherburne]]></description>
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<title>Hot Chip</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8877169&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Fri, 20 Nov 2009 12:51:16 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Hot Chip</rhap:artist>
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<description><![CDATA[An underground UK phenomenon rapidly moving their way up the international ranks, Hot Chip began as the two-man production team of Alexis Taylor and Joe Goddard. The pair made beats and sang their soft falsettos in Goddard's bedroom and released their debut EP, <I>Mexico,</I> on a small London imprint in 2001. Hot Chip evolved their lazy, hip-hop inflected sound over the years, adding scraps of toy percussion and analog synths and taking on new members. They gained critical attention on the strength of 2005's <I>Coming on Strong</I>, their American debut, but it was 2006's Mercury Prize-nominated <I>The Warning</I> that exposed the band now a fulltime four-piece to larger audiences. While their albums are mostly laid back, toe-tapping disco affairs, their live shows are explosive and sweaty, especially for four pasty-white English guys playing synthesizers.
- Jonathan Zwickel]]></description>
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<title>Stereolab</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5332&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Dream Pop</category>
<pubDate>Fri, 27 Nov 2009 10:25:37 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Stereolab</rhap:artist>
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<description><![CDATA[Clean, soapy bliss like a new bottle of bubbles. The looped wand waves through the wind and casts out dreamy, melancholic analog waves. A picnic on a sunny day with estranged French relatives; both familiar and foreign, you recognize the references, but you cannot help but notice they are out of context. The chanteuse's optimism creates absurd words of revolution and the empty promise of future days.
- Marc Kate]]></description>
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<title>Crystal Castles</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16932195&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Wed, 4 Nov 2009 12:13:50 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Crystal Castles are an electropop duo from Toronto. Members include multi-instrumentalist Ethan Kath and vocalist Alice Glass, who mix 8-bit electro with punk and new wave. Their first single, "Alice Practice," was the result of an accidental recording made during a microphone test and then released on the band's MySpace page. The single was then picked up by Parisian tastemaker label Kitsune for its <i>Kitsune Maison Compilation 4</i>. The Canadians have since become hot commodities on the international club circuit and toured with Australian electronic group the Presets. They have also done popular remixes for Bloc Party, Klaxons and Uffie. In 2008, they released a self-titled debut, a messy collision of electronic noise and dance-rock, which some have labeled as "new rave".
- Dan Shumate]]></description>
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<title>Soft Cell</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1595&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Synth Pop</category>
<pubDate>Sun, 22 Nov 2009 10:09:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[One of the earliest and most successful synth pop groups, Soft Cell first burst onto the early '80s electro dance scene with such hits as "Tainted Love," "Memorabilia" and "Sex Dwarf." Made up of singer/songwriter Marc Almond and producer Dave Ball, the duo released a total of three albums before breaking up in 1984. Ball went on to found the famed techno outfit, the Grid. Almond formed Marc and the Mambas, and then Marc Almond and the Willing Sinners before finally embarking on a successful solo career. In March 2001 --17 years after their split -- the two reunited for a Soft Cell concert in London. The success of the show led to the recording and release of 2002's <i>Cruelty Without Beauty</i>. That same year, Almond was involved in a near-fatal motorcycle accident, putting future work with Soft Cell on hold.
- Jamie Sanchez]]></description>
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<title>The Knife</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9408141&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Laptronica</category>
<pubDate>Sun, 18 Oct 2009 10:43:36 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Since 1999, Swedish siblings Karin Dreijer Andersson and Olof Dreijer have made fractured dance-pop as the Knife. Notoriously mysterious, the duo is never photographed without masks on, and until recently refused to perform live. Greater stateside interest in the pair's music, which followed on the heels of critical praise throughout Europe, lead to increased exposure, as well as the domestic release of its 2006 stunner, <i>Silent Shout</i>.
- Garrett Kamps]]></description>
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<title>Justice (electro)</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12062590&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electronica/Dance</category>
<pubDate>Fri, 27 Nov 2009 10:24:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Gaspard Auge and Xavier de Rosnay met in Paris and first made their mark with a 2003 remix of Simian Mobile Disco's "Never Be Alone" (subsequently released as "We Are Your Friends"). Sounding like the crafty, cheeky offspring of Daft Punk, Justice was not surprisingly signed by DP's former manager, Pedro Winter, to his Ed Banger Records imprint. The duo's first single was "Waters Of Nazareth," which went on to be championed by several big names, including 2 Many DJ's and Erol Alkan. Remixing work followed, with Soulwax, Mr. Oizo and Franz Ferdinand (amongst others) asking for the Justice treatment. The mainstream audience became aware of Justice when they won best video for "We Are Your Friends" at the 2006 MTV Europe Music Awards, a victory that so incensed the rapper Kanye West that he took to the stage to complain about his video losing. Subsequent online furor ensued, so that by the time Justice appeared onstage at the 2007 Coachella Music Festival, they were one of the most hotly anticipated acts. The look of their debut release, 2007's <i>Cross</i>, and their use of a huge cross as part of their stage show, was said to be inspired by Madonna's and George Michael's use of similar imagery during the '90s, as well as being a common heavy metal motif. It should be noted however that the huge Marshall stacks they use on stage are merely props.
- Nicholas Baker]]></description>
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<title>Telepopmusik</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.56887&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Sun, 15 Nov 2009 11:03:36 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Telepopmusik</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.56887&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Francophiles take note: here's the latest intelligent electronic pop outfit
a la Air, Les Rythmes Digitales and the Belgian-based Hooverphonic. Aptly
placed vocal snippets lounge over dreamy arrangements made up of nature
sounds; gentle, sparkling rhythms; electronic distortion; sweet swells and
spiky sound effects. The work of Stephan Haeri, Christophe Hetier (formerly
known as DJ Anti-Pop) and Fabrice Dumont of Autour de Lucie fame,
Telepopmusik's serene, smart sounds reached a whole new echelon of listeners
beyond the clubbing set when Mitsubishi set their song "Breathe" to an SUV
commercial in 2003.
- Melissa Piazza]]></description>
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<title>Cut Copy</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6052081&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 3 Sep 2009 10:32:55 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Cut Copy began in 2001 as a one-man studio project of Australian DJ and producer Dan Whitford, who makes dance pop using elements of synth-based electronic music and indie rock. Whitford released an EP and single on his own in 2001, before adding guitarist Tim Hoey and drummer Mitchell Scott to a live lineup in 2003. Whitford played all the instruments on Cut Copy's 2004 debut LP, <i>Bright Like Neon Love</i>, but teamed up with French producer Philippe Zdar (Cassius, Motorbass and MC Solaar), and the album helped spawn a worldwide electro-house movement. On their second album, <i>In Ghost Colours</i>, Zdar was replaced by DFA Records co-founder Tim Goldsworthy and would take the group in a more indie rock and synth pop direction.
- Nate Cavalieri]]></description>
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<title>Gary Numan</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.2575&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Synth Pop</category>
<pubDate>Fri, 20 Nov 2009 12:51:42 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.2575&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[With one hand on a Minimoog, and the other in a William S. Burroughs novel, Gary Numan became one of the most influential artists in synth pop. His signature sound is a wall of perfectly oscillating analog synthesizers running through simple melodies and generating tremendous alien drones. Accompanying these electric textures is his disaffected, plaintive voice. His lyrics create a world of technological and sexual alienation, drawing tensions between past and future, self and other. His songs are like the tears of a clown, fronting pop exuberance and melodies while cold, melancholic words and harmonies lay gloomily in the back.
- Marc Kate]]></description>
</item><item>
<title>La Roux</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.24770112&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Synth Pop</category>
<pubDate>Mon, 26 Oct 2009 10:55:24 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">La Roux</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.24770112&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[La Roux roughly means "red-haired one" in French. But this is a duo, not just a front for sharp, ginger-tressed lead singer Elly Jackson. Jackson and her bandmate Ben Langmaid met through mutual friends in 2006. Each brought a distinctive musical background to the table: Jackson was raised on folk artists like Nick Drake and Joni Mitchell (and in fact, La Roux started out making acoustic music under the name Automan). Meanwhile, Langmaid was a music scene veteran, having done much of his earlier work with best friend Rollo Armstrong (Faithless mastermind and brother of Dido). After working for a number of years to hone their aesthetic and their debut, La Roux settled on a sleek '80s synth-pop style. A handful of buzz-worthy singles ("Quicksand," "In for the Kill" and "Bulletproof") preceded the duo's debut, which dropped in June 2009.
- Rachel Devitt]]></description>
</item><item>
<title>Benny Benassi</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.67340&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Dance Pop</category>
<pubDate>Fri, 13 Nov 2009 12:38:10 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.67340&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[The worldwide dancefloor domination of Benny Benassi's "Satisfaction" has proven very, well, <I>pleasing</I>, to this lifelong fan of 1980s electronica, and indeed the influence of Kraftwerk, Depeche Mode and Giorgio Moroder can be clearly heard in the track's mechanized vocals and lush, driving beats. Benassi describes this dirty electro-house style as "hypnotech," and claims that the bassline for "Satisfaction" was created by his cousin Alle Benassi drawing inspiration from the sounds of traffic outside his hotel window. Much in demand for remixing duties, Benassi prefers to handpick what he likes and turn down the rest, going for quality rather than quantity. So far he has sat behind the mixing desk for Outkast, Goldfrapp, Robbie Rivera and Electric Six, among others. Production work includes his solo full-length outing, <I>Hypnotica</I>, along with his and Alle's "Benny Benassi presents The Biz" project, a more minimalist soundscape blending techno, electro and house. In 2004, Benny was nominated for three Dancestar awards and won for best video -- which just goes to show what you can achieve with some semi-naked women and a set of power tools.
- Nicholas Baker]]></description>
</item><item>
<title>CSS</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10773261&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Mon, 24 Aug 2009 09:26:23 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10773261&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Though known in the U.S. mostly by their abbreviated handle, the proper name of Brazilian dance-rock sextet C.S.S. is Cansei de Ser Sexy, a Portuguese translation of a quip from Beyonce Knowles, who allegedly once claimed to be "tired of being sexy." The band formed in Sao Paulo in 2003 from a group of cross-connected art-scene socialites who eventually solidified a lineup consisting of vocalist Luisa Hanae Matsushita (who goes by the stage name Lovefoxxx), bassist Iracema Trevisan, guitarist Ana Rezende, and multi-instrumentalists Luiza Sa, Carolina Parra and Adriano Cintra. Under the keen musical direction of Cintra, a vet of Brazil's underground rock scene, C.S.S. found international attention for their high volume of downloads from Brazil's TramaVirtual, a music and social networking site. They self-released two EPs in 2004, <i>Em Rotterdam Ja e uma Febre</i> and <i>A Onda Mortal/Uma Tarde com PJ</i>, and issued their self-titled full-length LP on TramaVirtual's fledgling music label in 2005. It was re-released internationally on Sub Pop a year later, followed by wide international touring.
- Nate Cavalieri]]></description>
</item><item>
<title>Discovery</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.29178441&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Sat, 21 Nov 2009 13:43:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29178441&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Daft Punk tower over their indie dance acolytes like, well, a giant, gleaming pyramid. So it's only appropriate that some starry-eyed statesiders would eventually borrow not only the French duo's filters, but even one of their album titles. That would be Discovery, perhaps better known as the duo comprised of Vampire Weekend's Rostam Batmanglij and Ra Ra Riot's Wes Miles. (Perhaps to compensate, they named their debut album simply <I>LP</I>.) Their buzzing, gleaming layers of filtered synthesizers would be unthinkable without Daft Punk's influence, but they take just as much inspiration from contemporary R&amp;B, favoring jiggling, syncopated drum-machine beats and scads of breathless falsetto, often run through vocal effects like Auto-Tune. It's more than just musical tourism, though -- Discovery's wide-eyed approach to pop music has a quick wit and plenty of homespun charm.]]></description>
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<title>Ghostland Observatory</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14514631&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Punk-Funk</category>
<pubDate>Sun, 27 Sep 2009 09:56:00 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14514631&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Austin, Texas' Ghostland Observatory revive the same tinny synths and clunky electro-funk as plenty of their '80s-loving peers; what sets this two-piece apart is its will to rock out. The spirit filling their eyepiece is undoubtedly Freddie Mercury's, with frontman Aaron Behrens copping the Queen singer's every shriek and howl on songs like "Dancing on My Grave" and "Sad Sad City." Drummer and beatmaker Thomas Turner focuses his lens on the ghosts in the machine, crafting rubbery basslines and big, splashy synths indebted to robo-funkers like the Time and Daft Punk. (Both of them jack Mercury's fashion sense, preferring capes and white flares to the electro scene's pegged-jeans aesthetic.)
<P>
The duo kicked off its career in 2005 with the self-released <I>Delete.Delete.I.Eat.Meat...</I>, a 10-song blast of sawtooth synths, distorted drums and yelp-along vocals, and it has gone on to develop its sound with three more albums in as many years, all on its own Trashy Moped label. The template has remained the same, but the sounds become fatter with every record, soaking up classic-rock organ riffs, techno beats and R'n'B flourishes. It's suave and goofy all at once.</P>
- Philip Sherburne]]></description>
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<title>Junior Boys</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7240203&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 26 Nov 2009 11:28:43 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7240203&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7240203&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Junior Boys started out in 1999 as Jeremy Greenspan and Johnny Dark, a couple of Hamilton, Ontario, musicians joining the short, but perfectly formed, list of local bands and industry luminaries (Manitoba, Kieran "Four Tet" Hebden and U2's sometime producer Daniel Lanois). Wearing their early 1980s pop influences on their sleeve, they started to craft synthetic and mechanical songs layered with warm melodies, but those early demos received a tepid response, and Dark subsequently moved on to other projects. Their engineer Matt Didemus picked up the slack, partnering with Greenspan in a second incarnation of the Junior Boys. The new twosome assembled their first EP, <I>Birthday/Last Exit, </I> in 2003, followed by <I>High Come Down</I> (featuring a mix from Manitoba) in early 2004. By the time of their debut long player, 2004's <I>Last Exit, </I> they had perfected their blue-eyed Canadian electro soul sound (think Cabaret Voltaire duetting with the Lightning Seeds) -- wistful and dreamy pop with a robust machine-driven backing.
- Nicholas Baker]]></description>
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<title>Kraftwerk</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1614&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 8 Oct 2009 11:44:43 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1614&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[After looking at a few of their song titles, do you really need any additional description of their sound? "Pocket Calculator," "Autobahn," "Metropolis," "Electric Cafe," "Computer World," and "Ohm Sweet Ohm" correctly cast this animatronic ensemble as the creators of musical LED displays and cold steel configurations. Their techno/pop sound reproduces the rigid "Kling Klang" of industry. Their music is so lost in the matrix of artificial intelligence, a soul emerges. And a funk as well. Their history has taken them from a handful of musicians of an inscrutable pedigree that created illusory Krautrock in a vibrant German avant-garde to the vanguard of electronic pop. Their contributions to the histories of dance and electronic music is immeasurable.
- Marc Kate]]></description>
</item><item>
<title>Black Kids</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.20831426&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Fri, 14 Aug 2009 11:03:44 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.20831426&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.20831426&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Contrary to the name, not all the kids are black, just siblings Reggie and Ali Youngblood. That makes this multiracial act the Paul Butterfield Blues Band of sassy, post-modern new wave; think the Go! Team filtered through the Cure and those criminally underappreciated Brit-pop dudes in James. Coming together in swampy Jacksonville, Fla., in 2006, the quintet blew up in a minute. Like a lot of buzz bands, they posted some demos to MySpace (the insanely infectious <I>Wizard of Ahhhs</I> EP). Of course, Pitchfork started drooling all over them, as did folks grooving to Black Kids' sweaty, feel-good concerts throughout the South. Signing with Columbia Records, Black Kids went into the studio with producer Bernard Butler. On the band's debut album, <I>Partie Traumatic</I>, former Suede guitarist Butler once again proves to be a pop master, bringing to the surface the group's latent ties to peppy AM pop, as well as the early-'80s R&B of New Edition and Michael Jackson. Whether all the hype and praise makes you love or hate Black Kids, tunes like "I'm Not Gonna Teach Your Boyfriend How to Dance With You" and "I Wanna Be Your Limousine" are classic teenage fun. Now get out there and bop.
- Justin Farrar]]></description>
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<title>Millionaires</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.21800971&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Fri, 14 Aug 2009 11:03:57 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.21800971&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description />
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<title>The Faint</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.47219&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Sun, 1 Nov 2009 12:39:32 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Faint</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47219&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47219&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[It's hard to imagine a band like the Faint coming out of Omaha, but if crops can be turned into automotive fuel, there's no reason this corn-fed quintet can't distill its own electronics-fueled version of high-octane indie rock. After an early start with the name Norman Bailer, whose lineup briefly included Bright Eyes' Conor Oberst -- the Faint built a local following before breaking out with 2001's <I>Danse Macabre</I>, which darkened indie songwriting with goth mascara (then spangled it with electro's shiny circuits). <I>Danse Macabre Remixes</I> brought them all the way over to the club, with help from remixers like Paul Oakenfold and Tommie Sunshine; subsequent albums <I>Wet From Birth</I> and <I>Fasciinatiion</I> have continued to burrow wormholes from the present day back to the '80s new-wave glory days.
- Philip Sherburne]]></description>
</item><item>
<title>Ladyhawke</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.23505311&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Thu, 26 Nov 2009 11:28:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ladyhawke</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.23505311&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Taking her name from the 1985 Michelle Pfeiffer film, New Zealand's Pip Brown is Ladyhawke, a solo performer whose outsized hooks and attitude belie the tidy lineup. Using guitars, synthesizers and studio magic to create a sound that's both classic and futuristic, Ladyhawke is more ambitious than your average electro-popper.
Brown started playing percussion at 11, inspired by her stepfather's jazz drumming; she earned her indie stripes with the band Two Lane Blacktop, slogging across the continent in a broken-down van. When the group fizzled out, Brown moved to Melbourne and then Sydney, collaborating with other musicians and increasingly devoting herself to Ladyhawke, her solo project and alter ego. "I started Ladyhawke out of a desire to do my own project where I could completely express myself in any way I wanted, without having to answer to bandmates," she explains in her official biography. "I wanted to make music that could put a smile on people's faces and give them a feeling of nostalgia, even though they may be hearing my songs for the first time." And indeed, her debut album has just that quality, with every song sounding like a long-forgotten '80s classic.
- Philip Sherburne]]></description>
</item><item>
<title>Au Revoir Simone</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.12074795&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Indie Pop</category>
<pubDate>Wed, 30 Sep 2009 10:30:15 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.12074795</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Au Revoir Simone</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.12074795</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12074795&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.12074795&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Au Revoir Simone take the burbling, pinging sound of early 1980s synth pop and replace the robotic feel with warm music that suits bucolic picnics better than cyborg weddings. In the early 2000s, Erika Forster (who had previously been in Dirty on Purpose), Annie Hart and Heather D'Angelo formed a trio around their love of retro keyboards. Even though they had to learn their instruments, things gelled quickly. Their debut album, <I>Verses of Comfort, Assurance & Salvation</I>, recalled Birdie and Saint Etienne (as well as the mellower side of indie rock bands such as Yo La Tengo) rather than the cold man/machine feel of other bands playing with analog synths and keyboards. The album's lead-off track, "Through the Backyards," was played on an episode of <I>Grey's Anatomy</I>, exposing millions of people to Au Revoir Simone. The trio supported TV on the Radio and toured Europe and Japan. The band was featured in Peter Bjorn & John's video to "Young Folks" (a massive hit in the U.K.) and received further press when the director David Lynch requested they play for him in New York City. Au Revoir Simone released their simply lovely album <I>The Bird of Music</I> in early 2007.
- Nick Dedina]]></description>
</item><item>
<title>Ladytron</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.25664&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Fri, 27 Nov 2009 10:25:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.25664</guid>
<rhap:rcid xmlns:rhap="rhap">art.25664</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ladytron</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.25664</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25664&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.25664&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Liverpool-based boy-girl phenomenon Ladytron defined the androgynous robot love of early 2000s with their monotone, ironic lyrics and one-finger synth sounds. The single-driven hit album <I>604</I> spawned many an imitator for its cheeky cool and was a leading example for the electroclash set. <I>Light & Magic</I>'s darker turn showed the group more than neu-New Wave imitators and gave the world "Seventeen," a whisper-led anthem for the barely legal. The 2005 album <I>Witching Hour</I> is downright swaddled in shoegaze guitars and Cocteau Twins synth sounds, but still manages some icy jet-setter complaints, like "International Dateline."
- Daphne Carr]]></description>
</item><item>
<title>Teddybears</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11497763&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Sat, 15 Aug 2009 11:04:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Teddybears</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.11497763</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11497763&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.11497763&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Jeffree Star</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13610568&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 19 Nov 2009 15:22:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.13610568</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Jeffree Star</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13610568</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13610568&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13610568&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>The Presets</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9216151&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Wed, 2 Sep 2009 12:06:35 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Presets</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.9216151</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9216151&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9216151&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Australian-based dance-rock duo the Presets formed in 2003, when vocalist and keyboardist Julian Hamilton and drummer Kim Moyes began a side project of Aussie rock band Prop. Both were involved in myriad other projects in Sydney's music scene, so the band didn't release a debut until 2005's <i>Beams</i>, which was a critical success.
- Nate Cavalieri]]></description>
</item><item>
<title>Calvin Harris</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.13622534&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Sun, 22 Nov 2009 10:09:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.13622534</guid>
<rhap:rcid xmlns:rhap="rhap">art.13622534</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Calvin Harris</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.13622534</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13622534&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.13622534&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Displaying the kind of hubris that only a 23-year-old can muster, Scotland's Calvin Harris launched his career with the cheekily titled 2007 album <I>I Created Disco</I>. The title may have been slightly off-base (newsflash: Diddy didn't invent the remix, either), but Harris' LCD Soundsystem-inspired electro-funk was still punchy enough to catch the attention of Kylie Minogue, who enlisted him to co-write and produce two songs on her 2007 album, <I>X</I>. In 2008, Harris officially broke out of the electro-pop underground with "Dance Wiv Me," a collaboration with Dizzee Rascal that debuted at No. 1 on the U.K. pop charts. Harris' sophomore album, <I>Ready for the Weekend</I>, appeared in 2009. Like his debut, it's carefree and eager to please, but it boasts polished-up production skills and a range that takes in '80s funk, French house, trance-infused Euro-pop and even a smidgen of rock 'n' roll.
- Philip Sherburne]]></description>
</item><item>
<title>CocoRosie</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7373927&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Post-Modern Pop</category>
<pubDate>Fri, 29 May 2009 09:41:34 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">CocoRosie</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7373927</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7373927&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7373927&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For many years, the only thing the Cassady sisters -- better known as CocoRosie -- had in common was a shared Bohemian upbringing. Their childhood was spent traipsing from state to state with their teacher/artist mother during the school year and from reservation to reservation with their Cherokee father, a Waldorf teacher and shaman, in the summer. The sisters didn't get along, and after Sierra went to boarding school at 14, they didn't see each other for 10 years. During that estrangement, Bianca quietly began writing songs, while her big sister moved to France to study opera at the Paris Conservatory. One day in 2003, Bianca, who had been living in Brooklyn until she took off to travel the world, showed up at Sierra's Paris apartment. The reunited sisters shut themselves in Sierra's bathroom, which had the best acoustics, and began composing and recording their first album, <i>La Maison de Mon Reve</i>. That recording, which is every bit as delicate and ethereal as its title, established CocoRosie's incandescent electro-folk-hop sound, got them a deal with Tough & Go (which released the album in 2004), and led to gigs with indie luminaries like Devendra Banhart, Ratatat, and Antony and the Johnsons.
- Rachel Devitt]]></description>
</item><item>
<title>Yelle</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.16656725&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 24 Sep 2009 09:49:07 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.16656725</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Yelle</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.16656725</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16656725&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.16656725&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Born to a musical family in Cotes d'Armor, France, Yelle started playing music from an early age and began recording her own tunes and taking piano lessons as a teen. She met producer and beatmaker GrandMarnier in 2000 and eventually used some of his sample tracks to back her half-sung, half-spoken French Euro pop. Her first public performance came in the fall of 2006 and her debut full-length LP, <i>Pop Up</i> was accompanied by a healthy internet buzz when it appeared in 2007.
- Nate Cavalieri]]></description>
</item><item>
<title>Dan Deacon</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.14191121&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Sun, 13 Sep 2009 09:19:45 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.14191121</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Dan Deacon</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.14191121</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14191121&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.14191121&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Dan Deacon is a nut. A classically trained musician with a Masters degree in electo-acoustic something-or-other, the Baltimore-based Deacon creates ecstatic, highly caffeinated electronic schizo-pop out of knobs and machines and devices. A vaunted member of his hometown's semi-legendary Wham City artist collective, he performs solo, surrounded by contraptions and a homemade lightshow. He's that weird. Listen to his jammers. They'll make you feel weird too, in a special way.
- Garrett Kamps]]></description>
</item><item>
<title>Ultravox</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1204&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Synth Pop</category>
<pubDate>Thu, 29 Oct 2009 10:55:56 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.1204</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Ultravox</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.1204</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1204&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.1204&amp;variant=data&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Caribou</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7420603&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Thu, 23 Jul 2009 18:28:46 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.7420603</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Caribou</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7420603</rhap:artist-rcid>
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<description><![CDATA[Dan Snaith, the Canadian musician behind the name Caribou, had already released two albums under the name Manitoba before he was served with legal papers. Unfortunately, he was faced with scrapping the title of his endeavor after "Handsome" Dick Manitoba (who fronted the Dictators)levied trademark infringement against him for the use of the shared name (despite the more authentic claim of it as the name of a Canadian province). We trust that the applied "formerly Manitoba" tag will cease as the new project unfolds and takes over. Snaith, now living in London, released the stellar <I>The Milk of Human Kindness</I> in 2005 under the freshly christened Caribou moniker. While earlier Manitoba releases were more directly influenced by My Bloody Valentine-type shoegazers, Caribou incorporates much more than a wall of fuzzy guitars, making good use of a playful dissonance that gives birth to new, compelling harmonies heaving with whiffs of experimental jazz, neo-folk and a lot of other noises along the way.
- Michele K-Tel]]></description>
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<title>Azure Ray</title>
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<category>Indie Pop</category>
<pubDate>Sun, 26 Apr 2009 11:28:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<title>Information Society</title>
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<category>Synth Pop</category>
<pubDate>Thu, 26 Nov 2009 11:28:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Together from the late 1980s to the early '90s, Minnesota-based quartet Information Society saw numerous chart hits throughout the length of their career. Best known for such radio/club crossover debuts as "What's on Your Mind (Pure Energy)" and "Walking Away," these Electro-oriented anglophiles evolved over the years from a clean Pet Shop Boys-inspired Synth Pop sound to a brooding Industrial Dance/hip-hop hybrid that made little effort to convert new fans.
- Melissa Piazza]]></description>
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<title>Miss Kittin</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6040739&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Sun, 1 Nov 2009 12:39:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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<description><![CDATA[Caroline Herve grew up in Grenoble, France, listening to her parents' record collection -- a splendid mix of Genesis, Supertramp, Miles Davis, Maria Callas, Pink Floyd and the Beatles. Her introduction to the world of electronica took place during the early 1990s European rave scene, when she danced to the KLF, LFO, Aphex Twin and Autechre. It was in pursuit of her own interpretation of this sound that she met the Hacker (Michel Amato) in a Grenoble club. Her career as a DJ began as the result of an argument with a boyfriend over correct technique. He challenged her to prove her point, which she did on the first try, which is not surprising given that one of her hallmarks as a performer is a Digweed-esque precision behind the decks. The first records she bought to play out were Richie Hawtin's <I>Fuse</I> and Robert Hood's <I>The Protein Valve.</I> It took her three months to earn enough money at her job as a supermarket cashier to buy a secondhand pair of Technics decks, both of which she still uses. As the gigs started to pile up all over Europe, she recorded "Frank Sinatra" in 2000 with the Hacker, and sent a copy to DJ Hell. Their timing was perfect -- the brittle electro beats and her flat deadpan Flying Lizards-style vocals combined to create a club anthem. The naughty lyrics didn't hurt either, and soon Felix da Housecat was calling for vocal help on "Silver Screen Shower Scene," positioning the now-dubbed Miss Kittin as a leader in the electroclash genre. Never one to be pigeonholed, her style moved closer to techno, and she took a residency at Sven Vath's Cocoon club in Frankfurt, where she showcased her infatuation with leftfield IDM, classic house and old disco. Her key releases, <I>First Album</I> (2002) and <I>I Com</I> (2004), express more of the electro side of her musical canon, but experiencing her live performance is quite different. Her gigs are evenings of wild abandon with funky beats, tunes from across the decades and flawless mixing, while she sings live over the top of it all, driving the crowd crazy with her look-but-don't-touch DJ diva style.
- Nicholas Baker]]></description>
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<title>Little Boots</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.26770592&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss</link>
<category>Electropop</category>
<pubDate>Mon, 26 Oct 2009 10:55:20 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=218&amp;rws=%2Felectronica-dance%2Fleftfield-idm%2Felectropop%2Fartist-chart.rss">Top Electropop Artists on Rhapsody Online</source>
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