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<title>Top Beats &amp; Breaks Artists on Rhapsody Online</title><link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link><description>Top Beats &amp; Breaks Artists on Rhapsody Online</description><category>Beats &amp; Breaks</category><language>en</language><ttl>720</ttl><pubDate>Tue, 22 Dec 2009 13:52:09 -0800</pubDate><image>
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<title>Top Beats &amp; Breaks Artists on Rhapsody Online</title>
<link>http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
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<title>Moby</title>
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<category>Electronica/Dance</category>
<pubDate>Thu, 10 Dec 2009 10:52:31 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Moby</rhap:artist>
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<description><![CDATA[A revered, recognizable figure on the dance music scene since the early '90s, the enigmatic producer/DJ Moby was catapulted into mainstream stardom with the 1999 release of <I>Play</I>. A surprise hit, <I>Play</I> delved into highly personal areas in a downtempo vein never before explored in any of his previous releases. A master of such styles as techno, house, trance, ambient and breakbeat to name just a few, Moby is blessed with the ability to strike a sincere, emotive chord with a wide range of dance music devotees.
- Melissa Piazza]]></description>
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<title>The Prodigy</title>
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<category>Hardcore Electronic</category>
<pubDate>Thu, 10 Dec 2009 10:52:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<description><![CDATA[The Prodigy always understood the need for visceral energy in dance music. What made them unique at the time of their debut in 1991 was the fusing of punk sounds and mores with the emergent acid house beats of the dancefloor. This glowstick-with-a-safety-pin-through-it attitude was made manifest by front man Keith Flint, a snarling manic Johnny Rotten for the club crowd, but the true soul of the group was techno boffin Liam Howlett. Liam was a local Essex DJ at a time when one could say the word rave without fear of scorn or imprisonment. He had seen the effect of a big track on the right crowd and was keen to try his hand at some original compositions. Keith Flint and Leeroy Thornhill had heard Liam spin and pestered him for mix tapes and examples of his songs. Before long they were working together, taking their name from Liam's Moog synthesizer. Their debut was "What Evil Lurks" (1991) but it was the second effort "Charly" (1991) that made the big impact, going to No. 3 in the UK charts. "Fire" (1991) also made the Top-20, after which they released their debut long player <I>The Prodigy Experience</I> (1992), which sold over 1 million copies in the UK alone. By now word was out about their live performances -- an intense combination of Tubeway Army style keyboard-lurking (Liam) and full-on mental moshing (Keith and Leeroy). Clearly Underworld's Karl Hyde must have been paying attention -- it was now possible for an electronic dance act to be exciting live, instead of just po-faced avant-garde. <I>Music For A Jilted Generation</I> (1995) was next -- a hard techno banger of an album that made no concessions to the loved-up house massive. However, it was the release of "Firestarter" from their third opus <I>The Fat Of The Land</I> (1997) that really put them on the mass media map. Fearful that the track and its provocative video were inciting arson, the inevitable tabloid frenzy ensured The Prodigy were a household name by the end of the year. "Breathe" (1995) was even bigger -- the beats so massive that it crossed genre boundaries to be popular with metal fans, rock heads and house fanatics across the country. The time was right to really push their luck, which they did with the release of "Smack My Bitch Up" (1997), a track almost specifically designed to simultaneously fill dance floors and appall the politically correct. It was a huge hit and they were at the top of their game. Time then for some time off, which ended up being seven years, before <I>Always Outnumbered, Never Outgunned</I> (2004) was released. This proved to be more of a solo effort from Liam. All three original members were back on board, though, for 2009's <i>Invaders Must Die</i>.
- Nicholas Baker]]></description>
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<title>The Crystal Method</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.1382&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Tue, 17 Nov 2009 09:07:23 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Crystal Method</rhap:artist>
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<description><![CDATA[U.S. groundbreakers who took cues from The Chemical Brothers. Born in Las Vegas, Ken Jordan and Scott Kirkland moved to Los Angeles and revitalized the waning Southern California scene with their legendary 1995 debut single "Keep Hope Alive." Armed with an artillery of Acid, Funk, rock, hip-hop and Soul, The Crystal Method's Prodigy-style attack upon American audiences soon inflated into a worldwide conquest. Traces of this duo's aggressive big beat sound can be detected in endless numbers of international producers of both the bedroom and commercial types. A mind-jarring mix of ruthless breaks and basslines that quake like a building about to fall, this high-powered style is sewn together with threads of soulful vocal hooks and no-nonsense rap lyrics. Unavoidable.
- Melissa Piazza]]></description>
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<title>Fatboy Slim</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5732&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Big Beat</category>
<pubDate>Wed, 16 Dec 2009 11:55:51 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Fatboy Slim</rhap:artist>
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<description><![CDATA[Globally-recognized for turning out massively infectious crowd-pleasers that hype both the clubs <I>and</I> the airwaves, Brighton Big Beat icon Fatboy Slim (aka Norman Cook) developed his mastery of popular music during his role as bassist in the quirky guitar-pop band the Housemartins, as a top-flight DJ in Beats International and as a player in the Acid House trio Pizzaman. This pop culture scholar turned industry heavy-hitter is one of the most influential acts in dance music today.
- Nicholas Baker]]></description>
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<title>The Chemical Brothers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4017&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Big Beat</category>
<pubDate>Tue, 8 Dec 2009 09:16:39 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">The Chemical Brothers</rhap:artist>
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<description><![CDATA[It was a love of dance and rock music that brought Tom Rowlands and Ed Simons together at Manchester University. Tom had enrolled to be nearer to Factory Records' fabled Hacienda nightclub, and Ed wanted to spend time in the city of his heroes -- The Smiths and New Order. This was the early nineties, a heady time for musical change in England. Emerging DJ's like Mike Pickering and Paul Oakenfold were coming back from their Ibiza holidays and trying to re-create the <I>anything goes</I> playlists they had experienced at clubs on the island. This blend of hip-hop, rare house, classic rock and just about anything else provided it <I>worked</I> became known as Balearic (named after the group of Mediterranean islands that include Ibiza). Tom and Ed loved the Balearic blending of genres and started their own similar night at local Manchester club, Naked Under Leather, in 1991. As this extra-curricular diversion grew in popularity, they took the name The Dust Brothers in tribute to the U.S. production team responsible for the Beastie Boys' <I>Paul's Boutique</I>, and started to produce their own music. Their first effort, "Song To The Siren" immediately put them on the map. Darren Emerson, Andy Weatherall and Lionrock's Justin Robertson all took notice and they soon found themselves in-residence in London as a production and remixing duo. It was here that they began their now-legendary Heavenly Social Sunday night parties -- a regular hedonistic gathering that has become over time a touchstone of electronica history credibility with more people claiming to have been than there were nights available. As their notoriety grew, the "real" Dust Brothers sent in the lawyers, so a name change to The Chemical Brothers was required and a graceful departure was fashioned in the title of their debut album <I>Exit Planet Dust</I> (1995). By now they were approaching Underworld levels of fame and critical appreciation, so it was no surprise when Oasis's Noel Gallagher agreed to sing on their Beatle-y "Setting Sun" release, again cementing their popularity in both the rock and dance camps, something that was underscored by their opening gig for Oasis at the Knebworth music festival, a pre-cursor to several headlining global tours. <I>Dig Your Own Hole</I> (1997) followed, with the inescapable hit "Block Rockin' Beats," after which there was the excellent <I>Surrender</I> (1999) ("The Sunshine Underground" being a standout track) and <I>Come With Us</I> (2002). The inevitable career review <I>Singles 93-03</I> (2003) started tongues wagging about a creative block, but the beats kept rockin' with 2005's <I>Push The Button</I> and 2007's <i>We Are The Night.</i>
- Nicholas Baker]]></description>
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<title>Koop</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.41574&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Acid Jazz</category>
<pubDate>Wed, 25 Nov 2009 11:50:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<description><![CDATA[Swedish electronic duo Koop create flowing and romantic music that is so dense and layered it sounds like a full orchestra of session players. But, in fact, they rely solely on samples, a process that often takes months to complete. Magnus Zingmark and Oscar Simonsson first began making music together in the mid-1990s after meeting in Uppsala, Sweden. After a move to Stockholm in 1997, the duo released their debut album, <i>Sons Of Koop</i>. In 2002, their second album, <i>Waltz For Koop</i>, catapulted them into the forefront of the "nu-jazz" scene. The group subsequently released <i>Koop Islands</i> in 2007, an album that transported its listeners back to the dinner jazz sound of the 1930s and '40s.
- Jamie Sanchez]]></description>
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<title>Madlib</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.36778&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Madlib</rhap:artist>
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<description><![CDATA[Though he'd made guest appearances with West Coast indie stalwarts Tha Alkoholics, most people first noticed Madlib when his group Lootpack released <I>Soundpieces: Da Antidote</I> in 1999. Madlib's rickety lo-fi productions were looser and funkier variations on the jazzy hip-hop pioneered by his NYC producers, but it wasn't until <I>The Unseen</I> dropped in 2000 that Madlib's M.O. became apparent. Released under the Quasimoto moniker, <I>The Unseen</I> was a concept album based on a helium-voiced hedonist who enjoyed "astro traveling." It was equal parts Prince Paul, Sun Ra and Cheech Marin, and remains among the most inventive hip-hop albums ever made. Madlib would continue to follow his weird muse unbridled by either commercial interest or fan expectations. In the past eight years, he recorded numerous jazz albums under different aliases, collaborated with J Dilla on <I>Champion Sound</I>, recorded a broken-beat album under the moniker DJ Rels, reworked both the Blue Note and Trojan catalogs, linked up with MF Doom for <I>Madvillainy</I> and recorded two widely acclaimed instrumental hip-hop albums. Madlib continues to push boundaries.
- Sam Chennault]]></description>
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<title>Cinematic Orchestra</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9926&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Thu, 10 Dec 2009 10:52:46 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cinematic Orchestra</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9926&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Treading on the most chilled-out territory and taking it a few degrees cooler, Cinematic Orchestra sample classic jazz and slowly build upon it with live instruments and samples. The effect is mind-blowing: deep, melodic music that sounds like jazz but is subject to the profound control of a DJ with a vision.
- Sarah Bardeen]]></description>
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<title>Dirty Vegas</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39977&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Progressive/Tribal House</category>
<pubDate>Wed, 16 Dec 2009 11:55:58 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Dirty Vegas</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.39977&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Best known for the catchy "Days Go By" (thanks to its exposure in a Mitsubishi car commercial), Dirty Vegas construct radio-ready pop tunes with a strong House influence. Their self-titled debut spent several weeks on the Billboard dance charts, but by the end of 2002 it was clear their appeal crossed genres. Much like the Pet Shop Boys, Dirty Vegas can be filed in either the electronica section, or the alt rock portion of your CD collection. The 2004 release <i>One</i> only deepened the group's crossover appeal.
- Peter Gavin]]></description>
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<title>RJD2</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.39363&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>The Midwestern Basement</category>
<pubDate>Sun, 1 Nov 2009 12:39:40 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">RJD2</rhap:artist>
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<description><![CDATA[A producer and DJ from Columbus, Ohio, RJD2 is undoubtedly one of the most hyped beatmakers in independent hip-hop today. He got his start making tracks for the MHZ crew (Copywrite, Camu Tao, Tage Proto), then worked his way up with a series of singles and mix tapes before unleashing his critically-acclaimed debut LP, <i>Dead Ringer</i>, on the uber-hip Def Jux label in 2002. Much like DJ Shadow (an obvious influence) before him, RJD2's music appeals not only to the underground hip-hop community, but also to aging indie-rockers and hipsters who don't care for most rap music. Loaded with moody samples, dusty drum breaks, dialogue clips, and pieces of vintage soul jams, the mostly instrumental <i>Dead Ringer</i> elicited rave reviews from a wide variety of listeners, and was bound for many critic's "best of 2002" lists.
- Brolin Winning]]></description>
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<title>J Dilla</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5278372&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:06 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">J Dilla</rhap:artist>
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<description><![CDATA[One of hip-hop's most accomplished producers, J Dilla helped define the sound of underground hip-hop. His signature blend of breezy soul music, jazz licks and hip-hop thump can be heard in the music of Kanye West, Madlib and the Roots. And while charting was never a priority, Dilla was as accessible as anything by the Neptunes, and he worked with such pop artists as Busta Rhymes and Janet Jackson. When Dilla passed in February 2006 due to liver failure, there was an instant and inescapable void in the hip-hop universe -- one that will not be easily filled. <br></br> Dilla began his musical odyssey in the late '80s as part of the emerging Detroit hip-hop crew Slum Village. He was labeled a prodigy -- when the group formed in 1988, Dilla was only 15. Dilla first reached national attention in the mid-'90s while producing for Tribe Called Quest and De La Soul. Though Trife and Q-Tip's chemistry together had long since waned, Dilla's production on <I>The Love Movement</I> at least made the CD listenable. Subtle counter melodies and light, shuffling breaks were the order of the day, and tracks such as "Find My Way" and "4Moms" found Dilla in increasingly pastoral form. It provided a proper sendoff for one of hip-hop's most celebrated groups and set the stage for the neo-soul movement that would later help redefine urban music. <br></br> Dilla produced for many key artists in the neo-soul genre. His work on D'Angelo's <I>Voodoo</I> was quintessential, while the tracks that he completed for Erykah Badu (including "Cleva" and "Didn't Cha Know") were equally compelling. But Dilla was too restless a musician to be confined to one sound. As he was turning out tracks for the headwrap soul set, he was also helping to guide the careers of hip-hop superstars Common and Busta Rhymes and overseeing the commercial emergence of his old Detroit crew, Slum Village. SV's 2000 single "Rise Up," from the <I>Fantastic, Vol. 2</I> album, was featured extensively on MTV and was vintage Jay Dee: sample-based with slight electro embellishments and awkward, non-quantized drum programming that would be dubbed by the Roots' ?uestlove as Dilla's "drunken style." <br></br>It was during this time that Dilla would experience his greatest commercial successes. Q-Tip's "Vivrant Thing," from his solo debut <I>Amplified </I>, was that rapper's biggest single to date, and Dilla's work on Busta Rhymes' <I>The Genesis</I> and Common's <I>Like Water for Chocolate</I> was equally popular. Suddenly, Dilla was a top-tier producer, a status that was cemented when Janet Jackson contracted him in 2000. Dilla never felt comfortable in the role, and he soon departed from Slum Village (rumor has it that that the group wanted to take a more commercial approach) and began to focus on producing for lesser-known Detroit acts. His production during this period was grittier. While his signature off-tempo drums were still in place, the delicate soul samples that dominated his earlier work were supplanted by a thornier electro edge. <br></br>In 2003, Dilla linked up with California producer Madlib. Madlib's work was obviously influenced by Dilla, though it was abstract and tangential where Dilla's was focused and concise. Their 2003 collaborative LP, Jaylib's <I>Champion Sound</I>, was an underground hip-hop classic. Dilla was so smitten with Madlib and his Stones Throw label that he relocated to L.A. and signed to Stones Throw. It would be here that Dilla released</I> Donuts </I>, his last album. The record found Dilla flipping classic soul samples and was widely heralded as his best work in years. It was a fitting bookend to one of hip-hop's most illustrious careers. <br></br>Due to Dilla's incredible medical expences, a fund has been set up to provide financial relief for Dilla's mother. If you'd like to help, please send check or money orders to the following address:<br></br>
Maureen Yancey<br></br>
132 N. Sycamore Avenue<br></br>
Los Angeles, CA 90036
- Sam Chennault]]></description>
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<title>Handsome Boy Modeling School</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.9503&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Sat, 10 Oct 2009 10:13:26 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Handsome Boy Modeling School</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.9503&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Two of the most unapologetically eccentric and undeniably skilled producers in
hip-hop, Prince Paul and Dan "the Automator" Nakamura came together in 1999 to form Handsome Boy Modeling School. Assuming the alter-egos of Chest Rockwell and
Nathaniel Merriweather, they put together an all-star crew of rap and rock weirdoes (Del, Kid Koala, Alec Empire, DJ Shadow, Sean Lennon and many others) and released the much-loved concept album <I>So...How's Your Girl?</I> Chock-full of schizophrenic, genre-bending beats, left-field lyricism and plenty of bugged-out humor (as well as multiple <I>Get a Life</I> references), the record was a critically-acclaimed hit, spawning the high-octane single "Rock N' Roll (Could Never Hip Hop Like This)." Five years later, Chest and Nathaniel reunited for <I>White People</I>, drafting another team of musical oddballs to help them on their quest. De La Soul, Cat Power, RZA, Mike Patten, Casual and Mars Volta all lent their skills to the mix, resulting in another one-of-a-kind album that is both hard to classify and easy to dig.
- Brolin Winning]]></description>
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<title>Mr. Scruff</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6959&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Sun, 22 Nov 2009 10:09:53 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Mr. Scruff</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6959&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Far from nightlife's usual excesses, you won't find Mr. Scruff advocating anything more dangerous than dancing whilst sipping a warm cup of tea. Having long called London's Ninja Tune home, he's less the label's court jester than he is his footed-pajama-wearing, snack-time storyteller. That's not to say that his music, meticulously stitched together out of vintage funk, soul, reggae, rock and folk, and kitted out with good-natured sound effects and squirrelly electronic touches, is lightweight. Scruff, aka Manchester's Andy Carthy, knows what gives funk its oomph, and his albums and DJ sets both show an unusual facility for a danceable groove. But favoring psychedelic touches over the scowls of his comrades in trip-hop, Scruff's life-affirming music stands in a category of its own: This is the stuff of all-ages outdoor festivals (preferably, attended in wackily printed Wellies). And his easygoing collages work equally well in more sedate settings -- no wonder the jack-of-all-trades sells his own line of tea in his spare time. This is as cozy as electronic music gets.
- Philip Sherburne]]></description>
</item><item>
<title>Sa-Ra Creative Partners</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8902812&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Fri, 20 Nov 2009 12:52:05 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Sa-Ra Creative Partners</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8902812&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
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<description><![CDATA[One of the most buzzed-about groups of 2005, SA-RA Creative Partners are a production unit comprised of Om'Mas Keith, Taz Arnold, and Shafiq Husayn. All of them had successful careers in the music industry before coming together in 2000. With skills in beatmaking, DJing, singing and rapping, they truly are a triple threat and have a musically diverse sound to back it up. They've produced for big-name artists like Dr. Dre, Common, Jill Scott and Erykah Badu, and have released a steady stream of collectable 12-inch singles in the States and abroad. With a hard-to-categorize sound and plenty of love from fickle journalists and music aficionados alike, don't be surprised if these guys become full-fledged stars.
- Brolin Winning]]></description>
</item><item>
<title>Diplo</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.5229698&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Instrumental (East Coast)</category>
<pubDate>Sat, 12 Dec 2009 11:16:33 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Diplo</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5229698&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.5229698&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A few turntablists aside, DJing has always been as much about what you play as how you play it. And Philly-by-way-of-Florida DJ/ producer Diplo, perhaps more than any other artiste from this decade, is adept at locating the sonic correlations between culturally disparate sounds. His sets effortlessly oscillate between Rio de Janeiro's favela funk, U.K. grime, Baltimore club music, Southern crunk, indie-electro and other as-yet-unclassifiable music. The aim is to get feet on the dance floor, but the effort also rewards listeners with new contexts for appreciating music. Diplo has blurred the line between artist and critic, and his mixes bring up questions of propriety, exploitation and the relationship between the third world producers and first world consumers. His debut, 2003's <I>Florida,</I> was a bit of a tepid redux of late-1990s DJ Shadow-influenced trip-hop, but his 2005's <i>Fabric</i> mix is excellent.
- Sam Chennault]]></description>
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<title>Jazzanova</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.43129&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Deep House</category>
<pubDate>Sat, 31 Oct 2009 11:42:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Jazzanova</rhap:artist>
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<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.43129&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Berlin's Jazzanova are standard bearers for the jazzier, more soulful side of electronic music. The group formed in 1995, bringing together six musicians -- Alexander Barck, Claas Brieler, Jurgen von Knoblauch, Roskow Kretschmann, Stefan Leisering and Axel Reinemer -- who shared deep backgrounds in soul, jazz, funk and boogie. Whereas early releases tended towards downtempo and broken beat, fusing live and sampled instruments with meticulously programmed grooves, Jazzanova have steadily moved towards a live band feel; 2008's <I>Of All the Things</I> was their most old-school record yet. But Jazzanova have kept pushing dance music forward via their record labels Jazzanova Compost Records (JCR, a collaboration with Munich's Compost label) and Sonar Kollektiv. The latter label has hosted many of the most acclaimed underground artists of the '00s, including Recloose, Roland Appel, Soulphiction, Ame and Robag Wruhme.
- Philip Sherburne]]></description>
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<title>Bassnectar</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.66557&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Thu, 12 Nov 2009 19:09:52 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Bassnectar</rhap:artist>
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<description />
</item><item>
<title>Teddybears</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.11497763&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Sat, 15 Aug 2009 11:04:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Teddybears</rhap:artist>
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<description />
</item><item>
<title>Boozoo Bajou</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37582&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Thu, 19 Nov 2009 15:23:29 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Boozoo Bajou</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.37582</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37582&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37582&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Coldcut</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.35678&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Cut &amp; Paste</category>
<pubDate>Tue, 8 Dec 2009 09:16:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Coldcut</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35678&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.35678&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[For proof that Jonathan More and Matt Black of Coldcut are legendary beat manipulators, just look at their record: theyâve produced one quality sample-driven track after another, beginning with the classic "Say Kids, What Time Is It?" in 1987. Ex-art teacher More and computer programmer Black are not only audiovisual artists, pirate radio DJs and sought-after remixers, theyâre also the forces behind Ninja Tune, the imprint designed for beat fiends and hip-hop experimentalists. Featuring the urban-centric sounds of fellow Coldcut innovators DJ Food, the Herbaliser, DJ Vadim, Funki Porcini and Kid Koala, this UK-based label is a favorite among electronic music intellectuals, hip artist types and groove-seeking clubbers alike.
- Melissa Piazza]]></description>
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<title>Future Sound of London</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4970&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Sat, 3 Oct 2009 10:44:42 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Future Sound of London</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4970&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4970&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Having originally made their mark producing club-oriented dance hits like "Stakker" and the classic "Papua New Guinea," the duo of Brian Dougans and Gary Cobain has since incorporated nearly every innovation in electronic music into their creations. Progressing from the pulsing, trance-inducing Techno of <I>Accelerator</I> through the ambient constructions of <I>Lifeforms</I> to the twisted breakbeats of their more recent albums, FSOL have shown an omnivorous interest in sound and the different ways it can be combined. They bring a truly experimental attitude to what is often a convention-bound form, and their records are always an adventure, breaking fresh sonic ground and then moving on to the next challenge. The music is never difficult for its own sake; in fact, what makes FSOL so successful is the way they integrate their sonic investigations into a funky, listener-friendly format. Their releases are always accessible and danceable, allowing them to present new ideas more easily -- and pushing the whole scene forward as they do so.
- Mike Schulman]]></description>
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<title>Ursula 1000</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.52762&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Tue, 10 Nov 2009 10:13:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Ursula 1000</rhap:artist>
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<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.52762&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.52762&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[One of the mainstays of the Thievery Corporation's Eighteenth Street Lounge label, the Miami-raised, Brooklyn-based Ursula 1000 (Alex Gimeno) comes off as something of a trickster amid his head-nodding labelmates: his '60s references are less <I>Kind of Blue</I> and more mambo, easy listening and even sleazy disco and softcore go-go. His 1999 debut <I>The Now Sound of Ursula 1000</I> was well schooled in hip-hop breaks, kitschy samples and acid-jazz affect, while the mix CD <I>All Systems Go-Go</I> had a similar whiff of basket-bottle chianti. With 2002's <I>Kinda Funky</I>, Gimeno began toughening up his collages with fatter production and bigger beats. <I>Mystics</I> found an Ursula 1000 updated, with the overtones of beatniks and <I>Breathless</I> giving way to heavy funk and a miasma of synth bass.
- Philip Sherburne]]></description>
</item><item>
<title>Funki Porcini</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.37915&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Fri, 14 Aug 2009 11:04:13 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.37915</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Funki Porcini</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.37915</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37915&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.37915&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Ninja Tune favorite Funki Porcini serves up jagged breakbeats encrusted with phenomenal aural atmospherics. Downplaying a cheeky sense of humor, this Londoner translates aural anecdotes from extensive world travels into delectable Downtempo goodness. Influenced by hip-hop, blues, Soul, Funk and beat poetry, Funki Porcini composes abstract tapestries that recall the past and foretell the future, like a finger-paint project from an old soul trapped in the body of a five-year-old child prodigy. From jazz-infected Trip-Hop complexity to manic Drum 'n' Bass abstraction, these Funk-fueled vibes make for pleasing wallpaper during an after-dinner ritual of espresso and a cigarette, or mood-matching sonic accompaniment to a good-natured temper tantrum.
- Melissa Piazza]]></description>
</item><item>
<title>Pete Rock</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69185&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 3 Oct 2009 10:44:39 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69185</guid>
<rhap:rcid xmlns:rhap="rhap">art.69185</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Pete Rock</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69185</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69185&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69185&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Easily one of the best and most influential producers of the 1990s, Pete Rock's track-making mastery is responsible for many hip-hop classics. He released three albums with partner C.L. Smooth between 1991 and 1994, incorporating mellow beats and a heavy jazz influence into his work. He's worked the boards for a wide assortment of rap stars -- everyone from Kid 'N Play and Heavy D to Nas and Rakim. He released <I>Soul Survivor</I> in 1998, a solo LP featuring a gang of guests including Black Thought, Raekwon, and Kool G. Rap. In 2001, he teamed up with BBE Records for their Beat Generation series, offering the excellent <i>Petestrumentals</i> LP.
- Brolin Winning]]></description>
</item><item>
<title>The Avalanches</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.41831&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Cut &amp; Paste</category>
<pubDate>Sat, 19 Dec 2009 10:52:18 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.41831</guid>
<rhap:rcid xmlns:rhap="rhap">art.41831</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">The Avalanches</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.41831</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41831&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41831&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This collective of DJs and musicians takes the best of both downtempo and scratch DJ styles and introduces a new, celebratory sound in Trip-Hop. Behind Robbie Chater and Darrin Seltmann, the group released the "El Producto" EP in 1997 and, while fine-tuning their live sets, they released the eighteen-track "Since I Left You" in 2000 (which didn't gain popularity until late 2001). The Avalanches had a few brushes with the mainstream, such as opening for the Beastie Boys and getting permission from Madonna to sample "Holiday" for their tasteful "Stay Another Season" track.]]></description>
</item><item>
<title>Fluke</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3045&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Thu, 26 Nov 2009 11:27:47 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3045</guid>
<rhap:rcid xmlns:rhap="rhap">art.3045</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Fluke</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3045</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3045&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3045&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Acclaimed for creating a number of dents in the U.K. Top 40 charts, this genre-defying trio conquered a variety of dance floor trends: Acid House, Trip-Hop, Trance and Big Beat. Accomplished remixers whose credits include tracks originating from such eclectic acts as New Order, Frankie Goes to Hollywood and Bjork, former housemates Jon Fugler, Mike Tournier and Mike Bryant have earned a reputation for eluding categorization with a vengeance and a smirk. Fluke's still-growing following tends not toward the flighty, trend-sensitive set, but to dedicated loyalists addicted to the trio's ever-changing sound.
- Melissa Piazza]]></description>
</item><item>
<title>Propellerheads</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69124&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Big Beat</category>
<pubDate>Thu, 5 Nov 2009 12:40:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69124</guid>
<rhap:rcid xmlns:rhap="rhap">art.69124</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Propellerheads</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69124</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69124&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69124&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Launched by the highly respected U.K. dance label Wall of Sound, DreamWorks artists the Propellerheads stand in the company of the Chemical Brothers and Fatboy Slim as one of the most respected acts on the Big Beat scene. With their expertly pasted elements of Funk, House, Techno, hip-hop and jazz, the Propellerheads ensure there's no sitting still when this duo is pimping on the decks.
- Melissa Piazza]]></description>
</item><item>
<title>Herbaliser</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3238&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Sun, 18 Oct 2009 10:44:28 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.3238</guid>
<rhap:rcid xmlns:rhap="rhap">art.3238</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Herbaliser</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3238</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3238&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3238&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Scholars of old-school hip-hop Ollie Teeba and Jake Wherry demonstrate their abstract beat experiments as the Herbaliser, one of the most respected names on the Ninja Tune roster. Assembling careful samples plucked from America's jazz and Funk heritage over beats inspired by such New York artists as the Sugarhill Gang and the Jungle Brothers, this London-based act's head music settles inside your consciousness like packaged goods sold in an Amsterdam coffee shop. A suave sound-clash of hip-hop and Funk captured on a celluloid strip of cinematic goodness, the Herbaliser's techniques of vinyl manipulation are the perfect addition to any smoke-filled VIP room.
- Melissa Piazza]]></description>
</item><item>
<title>Celldweller</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6876313&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Sun, 16 Aug 2009 09:06:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6876313</guid>
<rhap:rcid xmlns:rhap="rhap">art.6876313</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Celldweller</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6876313</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6876313&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6876313&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Prince Paul</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.69117&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Indie Rap/Hip-Hop</category>
<pubDate>Wed, 25 Mar 2009 21:05:16 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.69117</guid>
<rhap:rcid xmlns:rhap="rhap">art.69117</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Prince Paul</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.69117</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69117&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.69117&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[An extremely innovative producer with an astounding discography behind him, Prince Paul is the mad genius behind some of hip-hop's most landmark work. His production style on De La Soul's 1989 debut <I>3 Feet High and Rising</I> drew from a wide variety of musical sources. The album was the first to expand the depth of sampling capabilities, perfectly mingling sounds not usually associated with hip-hop. It was also one of the earlier examples of skits on records, a trend followed by practically every hip-hop artist in the 1990s.In 1994, along with the RZA, Fruitkwan and Poetic, Paul created the Gravediggaz, a conceptual supergroup whose experimental sound was soon dubbed "horrorcore." He closed the '90s by dropping his solo debuts <I>Psychoanalysis: What Is It?</I> and the cinematic <I>A Prince Among Thieves</I>, while also hooking up with the Automator (another superproducer) and a gang of cutting-edge artists for the genre-bending Handsome Boy Modeling School's <I>So How's Your Girl</I>. With work on over forty albums under his belt, Prince Paul has consistently changed the rules of hip-hop, furthering its evolution with his startlingly original vision and sound.
- Brolin Winning]]></description>
</item><item>
<title>9th Wonder</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.8653315&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Producers Corner</category>
<pubDate>Sat, 22 Aug 2009 09:35:50 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.8653315</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">9th Wonder</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.8653315</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8653315&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.8653315&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>UNKLE</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.62047&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Trip-Hop</category>
<pubDate>Fri, 11 Sep 2009 10:25:05 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.62047</guid>
<rhap:rcid xmlns:rhap="rhap">art.62047</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">UNKLE</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.62047</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62047&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.62047&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Originally consisting of DJ/Mo 'Wax label head James Lavelle, his childhood mate Tim Goldsworthy, and Japanese producer Kudo, U.N.K.L.E. really caught the attention of the music press when Lavelle teamed up with DJ Shadow to produce 1998's <I>Psyence Fiction</I>. Pouring hip-hop and rock through a sieve of experimentalism and breakbeat, the album featured so many cameos (Richard Ashcroft, Thom Yorke and Badly Drawn Boy, to name a few) that it felt like a compilation -- and a dark and brooding one, at that. In 2003, U.N.K.L.E. re-formed again, this time seeing Lavelle partner with his long-time friend Richard File. <I>Never, Never Land</I> is the name of their first venture together.
- Mia Quagliarello]]></description>
</item><item>
<title>Asian Dub Foundation</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4552&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Wed, 7 Oct 2009 12:12:52 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.4552</guid>
<rhap:rcid xmlns:rhap="rhap">art.4552</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Asian Dub Foundation</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4552</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4552&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4552&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Self-described as "MIDI warriors," the Asian Dub Foundation have come a long way from their roots as teachers and students in a music technology workshop for Asian children. However, unlike many initially socially strident groups who finally achieve global stardom, the ADF's political viewpoints have remained steadfast throughout. From the outset, their blend of punk, jungle and Bengali instrumentation proved more popular in France then their native London, but as word spread about their incendiary live performances, people began to take notice. Wishing to capitalize on this momentum, the ADF made the smart move of re-recording their France-only release <i>R.A.F.I.</i> to reflect this live energy, resulting in 1998's <i>Rafi's Revenge</i>, which proved to be their breakthrough album. Headlining tours followed, helped by regular championing from Primal Scream and a pivotal US support tour with the Beastie Boys. Line-ups have ebbed and flowed, but the political message has remained the same Ã¢â¬â for example "Fortress Europe" on 2003's <i>Enemy of the Enemy</i> clearly indicates their views on immigration. The inevitable best-of was released in 2007 (<i>Timefreeze 1995-2007</i>), but the ADF show no signs of slowing down. Expect another retrospective 10 years in the future.
- Nicholas Baker]]></description>
</item><item>
<title>Cirrus</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.47&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Sat, 12 Sep 2009 09:46:54 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.47</guid>
<rhap:rcid xmlns:rhap="rhap">art.47</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Cirrus</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.47</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.47&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Often grouped with the likes of the Crystal Method, the Prodigy and Uberzone, Cirrus reaps the goodness from rock and beat-oriented electronica in true West Coast style. Atmospheric breakbeat grooves strive for innovation while keeping the energy level at a slow boil.
- Melissa Piazza]]></description>
</item><item>
<title>David Holmes</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6193&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Tue, 10 Nov 2009 10:13:26 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.6193</guid>
<rhap:rcid xmlns:rhap="rhap">art.6193</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">David Holmes</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6193</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6193&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6193&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Featured on Holmes' 1995 debut release <I>This Film is Crap Let's Slash the Seats</I> and three years later on Kruder & Dorfmeister's <I>Sessions</I>, "Gone" brings out Trip-Hop's visual elements much like the experimental breakbeat stylings of Mo' Wax poster boy DJ Shadow. Enlisting the quasi-Shirley Bassey vocal resonance of Saint Etienne's Sarah Cracknell and Progressive Rock artist-turned-Ambient Techno composer Steve Hillage's atmospheric strings, Holmes turns out a murky roller of a track that breathes life into a lonely, James Bond-inspired tale of evil temptresses and governmental treachery. A vaguely noticeable Celtic essence emphasizes a sense of homesickness in this Belfast native's uneasy mix. With this track's brooding cinematic textures and oddly appealing sense of loneliness, Holmes draws a listener base of solitary moviegoers.
- Mike Schulman]]></description>
</item><item>
<title>Quantic</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.64695&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Broken Beat</category>
<pubDate>Sun, 13 Dec 2009 10:14:11 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Quantic</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.64695</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.64695&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.64695&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Let's just cut to the chase: Will Holland (aka Quantic) is cooler than us, more talented than us, more successful than us -- all at the same time as being, most likely, younger than us. After spending his teenage years playing rock guitar in one band or another, Holland made the move to house and breakbeat, which apparently lit quite a fire under his little British behind. Because since then, this DJ, producer, multi-instrumentalist and avid crate-digger has put out four lounge-y, Latin-y, funky-as-all-get-out solo records (plus a kind of b-sides best-of), deejayed his way around the world, and remixed more than 30 songs for various artists and albums. Wait, did we mention his side projects? Yes, indeed, that was projects, plural: there's the folky, dance-y soul duo Limp Twins, with whom Holland put out an album in 2003. Then there's Quantic Soul Orchestra, which have released two recordings featuring Holland on organ, bass, guitar and saxophone. The dude's got his own label, too: Magnetic Fields, purveyor of heavy funk-n-soul dance grooves by Quantic and his ilk. Oh, yeah, and this was all before the age of 25. Jerk.
- Rachel Devitt]]></description>
</item><item>
<title>Cut Chemist</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61500&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Turntabalism/DJ</category>
<pubDate>Sat, 24 Oct 2009 12:08:47 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Cut Chemist</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61500</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61500&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61500&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A standout in the impressive and influential West Coast DJ scene, Cut Chemist has earned his fierce reputation as a solo artist and member of underground groups Jurassic 5 and Ozomatli. His tracks are like intricate puzzles, a series of abstract elements brought together seamlessly through top-notch production and turntable wizardry. With conversational scratching set to instructional records, playful basslines, and rolling snares, he composes funky pieces that are simultaneously nonsensical and tight. One of the hottest names in turntable circles, Cut Chemist is a force on the wheels, and a star in his own right.
- Brolin Winning]]></description>
</item><item>
<title>Kid Koala</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.61291&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Instrumental Rap/Hip-Hop</category>
<pubDate>Tue, 17 Mar 2009 20:32:00 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.61291</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kid Koala</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.61291</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61291&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.61291&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Armed with two wheels of steel, Eric "Kid Koala" San assembles patchwork samples into a flowing aural puzzle, mixing funky beats with jittery scratching. Strange vocal snippets and found sound land in perfect rhythm over seemingly endless streams of mellow Funk and warm grooves, creating a fully soundtracked read-along story for the mentally disturbed beat-head. He's more than just the next set of extremely nimble fingers, which he proved on his wicked demo <I>Scratchcratchratchatch</I>, later re-released as <I>Scratchhappyland</I>. Rather, his addition of live drumming and instrumentation helps further demolish the blurring lines between jazz, Funk, and instrumental hip-hop.
- Jessy Terry]]></description>
</item><item>
<title>Large Professor</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.7485&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Boom Bap/Nineties</category>
<pubDate>Fri, 30 Oct 2009 12:04:39 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Large Professor</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.7485</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7485&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.7485&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Large Professor is one of the most long-standing -- and underrated -- producers in hip-hop, creating tracks for some of the biggest names in the business. He got his start making beats for artists like Kool G Rap and Rakim, before joining up with Main Source and going to work behind the boards as well as on the mic. Their 1991 album, <I>Breaking Atoms</I>, remains a cherished classic, with the timeless hits "Looking At The Front Door" and "Live at the Barbeque." Though he left the group behind, his impact and influence steadily grew through his top-notch compositions for other rising stars. His resume reads like a who's-who of quality hip-hop, with Nas, Big Daddy Kane, A Tribe Called Quest, and Mobb Deep. Large Professor continues to record as a producer and emcee; he released <I>Rap Professionals</I> in 2000.
- Brolin Winning]]></description>
</item><item>
<title>Junkie XL</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3870&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Big Beat</category>
<pubDate>Thu, 10 Dec 2009 10:52:24 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3870</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Junkie XL</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3870</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3870&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3870&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Starting out in the tradition of the Prodigy, Amsterdam-based rock/electronic hybrid Junkie XL (aka Tom Holkenborg) attacked your eardrums with a crackling, complex mix of hip-hop approved breaks, carelessly edgy vocals and blood-curdling guitar riffs. Carefully produced, dense tracks included both live instrumentation and electronic manipulation to draw a fanbase of headbangers and club-goers. That fanbase got even larger in 2002, when his remix of Elvis Presley's "A Little Less Conversation" hit a Nike World Cup commercial -- and the charts in 24 countries. Around the same time, his friendship with trance master Sasha led Holkenborg to develop a more progressive house sound. With his newfound clout and direction, Holkenborg recruited a host of superstars to contribute to 2004's concept album <I>Radio JXL: A Broadcast From the Computer Hell Cabin</I>.
- Melissa Piazza]]></description>
</item><item>
<title>DJ Icey</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.3852&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Wed, 14 Oct 2009 12:06:49 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.3852</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">DJ Icey</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.3852</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3852&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.3852&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[A highly influential name in club culture and a force to be reckoned with on the Florida breaks scene, DJ Icey rocks international crowds with his old school breakbeat sound. Heated, club-focused effects charge up a dark and funky mix of breaks and booming basslines.
- Melissa Piazza]]></description>
</item><item>
<title>Lo Fidelity Allstars</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.41808&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Beats &amp; Breaks</category>
<pubDate>Sun, 21 Jun 2009 09:17:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.41808</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Lo Fidelity Allstars</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.41808</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41808&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.41808&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Rod Lee</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.10226227&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Breaks</category>
<pubDate>Wed, 24 Jun 2009 13:58:33 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:artist xmlns:rhap="rhap">Rod Lee</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.10226227</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10226227&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.10226227&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Don't let his nondescript name put you off: when it comes to Baltimore club music, Rod Lee is something close to royalty. Even the <I>Washington Post</I> called him "the original don of Baltimore club," suggesting how far he's risen from club's sub-basement-level underground. Like Miami bass, Detroit ghetto-tech or Brazilian funk carioca, B-more club is a steadfastly regional sound that keeps a leery eye on the national mainstream, and under Lee's watch, the long view has come sharply into focus. His 2005 mix <I>Vol. 5: The Official</I> was the first B-more mix to be distributed nationally, paving the way for colleagues like Blaqstarr and Scottie B. Lee's productions and DJ sets are the opposite of fussy, pumping out rough-and-ready breakbeat jams overlaid with pop-culture samples from Lil' Jon to Bernie Mac. Sampled gunshots pay tribute to the harsh realities of "Charm City" street life, while X-rated chants keep waistlines winding well into the wee hours.
- Philip Sherburne]]></description>
</item><item>
<title>Freestylers</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.6056&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Breaks</category>
<pubDate>Sat, 25 Jul 2009 12:08:26 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.6056</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Freestylers</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.6056</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6056&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.6056&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Brimming with tributes to hip-hop, electro and Ragga, the Freestylers' blend of party-pleasing vibes and raise-the-roof jams ropes off a special spot for these veteran b-boys in the Big Beat arena. Amidst a blissfully disorienting rush of electro rips, pilfered sound samples and nuclear basslines, these floor-burners are graced with cameos from Ragga rapper MC Tenor Fly, junglist MC Navigator and Afrika Baambaataa's crew the Soul Sonic Force. Expertly tossing out one riotous romp after another, the Freestylers demonstrate the best way to rock a body.]]></description>
</item><item>
<title>Bibio</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.29287085&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Downtempo</category>
<pubDate>Thu, 17 Dec 2009 10:43:35 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
<guid isPermaLink="false">art.29287085</guid>
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<rhap:artist xmlns:rhap="rhap">Bibio</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.29287085</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29287085&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.29287085&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description />
</item><item>
<title>Kinky</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.57287&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>House</category>
<pubDate>Sun, 27 Sep 2009 09:55:58 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.57287</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Kinky</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.57287</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57287&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.57287&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[This Mexican quintet brings everything to the table: rock, electronica, cumbia -- even Beatles influences. The result is just the kind of global nomad music that fans of <i>Buddha Bar</i> compilations find so appealing. Regional and worldly, slick and grounded...and very, very cool.
- Sarah Bardeen]]></description>
</item><item>
<title>DJ Food</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.4408&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>West Coast Instrumental</category>
<pubDate>Fri, 4 Dec 2009 13:19:59 -0800</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.4408</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">DJ Food</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.4408</rhap:artist-rcid>
<rhap:play-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4408&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:play-href>
<rhap:data-href xmlns:rhap="rhap">http://mp3.rhapsody.com/goto?rcid=art.4408&amp;variant=data&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</rhap:data-href>
<description><![CDATA[Coldcut's Matt Black started the "DJ Food" project as a resource for DJ's; however, the studio group's success led to touring and performance as a band. The group combines grimy, spliff-smoking breakbeats, club-friendly grooves, and electronic experimentation. Some tracks approach Soul Jazz, full of droning organs and soulful, blues-based guitar improvisation. Other tracks simply add some Dub and Funk inflections to a House beat with shrill diva vocals, bass-heavy rhythms, and slightly flanged keyboard sounds. But the eclecticism doesn't end here. House-ified Mambo grooves give way to surreal Ambient Breakbeat, Middle Eastern-tinged spy-soundtrack Acid Jazz, and jazz-inflected Drum 'n' Bass. Leave it to Ninja Tune Records to come up with this mix of influences.
- Noah Enelow]]></description>
</item><item>
<title>Meat Beat Manifesto</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.591&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Alt Dance</category>
<pubDate>Thu, 15 Oct 2009 10:59:47 -0700</pubDate>
<source url="http://mp3.rhapsody.com/charts?cat=artist&amp;category=genre&amp;genreId=215&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss">Top Beats &amp; Breaks Artists on Rhapsody Online</source>
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<rhap:rcid xmlns:rhap="rhap">art.591</rhap:rcid>
<rhap:artist xmlns:rhap="rhap">Meat Beat Manifesto</rhap:artist>
<rhap:artist-rcid xmlns:rhap="rhap">art.591</rhap:artist-rcid>
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<description><![CDATA[Genre-transgressing electronic duo who some have labeled Industrial, some have dubbed Techno, and others have identified as Beats & Breaks pioneers. Hip-hop and Dub influences have also left a heavy impress on the band's technologically overwrought sound.
- Chad Driscoll]]></description>
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<title>Dub Pistols</title>
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<category>Beats &amp; Breaks</category>
<pubDate>Sun, 18 Oct 2009 10:43:41 -0700</pubDate>
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<rhap:artist xmlns:rhap="rhap">Dub Pistols</rhap:artist>
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<description><![CDATA[The Dub Pistols offer a cleaner, commercial-friendly presentation of Monkey Mafia's fusion of dub and Big Beat. These London hedonists -- often compared to Big Beat contemporaries the Freestylers, Lo Fidelity Allstars and the Chemical Brothers -- layer rough elements of Dub Reggae, hip-hop and Acid-oriented dance styles with a fierce Punk rock temperament in the tradition of Madchester bands like the Happy Mondays and the Stone Roses. Confident pop, rap and dub lyrics serve up revolutionary themes over contagious Crystal Method-inspired breaks, lonely horns and mean rhythms from the dark side of the island. Satisfying to open-minded Dub Reggae followers, this explosive mix fronts a readiness to rock the party that will make even the most dedicated hip-hop heads chuckle in spite of themselves.
- Melissa Piazza]]></description>
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<title>Timo Maas</title>
<link>http://mp3.rhapsody.com/goto?rcid=art.58385&amp;rws=%2Felectronica-dance%2Fbeats-breaks%2Fartist-chart.rss</link>
<category>Progressive/Tribal House</category>
<pubDate>Thu, 10 Dec 2009 10:52:37 -0800</pubDate>
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<rhap:artist xmlns:rhap="rhap">Timo Maas</rhap:artist>
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<description><![CDATA[Describing his style as "percussive wet funk," Timo Maas has come a long way from his early days spinning chart hits and simple trance at friends' parties in Germany. An early hit with "Mama Konda" (1997) under his Orinoko moniker caught the attention of some big names in the dance world and he soon picked up several high profile residencies, including a regular slot at New York's Twilo. By this time he had moved on to a big beat progressive house sound, with remixes by Azzido Da Bass' "Dooms Night" and Lustral's epic "Everytime" cementing his reputation. His debut solo work (actually recorded with long-time production partner Martin Buttrich) <I>Loud</I> (2002) took both fans and critics by surprise. Instead of a predictably banging techno-electro-house energy fest, he produced something altogether more thoughtful. Tracks like "Help Me" almost had a pop feel to them, the break beat monster, "Shifter" would remain a club classic for years to come while "To Get Down" and "Ubik" called to mind Blancmange and Heaven 17 in the best ways possible. <I>Pictures</I> (2005) confounded fans once again and proved to be an altogether more mellow affair, leaning closer to the rock world than house, perhaps reflecting a more calm private life resulting from marriage and parenthood.
- Nicholas Baker]]></description>
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