<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet title="XSL_formatting" type="text/xsl" href="http://feeds.rhapsody.com/rss-transform-xslt.xml?bid=-1896253084"?>
<!--These data are only offered for use pursuant to the license agreement
posted at http://webservices.rhapsody.com/rws-license.html.
Any use of these data indicates your agreement to the terms and conditions
set forth therein.-->
<rss version="2.0" xmlns:rhap="http://feeds.rhapsody.com/dtds/">
<channel>
<title>Music Videos by Donald Byrd on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.6259&amp;rws=%2Fdonald-byrd%2Fmusic-videos.rss</link><description>Though never quite a member of jazz's vanguard, trumpeter Donald Byrd has always changed with the times. In the 1950s, his star rose when he gained a prestigious spot in Art Blakey's Jazz Messengers, after which he began recording his own albums. But Byrd was not to remain true to the conventions of Hard Bop. Throughout the Â60s, soul, Gospel, and contemporary pop began to influence his music: his album &lt;I&gt;A New Perspective&lt;/I&gt; made use of a Gospel choir; he would later enlist a pair of Afro-Brazilian percussionists for his 1970 album, &lt;I&gt;Kofi&lt;/I&gt;. By 1974, he was right in the center of the Fusion pack, releasing the highly influential Jazz-Funk album &lt;I&gt;Blackbyrd&lt;/I&gt;. This slick, studio-produced album sold over a million copies, and was influential in forming the genre known today as Acid Jazz. Finally, when jazz and hip-hop began to intermingle, Byrd was there as well, contributing solo work to Guru's initial &lt;I&gt;Jazzmatazz&lt;/I&gt; project.
- Noah Enelow</description><category>Jazz-Funk</category><language>en</language><ttl>720</ttl><pubDate>Wed, 30 Dec 2009 07:31:42 -0800</pubDate><image>
<url>http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif</url>
<title>Music Videos by Donald Byrd on Rhapsody Online</title>
<link>http://www.rhapsody.com/goto?rcid=art.6259&amp;rws=%2Fdonald-byrd%2Fmusic-videos.rss</link>
<description>Though never quite a member of jazz's vanguard, trumpeter Donald Byrd has always changed with the times. In the 1950s, his star rose when he gained a prestigious spot in Art Blakey's Jazz Messengers, after which he began recording his own albums. But Byrd was not to remain true to the conventions of Hard Bop. Throughout the Â60s, soul, Gospel, and contemporary pop began to influence his music: his album &lt;I&gt;A New Perspective&lt;/I&gt; made use of a Gospel choir; he would later enlist a pair of Afro-Brazilian percussionists for his 1970 album, &lt;I&gt;Kofi&lt;/I&gt;. By 1974, he was right in the center of the Fusion pack, releasing the highly influential Jazz-Funk album &lt;I&gt;Blackbyrd&lt;/I&gt;. This slick, studio-produced album sold over a million copies, and was influential in forming the genre known today as Acid Jazz. Finally, when jazz and hip-hop began to intermingle, Byrd was there as well, contributing solo work to Guru's initial &lt;I&gt;Jazzmatazz&lt;/I&gt; project.
- Noah Enelow</description>
</image></channel>
</rss>