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<title>Playlists Featuring Dmitri Shostakovich on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.3904&amp;variant=artist-playlists&amp;rws=%2Fdmitri-shostakovich%2Fplaylists.rss</link><description>Dmitri Shostakovich was easily one of the greatest symphonists of the twentieth century, and along with Prokofiev, one of the foremost composers to emerge and exist under a Stalin-led Soviet Union. His &lt;i&gt;Seventh Symphony&lt;/i&gt; (often referred to as the &lt;I&gt;Leningrad Symphony&lt;/I&gt; because of the common belief that it was written in dedication to soldiers who fell during the Battle of Leningrad) is a monumental work, lengthy and evocative of images both heroic and tyrannical. Its third and fourth movements, for example, contain sections that speak softly and unsentimentally of tragedy, only to be contrasted against harsh, recurring battle music. Shostakovich did not apply the techniques prevalent in Europe at the time -- revolutionary modernists Bartok, Stravinsky and Schoenberg were simply not played or studied at all during this era in the U.S.S.R. -- but there is nothing stale or dated in Shostakovich's work. It's unfortunate Shostakovich lived in fear of his government, for there is no telling where his limitless genius could have led.
- Will Lerner</description><category>Neo Classical</category><language>en</language><ttl>720</ttl><pubDate>Sun, 27 Dec 2009 05:15:06 -0800</pubDate><image>
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<description>Dmitri Shostakovich was easily one of the greatest symphonists of the twentieth century, and along with Prokofiev, one of the foremost composers to emerge and exist under a Stalin-led Soviet Union. His &lt;i&gt;Seventh Symphony&lt;/i&gt; (often referred to as the &lt;I&gt;Leningrad Symphony&lt;/I&gt; because of the common belief that it was written in dedication to soldiers who fell during the Battle of Leningrad) is a monumental work, lengthy and evocative of images both heroic and tyrannical. Its third and fourth movements, for example, contain sections that speak softly and unsentimentally of tragedy, only to be contrasted against harsh, recurring battle music. Shostakovich did not apply the techniques prevalent in Europe at the time -- revolutionary modernists Bartok, Stravinsky and Schoenberg were simply not played or studied at all during this era in the U.S.S.R. -- but there is nothing stale or dated in Shostakovich's work. It's unfortunate Shostakovich lived in fear of his government, for there is no telling where his limitless genius could have led.
- Will Lerner</description>
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<title>Classical C2 - CMC_17</title>
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<category>Classical</category>
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<title>Chapter 07 Seven - hornplayer55</title>
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<category>Classical</category>
<pubDate>Wed, 7 Oct 2009 12:12:41 -0700</pubDate>
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<title>Halloween Max - getnetez</title>
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<category>Soundtracks/Musicals</category>
<pubDate>Fri, 16 Oct 2009 10:59:51 -0700</pubDate>
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<title>New Playlist 3 - altayket</title>
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<category>Classical</category>
<pubDate>Mon, 7 Sep 2009 09:53:09 -0700</pubDate>
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<title>12 Hours of Piano - Skeptopotamus</title>
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<category>Classical</category>
<pubDate>Thu, 24 Dec 2009 13:13:12 -0800</pubDate>
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<title>Rock, Class, Yell, BAM - VrryBigMongo</title>
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<category>Rock/Pop</category>
<pubDate>Fri, 9 Jan 2009 11:58:25 -0800</pubDate>
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<title>Shostakovitch Trios - arturito</title>
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<category>Classical</category>
<pubDate>Sun, 18 Mar 2007 14:32:58 -0700</pubDate>
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<title>Sync machines - jbwarren</title>
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<category>Soul/R&amp;B</category>
<pubDate>Sun, 24 May 2009 09:01:18 -0700</pubDate>
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