http://www.rhapsody.com/goto?rcid=art.8200&variant=artist-playlists&rws=%2Fdisco-inferno%2Fplaylists.rssCombining an affection for disjointed Post-Punk guitar sounds and a futurist's love of looped tape manipulations, Disco Inferno brought an unseen sense of adventure to the landscape of English music in the early '90s. Originally owing a bit to the minor-chord melancholia of the Durutti Column as well as the sound of the early Factory Records recordings, it wasn't until <I>D.I. Go Pop</I> (1994) that their unconventional sound experiments began to grab a foothold. Their swirling use of samples and industrial rhythms based on organic sounds, as well as the distant, muted vocals of Ian Crause, conjured up a more thoughtful and beautiful sadness. Their intelligent, melodic and wonderfully morose music came to an end with the band's disbanding in the mid '90s. - Jon PruettPost-Rocken720Thu, 26 Nov 2009 18:20:40 -0800 http://static.realone.com/rotw/images/logo_rhapsody_113x22.gif http://www.rhapsody.com/goto?rcid=art.8200&variant=artist-playlists&rws=%2Fdisco-inferno%2Fplaylists.rss Combining an affection for disjointed Post-Punk guitar sounds and a futurist's love of looped tape manipulations, Disco Inferno brought an unseen sense of adventure to the landscape of English music in the early '90s. Originally owing a bit to the minor-chord melancholia of the Durutti Column as well as the sound of the early Factory Records recordings, it wasn't until <I>D.I. Go Pop</I> (1994) that their unconventional sound experiments began to grab a foothold. Their swirling use of samples and industrial rhythms based on organic sounds, as well as the distant, muted vocals of Ian Crause, conjured up a more thoughtful and beautiful sadness. Their intelligent, melodic and wonderfully morose music came to an end with the band's disbanding in the mid '90s. - Jon Pruett