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<title>die Kreuzen Discography on Rhapsody Online</title><link>http://www.rhapsody.com/goto?rcid=art.8219&amp;rws=%2Fdie-kreuzen%2Fdiscography.rss</link><description>In 1984 die Kreuzen debuted with one of the most distinctive sounding documents in Hardcore. Dan Kubinski's chilling, if-cockroaches-could-sing vocals were skin-creepingly incredible, especially when heavily layered as they were on tracks "All White" and "Live Wire." Somehow the band managed to play at amazing velocities while keeping every note distinct: each staccato riff cuts as clean and deep as a scalpel. Not content to rest on their laurels, the band turned to edgy, atmospheric textures on their second album, &lt;I&gt;October Faction&lt;/I&gt;. The Metal-weighted material on the album took tempos down and raised the emotional stakes of their songwriting. "Cool Breeze" is a rainy-day plaint that prefigured the stark, lachrymose moments of &lt;I&gt;Gone Away&lt;/I&gt;. On &lt;I&gt;Century Days&lt;/I&gt; (1988), the band continued to display an unusual ability to break listeners' hearts at one moment and have them breaking a sweat the next. The album is by removes gorgeous and gutting.
- Chad Driscoll</description><category>Noise Rock</category><language>en</language><ttl>720</ttl><pubDate>Wed, 16 Dec 2009 22:14:06 -0800</pubDate><image>
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<description>In 1984 die Kreuzen debuted with one of the most distinctive sounding documents in Hardcore. Dan Kubinski's chilling, if-cockroaches-could-sing vocals were skin-creepingly incredible, especially when heavily layered as they were on tracks "All White" and "Live Wire." Somehow the band managed to play at amazing velocities while keeping every note distinct: each staccato riff cuts as clean and deep as a scalpel. Not content to rest on their laurels, the band turned to edgy, atmospheric textures on their second album, &lt;I&gt;October Faction&lt;/I&gt;. The Metal-weighted material on the album took tempos down and raised the emotional stakes of their songwriting. "Cool Breeze" is a rainy-day plaint that prefigured the stark, lachrymose moments of &lt;I&gt;Gone Away&lt;/I&gt;. On &lt;I&gt;Century Days&lt;/I&gt; (1988), the band continued to display an unusual ability to break listeners' hearts at one moment and have them breaking a sweat the next. The album is by removes gorgeous and gutting.
- Chad Driscoll</description>
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<pubDate>Wed, 1 Jan 1986 00:00:00 -0800</pubDate>
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